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International Journal of Trend in Scientific Research and Development (IJTSRD)
Volume 3 Issue 5, August 2019 Available Online: www.ijtsrd.com e-ISSN: 2456 – 6470
@ IJTSRD | Unique Paper ID – IJTSRD26752 | Volume – 3 | Issue – 5 | July - August 2019 Page 2151
Importance of Arts Culture in Society
Huidrom Rakesh Singh
Research Scholar, Department of Dance and Music, Manipur University, Imphal, Manipur, India
How to cite this paper: Huidrom Rakesh
Singh "Importance of Arts Culture in
Society" Published in International
Journal of Trend in
Scientific Research
and Development
(ijtsrd), ISSN: 2456-
6470, Volume-3 |
Issue-5, August
2019, pp.2151-
2152,
https://doi.org/10.31142/ijtsrd26752
Copyright © 2019 by author(s) and
International Journal ofTrend inScientific
Research and Development Journal. This
is an Open Access article distributed
under the terms of
the Creative
Commons Attribution
License (CC BY 4.0)
(http://creativecommons.org/licenses/by
/4.0)
ABSTRACT
The aim of this paper is to show how Arts Culture gives an important
education to the society. Through the different culture, a child many thing
which are not learn in academic environment and understand theiroriginand
significance of different culture. It influence is society to bring peace and
harmony of one community to another community.
KEYWORDS: Culture, Festival and Ritual Ceremony, Relation with Society.
INTRODUCTION
Culture refers to the cumulative deposit of knowledge, experience, beliefs,
values, attitudes, meanings, hierarchies, religion, notions of time, roles, spatial
relations, concepts of the universe, and material objects and possessions
acquired by a group of people in the course of generations through individual
and group striving.
Different culture has different meaning relating to origin
 Kut festival is celebrated by the Kuki-Chin-Mizo groups of Manipur.It takes
place on 1st November in honor of an abundant harvest.
 Gang-Ngai is a festival lasting five days. It starts with the omen taking
ceremony which is later continued with dance and feast.
 Cheiraoba is the Manipur New Year which takes place in April. As part of
the traditional belief, the villagers climb the nearest hill which helps in
bringing good fortune.
 Yaosang is like the festival of Holi which is considered the most important
festival in Manipur. The locals take part in the celebration of merrymaking.
The importance of culture in society can be depicted by the
giving an example:
LAI HARAOBA
Lai-Haraoba is celebrated in honour of the sylvan deities
known as Umang-Lais, meaning deities of calm and quite
environment of beautiful forests. The festival represents the
worship of traditional deities and ancestors of the Manipuri
society. It is usually observed during the month of Kalen tha
(summer season).The festival is a part of recollection of the
creation stories played by the deities with the first origin of
this universe and evolution of the plants and animals
through the will of AtiyaShidaba. Translated, Lai Haraoba
means "merry making of the Gods" in Meetei.
There are six major types of Lai Haraoba. The differences in
the six festivals are very wide and broad; however, the
overall theme is the same. The differences are in the
variations of processes and in cultural aspects and notinthe
inner wisdom and basis of the philosophy of Lai Haraoba.
The different types are:
Kanglei (Imphal) Haraoba
ChakpaHaraoba
Andro Haraoba
Sekmai Haraoba
Moirang Haraoba
Kakching Haraoba
Celebration
The complete festival begins in the day time of the second
day. It has about twenty steps or items in it. Laiboulathaba is
the most important part of the beginning of laiboushaba
(creation of the Universe and the synthesis of the human
body).
A plantain leaf on the specific place represents the unseen
God manifesting the world. The maibi with all the
participants who also join in the laiikouba and lei langba
should move around the plantain leaf three times
symbolising the manifestations of MangnagShidaba,
LuwangShidaba, and Khuman Shidaba (clan deities). After
this the maiba and maibis stand erect before the deity and
pray for the beginning of the laibou. At this time no one
should move, speak and change his/her position. No one
could come in or out of the laibung during this item, Hoirou
Haya Laoba.
The maibi begins to move in the form of the Khayomjagoi (a
dance with hands at the level of the navel) with the
HoirouHaya hymn. When the maibi sings
Hayingeinanoibadimeinawainanoiye; he
tangnashamnanoiye, all the participants begin to movetheir
footsteps without dancing their hands and body. In
laiboushaba the maibi narrates with hymns and dances the
creation of this universe; the sun, the stars, the planets, the
moon, the earth, air, water, etc. After making this earth
inhabitable, the dances shows the creation of all beings
including man. In the case of man, the different parts: the
hand, the fingers, the palms, the arms, the head,the neck,the
eyes, the body, the thigh, the feet, the toes, and all the other
parts are made with the hymns and dances in differentkhut-
theks (hand movements).
IJTSRD26752
International Journal of Trend in Scientific Research and Development (IJTSRD) @ www.ijtsrd.com eISSN: 2456-6470
@ IJTSRD | Unique Paper ID – IJTSRD26752 | Volume – 3 | Issue – 5 | July - August 2019 Page 2152
There are sixty four important khut-theks (hand gestures)
for making the human body. All are shown with very fine,
attractive and meaningful dances representing the
development of the human body in twelve months in the
parents' womb. Then the building of houses, starting of
agriculture and other stages of human development are
played. The last part of the dance confines with the songs,
paoshaisheis, for the welfare of all the individuals. The
control of lust, keeping strict discipline of celibacy and
control of the mind are very clearly and forcefully sung to
remind all the participants the importance and the value of
life in this human birth.
LairenMathek and chongkhonglitpa are played to represent
the continuity of human life. Kanglei-thokpa or lai-lam-
thokpa is a play of the festivalperformed outsidethelaibung,
in any place suitable for assembling greater number of
participants.
Lairoi (the end of haraoba) is very important and it includes
performances:
OugriHangen (the song of the control of mind) Khencho(the
concept of the third birth or the next birth or the human
birth) HijanHirao (the song of cutting big trees for two big
boats: one for the male deity, the other for the female deity
and with which boat race is held) are sung On thenextday of
lairoi, Mukna (Meetei wrestling), kangjei (meetei Field like
hockey/polo), and races are held and prizes are given to
those who win in the competitions of sports and games.
Thus, Lai Haraoba is the only cultural activity inwhichsocial,
philosophical and religious life of the Meiteis are depicted
very deeply and carefully. With this cultural activity, the
continuous thought of the people of this culturally rich land
is preserved from the long gone days never decaying and
fading.
Relationship of arts with culture in society
Art influences society by changing opinions, instillingvalues
and translating experiences across spaceandtime.Research
has shown art affects the fundamental sense of self.
Painting, sculpture, music, literature and the other arts are
often considered to be the repository of a society’s collective
memory. Art preserves what fact-based historical records
cannot: how it felt to exist in a particular placeata particular
time.
Art in this sense is communication; it allows people from
different cultures and different times to communicate with
each other via images, sounds and stories. Art is often a
vehicle for social change. It can give voice tothepoliticallyor
socially disenfranchised. A song, film or novel can rouse
emotions in those who encounter it, inspiring them to rally
for change.
Art also has utilitarian influences on society. There is a
demonstrable, positivecorrelationbetweenschoolchildren’s
grades in math and literacy, and their involvement with
drama or music activities.
CONCLUSION
The importance of art culture in society plays a very
important role. Through the different culture, a child learns
many things which are not learn in academic environment
such as the significance of dress i,e Meitei community wears
phanekmayeknaibi in marriage ceremony or in any festivals
and pongouphanek in death ceremony. Likewise theMuslim
wear burkha and tribal people have to attend church every
Sunday. These kind of knowledge is being taught through
culture. When one have better knowledge of one’s own
culture they will understand their originandthesignificance
of their culture. Likewise knowledge of different culturewill
make the person understand many things.
Reference
[1] Blanche Jefferson (1963), Teaching Art to Children,
United States of America
[2] Devi Prasad (1998), Art: The Basis of Education.
National Book Trust, New Delhi.
[3] E. Nilakanta (1982), Aspect of Indian Culture,
Jawaharlal Nehru Manipur Dance Academy, Imphal.
[4] Nongthombam Premchand (2005), Rituals &
Performance Studies inTraditionalTheatres ofManipur,
Cultural Resource Centre, Imphal (India).
[5] Santidev Ghosh (1978), Music And Dance in
Rabindranath Tagore’s Education Philosophy, sangeet
Natak Academi, New Delhi.

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Importance of Arts Culture in Society

  • 1. International Journal of Trend in Scientific Research and Development (IJTSRD) Volume 3 Issue 5, August 2019 Available Online: www.ijtsrd.com e-ISSN: 2456 – 6470 @ IJTSRD | Unique Paper ID – IJTSRD26752 | Volume – 3 | Issue – 5 | July - August 2019 Page 2151 Importance of Arts Culture in Society Huidrom Rakesh Singh Research Scholar, Department of Dance and Music, Manipur University, Imphal, Manipur, India How to cite this paper: Huidrom Rakesh Singh "Importance of Arts Culture in Society" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456- 6470, Volume-3 | Issue-5, August 2019, pp.2151- 2152, https://doi.org/10.31142/ijtsrd26752 Copyright © 2019 by author(s) and International Journal ofTrend inScientific Research and Development Journal. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0) (http://creativecommons.org/licenses/by /4.0) ABSTRACT The aim of this paper is to show how Arts Culture gives an important education to the society. Through the different culture, a child many thing which are not learn in academic environment and understand theiroriginand significance of different culture. It influence is society to bring peace and harmony of one community to another community. KEYWORDS: Culture, Festival and Ritual Ceremony, Relation with Society. INTRODUCTION Culture refers to the cumulative deposit of knowledge, experience, beliefs, values, attitudes, meanings, hierarchies, religion, notions of time, roles, spatial relations, concepts of the universe, and material objects and possessions acquired by a group of people in the course of generations through individual and group striving. Different culture has different meaning relating to origin  Kut festival is celebrated by the Kuki-Chin-Mizo groups of Manipur.It takes place on 1st November in honor of an abundant harvest.  Gang-Ngai is a festival lasting five days. It starts with the omen taking ceremony which is later continued with dance and feast.  Cheiraoba is the Manipur New Year which takes place in April. As part of the traditional belief, the villagers climb the nearest hill which helps in bringing good fortune.  Yaosang is like the festival of Holi which is considered the most important festival in Manipur. The locals take part in the celebration of merrymaking. The importance of culture in society can be depicted by the giving an example: LAI HARAOBA Lai-Haraoba is celebrated in honour of the sylvan deities known as Umang-Lais, meaning deities of calm and quite environment of beautiful forests. The festival represents the worship of traditional deities and ancestors of the Manipuri society. It is usually observed during the month of Kalen tha (summer season).The festival is a part of recollection of the creation stories played by the deities with the first origin of this universe and evolution of the plants and animals through the will of AtiyaShidaba. Translated, Lai Haraoba means "merry making of the Gods" in Meetei. There are six major types of Lai Haraoba. The differences in the six festivals are very wide and broad; however, the overall theme is the same. The differences are in the variations of processes and in cultural aspects and notinthe inner wisdom and basis of the philosophy of Lai Haraoba. The different types are: Kanglei (Imphal) Haraoba ChakpaHaraoba Andro Haraoba Sekmai Haraoba Moirang Haraoba Kakching Haraoba Celebration The complete festival begins in the day time of the second day. It has about twenty steps or items in it. Laiboulathaba is the most important part of the beginning of laiboushaba (creation of the Universe and the synthesis of the human body). A plantain leaf on the specific place represents the unseen God manifesting the world. The maibi with all the participants who also join in the laiikouba and lei langba should move around the plantain leaf three times symbolising the manifestations of MangnagShidaba, LuwangShidaba, and Khuman Shidaba (clan deities). After this the maiba and maibis stand erect before the deity and pray for the beginning of the laibou. At this time no one should move, speak and change his/her position. No one could come in or out of the laibung during this item, Hoirou Haya Laoba. The maibi begins to move in the form of the Khayomjagoi (a dance with hands at the level of the navel) with the HoirouHaya hymn. When the maibi sings Hayingeinanoibadimeinawainanoiye; he tangnashamnanoiye, all the participants begin to movetheir footsteps without dancing their hands and body. In laiboushaba the maibi narrates with hymns and dances the creation of this universe; the sun, the stars, the planets, the moon, the earth, air, water, etc. After making this earth inhabitable, the dances shows the creation of all beings including man. In the case of man, the different parts: the hand, the fingers, the palms, the arms, the head,the neck,the eyes, the body, the thigh, the feet, the toes, and all the other parts are made with the hymns and dances in differentkhut- theks (hand movements). IJTSRD26752
  • 2. International Journal of Trend in Scientific Research and Development (IJTSRD) @ www.ijtsrd.com eISSN: 2456-6470 @ IJTSRD | Unique Paper ID – IJTSRD26752 | Volume – 3 | Issue – 5 | July - August 2019 Page 2152 There are sixty four important khut-theks (hand gestures) for making the human body. All are shown with very fine, attractive and meaningful dances representing the development of the human body in twelve months in the parents' womb. Then the building of houses, starting of agriculture and other stages of human development are played. The last part of the dance confines with the songs, paoshaisheis, for the welfare of all the individuals. The control of lust, keeping strict discipline of celibacy and control of the mind are very clearly and forcefully sung to remind all the participants the importance and the value of life in this human birth. LairenMathek and chongkhonglitpa are played to represent the continuity of human life. Kanglei-thokpa or lai-lam- thokpa is a play of the festivalperformed outsidethelaibung, in any place suitable for assembling greater number of participants. Lairoi (the end of haraoba) is very important and it includes performances: OugriHangen (the song of the control of mind) Khencho(the concept of the third birth or the next birth or the human birth) HijanHirao (the song of cutting big trees for two big boats: one for the male deity, the other for the female deity and with which boat race is held) are sung On thenextday of lairoi, Mukna (Meetei wrestling), kangjei (meetei Field like hockey/polo), and races are held and prizes are given to those who win in the competitions of sports and games. Thus, Lai Haraoba is the only cultural activity inwhichsocial, philosophical and religious life of the Meiteis are depicted very deeply and carefully. With this cultural activity, the continuous thought of the people of this culturally rich land is preserved from the long gone days never decaying and fading. Relationship of arts with culture in society Art influences society by changing opinions, instillingvalues and translating experiences across spaceandtime.Research has shown art affects the fundamental sense of self. Painting, sculpture, music, literature and the other arts are often considered to be the repository of a society’s collective memory. Art preserves what fact-based historical records cannot: how it felt to exist in a particular placeata particular time. Art in this sense is communication; it allows people from different cultures and different times to communicate with each other via images, sounds and stories. Art is often a vehicle for social change. It can give voice tothepoliticallyor socially disenfranchised. A song, film or novel can rouse emotions in those who encounter it, inspiring them to rally for change. Art also has utilitarian influences on society. There is a demonstrable, positivecorrelationbetweenschoolchildren’s grades in math and literacy, and their involvement with drama or music activities. CONCLUSION The importance of art culture in society plays a very important role. Through the different culture, a child learns many things which are not learn in academic environment such as the significance of dress i,e Meitei community wears phanekmayeknaibi in marriage ceremony or in any festivals and pongouphanek in death ceremony. Likewise theMuslim wear burkha and tribal people have to attend church every Sunday. These kind of knowledge is being taught through culture. When one have better knowledge of one’s own culture they will understand their originandthesignificance of their culture. Likewise knowledge of different culturewill make the person understand many things. Reference [1] Blanche Jefferson (1963), Teaching Art to Children, United States of America [2] Devi Prasad (1998), Art: The Basis of Education. National Book Trust, New Delhi. [3] E. Nilakanta (1982), Aspect of Indian Culture, Jawaharlal Nehru Manipur Dance Academy, Imphal. [4] Nongthombam Premchand (2005), Rituals & Performance Studies inTraditionalTheatres ofManipur, Cultural Resource Centre, Imphal (India). [5] Santidev Ghosh (1978), Music And Dance in Rabindranath Tagore’s Education Philosophy, sangeet Natak Academi, New Delhi.