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POET
• Harivansh Rai Shrivastav alias
  Bachchan (Hindi:                      )
  (27 November 1907 – 18 January 2003),
  was a noted Indian poet of Chhayavaad
  literary movement (romantic upsurge) of
  early 20th century Hindi literature. He
  was also a famous poet of the Hindi
  Kavi Sammelan. He is best known for
  his early work Madhushala (             ).
  He is also the father of Bollywood
  megastar, Amitabh Bachchan.
PERSONAL LIFE AND EDUCATION

   Born in a Srivastava Kayastha family, in the
    village of Babupatti (Raniganj) in the district
    of Pratapgarh, U.P. he was the eldest son of
    Pratap Narayan Shrivastav and Saraswati
    Devi. He was called Bachchan (meaning
    Kid at home). He received his formal
    schooling in a municipal school and
    followed the family tradition of attending
    Kayastha Paathshaalas to learn Urdu as the
    first step to a career in law. He later studied
    at the Allahabad University and Banaras
    Hindu University
Career
   From 1941 to 1952 he taught in the English
    Department at the Allahabad University and after
    that he spent the next two years at St Catharine's
    College, Cambridge, Cambridge University doing
    his doctoral thesis on W.B. Yeats. It was then,
    that he used ‘Bachchan’ as his last name instead
    of Srivastava. Harivanshrai’s thesis got him his
    PhD at Cambridge. After returning to India he
    again took to teaching and also served at All India
    Radio, Allahabad.
BACHCHAN’S STYLE
 Bachchan used to introduce himself as:-
“Mitti ka tan, masti ka man, kshan-bhar
jivan– mera parichay.
(A body of clay, a mind full of play, a
moment’s life - that's me)”
   Madhushala
   Madhubala
   Madhukalash Nisha Nimantran (1938)
   Ekaant Sangeet (1939)
   Aakul Antar (1943)
   Satarangini (1945)
   Kaadi ke Phool (1948)
   Milan Yamini (1950)
   Pranay Patrika (1955)
   Buddha aur Naachghar (1958)
   Tribhangima (1961)
   Char kheme Chaunsath khoonte (1962)
   Do Chattane (1965)
   Bahut din beete (1967)
   Kat-ti pratimaaon ki awaaz (1968)
   Jaal sameta (1973)
   Nirman
   Bachpan ke saath kshan bhar (1934)
   Khaiyyam ki madhushala (1938)
   Sopaan (1953)
   Mcbeth (1957)
   Othello (1959)
   Omar Khaiyyam ki rubaaiyan (1959)
   Abhinav sopaan (1964)
   W.B. Yeats and Occultism (1968)
   Naagar geet (1966)
   Hamlet (1969)
   Bhaasha apni bhaav paraaye (1970)
   Pant ke sau patra) (1970)
   Pravaas ki diary (1971)
   King Lear (1972)
   Tooti Chooti kadiyan (1973)
   So-ham hans (1981)
   Jo beet gai so Bat gai
 Kya bhooloon kya yaad karoon
  (1969)
 Need ka nirmaan fir (1970)
 Basere se door (1977)
 Dashdwaar se sopaan tak
  (1985), In the Afternoon of Time
 Bachchan rachanavali ke nau
  khand (1983)
   In 1966, Harivansh Rai Bachchan was nominated to the
    Rajya Sabha and in 1969 he received the Sahitya Akademi
    Award. Seven years later the Government of India bestowed
    on him the Padma Bhushan in recognition for his
    contribution to Hindi literature. In addition he was also
    awarded the Sovietland Nehru Award, the Lotus Award of
    the Afro-Asian writers' conference and the Saraswati
    Samman. The Uttar Pradesh government conferred him the
    "Yash Bharati" Samman in 1994. A postage stamp was
    released in 2003 in his memory.
   Harivansh Rai Bachchan is best remembered for his 142 verse lyrical
    poem "Madhushala" (The House of Wine), which was published in
    1935. This work catapulted him as the foremost Hindi poet and was
    subsequently, translated into English and a number of Indian languages.
    The poem became a craze and was even performed on stage. "Madhushala"
    was a part of his poetic trilogy, the other two being Madhubaala and
    Madhukalash.. In 1969, he published the first of his four part
    autobiography 'Kya bhooloon kya yaad karoon'. The second part 'Need
    ka nirmaan fir' was published in 1970, the third 'Basere se door' in 1977
    and the last part 'Dashdwaar se sopaan tak' in 1985. The series was well
    received and an abridged English translation by Rupert Snell, 'In the
    Afternoon of Time', was published in 1998. It is now considered to be a
    landmark in Hindi literature.
   One feels a sense of life and playfulness after reading his
    poems, the two aspects which would become the hallmark of his
    poetry. In a career that spanned for about 60 years, he was the
    torch bearer of the Chhayavaad or Romantic upsurge literary
    movement .There was a time when thousands and thousands
    would fill into theaters and auditoriums just to listen to him recite
    his poems, a particular favorite being the epochal 'Madhushala'.
    His poetry is noted for its lyrical beauty and rebellious attitude
    with imagery that is unfettered and sensuous that placed him in a
    different league from his contemporaries in the Chhayavaad
    movement. Harivansh Rai Bachchan became the epitome of the
    romantic rebel. Through his poems he focused on the common
    man's urge for freedom and the sensuousness underlying in this
    quest, which made him a literary star embraced by the public.
 At the age of 95, in 2003, Harivansh Rai Bachchan
 breathed his last. He was suffering from
 respiratory ailments. Four years later his wife
 passed away at the age of 93.
 www.wikipedia.com

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Harivansha rai bachchan,father of amitabh bacchhan.

  • 1.
  • 3. • Harivansh Rai Shrivastav alias Bachchan (Hindi: ) (27 November 1907 – 18 January 2003), was a noted Indian poet of Chhayavaad literary movement (romantic upsurge) of early 20th century Hindi literature. He was also a famous poet of the Hindi Kavi Sammelan. He is best known for his early work Madhushala ( ). He is also the father of Bollywood megastar, Amitabh Bachchan.
  • 4. PERSONAL LIFE AND EDUCATION  Born in a Srivastava Kayastha family, in the village of Babupatti (Raniganj) in the district of Pratapgarh, U.P. he was the eldest son of Pratap Narayan Shrivastav and Saraswati Devi. He was called Bachchan (meaning Kid at home). He received his formal schooling in a municipal school and followed the family tradition of attending Kayastha Paathshaalas to learn Urdu as the first step to a career in law. He later studied at the Allahabad University and Banaras Hindu University
  • 5. Career  From 1941 to 1952 he taught in the English Department at the Allahabad University and after that he spent the next two years at St Catharine's College, Cambridge, Cambridge University doing his doctoral thesis on W.B. Yeats. It was then, that he used ‘Bachchan’ as his last name instead of Srivastava. Harivanshrai’s thesis got him his PhD at Cambridge. After returning to India he again took to teaching and also served at All India Radio, Allahabad.
  • 6. BACHCHAN’S STYLE Bachchan used to introduce himself as:- “Mitti ka tan, masti ka man, kshan-bhar jivan– mera parichay. (A body of clay, a mind full of play, a moment’s life - that's me)”
  • 7. Madhushala  Madhubala  Madhukalash Nisha Nimantran (1938)  Ekaant Sangeet (1939)  Aakul Antar (1943)  Satarangini (1945)  Kaadi ke Phool (1948)  Milan Yamini (1950)  Pranay Patrika (1955)  Buddha aur Naachghar (1958)  Tribhangima (1961)  Char kheme Chaunsath khoonte (1962)  Do Chattane (1965)  Bahut din beete (1967)  Kat-ti pratimaaon ki awaaz (1968)  Jaal sameta (1973)  Nirman
  • 8. Bachpan ke saath kshan bhar (1934)  Khaiyyam ki madhushala (1938)  Sopaan (1953)  Mcbeth (1957)  Othello (1959)  Omar Khaiyyam ki rubaaiyan (1959)  Abhinav sopaan (1964)  W.B. Yeats and Occultism (1968)  Naagar geet (1966)  Hamlet (1969)  Bhaasha apni bhaav paraaye (1970)  Pant ke sau patra) (1970)  Pravaas ki diary (1971)  King Lear (1972)  Tooti Chooti kadiyan (1973)  So-ham hans (1981)  Jo beet gai so Bat gai
  • 9.  Kya bhooloon kya yaad karoon (1969)  Need ka nirmaan fir (1970)  Basere se door (1977)  Dashdwaar se sopaan tak (1985), In the Afternoon of Time  Bachchan rachanavali ke nau khand (1983)
  • 10. In 1966, Harivansh Rai Bachchan was nominated to the Rajya Sabha and in 1969 he received the Sahitya Akademi Award. Seven years later the Government of India bestowed on him the Padma Bhushan in recognition for his contribution to Hindi literature. In addition he was also awarded the Sovietland Nehru Award, the Lotus Award of the Afro-Asian writers' conference and the Saraswati Samman. The Uttar Pradesh government conferred him the "Yash Bharati" Samman in 1994. A postage stamp was released in 2003 in his memory.
  • 11. Harivansh Rai Bachchan is best remembered for his 142 verse lyrical poem "Madhushala" (The House of Wine), which was published in 1935. This work catapulted him as the foremost Hindi poet and was subsequently, translated into English and a number of Indian languages. The poem became a craze and was even performed on stage. "Madhushala" was a part of his poetic trilogy, the other two being Madhubaala and Madhukalash.. In 1969, he published the first of his four part autobiography 'Kya bhooloon kya yaad karoon'. The second part 'Need ka nirmaan fir' was published in 1970, the third 'Basere se door' in 1977 and the last part 'Dashdwaar se sopaan tak' in 1985. The series was well received and an abridged English translation by Rupert Snell, 'In the Afternoon of Time', was published in 1998. It is now considered to be a landmark in Hindi literature.
  • 12. One feels a sense of life and playfulness after reading his poems, the two aspects which would become the hallmark of his poetry. In a career that spanned for about 60 years, he was the torch bearer of the Chhayavaad or Romantic upsurge literary movement .There was a time when thousands and thousands would fill into theaters and auditoriums just to listen to him recite his poems, a particular favorite being the epochal 'Madhushala'. His poetry is noted for its lyrical beauty and rebellious attitude with imagery that is unfettered and sensuous that placed him in a different league from his contemporaries in the Chhayavaad movement. Harivansh Rai Bachchan became the epitome of the romantic rebel. Through his poems he focused on the common man's urge for freedom and the sensuousness underlying in this quest, which made him a literary star embraced by the public.
  • 13.  At the age of 95, in 2003, Harivansh Rai Bachchan breathed his last. He was suffering from respiratory ailments. Four years later his wife passed away at the age of 93.