Ludwig van Beethoven was a German composer born in 1770 who was a pivotal figure in transitioning music from the Classical period to the Romantic era. Though going deaf later in life, he composed profoundly influential works including 9 symphonies, 5 piano concertos, and the choral symphony Symphony No. 9 from which the lyrics of "Ode to Joy" come. His works remain hugely popular and important today, with the length of his Symphony No. 9 even determining the capacity of the compact disc when it was invented.
Ludwig van Beethoven was a German composer born in 1770 who was a pivotal figure in transitioning music from the Classical period to the Romantic era. Though going deaf later in life, he composed profoundly influential works including 9 symphonies, 5 piano concertos, and the choral symphony Symphony No. 9 from which the lyrics of "Ode to Joy" come. His works remain hugely popular and important today, with the length of his Symphony No. 9 even determining the capacity of the compact disc when it was invented.
Thomas Weelkes was an English composer born around 1576 who is renowned for his madrigals and church music. He held positions as organist at Winchester College and Chichester Cathedral, though he had personal issues including drinking that hindered his work. Weelkes is best known for his four sets of madrigals which were adventurous and pushed musical boundaries through techniques like text painting and chromatic expressionism. He composed works of varying styles from drinking songs to masterpieces and his music helped the English madrigal reach its peak.
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
Guillaume Dufay was a highly influential Franco-Flemish composer of the early Renaissance born in 1397 near Brussels. As one of the most influential composers of the 15th century, he helped develop new musical forms like the cyclic mass. He composed many masses, motets, and settings of chant and secular songs in forms like ballades and rondeaus. Dufay spent much of his career in Cambrai and was one of the first to design the technique of parallel writing known as fauxbourdon.
Guillaume de Machaut was a highly influential 14th century French composer and poet. He was one of the first great masters of the Ars Nova style which featured more complex rhythmic notation. Machaut's most famous works include his Mass of Notre Dame and Tournai Mass. He helped popularize secular genres like ballades and was a pioneering polyphonic composer who influenced later musicians like Bach and Mozart.
En el Clasicismo (1750-1800):
- Se perfeccionaron formas musicales como la sinfonía, sonata y cuarteto.
- Compositores como Haydn, Mozart y Beethoven destacaron y expandieron la orquesta sinfónica.
- La ópera y otras formas vocales florecieron, con énfasis en la claridad y belleza melódica.
La Unión Europea ha acordado un embargo petrolero contra Rusia en respuesta a la invasión de Ucrania. El embargo prohibirá las importaciones marítimas de petróleo ruso a la UE y pondrá fin a las entregas a través de oleoductos dentro de seis meses. Esta medida forma parte de un sexto paquete de sanciones de la UE destinadas a aumentar la presión económica sobre Moscú y privar al Kremlin de fondos para financiar su guerra.
This document provides an overview of art in 15th century Italy, focusing on developments in Florence. It discusses the rise of humanism and revival of antiquity. Key artists discussed include Brunelleschi, who pioneered Renaissance architecture through works like the dome of Florence Cathedral. Donatello is also analyzed for sculptures like St. George, which showed influence from Roman art. Overall the document examines the growth of wealth and patronage in Florence that supported emerging Renaissance styles in art and architecture under rulers like the Medici family.
Elaborada a partir de la presentación de Tomás Pérez Molina (www.slideshare.net/tomperez).
Las fuentes de los recursos utilizados figuran en la última diapositiva.
La Camerata Fiorentina fue un grupo de humanistas y músicos en Florencia a finales del siglo XVI que buscaba revivir el estilo musical del drama griego antiguo. Entre sus miembros más destacados se encontraban Giulio Caccini, Pietro Strozzi y Vincenzo Galilei. La ópera surgió de los esfuerzos de este grupo, con obras tempranas como Dafne de Peri y Euridice de Peri y Caccini. No obstante, la primera gran obra maestra de la ópera fue Orfeo de Montever
This document discusses logo design. It provides information about the history of logos, noting that early versions developed in the Middle Ages to represent shops and pubs. Modern logo design emerged in the early 1900s alongside mass printing. The document also discusses important considerations for logo design like understanding meaning conveyed and identifying tools and technologies used. It provides examples of logos and their meanings.
El documento resume la vida y obra del pintor español El Greco. Nació en Creta en 1541 y se formó en el estilo bizantino, para luego trasladarse a Venecia y Roma, donde se vio influenciado por el manierismo y el colorido de Tiziano y Miguel Ángel. En 1577 se instaló en Toledo, donde desarrolló un estilo muy personal con figuras alargadas y uso del color. Pintó numerosos cuadros religiosos así como retratos de personajes españoles, destacando su obra maestra El ent
Una presentación que describe la música y los compositores del período Barroco pero también los actores y sus obras en la Arquitectura, la Escultura, la Pintura y la Literatura. Se incluyen 8 fragmentos de música de Bach, Handel, Vivaldi, Torelli, Telemann y Pachelbel.
Pedro Pablo Rubens fue un pintor flamenco del siglo XVII que dominó la pintura barroca. Nació en Alemania pero pasó la mayor parte de su vida en Amberes, Bélgica, donde trabajó para gobernantes y nobles creando obras religiosas, mitológicas e históricas a gran escala. Rubens se inspiró en artistas renacentistas como Leonardo da Vinci, Miguel Ángel y Tiziano y desarrolló un estilo dinámico y colorido caracterizado por figuras musculosas, composiciones curvas y pincel
The Baroque period lasted from 1600-1750 originating in Counter-Reformation Italy. Baroque art and architecture was dramatic, emotional, and ornate meant to impress viewers and express power. Key features included exaggerated lighting, intense emotions, and high detail. Masters like Caravaggio, Rubens, Rembrandt, and Bernini created emotional, dynamic paintings and sculptures while architects like Bernini and Borromini designed grand churches and squares. Baroque styles then spread across Europe especially in painting, sculpture, architecture, music, and decorative arts.
Thomas Weelkes was an English composer born around 1576 who is renowned for his madrigals and church music. He held positions as organist at Winchester College and Chichester Cathedral, though he had personal issues including drinking that hindered his work. Weelkes is best known for his four sets of madrigals which were adventurous and pushed musical boundaries through techniques like text painting and chromatic expressionism. He composed works of varying styles from drinking songs to masterpieces and his music helped the English madrigal reach its peak.
This document discusses art in Northern Europe and the Iberian Peninsula during the 16th century. It covers major artistic developments in Germany, including the effects of the Protestant Reformation on art. Key artists mentioned are Albrecht Dürer, Matthias Grünewald, and Lucas Cranach the Elder. It also summarizes some of their major works, including Dürer's self-portrait and engravings, Grünewald's Isenheim Altarpiece, and Cranach's Nymph of the Spring. Sculptors like Tilman Riemenschneider are also briefly discussed.
Guillaume Dufay was a highly influential Franco-Flemish composer of the early Renaissance born in 1397 near Brussels. As one of the most influential composers of the 15th century, he helped develop new musical forms like the cyclic mass. He composed many masses, motets, and settings of chant and secular songs in forms like ballades and rondeaus. Dufay spent much of his career in Cambrai and was one of the first to design the technique of parallel writing known as fauxbourdon.
Guillaume de Machaut was a highly influential 14th century French composer and poet. He was one of the first great masters of the Ars Nova style which featured more complex rhythmic notation. Machaut's most famous works include his Mass of Notre Dame and Tournai Mass. He helped popularize secular genres like ballades and was a pioneering polyphonic composer who influenced later musicians like Bach and Mozart.
En el Clasicismo (1750-1800):
- Se perfeccionaron formas musicales como la sinfonía, sonata y cuarteto.
- Compositores como Haydn, Mozart y Beethoven destacaron y expandieron la orquesta sinfónica.
- La ópera y otras formas vocales florecieron, con énfasis en la claridad y belleza melódica.
La Unión Europea ha acordado un embargo petrolero contra Rusia en respuesta a la invasión de Ucrania. El embargo prohibirá las importaciones marítimas de petróleo ruso a la UE y pondrá fin a las entregas a través de oleoductos dentro de seis meses. Esta medida forma parte de un sexto paquete de sanciones de la UE destinadas a aumentar la presión económica sobre Moscú y privar al Kremlin de fondos para financiar su guerra.
This document provides an overview of art in 15th century Italy, focusing on developments in Florence. It discusses the rise of humanism and revival of antiquity. Key artists discussed include Brunelleschi, who pioneered Renaissance architecture through works like the dome of Florence Cathedral. Donatello is also analyzed for sculptures like St. George, which showed influence from Roman art. Overall the document examines the growth of wealth and patronage in Florence that supported emerging Renaissance styles in art and architecture under rulers like the Medici family.
Elaborada a partir de la presentación de Tomás Pérez Molina (www.slideshare.net/tomperez).
Las fuentes de los recursos utilizados figuran en la última diapositiva.
La Camerata Fiorentina fue un grupo de humanistas y músicos en Florencia a finales del siglo XVI que buscaba revivir el estilo musical del drama griego antiguo. Entre sus miembros más destacados se encontraban Giulio Caccini, Pietro Strozzi y Vincenzo Galilei. La ópera surgió de los esfuerzos de este grupo, con obras tempranas como Dafne de Peri y Euridice de Peri y Caccini. No obstante, la primera gran obra maestra de la ópera fue Orfeo de Montever
This document discusses logo design. It provides information about the history of logos, noting that early versions developed in the Middle Ages to represent shops and pubs. Modern logo design emerged in the early 1900s alongside mass printing. The document also discusses important considerations for logo design like understanding meaning conveyed and identifying tools and technologies used. It provides examples of logos and their meanings.
El documento resume la vida y obra del pintor español El Greco. Nació en Creta en 1541 y se formó en el estilo bizantino, para luego trasladarse a Venecia y Roma, donde se vio influenciado por el manierismo y el colorido de Tiziano y Miguel Ángel. En 1577 se instaló en Toledo, donde desarrolló un estilo muy personal con figuras alargadas y uso del color. Pintó numerosos cuadros religiosos así como retratos de personajes españoles, destacando su obra maestra El ent
Una presentación que describe la música y los compositores del período Barroco pero también los actores y sus obras en la Arquitectura, la Escultura, la Pintura y la Literatura. Se incluyen 8 fragmentos de música de Bach, Handel, Vivaldi, Torelli, Telemann y Pachelbel.
Pedro Pablo Rubens fue un pintor flamenco del siglo XVII que dominó la pintura barroca. Nació en Alemania pero pasó la mayor parte de su vida en Amberes, Bélgica, donde trabajó para gobernantes y nobles creando obras religiosas, mitológicas e históricas a gran escala. Rubens se inspiró en artistas renacentistas como Leonardo da Vinci, Miguel Ángel y Tiziano y desarrolló un estilo dinámico y colorido caracterizado por figuras musculosas, composiciones curvas y pincel
The Baroque period lasted from 1600-1750 originating in Counter-Reformation Italy. Baroque art and architecture was dramatic, emotional, and ornate meant to impress viewers and express power. Key features included exaggerated lighting, intense emotions, and high detail. Masters like Caravaggio, Rubens, Rembrandt, and Bernini created emotional, dynamic paintings and sculptures while architects like Bernini and Borromini designed grand churches and squares. Baroque styles then spread across Europe especially in painting, sculpture, architecture, music, and decorative arts.
Raffaello2020 MOOC - Vita e opere di Raffaello, in sintesiAlessandro Bogliolo
Anna Maria Ambrosini Massari delinea la vita e l'opera di Raffaello per offrire una cornice al corso
https://mooc.uniurb.it/raffaello
Didattica universitaria aperta dell'Università di Urbino, in collaborazione con Accademia Raffaello, Galleria nazionale delle Marche, Città di Urbino e RAI Cultura.
Canale Telegram https://t.me/s/raffaello2020
Anna Maria Ambrosini Massari parla della formazione di Raffaello, tra Urbino e l'Umbria
https://mooc.uniurb.it/raffaello
Didattica universitaria aperta dell'Università di Urbino, in collaborazione con Accademia Raffaello, Galleria nazionale delle Marche, Città di Urbino e RAI Cultura.
Canale Telegram https://t.me/s/raffaello2020
Da GIOTTO a CARAVAGGIO - Testimonianze di fede nell'arteUmberto Giordano
Come gli Artisti hanno rappresentato immagini sacre, nel corso dei secoli, con spirito religioso, con particolare riferimento a Giotto, Leonardo, Michelangelo e Caravaggio
This document appears to contain two Italian phrases - "Di fronte" and "Di profilo" but provides no other context or information. The document is very short, containing only two lines of Italian text without any other details.
2. I Della Robbia sono una famiglia di scultori
italiana, specializzata nella tecnica della
terracotta policroma invetriata inventata da
Luca, che aprì una redditizia bottega a
Firenze. Il nome deriva da una tintura
robbia cioè rosso, quindi si pensa che la
famiglia, documentata dal XIII secolo in
città, fosse una famiglia appartenente all'
arte dei tintori.
I suoi componenti più famosi sono:
3. • Luca Della Robbia.
• Andrea Della Robbia, nipote di Luca
• Giovanni Della Robbia, figlio di Andrea
4. Luca Della Robbia
• Luca Della Robbia nato a Firenze nel 1400 circa e
morto nel 1482, iniziò la carriera come scultore a fianco
di Donatello, in seguito scoprì la tecnica per realizzare
sculture policrome (in realtà solo azzurre e bianche o
avorio) usando la terracotta invetriata; sviluppò questa
tecnica con successo e vi si dedicò esclusivamente
abbandonando la scultura; la sua bottega fu molto atttiva
e tramandò la tecnica ai parenti assicurando il successo
alla famiglia per generazioni. Ha lavorato accanto ai più
grandi artisti rinascimentali (Brunelleschi, Giuliano da
Sangallo), realizzando opere di altrettanta straordinaria
bellezza.
5. La sua prima opera è la Cantoria per il Duomo, eseguita tra il 1432 e il 1435,
formata da un parallelepipedo retto da cinque mensole che illustra il Salmo
CL con il testo scritto lungo la cornice, L'opera dimostra la piena maturità
delle qualità artistiche di Luca e può competere con la cantoria analoga del
suo maestro Donatello
6. Dividendo il fronte con due serie sovrapposte di formelle,
sei sul parapetto e quattro tra le mensole, lo scultore
raffigura scene musicali di canto e di ballo.
7. Luca scolpì molte opere
molte delle quali
madonne
Madonna col Bambino
Scolpita intorno al 1430
si tratta di un magnifico
altorilievo scontornato in
terracotta dipinta,
situatosi tutt’ora a
Firenze.
8. Madonna del Roseto Firenze,
Museo Nazionale del Bargello
Terracotta invetriata, h. cm 80.
12. Vergine annunciata e Angelo annunciante, 1510
Provengono dalla chiesa dell'Annunziata appartenente all'ex convento dei Minori
osservanti, demaniato nel 1866 e quindi adibito ad Ospedale civico. Realizzati in
terracotta invetriata, sono stati attribuiti a Luca della Robbia (1475-1548), sesto
figlio di Andrea di Marco della Robbia e suo principale collaboratore nella
redditizia bottega di via Guelfa a Firenze.
13. Ritratto di giovanetto
Scolpito intorno al
1445, si tratta di una
testa ad altorilievo
situatasi tutt’ora a
Napoli nel Museo
Civico Gaetano
Filangeri.
16. Andrea della Robbia (1435-1525) nipote di
Luca, ovvero figlio di suo fratello Marco,celebre
ceramista italiano, sviluppò la tecnica appresa
dallo zio, quella della ceramica policroma
invetriata e la portò ad amplissima diffusione,
diventando il capobottega dell'officina ereditata.
A differenza del famoso predecessore, non era
pèro propriamente uno scultore e si ispirò più
alla pittura contemporanea che alla scultura. Le
sue opere, spesso in bicromia bianco/blu, sono
sparse nelle chiese e palazzi di tutta la Toscana.
17. Assunzione di Maria
(1435-1528) nella chiesetta di
santa Maria degli Angeli a La
Verna. Ai lati della tomba (da
sinistra a destra): san Gregorio
Magno con la colomba vicino
all'orecchio, san Tommaso che
riceve il sacro cinto, san
Francesco, san Bonaventura con
il piviale sulle spalle .
18. Battesimo di Gesù, Toscana, chiesa della Pieve
i personaggi smaltati in bianco,
incorniciati da una ghirlanda con frutta e foglie.
23. Giovanni Della Robbia
Figlio di Andrea della Robbia e pronipote di Luca della
Robbia, si specializzò nella tecnica della ceramica
policroma invetriata, specialità della bottega di famiglia
alla quale si dedicò con successo.
Accentuò il carattere policromo delle sue opere,
aggiungendo nuovi colori alla tradizionale bicromia
blu/bianco dei suoi predecessori. Come suo padre,
realizzò numerosissime sue opere in tutta la Toscana,
fra tondi, lunette, tabernacoli, pannelli, eccetera.
Le sue opere però, rispetto ai predecessori, persero di
forza espressiva e abilità prospettica, anche se ancora di
alto livello.