This document discusses and analyzes television idents from different channels in the UK, including BBC1, BBC2, ITV, Channel 4, and Channel 5. It outlines the core purposes of idents, such as branding, identity, and informing viewers. Developments in broadcasting that led to modern channel branding are also examined. The document then analyzes the design, visual elements, intended audiences, and opportunities/limitations of idents from several channels. Specific idents from BBC1, CITV, and BBC4 are compared in more depth.
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
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In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
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Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
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One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
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As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
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Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
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From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
3. Learning Outcome 1 - INTRO
• In this section you will discuss and explain the overall issues
regarding the design and purpose of television idents. You are to
respond to the questions set in the template. You are encouraged to
add extra slides where necessary and add images to illustrate your
points.
• You should use your notes to help you formulate your responses,
based on the following areas:
• Design: density of information; space and time; screen tempo; interaction
with viewers; information-led; entertainment-led
• Purpose: identity; branding; marketing; packaging and re-packaging;
scheduling; segmentation within scheduling
4. Purposes Q1
• Outline the core purposes of television idents [e.g. branding/identity for a
channel, conveying the channel’s personality, retaining viewers, informing
viewers, segmentation of broadcasting]
• There are a few main purposes of television idents for a channel. One of
the main ones is to give the specific channel a unique identity / brand.
The idents are used in order to represent what genre / type of
programmes are shown on the channel so that the viewers are more likely
to be attracted to watch. Idents are also used in order to indicate what
the channel is about and again, who it is for. Usually, the idents will
feature voiceovers that introduce the programme that’s coming on next,
so that the audience is more likely to stay tuned in for longer if they know
in advance what is going to be shown.
5. Purposes Q2
• Explain some of the developments in broadcasting that have led to type of
channel branding and use of idents we see today
• Channel branding is really important recently as competition between
channels has grown massively. The use of idents represents the
developments and the growth of channels as it keeps up with the modern
technology. This including more advanced visual effects and quality. It is
all used to help a channel stand out and gain and/or retain their viewers
as much as possible.
• Previously, original television idents were things such as mechanical
models which were filmed beforehand, rather than shown live on the
channel. This is a huge contrast to what we see today, something which is
graphically constructed and can reflect a channel’s own particular genre.
6. BBC1
The current BBC1 idents were created with the idea of showing different groups of
people coming together. The word ‘Oneness’ is presented towards the bottom of the
screen, in contrast to the last set of idents which would show the logo in the center, and
then fades into the BBC One logo. The font used is very simple and used over the top of
the clip, which is good as it’s easy to read and doesn’t add too much distraction from the
main focus. The whole idea for this set of idents was to embrace and reflect the diversity
that is in Britain today. The groups from each ident show more of a mature audience but
also include a few younger family members, which therefore indicates and reflects upon
the programmes that are aired on the channel.
The voice over used across all of
these BBC One idents is basic
and soft, which is played over
no soundtrack throughout the
duration, making it easy to
follow and more slow paced
overall. These set of idents
contrast with those from ITV,
who’s idents feature voice overs
with a range of various accents
and show just a glimpse of
people’s every day lives and
their activities.
7. BBC2
In BBC 2’s idents, they all feature
just a number ‘2’ that has been
designed or presented in a
different way. The use of motion
graphics is present as the ‘2’ is
imposed into a normal clip and
brought to life or made to move as
if it were an object. When
audiences watch this, most will
automatically recognise that it is
there to represent the BBC 2 brand, however the logo for the channel is still present
somewhere in the screen. Colours used within the idents are all quite mixed, with
some using darker colours and one main brighter colour to create contrast as well
as the same using brighter colours against naturals. This makes the ‘2’ stand out a
lot more on the screen and draws attention to that. With the programmes aired on
this channel being slightly more progressive than those on BBC 1, the idents need
to represent this – the reason why they’re more creative and interesting with a bit
more going on. Comparing to the older BBC 2 idents, these ones incorporate the ’2’
within the background, whereas the older ones used the ‘2’ to create a window into
a bigger picture, both ident suites being highly successful.
8. ITV
ITV’s most recent idents reflect upon what the
British public do everyday; ranging from jobs /
careers to things and activities in and out of the
home. The camera movement is either still or
very slow, giving the overall clip a slower pace.
There’s not a specific colour pallet, however the
colours that the ITV logo are shown as always
match the colours from the shot. This could
possibly reflect how the programmes shown on
this channel are suited to each particular
audience member. Linking to the audience
relation within each ident, the voiceovers used
in each one features a different accent which
shows that they have more of a diverse
audience. Each ident is taken in just one long
shot which focuses in on a specific thing, this
could relate to what programmes are aired on
the channel.
In contrast to ITV’s idents, Channel 4’s idents consist of shapes that form the number ‘4’, whereas ITV
incorporates the same colours from the background image within the logo when it appears on
screen. The logo from channel 4 stands out a lot more in contrast to ITV who’s logo blends more with
the background, giving the indication that the idents shown clearly represent the programmes aired.
9. Channel 4
Channel 4’s idents are a series of clips
which involve a number of shapes
however the very occasional ident that
briefly tells a story. This breaks up the
continuity within the suites however also
creating something more interesting to
look at every so often. The ‘4’ being
created in the more basic idents is a
signature feature that is recognised by
most people, hence why most of these
idents are short and only last a few
seconds.They are more abstract idents and don’t
give much away about the channel’s
identity, however the more abstract ones
indicate that the channel is made up of
many different pieces, potentially
mirroring that it’s made up of various
different programmes to watch. The
colours are all bright and uses a
contrasting colour with the logo
compared to the background. In the
realistic clips, the colours are all similar
and from similar colour groups, possibly
to make the focus more upon the story it’s
trying to tell.
10. Channel 5
Channel 5’s idents all tell some sort of
the story with the main focus being
revealed in a group of 5. Being the
newest channel out of the ones shown,
it is more creative and aesthetically
pleasing when watching the ident back,
with the clear theme of objects /
people / things in 5’s. The colours are all
bright however slightly softened and
muted, which works when creating
contrast with the ’5’ things on screen.
The channel’s idents are a lot more
family friendly and appeal to a wider
range of people, conveying that it’s
more of an open channel and not just
targeted strictly towards a certain
demographic. The idents are also a lot
memorable and likely to be
remembered. The groups of 5 will
remind people what the whole idea of
the ident is, which is to promote and
bring people in to watch Channel 5.
12. Learning Outcome 2 - INTRO
Opportunities and Limitations
• This section concerns the opportunities and limitations of onscreen
graphic representations. This section should expand on the points
you made in section 1.
• You should consider more closely the audience and requirements on
the broadcaster to engage with their audience, discussing how they
may have successfully/unsuccessfully achieved this.
• Think about the discussions and examples from the lecture [some
points to consider will be listed in the PP for the lecture]
• Add slides to expand your points and definitely add illustrative stills,
etc!
13. TASK 2 - Learning Outcome 2
• Select 2 different channels to look at, each of these channels should
be aimed at different audiences [for example, E4 and BBC4 or CITV
and BBC1, etc].
• You should:
• Outline the style and design of each set of idents [include examples]
• Comment on the visual elements, such as colour, font, imagery, motion and
composition, for each suite of idents
• Explain how each suite supports it’s intended audience
• Consider the restrictions or challenges in trying to develop a brand/ident
package for the selected channel’s audiences
• Compare the sets of idents, what characterstics are similar or different?
14. Some starting points
• Which channel uses this ident?
• How long is the ident?
• What are the sounds used within
the ident?
• What is the content of the ident?
• Was the ident created using
animation or live footage?
• Who is the target audience for
the ident?
• What are the
settings/characters/props used
for the ident?
• How does the ident relate to the
TV Company?
• How is the TV Company
advertised?
• What are the good points about
the ident?
• What are the bad points about
the ident?
• Is the ident effective? Why?
• Does the ident have a hidden
message?
15. Q1 • Outline the style and design of each set of
idents [include examples]
• When comparing the idents for BBC1 and CITV,
the main noticeable difference is the colour
pallet. For CITV, the colours are bold and
bright, which reflects upon their audience,
which is children and younger viewers,
comparing with quite a soft and subtle pallet
from BBC 1, which is aimed at more of a
mature and older audience. CITV’s idents
feature a computed generated graphic, which
is inserted and animated against a real life
background, which clearly indicates it’s a
children’s channel. This compares to BBC 1’s
idents, which show a group of people doing
something they all like and have in common,
showing more of a reflection against the type
of programmes that are shown on the channel
as well as who might watch it.
16. Q2
• Comment on the visual elements, such as colour, font, imagery, motion and
composition, for each suite of idents
• In BBC 1’s idents, the composition of the subjects within the shot changes
throughout. Although the background image remains still and no camera
panning takes place, the people within the shot all begin spread out, to then
eventually come together and represent the whole ‘Oneness’ suite. The font
used by BBC 1 is formal and flowy which links to the more mature audience, it is
also shown in white, which continues the more muted and calm colour schemes
that are shown. Imagery used for this set of idents includes things that are taken
up by people every day, which a lot of people in their audience will be able to
relate to.
• For CITV, the font is bulky and incorporates the C from the word within the
graphics shown. This is to emphasise that it is part of the ITV family but for
children. The font is in the colour every time with generally contrasts with the
rest of the bright background, making it clear what channel is being watched.
Each ident includes a small snippet of sound, making it more interesting and will
catch the attention of the viewer if beginning to lose interest.
17. Q3
• Explain how each suite supports it’s intended audience
• BBC 1 supports it’s intended audience by featuring different clips of activities
that they’re most likely to be attracted to and take part in. The camera
movement is very simple and subtle. All the idents feature the same concept
which shows continuity within the channel and the programmes featured.
• CITV’s idents consist of a lot more movement and bold imagery. It attracts the
intended audience from the very beginning by using the graphics that clearly
stand out from the background. It’s quite artistic and replicates something that a
child may draw or come up with themselves, inspiring them to be creative too.
18. Q4
• Consider the restrictions or challenges in trying to develop a brand/ident
package for the selected channel’s audiences, write them down here:
• The similarity of content between BBC 1 and other channels may cause
challenges during development. They will need to ensure they retain their own
personal brand during production while still aiming to reach the widest
audiences that they possibly can. For example, BBC 1 have created the
‘Oneness’ brand which can be noticed as individual to them and stands out.
Another restriction that both BBC 1 and CITV may face is finding the suitable
graphics or music that fits with the audience that they want to connect with but
at the same time, one that is also suitable for the content of the channel.
• A restriction that CITV and other children’s channels will face in particular, is
keeping the ideas fresh and up to date so that they still attract the largest
audience possible. Younger viewers get distracted more easily when watching
television, so therefore ensuring that the idents keep them interested is a vital
part when creating an ident.
19. Q5
• Compare the sets of idents, what characteristics are similar or different?
• For BBC 1, the logo appears towards the bottom of the screen, slightly off
center, and remains there for the entirety of the ident sequence. This is different
from that of CITV as for their ident suite, the ’C’ is incorporated into the image
on the screen and the ‘ITV’ part of the name travels across the screen in some
way in order to emphasise that it’s the children’s section but still remains as part
of the ‘ITV’ brand.
• Another difference is the pace of the idents. Both channels seem to have slower
running motion, however when the logo is introduced, there is a significant
difference. BBC 1’s logo appears slowly and has more of a smooth look whereas
CITV’s logo is a lot more fast paced and links to the image somehow.
• One of the main differences is how BBC 1 uses real life imagery where as CITV
uses more computer created graphics.
20. Q6
• Which set/suite of idents is the most successful in your opinion? Why
do you think this?
• I think both idents are just as successful as each other because
they’re both aimed different audiences. BBC 1 is very successful with
attracting more mature and adult audiences whereas CITV is
successful with attracting the younger audiences. If comparing CITV
for a channel such as CBBC, then I’d consider CBBC to be more
popular however there is still some slight differences between the
audiences in terms of specific ages. BBC 1 is successful in the fact is
has become one of the most popular channels on TV. It features
different activities that the adult audience will most likely to be
attracted to and it also might encourage them to start something
new. CITV is successful at keeping its audience engaged which is
generally harder to do with younger viewers.
21. Q7
• What other issues do you think producers need to consider in their
production of onscreen graphic representation? This could be to do with
duration, for example when continuity announcers are used, appropriate
content, the issues of viewer generated content, etc?
• The channels will need to take into consideration the content of their idents
during different times of the day. For example, CITV may produce an ident
for later on in the day, which will be more relaxing and slow, encouraging
more of a bed time theme. On the other hand, BBC 1 will need to consider
their content of the idents after the watershed time, as the theme of
programmes on the channel will change and will be suitable for adults,
therefore the idents need to represent this more.
• Both channels will need to have a range of diverse accents and ethnicities
shown through the continuity announcers, as well as both male and female
announcers. This will represent the wide audiences that are the targets for
both channels, not just a very specific demographic.
• Duration of the idents will need to be a suitable length and is very important
to think about during the production process. The ident shouldn't be too
long as people will begin to get bored of them however but they need to be
long enough to indicate what kind of thing is broadcast on the channel.
Editor's Notes
Remember, compare contrast, think about intended audience, etc
Remember, compare contrast, think about intended audience, etc
Remember, compare contrast, think about intended audience, etc
Remember, compare contrast, think about intended audience, etc
Remember, compare contrast, think about intended audience, etc