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MAYA
ANGELOU:
 Amzar, Arif, Al
 Hafiz, Wafi, Alif
   Born as marguerite Johnson in St. Louis, on April 4, 1928.

   An author, poet, historian, songwriter, playwright, dancer, stage
    and screen producer, director, singer, performer, African-
    american activist, and civil rights activist.

   In 1959, at the request of Dr. Martin Luther King Jr., Maya
    Angelou became the northern coordinator for the Southern
    Christian Leadership Conference.

   1961 to 1962 she was associate editor of The Arab Observer in
    Cairo, Egypt, the only English-language news weekly in the
    Middle East, and from 1964 to 1966 she was feature editor of the
    African Review in Accra, Ghana.

   She returned to the U.S. in 1974 and was appointed by Gerald
    Ford to the Bicentennial Commission and later by Jimmy Carter
    to the Commission for International Woman of the Year.
   Had produced books like All God's Children Need Traveling Shoes
    (1986), The Heart of a Woman (1981), Singin' and Swingin' and
    Gettin' Merry Like Christmas (1976), Gather Together in My Name
    (1974), and I Know Why the Caged Bird Sings (1969).

   Her books were focused mainly on identity, family and racism.

   In 1993, Angelou wrote and delivered a poem, "On the Pulse of the
    Morning," at the inauguration for President Bill Clinton at his
    request.

    The first black woman director in Hollywood, Angelou has written,
    produced, directed, and starred in productions for stage, film, and
    television.

    Maya Angelou was twice nominated for a Tony award for acting:
    once for her Broadway debut in Look Away (1973), and again for her
    performance in Roots (1977).
 National Book Award nomination for I Know Why
  the Caged Bird Sings
 Pulitzer Prize nomination for her book of
  poetry, Just Give Me a Cool Drink of Water 'fore I
  Diiie
 Tony Award nomination for her role in the 1973
  play Look Away
 In 1995, Angelou was recognized by her
  publishing company, Bantam Books, for having
  the longest-running record (two years) on The
  New York Times Paperback Nonfiction Bestseller
  List
 Awarded the Presidential Medal of Arts in 2000 &
  Lincoln Medal in 2008
Racism and Segregation
  This poem is a representation of the racism and
  oppression that people still face in this day and
  age. It goes on to portray the importance of
  hope and freedom for anybody to live. The line
  "But a caged bird stands on the grave of dreams
  his shadow shouts on a nightmare scream"
  demonstrates a resignation to fighting, because
  the caged bird is losing hope. His screams for
  help are now hollow echoes because long neglect
  and abuse has broken his heart
Sy m
•   Bird in the cage                  bol
    - A person that is timid and afraid to do things
•   The fat worms and breeze
    - Hope and opportunity
•   Free bird
    - The people that is dare and brave to
    - take risks.
    -The writer portrays the free bird as
      more of a dare devil
    EVIDENCE : and clips his wings, in the
     orange sun rays, and dares to claims the
     sky.
Pe r s oni
                    f i c a t i o
•   Sighing trees
•   Shadow shouts   n
Me t a p
•     The grave of dreams
•
•
      Sings of freedom        hor
      Use of figurative and extended
       metaphor
•      She is comparing a bird trapped
in a cage to slavery and the pain of
the    freedom
•      The song the bird sings
represents the plea of freedom
•      The poet relates to the feeling
of bird, as his parents were once
       slaves
I ma g e r
•     Expressing his feelings
here, the poem is lyrical     y
•     The third stanza
emphasizes how desperate the
bird truly is
•     The bird sings a prayer not
of joy or glee, but of prayer to
      heaven
Re p e t i t
•   But               on
•   SENTENCE REPETITION
    - So he opens his throat to
    sing
Al l i t e r a t i o n
&ALLITERATION o n a n c e
   As s
 •      An the trade winds soft through the
 sighing       trees
  ASSONANCE
 •      And the fat worms waiting on a dawn
 bright
         lawn and he names the sky his own
 Angelou  could have been just another
  casualty of race prejudice
 Yet, by using her intelligence, sensitivity, and
  determination, she succeeds in spite of the
  odds against her
 By writing with such power, she makes us
  share her defeats and joys
 She also teaches us a vital lesson with
  strength and persistence, we can escape our
  cages and sing our song
 First stanza : abcbdef
 Second stanza : abcbdef
 Third stanza : abcbdde
 Forth stanza : aabc
 Fifth stanza : abcd
 Sixth stanza : abcbdbde
THE END

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I Know Why The Caged Bird Sings by Maya Angelou

  • 1. MAYA ANGELOU: Amzar, Arif, Al Hafiz, Wafi, Alif
  • 2. Born as marguerite Johnson in St. Louis, on April 4, 1928.  An author, poet, historian, songwriter, playwright, dancer, stage and screen producer, director, singer, performer, African- american activist, and civil rights activist.  In 1959, at the request of Dr. Martin Luther King Jr., Maya Angelou became the northern coordinator for the Southern Christian Leadership Conference.  1961 to 1962 she was associate editor of The Arab Observer in Cairo, Egypt, the only English-language news weekly in the Middle East, and from 1964 to 1966 she was feature editor of the African Review in Accra, Ghana.  She returned to the U.S. in 1974 and was appointed by Gerald Ford to the Bicentennial Commission and later by Jimmy Carter to the Commission for International Woman of the Year.
  • 3. Had produced books like All God's Children Need Traveling Shoes (1986), The Heart of a Woman (1981), Singin' and Swingin' and Gettin' Merry Like Christmas (1976), Gather Together in My Name (1974), and I Know Why the Caged Bird Sings (1969).  Her books were focused mainly on identity, family and racism.  In 1993, Angelou wrote and delivered a poem, "On the Pulse of the Morning," at the inauguration for President Bill Clinton at his request.  The first black woman director in Hollywood, Angelou has written, produced, directed, and starred in productions for stage, film, and television.  Maya Angelou was twice nominated for a Tony award for acting: once for her Broadway debut in Look Away (1973), and again for her performance in Roots (1977).
  • 4.  National Book Award nomination for I Know Why the Caged Bird Sings  Pulitzer Prize nomination for her book of poetry, Just Give Me a Cool Drink of Water 'fore I Diiie  Tony Award nomination for her role in the 1973 play Look Away  In 1995, Angelou was recognized by her publishing company, Bantam Books, for having the longest-running record (two years) on The New York Times Paperback Nonfiction Bestseller List  Awarded the Presidential Medal of Arts in 2000 & Lincoln Medal in 2008
  • 5. Racism and Segregation This poem is a representation of the racism and oppression that people still face in this day and age. It goes on to portray the importance of hope and freedom for anybody to live. The line "But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream" demonstrates a resignation to fighting, because the caged bird is losing hope. His screams for help are now hollow echoes because long neglect and abuse has broken his heart
  • 6.
  • 7. Sy m • Bird in the cage bol - A person that is timid and afraid to do things • The fat worms and breeze - Hope and opportunity • Free bird - The people that is dare and brave to - take risks. -The writer portrays the free bird as more of a dare devil EVIDENCE : and clips his wings, in the orange sun rays, and dares to claims the sky.
  • 8. Pe r s oni f i c a t i o • Sighing trees • Shadow shouts n
  • 9. Me t a p • The grave of dreams • • Sings of freedom hor Use of figurative and extended metaphor • She is comparing a bird trapped in a cage to slavery and the pain of the freedom • The song the bird sings represents the plea of freedom • The poet relates to the feeling of bird, as his parents were once slaves
  • 10. I ma g e r • Expressing his feelings here, the poem is lyrical y • The third stanza emphasizes how desperate the bird truly is • The bird sings a prayer not of joy or glee, but of prayer to heaven
  • 11. Re p e t i t • But on • SENTENCE REPETITION - So he opens his throat to sing
  • 12. Al l i t e r a t i o n &ALLITERATION o n a n c e As s • An the trade winds soft through the sighing trees ASSONANCE • And the fat worms waiting on a dawn bright lawn and he names the sky his own
  • 13.  Angelou could have been just another casualty of race prejudice  Yet, by using her intelligence, sensitivity, and determination, she succeeds in spite of the odds against her  By writing with such power, she makes us share her defeats and joys  She also teaches us a vital lesson with strength and persistence, we can escape our cages and sing our song
  • 14.  First stanza : abcbdef  Second stanza : abcbdef  Third stanza : abcbdde  Forth stanza : aabc  Fifth stanza : abcd  Sixth stanza : abcbdbde