GROUP 3 PRESENTATION ARTS 9-1.pptx
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The document summarizes Romantic art from 1800-1810. It describes Romanticism as emphasizing imagination and emotion over classical rationalism. Landscape painting grew more popular as people admired nature. Characteristics of Romantic art included heightened emotions, dramatic compositions, and celebrating uncontrolled nature. Famous Romantic artists mentioned include Géricault, Delacroix, Goya, Rousseau, and Corot. Their works often depicted emotional, moody scenes from history, mythology, or landscapes. Romantic sculpture also focused on spiritual feelings and imagination.
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Romantic period
Romanticism was an artistic movement of the late 18th and early 19th centuries that valued emotion, individualism, and nature. Key characteristics included a focus on dramatic compositions, heightened emotions, and celebration of uncontrolled nature. Famous Romantic painters included Théodore Géricault, Eugène Delacroix, and Francisco Goya, who are known for emotionally charged works focusing on contemporary subjects and natural landscapes. Romantic sculpture focused on either the human world, as seen in François Rude's dynamic works, or the natural world, exemplified by animal sculptor Antoine-Louis Barye.
romanticperiod-151213070900.pptx
Romanticism was an artistic movement that emerged in the late 18th and early 19th centuries as a reaction against the order and restraint of the Neoclassical period. Key characteristics included a focus on emotion, nature, and dramatic compositions. Famous Romantic painters included Théodore Géricault, Eugène Delacroix, and Francisco Goya, who are known for works emphasizing passion and focusing on contemporary subjects or historical events. Landscape painting also grew in popularity during this period, led by artists of the Barbizon School like Théodore Rousseau and Jean-Baptiste-Camille Corot. Romantic sculpture divided works focusing on human subjects, like those of François Rude
ARTIST IN ROMANTIC PERIOD.pptx
During the Romantic period in the early 1800s, several notable artists emerged in France and Spain. Jean-Louis Theodore Gericault was a leading French painter known for his masterpiece The Raft of the Medusa, which depicted a contemporary shipwreck. Eugene Delacroix was considered the greatest French Romantic painter, with his painting Liberty Leading the People personifying the French Revolution. Francisco Goya was a commissioned painter for the King of Spain and commemorated Spanish resistance to Napoleon in The Third of May. Theodore Rousseau was a pioneering French landscape painter known for his unconventional nature-based works. Jean-Baptiste-Camille Corot was an influential French landscape and portrait painter whose works
KCC Art 141 Chapter 10 Art History
The document provides an overview of different art movements throughout history from ancient cave paintings to contemporary performance art. It describes key characteristics and examples of styles such as Egyptian art featuring twisted perspective, Renaissance art inspired by classical antiquity, Impressionism focused on light and color, Cubism using geometric forms, and Minimalism reacting against emotional abstraction. Performance art emerged in the 1960s combining visual art with other live artistic mediums.
REALISM and Naturalism Art movement Presentation by Anuj Kumar Maurya
Realism and Naturalism were 19th century art movements that sought to depict reality with accuracy and detail. Realism emerged in the mid-19th century as a reaction against idealism, focusing on everyday life and social/political issues. Naturalism emerged later, emphasizing realistic representations of nature and rural life. Both movements used techniques like close observation and attention to lighting, and were influenced by scientific thinking and a desire to portray the truth. Famous artists associated with these styles included Courbet, Millet, Constable, and Cole.
The Modern WorldRomanticism, Realism, Impressionism& Po.docx
The Modern World:
Romanticism, Realism, Impressionism
& Post-Impressionism
ART-6, Q. Bemiller, Norco College
Louis Daguerre, Boulevard du Temple (first photograph of a
living person in Paris), 1838, daguerreotype
1800-1945 = major changes!
• 1785-1813 Power Loom
• 1807 Steamboat
• 1814 Steam Locomotive
• 1826 Photograph
• 1837 Telegraph
• 1876 Telephone
• 1870s-80s Phonograph, Light Bulb, Motion Pictures
• 1885 Automobile
• 1895 Radio
• 1903 Airplane
• 1927 Television
• 1935 Electric Guitar
• 1942 Nuclear Reactor
Romanticism
• Romanticism was named after the adventurous stories told in the
“Romance” languages (Spanish, Portuguese, French, Italian and
Romanian.) "Romance languages" originate from Latin, the language
spoken in the Western Roman Empire.
• Romanticism reacted against the logical, rational and objective truths
of Neoclassicism. Instead, Romanticists focused on individual
freedom, imagination, emotions, subjective reality, intuition and
originality.
• Romanticism lasted from about 1800-1890 and led to avant-garde
movements in the 20th century.
• Artists include Francisco Goya, Caspar David Friedrich, Henry Fuseli,
John Constable, J.M.W. Turner, Eugène Delacroix and Théodore
Géricault.
Francisco Goya, The Third of May, 1808, 1814, oil on
canvas
Caspar David Friedrich, The Abbey in the Oakwood, 1809-
10; Wanderer Above the Sea of Fog, 1818, oil on canvas
Henry Fuseli, The Nightmare, 1781 and 1790-91, oil on
canvas
John Constable, Salisbury Cathedral from the meadows,
1831, oil on canvas
J.M.W. Turner, The Burning of the Houses of Lords and
Commons, 1834/35, oil on canvas
Sir Charles Barry and Augustus Welby Northmore Pugin,
Houses of Parliament, London, a complex of Gothic Revival
buildings, 1837–60
Eugène Delacroix, Liberty Leading the People, 1830,
oil on canvas
Théodore Géricault, The Raft of the Medusa, c. 1819
oil on canvas, and study of severed heads, 1818.
Realism
• “It is not a question, here, of seeking for an 'absolute' of beauty. The artist is neither
painting history nor his soul. What is termed 'composition' does not exist for him, and
he has not set himself the task of representing some abstract idea or some historical
episode. And it is because of this that he should neither be judged as a moralist nor as
a literary man. He should be judged simply as a painter.” –Émile Zola, (1840-1902)
• The Realism movement rejected both Romanticism and Neoclassicism. They focused
on everyday life, the reality of life. For them, art and life were one.
• Realist artists dared to make paintings of lower-class people, drawing attention to
social inequities. They also showed the animals and workers of the land, reminding
the “city folks” where their food came from, and the natural landscape that could be
forgotten in the cities.
• The Realist artists were perhaps the first “modern” artists. The movement was
roughly 1848-1900. Key artists were Gustave Courbet, Édouard.
Romantic period
The document summarizes Romanticism in painting, sculpture and architecture between 1800-1810. In painting, key artists like Géricault, Delacroix and Goya expressed intense emotions and dramatic compositions. Landscape painting became popular as artists expressed admiration for nature. Romantic sculpture focused on the human and natural world, with Francois Rude and Barye as leading sculptors. Gothic Revival or Neo-Gothic architecture featured castellated buildings to imitate medieval castles, with Charles Barry and James Renwick as prominent architects who used this style.
© 2010, The McGraw-Hill Companies, Inc. All Rights Rese.docx
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
Fantasy and Futurism
Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
Ingres’ lifelong rival was Delacroix, champion of the Romantic movement. The Romantic ideal stressed dramatic subject matter, turbulent emotions, and complex compositions. Romanticism was not a style so much as a set of attitudes and characteristic subjects. The 18th century is sometimes known as “the Age of Reason,” for its leading thinkers placed their faith .
Recommended
Romantic period
Romanticism was an artistic movement of the late 18th and early 19th centuries that valued emotion, individualism, and nature. Key characteristics included a focus on dramatic compositions, heightened emotions, and celebration of uncontrolled nature. Famous Romantic painters included Théodore Géricault, Eugène Delacroix, and Francisco Goya, who are known for emotionally charged works focusing on contemporary subjects and natural landscapes. Romantic sculpture focused on either the human world, as seen in François Rude's dynamic works, or the natural world, exemplified by animal sculptor Antoine-Louis Barye.
romanticperiod-151213070900.pptx
Romanticism was an artistic movement that emerged in the late 18th and early 19th centuries as a reaction against the order and restraint of the Neoclassical period. Key characteristics included a focus on emotion, nature, and dramatic compositions. Famous Romantic painters included Théodore Géricault, Eugène Delacroix, and Francisco Goya, who are known for works emphasizing passion and focusing on contemporary subjects or historical events. Landscape painting also grew in popularity during this period, led by artists of the Barbizon School like Théodore Rousseau and Jean-Baptiste-Camille Corot. Romantic sculpture divided works focusing on human subjects, like those of François Rude
ARTIST IN ROMANTIC PERIOD.pptx
During the Romantic period in the early 1800s, several notable artists emerged in France and Spain. Jean-Louis Theodore Gericault was a leading French painter known for his masterpiece The Raft of the Medusa, which depicted a contemporary shipwreck. Eugene Delacroix was considered the greatest French Romantic painter, with his painting Liberty Leading the People personifying the French Revolution. Francisco Goya was a commissioned painter for the King of Spain and commemorated Spanish resistance to Napoleon in The Third of May. Theodore Rousseau was a pioneering French landscape painter known for his unconventional nature-based works. Jean-Baptiste-Camille Corot was an influential French landscape and portrait painter whose works
KCC Art 141 Chapter 10 Art History
The document provides an overview of different art movements throughout history from ancient cave paintings to contemporary performance art. It describes key characteristics and examples of styles such as Egyptian art featuring twisted perspective, Renaissance art inspired by classical antiquity, Impressionism focused on light and color, Cubism using geometric forms, and Minimalism reacting against emotional abstraction. Performance art emerged in the 1960s combining visual art with other live artistic mediums.
REALISM and Naturalism Art movement Presentation by Anuj Kumar Maurya
Realism and Naturalism were 19th century art movements that sought to depict reality with accuracy and detail. Realism emerged in the mid-19th century as a reaction against idealism, focusing on everyday life and social/political issues. Naturalism emerged later, emphasizing realistic representations of nature and rural life. Both movements used techniques like close observation and attention to lighting, and were influenced by scientific thinking and a desire to portray the truth. Famous artists associated with these styles included Courbet, Millet, Constable, and Cole.
The Modern WorldRomanticism, Realism, Impressionism& Po.docx
The Modern World:
Romanticism, Realism, Impressionism
& Post-Impressionism
ART-6, Q. Bemiller, Norco College
Louis Daguerre, Boulevard du Temple (first photograph of a
living person in Paris), 1838, daguerreotype
1800-1945 = major changes!
• 1785-1813 Power Loom
• 1807 Steamboat
• 1814 Steam Locomotive
• 1826 Photograph
• 1837 Telegraph
• 1876 Telephone
• 1870s-80s Phonograph, Light Bulb, Motion Pictures
• 1885 Automobile
• 1895 Radio
• 1903 Airplane
• 1927 Television
• 1935 Electric Guitar
• 1942 Nuclear Reactor
Romanticism
• Romanticism was named after the adventurous stories told in the
“Romance” languages (Spanish, Portuguese, French, Italian and
Romanian.) "Romance languages" originate from Latin, the language
spoken in the Western Roman Empire.
• Romanticism reacted against the logical, rational and objective truths
of Neoclassicism. Instead, Romanticists focused on individual
freedom, imagination, emotions, subjective reality, intuition and
originality.
• Romanticism lasted from about 1800-1890 and led to avant-garde
movements in the 20th century.
• Artists include Francisco Goya, Caspar David Friedrich, Henry Fuseli,
John Constable, J.M.W. Turner, Eugène Delacroix and Théodore
Géricault.
Francisco Goya, The Third of May, 1808, 1814, oil on
canvas
Caspar David Friedrich, The Abbey in the Oakwood, 1809-
10; Wanderer Above the Sea of Fog, 1818, oil on canvas
Henry Fuseli, The Nightmare, 1781 and 1790-91, oil on
canvas
John Constable, Salisbury Cathedral from the meadows,
1831, oil on canvas
J.M.W. Turner, The Burning of the Houses of Lords and
Commons, 1834/35, oil on canvas
Sir Charles Barry and Augustus Welby Northmore Pugin,
Houses of Parliament, London, a complex of Gothic Revival
buildings, 1837–60
Eugène Delacroix, Liberty Leading the People, 1830,
oil on canvas
Théodore Géricault, The Raft of the Medusa, c. 1819
oil on canvas, and study of severed heads, 1818.
Realism
• “It is not a question, here, of seeking for an 'absolute' of beauty. The artist is neither
painting history nor his soul. What is termed 'composition' does not exist for him, and
he has not set himself the task of representing some abstract idea or some historical
episode. And it is because of this that he should neither be judged as a moralist nor as
a literary man. He should be judged simply as a painter.” –Émile Zola, (1840-1902)
• The Realism movement rejected both Romanticism and Neoclassicism. They focused
on everyday life, the reality of life. For them, art and life were one.
• Realist artists dared to make paintings of lower-class people, drawing attention to
social inequities. They also showed the animals and workers of the land, reminding
the “city folks” where their food came from, and the natural landscape that could be
forgotten in the cities.
• The Realist artists were perhaps the first “modern” artists. The movement was
roughly 1848-1900. Key artists were Gustave Courbet, Édouard.
Romantic period
The document summarizes Romanticism in painting, sculpture and architecture between 1800-1810. In painting, key artists like Géricault, Delacroix and Goya expressed intense emotions and dramatic compositions. Landscape painting became popular as artists expressed admiration for nature. Romantic sculpture focused on the human and natural world, with Francois Rude and Barye as leading sculptors. Gothic Revival or Neo-Gothic architecture featured castellated buildings to imitate medieval castles, with Charles Barry and James Renwick as prominent architects who used this style.
© 2010, The McGraw-Hill Companies, Inc. All Rights Rese.docx
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
Fantasy and Futurism
Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
Ingres’ lifelong rival was Delacroix, champion of the Romantic movement. The Romantic ideal stressed dramatic subject matter, turbulent emotions, and complex compositions. Romanticism was not a style so much as a set of attitudes and characteristic subjects. The 18th century is sometimes known as “the Age of Reason,” for its leading thinkers placed their faith .
Los Angeles County Museum of Art, LACMA
Although the museum is one of the youngest in the United States, it is fairly large and comprehensive museum, a significant representation of European art, ranging from antiquity to the present day. The museum was inaugurated only in 1965. However, a large part of the collection came from the Los Angeles Museum of History, Science and Art, which was established a century earlier. The museum is also known for its Modern art items as well.
moudah.jpg© 2010, The McGraw-Hill Companies, Inc..docx
moudah.jpg
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
Fantasy and Futurism
Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
Ingres’ lifelong rival was Delacroix, champion of the Romantic movement. The Romantic ideal stressed dramatic subject matter, turbulent emotions, and complex compositions. Romanticism was not a style so much as a set of attitudes and characteristic subjects. The 18th century is sometimes known as “the Age of Reason,” for its leading thinkers plac ...
ART MOVEMENTS_PAINTINGS and designs for art
The Art Moment is a contemporary art movement characterized by its emphasis on experimentation, innovation, and boundary-pushing creativity. It encompasses a wide range of media, styles, and ideas, challenging conventional norms and igniting new forms of expression. It emerged in response to shifting societal values and technological advancements.
Romanticism ( 1800 – 1810)
Here are the answers to the identification questions:
1. Francisco Goya
2. The Third of May
3. Liberty Leading the People
4. Juan Luna
5. Fernando Cueto Amorsolo
6. Guillermo Estrella Tolentino
7. Napoleon Isabelo Veloso Abueva
8. U.P. Oblation
The two architects who used Neogothic style are:
29. Charles Barry
30. James Renwick
The five Neoclassicism and Romantic artists of the Philippines are:
31. Felix Resurreccion Hidalgo y Padilla
32. Juan Luna y Novicio
33. Fernando Cueto Amors
arts9 MAPEH9
The document provides an overview of Neoclassicism and Romanticism in the arts during the late 18th and early 19th centuries. Neoclassicism drew inspiration from classical antiquity and was characterized by order, restraint, and idealized historical subjects. Leading artists included Jacques-Louis David and Jean Auguste Dominique Ingres. Romanticism emphasized emotion, nature, and individualism in reaction to Neoclassicism's restraint. Key Romantic artists were Eugène Delacroix, Francisco Goya, and landscape painters of the Barbizon school like Théodore Rousseau. Both periods saw developments in painting, sculpture, and architecture inspired by Greek and Roman styles.
Romantics.neoclassics
Neoclassicism began in the late 18th century as a reaction against Rococo styles and was adopted by leaders of the French Revolution who wanted to associate themselves with the stability and heroism of ancient Greek and Roman styles. Jacques-Louis David was a leading Neoclassical painter who appealed to republican sentiments with works like Oath of the Horatii. Romanticism emerged in reaction to Enlightenment rationalism and the Industrial Revolution, emphasizing emotion, imagination, and individualism in the arts. Romantic painters like Gericault, Delacroix, and Friedrich focused on landscapes, mythology, and exotic subjects to convey intense emotions.
Arts 9 Lesson 2 - Romantic Period.pptx
Romanticism lasted from the 1800s to 1850s. Romantic artists expressed intense emotions and passions in their works and focused on dramatic subjects that evoked strong reactions in viewers. They also captured the ferocity of nature. A key Romantic artist was Theodore Gericault, whose painting The Raft of the Medusa showed survivors of a shipwreck experiencing misery and hope. Romanticism was preceded by Neoclassicism and followed by Realism.
romanticism.pptx
Romanticism was an artistic movement that emerged in the late 18th century as a reaction against the order and restraint of the Neoclassical period. Artists sought to express intense emotion and focus on themes like nature, history, and the supernatural. Characteristics included heightened drama, emotion, and sensational subjects. The document then profiles several prominent Romantic artists like Gericault, Delacroix, Goya, and Rousseau, noting some of their major works. It also discusses Romantic architecture and Gothic Revival styles. Finally, it covers Neoclassicism and Romanticism in the Philippines, profiling artists like Luna, Amorsolo, Abueva, and Tolentino.
ARTS OF THE NEOCLASSIC AND ROMANTIC PERIOD.pptx
The document summarizes the key characteristics and major artists of the Neoclassic and Romantic periods in Europe between 1780-1910. Neoclassicism was inspired by Ancient Greek and Roman art and portrayed historical Roman themes through formal compositions and structures. Major artists included Jacques-Louis David and Jean-Auguste-Dominique Ingres. Romanticism embraced emotion, nature, and social issues through dramatic compositions and heightened sensations. Key Romantic artists were Théodore Géricault, Eugène Delacroix, Francisco Goya, and François Rude. Both periods influenced architecture through styles like Temple, Palladian, and Gothic Revival.
Historicism and Romanticism Enrique
This document discusses Romanticism in 19th century art. It focused on the key characteristics of Romantic painting including movement, vivid colors, and emphasis on emotion over reason. Important Romantic painters from different countries are mentioned, including Géricault, Delacroix, and Friendrich from France and Germany, Turner from Britain, and Bécquer, Villaamil, and Fortuny from Spain. Delacroix's painting "The Lion Hunt" from 1861 is analyzed in detail.
Art From Mannerism Towards Early 20th Century Art
The document provides a whirlwind tour through major art movements from the Baroque period through early 20th century art. It describes key characteristics and examples of works for each major movement including Baroque, Rococo, Neo-Classicism, Romanticism, Realism, Impressionism, and Post-Impressionism. Major artists mentioned include Caravaggio, Bernini, Gainsborough, Fragonard, Boucher, David, Goya, Turner, Delacroix, Millais, Courbet, Manet, Monet, Degas, Seurat, Redon, Cezanne, Gauguin, and Van Gogh.
Romanticism, 1800s – 1810s
Romanticism was an artistic movement that valued emotion over reason and form. Artists sought to express intense emotion in their works through themes like nature, history, and social injustice. Landscape painting grew more popular as people admired nature. Romantic works featured more emotion and passion compared to the classical style of Neoclassicism.
NeoclassicalRomanticismGRADE9.pptx
The document discusses the Neoclassical and Romantic periods in art between the late 18th and 19th centuries. Neoclassicism from 1780-1840 drew inspiration from Ancient Greek and Roman art and emphasized order, reason, and morality. Leading Neoclassical artists included Jacques-Louis David, Jean Auguste Dominique Ingres, and Antonio Canova. Romanticism from 1800-1810s focused on emotion, imagination, and nature. Major Romantic artists were Eugene Delacroix, Francisco Goya, and Theodore Rousseau known for their landscape paintings. Both periods included sculptures, architecture, and paintings that reflected the ideals of reason during Neoclassicism or passion in Romantic
MODERN PERIOD (Painting)
The document summarizes several major art movements from Neo-Classicism to Cubism. It discusses prominent artists from each movement such as Jacques-Louis David for Neo-Classicism, Eugene Delacroix for Romanticism, Gustave Courbet for Realism, Claude Monet for Impressionism, and Pablo Picasso for Cubism. Each movement is characterized and the document provides examples of important works from representative artists.
Chapter 13 materialism
1. The document discusses the rise of realism and impressionism in art between the 1850s-1880s as responses to industrialization and urbanization in Europe.
2. Artists like Courbet, Manet, Millet, and Daumier captured social realism, while Monet, Renoir, Pissarro, Cassatt, and others developed impressionist techniques to depict light and movement.
3. Architecture in this period evolved from cast iron structures to skyscrapers as cities grew vertically.
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This is the first of four Powerpoint on US gallery to be released on the next few day. In 1974 Norton Simon agreed to take over the Pasadena Art Museum, giving his collection a permanent home. In 1995, the museum began a major renovation and design. It also included a new theatre. Norton Simon started collecting seriously in 1964, when he purchased the entire European collection of the Duveen Brot. Today, his collection on European paintings is broadly based and methodological. The collection covers the whole span of European painting developments from the early Renaissance to modern days. All the mainstream movements are represented by works from the masters. However, one noticeable absence are paintings from America. In 1970s the collection started to include Asian Arts. Today, there are some 4,000 works in the collection. On European paintings the collection would complement to that of the more well-known Paul Getty Museum. Ion paintings, it must rank as one of the best on the west coast of America.
Comparison Between Impressionism And Post Impressionism
Impressionism and Post-Impressionism were two influential art movements that emerged in late 19th century France. This essay compares and contrasts the styles of Impressionism, exemplified by Claude Monet, and Post-Impressionism, exemplified by Vincent van Gogh. While Impressionism focused on accurately depicting light and atmosphere, Post-Impressionism emphasized expressing emotions and personal meanings through bolder uses of color and brushwork.
19th century art
The document summarizes four major art movements in the 19th century: Romanticism, Realism, Impressionism, and Post-Impressionism. Romanticism featured individualistic and emotionally charged works by artists like Caspar David Friedrich. Realism depicted realistic scenes without idealization, exemplified by Jean-Francois Millet and the Barbizon School. Impressionism was a spontaneous style of painting landscapes in light colors, begun by artists including Claude Monet, Alfred Sisley, and Pierre-Auguste Renoir. Post-Impressionism encompassed various styles influenced by but diverging from Impressionism, including the emotionally charged works of Paul Gauguin, Paul Cezanne, Vincent
Artwork From 1750 To 1850
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Grade-9-ARTS-Q3-M1.pptx
Neoclassicism and Romanticism were artistic movements between the late 18th and early 19th centuries that were influenced by classical Greco-Roman art forms and a focus on emotion, respectively. Neoclassical art featured compositions and subjects from Roman history portrayed through a rational lens, while Romanticism embraced themes of nature, emotion, and individualism. Famous Neoclassical artists included Jacques-Louis David and Jean Auguste Dominique Ingres, known for their history paintings and portraits, while Romantic painters like Eugene Delacroix and Francisco Goya captured heightened emotions and dramatic landscapes. Sculptors like Antonio Canova and Bertel Thorvaldsen also drew inspiration from classical styles during this period
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© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
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Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
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We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
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GROUP 3 PRESENTATION ARTS 9-1.pptx
- 1. GROUP 3 PRESENTATION ARTS 9 Romanticism 1800s-1810s
- 2. Romanticism (1800-1810) - a literary and artistic movement marked chiefly by an emphasis on the imagination and emotions.
- 3. Landscape painting also became more popular due to the peoples romantic adoration of nature Romanticism was a reaction to the classical, contemplativenature of Neoclassical pieces.
- 4. • Height of action • Emotional extremes • Celebrated nature as out of control • Dramatic compositions • Heightened sensation (life and death moments) CHARACTERISTICS;
- 6. THE PAINTINGS OF THE ROMANTIC PERIOD GAVE MORE EMPHASIS ON EMOTION. ARTISTS EXPRESSED AS MUCH FEELING AND PASSION AS IT COULD BE ON A CANVAS.
- 7. PAINTERS OF THE ROMANTIC PERIOD
- 9. Jean louis Théodore Géricault (1791- 1824)-France -first french master -leader of the frech realistic school.
- 10. Arts of the Neo-Classic and Romantic Periods
- 11. GROUP 3 PRESENTATION ARTS 9 Famous Artworks
- 12. The Raft of the Medusa (T. Géricault)
- 17. EUGÈNE DELACROIX (1798-1863) FRANCE - THE GREATEST FRENCH ROMANTIC PAINTER OF ALL. -THE MOST INFLUENTIAL TO MOST OF ROMANTIC PAINTERS
- 18. GROUP 3 PRESENTATION ARTS 9 Arts of the Neo-Classic and Romantic Periods
- 20. FRANCISCO GOYA (1746-1828) SPAIN - COMMISSIONED ROMANTIC PAINTER BY THE KING OF SPAIN -PRINTMAKER -OLD MASTERS -MODERNS
- 21. Famous Artwork:
- 22. The Third of May (F. Goya)
- 23. Saturn DevouringHis Son (F. Goya)
- 24. The Burialof Sardine (F. Goya)
- 26. GROUP 3 PRESENTATION ARTS 9 ROMANTIC PAINTING (Landscape Painting)
- 27. LANDSCAPE PAINTING -ROMANTIC LANDSCAPES ARE TYPICALLY “MOODY” IN ATMOSPHERE THEY ARE MORE ABOUT THE SUBJECTIVE FEELINGS OF THE ARTIST, THAN AN OBJECTIVE RECORD OF THE OBSERVABLE WORLD.
- 28. GROUP 3 PRESENTATION ARTS 9 Famous landscape artists during the Romantic Period: 1. Théodore Rousseau 2. Jean-Baptiste-Camille Corot)
- 29. THESE ARE THE FAMOUS LANDSCAPE;
- 30. The Church of Marissel nearbeauvais - j.corot
- 34. GROUP 3 PRESENTATION ARTS 9 Romantic Sculpture
- 35. ROMANTIC SCULPTURE -FOCUSED ON EMOTIONS, FEELINGS, AND MOODS OF ALL KINDS INCLUDING SPIRITUALITY, IMAGINATION, MYSTERY, AND FERVOR.
- 37. FRANÇOIS RUDE -(1784-1855) -BEST KNOWN FOR HIS SOCIAL ART -BEST KNOWN FOR THE DEPARTURE OF THE VOLUNTEERS, -ALSO KNOWN AS LA MARSEILLAISE ON THE ARC DE TRIOMPHE IN PARIS.
- 38. Departure of the Volunteers (f. Rude)
- 41. -THE MOST FAMOUS ANIMAL SCULPTOR OF ALL TIME -RESPONSIBLE FOR IMPROVING THE STATUS OF ANIMAL SCULPTURE,
- 42. GROUP 3 PRESENTATION ARTS 9 Famous works: 1. HerculesSitting on a Bull 2. Theseus Slaying the Minotaur
- 43. HerculesSitting On A Bull (A. Barye) NATIONAL MUSEUMIN WARSAw
- 44. Theseusslaying the minotaur (A. Barye) BALTIMORE MUSEUM OF ART Chhe201
- 45. thank you!