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Shaun Hughes
The BBC documentary was mixed due to
the fact that it included observation,
narration, interviews and archive material.
However it did not include actuality
footage.
The main themes in the documentary were
rivalry, victory, tragedy, family and respect.
Hunt vs Lauda: F1’s Greatest Racing
Rivals had a single stranded, closed, linear
and circular narrative structure.
The camerawork in the documentary included:
 Close up
 Wide shot
 Panning
 Tilting
 Zoom
 Two shot
 Off centre in interviews
 Medium close up
 Long shot
 Aerial shot
 Camera on car
 Extreme close up
 Big close up
The mise en scene in the documentary included:
 Formula 1 cars
 Race circuits
 Flags
 Beer
 Ferrari/Mclaren merchandise
 Suits
 Trophies
 Camera
 Masks
 Helmets
 Team colours
 The narrator was male and spoke in standard English, he
was also calm.
 Diagetic sound of the cars whizzing past.
 Non diagetic music which is used as a music bed
beneath narration and interviews.
 Crowds chanting.
 Current music at the time like synth.
 Sound of a scoreboard ticking over.
 Music to create tension and to put emphasis on the topic.
 The most common edit is the cut, it is simple and is not
noticed by the audience.
 Flashes edited in.
 Clip made to look older.
 Montages are used in cooperation with dissolves as still
images change.
Archive material included:
 Footage of the 1976 Formula 1 season.
 Interviews with Lauda and Hunt.
 Podium clips.
 Hunt and girls.
 Lauda home footage.
 Footage of the 1975 Formula 1 season.
 Still images
 Footage from Parkinson show.
 Concorde is shown.
 Newspaper clippings.
 Lauda’s accident.
 The use of superimpose was the most common in the
documentary.
 Names are superimposed in larger fonts than the subline
below which anchors the person to the topic.
 Title screen ‘Hunt vs Lauda: F1’s Greatest Racing Rivals’
is superimposed in a shiny silver serif font.
 BBC logo is constantly superimposed in the top left
corner.
 The place of action is superimposed.
 A scoreboard is superimposed.

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Hunt vs Lauda

  • 2. The BBC documentary was mixed due to the fact that it included observation, narration, interviews and archive material. However it did not include actuality footage.
  • 3. The main themes in the documentary were rivalry, victory, tragedy, family and respect.
  • 4. Hunt vs Lauda: F1’s Greatest Racing Rivals had a single stranded, closed, linear and circular narrative structure.
  • 5. The camerawork in the documentary included:  Close up  Wide shot  Panning  Tilting  Zoom  Two shot  Off centre in interviews  Medium close up  Long shot  Aerial shot  Camera on car  Extreme close up  Big close up
  • 6. The mise en scene in the documentary included:  Formula 1 cars  Race circuits  Flags  Beer  Ferrari/Mclaren merchandise  Suits  Trophies  Camera  Masks  Helmets  Team colours
  • 7.  The narrator was male and spoke in standard English, he was also calm.  Diagetic sound of the cars whizzing past.  Non diagetic music which is used as a music bed beneath narration and interviews.  Crowds chanting.  Current music at the time like synth.  Sound of a scoreboard ticking over.  Music to create tension and to put emphasis on the topic.
  • 8.  The most common edit is the cut, it is simple and is not noticed by the audience.  Flashes edited in.  Clip made to look older.  Montages are used in cooperation with dissolves as still images change.
  • 9. Archive material included:  Footage of the 1976 Formula 1 season.  Interviews with Lauda and Hunt.  Podium clips.  Hunt and girls.  Lauda home footage.  Footage of the 1975 Formula 1 season.  Still images  Footage from Parkinson show.  Concorde is shown.  Newspaper clippings.  Lauda’s accident.
  • 10.  The use of superimpose was the most common in the documentary.  Names are superimposed in larger fonts than the subline below which anchors the person to the topic.  Title screen ‘Hunt vs Lauda: F1’s Greatest Racing Rivals’ is superimposed in a shiny silver serif font.  BBC logo is constantly superimposed in the top left corner.  The place of action is superimposed.  A scoreboard is superimposed.