Historia del ballet
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Ballet originated in the Italian Renaissance as entertainment for royalty during dinner. The first complete ballet work was "Le Ballet Comique de la Reine" in 1581 in Paris. The first professional ballet academy, the Académie Royale de Danse, was established by French King Louis XIV in 1661. In the 18th century, Marie Camargo and Marie Salle began shortening skirts and using flat shoes and Greek tunics, and Anne Heinel performed the first double pirouette, as ballet incorporated more dramatic expression and techniques developed further.
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Ballet originated in Italian Renaissance courts in the 16th century as participatory entertainment for weddings and festivals. Over time, it developed as an independent art form under King Louis XIV of France in the late 17th century when he founded the Paris Opera ballet company. Ballet has since evolved into different styles like romantic, classical, and contemporary. Similarly, Bharatnatyam is one of the oldest Indian dance forms that was revived in the late 19th century by Rukmini Devi Arundale who learned classical ballet from Anna Pavlova. Both ballet and Bharatnatyam require years of rigorous training to master their precise techniques and are judged based on criteria like posture and perfection.
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A brief history of ballet
Ballet originated in 15th century Italian Renaissance courts, where dancing and music were featured in lavish events. It was introduced to the French court in the 16th century by Catherine de Medici. The first ballet was created in 1581. Ballet flourished in the 17th century under Louis XIV, who opened the first ballet school. In the 18th-19th centuries, ballet evolved further with the creation of pointe shoes and tutus, and the rise of prominent choreographers and ballet companies in France and Russia. Modern ballet has spread globally and incorporates both classical and contemporary styles.
ballet.pptx
Ballet originated in 17th century France as dances performed between acts of opera for royal courts. King Louis XIV established the Paris Opera Ballet in 1661, developing ballet into a distinct art form with codified technique and positions. In the late 1700s, female ballet dancers began performing professionally, and romantic ballet emerged in the early 1800s exemplified by the ballerina Marie Taglioni in tutus. Classical ballet developed narrative story ballets and ballet companies formed internationally, including Ballet Arizona in the late 20th century.
the evolution of dance through the years
The document traces the evolution of dance from the 15th century to the present. It discusses the origins and spread of various dances like the ballo, minuet, waltz, polka, tango, and charleston. Many dances originated in specific countries like Italy, France, and Poland before spreading internationally. Dance styles reflected the social and technological changes of their eras, from the technical intricacy of Renaissance dances to the vibrancy of ragtime, movie musicals, and hip hop. Dance has incorporated influences from various cultures and regions over the centuries.
Beginnings of Ballet(Abbreviated notes from your text)Ba.docx
Beginnings of Ballet
:
(Abbreviated notes from your text):
Ballet originated in the Italian Renaissance courts and was brought to France by
Catherine de' Medici
in the 16th Century.
[1]
During ballet's infancy,
court ballets
were performed by aristocratic amateurs rather than professional dancers.
[1]
Most of ballet's early movements evolved from social court dances and prominently featured stage patterns rather than formal ballet technique.
In the 17th century, as ballet's popularity in France increased, ballet began to gradually transform into a professional art.
No longer performed by amateurs, ballet performances started to incorporate challenging acrobatic movements that could only be performed by highly skilled street entertainers.
[1]
In response, the world's first ballet school, the
Académie Royale de Danse
, was established by King Louis XIV in 1661.
[1]
The Academie's purpose was to improve the quality of dance training in France, and to invent a technique or curriculum that could be used to transform ballet into a formal discipline.
Shortly after the Academie was formed, in 1672, King Louis XIV established a performing company called the Academie Royal de Musique de Dance (today known as Paris Opera), and named Pierre Beauchamp the head dancing-master.
[1]
While at the Academie Royal, Beauchamp revolutionized ballet technique by inventing the five positions (first, second, third, fourth and fifth) of ballet, which to this day remain the foundation of all formal classical ballet technique.
Ballet Techniques
:
Widely used ballet training systems
Ballet style
Training system
Name
Creator
Danish ballet
Bournonville method
August Bournonville
Italian ballet
Cecchetti method
Enrico Cecchetti
Russian ballet
Vaganova method
Agrippina Vaganova
Legat Method
Nikolai Legat
English ballet
Royal Academy of Dance
Various
French ballet
None
American ballet
(
Balanchine
)
None
Romantic Era Ballet Key Points:
era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets.
Romanticism: Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature
The movement emphasized intense emotion as an authentic source of
aesthetic
experience, placing new emphasis on such emotions as
apprehension
,
horror and terror
, and
awe
—especially that experienced in confronting the new aesthetic categories of the
sublimity
and beauty of nature
-Said to have begun in the early 19th century specifically with the debut of Marie Taglioni’s
La Sylphide
at the Paris Opera Ballet. 1832
-Arthur Saint-Leon’s
Coppelia
is considered to be the end of the Romantic era of ballet. 1870
-
Giselle
is one of Romantic era’s most famous ballets. 1841 Corrali and Perrot- choreographer
-the most challenging repertoire
-the development of pointe work through the Romantic period is notable. The illusion of weightless and .
A brief history of ballet shoes
Ballet is a highly technical, performance dance that consists of choreography and a music accompaniment. Ballet originated during the grace and grandeur of the Italian Renaissance and, throughout the centuries, has become a globally influential dance genre and culture, celebrating the magnificence of the human body in movement. During the Renaissance period, ballet developed as a form of court entertainment, complete with elaborate sets and scenery and dancers who wore magnificent costumes that were teamed with heeled court shoes. These shoes later became the inspiration for modern day dance and ballet shoes, which have since led on to inspire the fashionable and contemporary ballerina shoes that have become an everyday wardrobe staple for women all over the world.
From Medici to Jooss: Four Centuries of Crazy Incestuous Dance Action
This document provides a summary of the history of ballet, beginning with Catherine de Medici in the 16th century who initiated the development of ballet in France. Key figures and works that advanced ballet as an art form are discussed, including Balthasar de Beaujoyeulx, Jean-Baptiste Lully, Pierre Beauchamp, Jean-Georges Noverre, and Marius Petipa. The romantic era saw the rise of ballerinas like Marie Taglioni and Fanny Elssler. Iconic ballets from this period like La Sylphide and Giselle are examined. The document traces the evolution and spread of ballet through France, Russia, Denmark and
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Camille Saint-Saëns was a French composer known for works across many genres. He was a child prodigy and studied at the Paris Conservatoire. Some of his most famous works include the opera Samson et Dalila, The Carnival of the Animals, and Symphony No. 3 (Organ Symphony). Saint-Saëns had a successful career and received many honors, including being made a Chevalier of the Légion d'honneur. He died in 1921 at the age of 86.
Tańce - taniec dworski
Courtly dance evolved in late medieval Europe among royalty and nobility. It enjoyed popularity in Italian, French, and English courts, where elaborate entertainment was common. As courtly dance grew more time-consuming, a new profession emerged—the dance organizer and choreographer. Some court dances derived from folk dances. The most well-known courtly dances included the gavotte, minuet, contredanse, passacaglia, pavane, saltarello, and sarabande.
Chapter 2: Continental Operetta
1) The document discusses the origins of modern musical theatre, tracing its development from continental opera in the 1840-1900 period, with a focus on Paris.
2) Jacques Offenbach, a German-born composer, is identified as the originator of operetta. He founded the Theatre des Bouffes Parisiens in 1855 and produced early works like Orpheus in the Underworld that established the new operetta style.
3) Other French composers like Adolphe Adam and Charles Lelocq also contributed to the growth of operetta in Paris during this time period. Offenbach's works then influenced the development of Viennese operetta composers like Johann Strauss II.
4) By
Ferdinand Herold Biography & Music
Louis Joseph Ferdinand Hérold was a French composer known for his operas and ballets. Some of his most famous compositions were the operas "Zampa" and "Le pré aux clercs" as well as the ballet "La fille mal gardée." He studied at the Paris Conservatory and won the prestigious Prix de Rome in 1812. Throughout his career he composed over 20 operas and helped establish French opera alongside composers like Jean-Baptiste Lully and Jean-Philippe Rameau.
Dance ism
Dance has its origins in spiritual ceremonies from 6000 BC in India. During the Renaissance, dance became entertainment for aristocracy in Europe. Ballet originated in 15th century Italian courts and is characterized by symmetrical movement. Classical ballet involves dance telling stories through movement and music. Modern dance emerged in the early 20th century as a reaction against rigid ballet, focusing on personal expression. Jazz, hip hop, and other contemporary styles developed in the late 20th century blending techniques from ballet, modern, and vernacular dance forms.
Opera
Opera is a theatrical art form that combines music, drama, costumes and scenery to tell a story. It originated in Italy in the late 16th century, when small groups would meet and develop musical dramas to perform. The first opera was "Euridice" in 1600, but Claudio Monteverdi's "Orfeo" in 1607 was particularly influential. Operas feature different musical elements like recitative to imitate speech and arias for characters to express emotions through melody. There are various types of opera including comic, serious, and grand opera.
French Theatre Presentation - Dramatics Class
The public theaters in Paris before 1595 had no permanent buildings and dramas were performed occasionally. Between 1595-1625, French drama continued to develop consequences as the genre changed, and women began performing. The major public theaters from 1625-1660 were the Hotel de Bourgogne and the Theatre du Marais. Tragedy reached its peak under playwrights like Corneille and Racine in 1660-1700, while comedy flourished under Moliere, who also directed his own plays. Theater architecture became more standardized, focusing on simplicity and a single backdrop to emphasize the performance. By 1700, French theater declined due to conservatism and financial issues following wars.
Chapter 27 - Early Romantic Opera
Opera developed significantly in the Romantic era. In Italy, bel canto opera flourished with composers like Rossini, Bellini, and Donizetti. Their operas featured beautiful singing styles and melodies. In France, grand opera became popular with works by Meyerbeer that included large choruses and spectacles. German opera emerged with composers like Weber who drew on national folk influences. By mid-century, opera had become a widespread genre across Europe with new houses and audiences.
Jean-Baptiste Lully
Jean-Baptiste Lully was born in Florence, Italy in 1632 and showed an early talent for music, learning guitar and violin from Franciscan friars. He moved to Paris in 1646 and gained the patronage of Louis XIV, becoming his composer and director of instrumental music. Lully established opera as a new French art form, combining drama, music, and ballet. He gained a monopoly over French opera and established strict rules for productions and the orchestra. Lully's innovations helped establish the modern orchestra and set the standard practices for conducting.
Ch16 17th century france, england, spain, new world
This document provides an overview of national styles that emerged in the 17th century, focusing on France, England, Spain, and the New World. In France, King Louis XIV was an absolute monarch who centralized the arts under royal patronage to project an image of supreme power and control. Jean-Baptiste Lully dominated French opera and helped establish the French overture and orchestra. In England, the monarchy had less funding for the arts after the English Civil War, but composers like Henry Purcell incorporated Italian and French influences into English operas, anthems, and instrumental works. Spanish musical traditions blended with those of indigenous and African peoples in the colonies of the New World.
TOULOUSE-LAUTREC, Henri de, Featured Paintings in Detail (2)
The document contains details about several paintings by Henri de Toulouse-Lautrec, including Marcelle Lender Dancing the Bolero in the Operetta "Chilpéric" which depicts the title character dancing and was inspired by Lautrec seeing the performance multiple times. It also describes At the Moulin Rouge which depicts the famous dance hall that Lautrec frequented and helped make famous through his art, and Ball at the Moulin Rouge which shows the dance floor and patrons of the hall. Brief details are provided on the paintings, their subjects, and contexts.
Chapter 20 Romantic Opera.pptx
This document provides an overview of opera and music drama in the 19th century. It discusses the roles and popularity of opera, the development of bel canto singing, the rise of nationalism in opera, and the growth of grand opera in France led by composers like Meyerbeer. Italian opera of the early century is described, focused on Rossini, Bellini, and Donizetti. Verdi emerges as the dominant later figure in Italian opera, developing the art form with works like Rigoletto, La Traviata, Aida, and Otello. German opera before Wagner is also briefly touched on.
Impressionism: Famous Impressionist Painters and Masterpieces
The Impressionist movement began in the 1870s as artists rebelled against rigid academic painting standards. They started independent exhibitions to show their unfinished, spontaneous works which emphasized capturing fleeting moments and effects of light. Art critic Louis Leroy coined the term "Impressionism" after Monet's painting Impression, Sunrise. Key Impressionist techniques included painting outdoors, using loose brushstrokes and bright colors, and focusing on modern life subjects. Famous Impressionists like Monet, Renoir, Degas, Pissarro and Sisley developed these techniques to depict the optical effects of light and convey changing atmospheres. Their work marked a shift to a more modern style of painting.
Palais garnier the paRIS OPERA INDUSTRIAL REVOLUTION
The document provides details about the Palais Garnier opera house in Paris, France. Some key points:
- It was designed by architect Charles Garnier and constructed between 1861 and 1875 as part of Napoleon III's renovations of Paris.
- The building combines elements of Renaissance and Baroque styles with lavish decoration including multiple materials and statues.
- Construction faced issues including discovering the site was on swampy ground and delays from the Franco-Prussian War.
- The Palais Garnier has since become a famous architectural landmark and is known as the setting for Gaston Leroux's novel The Phantom of the Opera.
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Historia del ballet
- 2. Origin The beginning of the ballet was in the Italian Renaissance, where it was done to entertain royalty during dinner. The first completa of ballet was "Le Ballet Comique de la Reine" in Paris 1581.
- 3. History The first professional ballet academy was the Académie Royale de Danse, made by the French King Louis XIV in 1661.
- 4. History In the eighteenth century the French dancer Marie Camargo and her rival Marie Sallé begin to shorten their skirts and use flat shoes for dancing and even used Greek tunics. Marie Camargo Marie Salle
- 5. History In this century Heinel Anne is the first dancer to do a double pirouette. Gradually they began to work more dramatic expression in ballet. At the end of the century begins pointe ballet where the dancers were not in points in small parts of the dance because there were still no pointe shoes. It is in the nineteenth century where romantic ballet begins and where existing techniques are marked.
- 6. Anne Heinel