Graffiti by. Oleg Bazhenov
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Graffiti is a form of self-expression through inscriptions or pictures on walls and other surfaces. It has existed since ancient times but the first known graffiti writer was Taki183 in New York City in the 1970s who would tag his name throughout the city. Graffiti ranges from simple tagging to complex murals and styles, with skilled writers able to tag their name in only a few seconds. While drawing graffiti without permission is considered vandalism, some professional writers earn money painting for clubs and shops.
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Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
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This document discusses the differences between graffiti and street art. While both involve placing art in public spaces rather than galleries, graffiti writers primarily want to communicate with other writers, whereas street artists want the public to view and engage with their work. Graffiti focuses more on "tagging" with spray paint or markers to mark territory, while street art uses symbolic imagery and techniques like stencils or posters to convey conceptual messages to viewers. The intention of engaging the public is the main distinction between graffiti writers and street artists.
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Modern graffiti began in Philadelphia in the 1960s after the death of jazz musician Charlie Parker. In the 1970s, the center of graffiti culture shifted to New York City as writers like TAKI 183 and Tracy 168 began using their street numbers in their tags and bombing subway trains, allowing their work to spread across the city. Street artists challenge definitions of art by situating their work in non-art contexts and questioning the existing environment in its own language rather than aiming to change what art is.
Presentacion ingles problema de mi comunidad
The document discusses different types of vandalism such as graffiti, abuse, strong language, and theft. It defines vandalism as hostility towards art and literature that results in damage or destruction of monuments and property. While some see graffiti as an art form, others believe it is illegal to express art in public or private spaces without permission. The main reasons for destructive vandalism are disrespect for others and expressing oneself through violence. Theft vandalism aims to take property, sometimes accompanied by robbery or destruction. To help address these issues, the document suggests creating awareness, reporting offenders, and occupying people through employment to prevent idle time that could lead to vandalism.
History of Graffiti
The document provides an overview of graffiti, including its origins, history, definitions, types, and issues surrounding it. It traces graffiti back 40,000 years to early cave paintings and discusses its emergence in the 1960s in Philadelphia and proliferation in New York City in the 1970s-1980s. The document also explores modern graffiti styles and the various public approaches to handling graffiti.
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The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
graffiti vs mural by jason hurtado
This document compares and contrasts graffiti and murals. It defines graffiti as informal inscriptions or paintings, often with political or social messages, created without permission on street furniture or walls. Graffiti originated in the 1960s in New York and is one element of hip hop culture. It uses tags, bright colors, and stylized lettering. Murals are large sanctioned images painted on walls that tell stories through backgrounds, details, and characters. Unlike graffiti, murals have an educational purpose and contain narratives through monumental, compositional images.
Street art
Street art originated from graffiti art in New York City in the 1980s. It uses various mediums like stencils and posters to express messages in public spaces. While sometimes illegal, street art is becoming more accepted as a way to regenerate communities and share political or social commentary. Famous street artists like Banksy and Shepard Fairey often use their art to address issues like homelessness, inequality, and political campaigns. Technology has also helped street art spread more widely through advances in printing and sharing on the internet.
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Grafitti
Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
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This document discusses the differences between graffiti and street art. While both involve placing art in public spaces rather than galleries, graffiti writers primarily want to communicate with other writers, whereas street artists want the public to view and engage with their work. Graffiti focuses more on "tagging" with spray paint or markers to mark territory, while street art uses symbolic imagery and techniques like stencils or posters to convey conceptual messages to viewers. The intention of engaging the public is the main distinction between graffiti writers and street artists.
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Modern graffiti began in Philadelphia in the 1960s after the death of jazz musician Charlie Parker. In the 1970s, the center of graffiti culture shifted to New York City as writers like TAKI 183 and Tracy 168 began using their street numbers in their tags and bombing subway trains, allowing their work to spread across the city. Street artists challenge definitions of art by situating their work in non-art contexts and questioning the existing environment in its own language rather than aiming to change what art is.
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The document discusses different types of vandalism such as graffiti, abuse, strong language, and theft. It defines vandalism as hostility towards art and literature that results in damage or destruction of monuments and property. While some see graffiti as an art form, others believe it is illegal to express art in public or private spaces without permission. The main reasons for destructive vandalism are disrespect for others and expressing oneself through violence. Theft vandalism aims to take property, sometimes accompanied by robbery or destruction. To help address these issues, the document suggests creating awareness, reporting offenders, and occupying people through employment to prevent idle time that could lead to vandalism.
History of Graffiti
The document provides an overview of graffiti, including its origins, history, definitions, types, and issues surrounding it. It traces graffiti back 40,000 years to early cave paintings and discusses its emergence in the 1960s in Philadelphia and proliferation in New York City in the 1970s-1980s. The document also explores modern graffiti styles and the various public approaches to handling graffiti.
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The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
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This document compares and contrasts graffiti and murals. It defines graffiti as informal inscriptions or paintings, often with political or social messages, created without permission on street furniture or walls. Graffiti originated in the 1960s in New York and is one element of hip hop culture. It uses tags, bright colors, and stylized lettering. Murals are large sanctioned images painted on walls that tell stories through backgrounds, details, and characters. Unlike graffiti, murals have an educational purpose and contain narratives through monumental, compositional images.
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Street art originated from graffiti art in New York City in the 1980s. It uses various mediums like stencils and posters to express messages in public spaces. While sometimes illegal, street art is becoming more accepted as a way to regenerate communities and share political or social commentary. Famous street artists like Banksy and Shepard Fairey often use their art to address issues like homelessness, inequality, and political campaigns. Technology has also helped street art spread more widely through advances in printing and sharing on the internet.
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Graffiti are drawings or writings on public walls, usually humorous, political, or obscene in nature. Graffiti artists do graffiti to protest or express themselves, often using spray cans or markers at night in public places like train stations. While graffiti can make walls more colorful and allow creative expression, it is also difficult to remove and some graffiti is used by gangs to mark territory, so opinions are mixed on whether graffiti is art or vandalism. The document discusses both sides of the debate and proposes designating official areas for graffiti as a possible solution.
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Graffiti is often associated with gangs and vandalism. However, not all graffiti artists have criminal intentions. Some respect private property and do not deface other artwork. Graffiti allows artists to express their thoughts publicly without cost and reaches broader audiences than traditional art forms. While graffiti and vandalism are illegal, attempting to stop it or painting over pieces will not end it, as graffiti represents the voice of the streets for many. It should be appreciated for its message rather than dismissed as a crime alone. New art forms often start controversially; graffiti is simply this generation's new means of artistic expression.
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Street art began as gang graffiti in the 1920s-30s and evolved over time. By the 1970s-80s, artists began using public spaces to tag their names, starting trends like Taki 183. Street art grew popular in the 80s due to technology and now expresses political and social messages. While sometimes seen as vandalism, street art is now more accepted as an art form. It comes in many styles and is used worldwide to engage audiences in important issues.
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Graffiti began in the 1960s in Philadelphia and New York as people began tagging messages and names to honor a musician who had passed away. Over time, graffiti evolved from simple vandalism to a more artistic form as taggers spent more time developing their styles. Supporters argue that graffiti can be used to spread political messages or beautify dull areas when done legally by artists. However, critics argue that graffiti often costs taxpayers significant money to remove and that even illegal graffiti can encourage other crimes by signaling that vandalism will not be punished. The debate continues over whether graffiti is a positive art form or merely destructive vandalism.
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Graffiti is a form of art, not vandalism, according to the document. It briefly discusses the history of graffiti, noting it originated from ancient inscriptions and drawings found in places like Rome and Pompeii. The document states that modern graffiti began in New York City in the 1960s-1970s, pioneered by youths like TAKI 183 who tagged their names on subway wagons and Manhattan walls. It expresses that graffiti allows people to express their feelings about the world through art.
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Street art began as tagging by gangs in the 1920s-30s and evolved over time. By the 1970s-80s, artists began tagging their names on public transportation and walls in New York. Street art gained popularity in the 1980s and 21st century due to technology and the internet. It has transformed from vandalism into a widely accepted art form that communicates powerful messages. Well-known street artists like Banksy, Shepard Fairey, and Invader have helped establish street art as a legitimate art movement through their unique styles and meaningful works.
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The document discusses the history and origins of graffiti art. It traces graffiti back 30,000 years to prehistoric cave paintings. Modern graffiti emerged in the 1960s with teenagers tagging subway trains in New York City. Graffiti grew closely associated with hip hop culture in the 1980s as artists used spray paint and stencils to create designs. Artists like Basquiat were influential figures in both the graffiti and hip hop scenes in New York during that time. Graffiti continues to influence modern art movements while also dividing opinions as more mainstream artists like Banksy have adopted the style.
History of Graffiti
Graffiti began in New York in the 1960s as single hitting and was done predominantly by Puerto Ricans and African-Americans from poor, inner-city neighborhoods. In the late 1980s, graffiti was forced to transform as cities built secure train yards and enacted stricter laws in response to graffiti on subway cars. Most artists then took their art to the streets, though some began painting freight trains, losing a vital part of graffiti culture. Varying graffiti styles developed over time, from quick throw ups to complex wildstyles.
Graffiti and street art
The document provides an introduction to street art, describing it as art created in public spaces that is meant to make a statement or beautify an area. It notes that street art includes various mediums like stickers, spray paint, and stencils. Examples are given of famous street artists from around the world and some of their notable pieces that have been created using different techniques.
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The document discusses the history and perspectives of graffiti and street art. It notes that graffiti originated in Philadelphia in the late 1960s started by two artists named Cornbread and Cool Earl. Street art later branched off from graffiti. The document outlines pros and cons of both graffiti and street art from artistic expression to costs of removal to negative influences. It profiles some influential figures in graffiti history like Taki 183 and Shepard Fairey. Facts are given showing most common graffiti targets in the UK.
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Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
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The document summarizes the origins and history of contemporary street art. It began in the late 1970s in New York City as political propaganda and an expression of rebellion through vandalism. Key early artists included Keith Haring and Jean-Michel Basquiat in the 1980s who brought more than just graffiti to the streets. Modern street artists mentioned include Invader, JR, Blu, Banksy, Shepard Fairey and his Obey movement, who have continued using street art to make political statements and connect with the public.
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Street art and graffiti both involve public art displays, but graffiti focuses more on tags and fame within the graffiti community, while street art aims to send social or political messages anonymously. Graffiti began in the 1960s with tags on subway cars in New York City and has rules around different styles like throw ups and pieces. Street art is now found in museums and brings communities together through murals, but both forms face legal issues and conflicting views from the public. Artists themselves disagree on differences, with some seeing graffiti as rebellious and street art as mature, while others feel the distinctions are forced.
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Graffiti is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. It can range from simple written words to elaborate wall paintings. Graffiti has existed since ancient times with examples dating back to Ancient Greece and Rome, and modern graffiti is commonly created using spray paint, normal paint, and markers. The document discusses graffiti and asks whether it should be considered art or vandalism.
Graffiti art or vandalism
Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
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Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
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Street art presentation power point
The document discusses street art, architecture, and urbanism. It defines street art as unsanctioned public expressions using building aesthetics. Polychromy and cladding are mentioned as using color or other materials to dress building exteriors. The conclusion states that street art politically expresses and interacts with urban surroundings in a way that makes functionality aesthetically appealing.
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Graffiti are drawings or writings on public walls, usually humorous, political, or obscene in nature. Graffiti artists do graffiti to protest or express themselves, often using spray cans or markers at night in public places like train stations. While graffiti can make walls more colorful and allow creative expression, it is also difficult to remove and some graffiti is used by gangs to mark territory, so opinions are mixed on whether graffiti is art or vandalism. The document discusses both sides of the debate and proposes designating official areas for graffiti as a possible solution.
Graffiti is art
Graffiti is often associated with gangs and vandalism. However, not all graffiti artists have criminal intentions. Some respect private property and do not deface other artwork. Graffiti allows artists to express their thoughts publicly without cost and reaches broader audiences than traditional art forms. While graffiti and vandalism are illegal, attempting to stop it or painting over pieces will not end it, as graffiti represents the voice of the streets for many. It should be appreciated for its message rather than dismissed as a crime alone. New art forms often start controversially; graffiti is simply this generation's new means of artistic expression.
Street Art Essay
Street art began as gang graffiti in the 1920s-30s and evolved over time. By the 1970s-80s, artists began using public spaces to tag their names, starting trends like Taki 183. Street art grew popular in the 80s due to technology and now expresses political and social messages. While sometimes seen as vandalism, street art is now more accepted as an art form. It comes in many styles and is used worldwide to engage audiences in important issues.
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Graffiti began in the 1960s in Philadelphia and New York as people began tagging messages and names to honor a musician who had passed away. Over time, graffiti evolved from simple vandalism to a more artistic form as taggers spent more time developing their styles. Supporters argue that graffiti can be used to spread political messages or beautify dull areas when done legally by artists. However, critics argue that graffiti often costs taxpayers significant money to remove and that even illegal graffiti can encourage other crimes by signaling that vandalism will not be punished. The debate continues over whether graffiti is a positive art form or merely destructive vandalism.
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Graffiti is a form of art, not vandalism, according to the document. It briefly discusses the history of graffiti, noting it originated from ancient inscriptions and drawings found in places like Rome and Pompeii. The document states that modern graffiti began in New York City in the 1960s-1970s, pioneered by youths like TAKI 183 who tagged their names on subway wagons and Manhattan walls. It expresses that graffiti allows people to express their feelings about the world through art.
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The document discusses the history and origins of graffiti art. It traces graffiti back 30,000 years to prehistoric cave paintings. Modern graffiti emerged in the 1960s with teenagers tagging subway trains in New York City. Graffiti grew closely associated with hip hop culture in the 1980s as artists used spray paint and stencils to create designs. Artists like Basquiat were influential figures in both the graffiti and hip hop scenes in New York during that time. Graffiti continues to influence modern art movements while also dividing opinions as more mainstream artists like Banksy have adopted the style.
History of Graffiti
Graffiti began in New York in the 1960s as single hitting and was done predominantly by Puerto Ricans and African-Americans from poor, inner-city neighborhoods. In the late 1980s, graffiti was forced to transform as cities built secure train yards and enacted stricter laws in response to graffiti on subway cars. Most artists then took their art to the streets, though some began painting freight trains, losing a vital part of graffiti culture. Varying graffiti styles developed over time, from quick throw ups to complex wildstyles.
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The document discusses the history and perspectives of graffiti and street art. It notes that graffiti originated in Philadelphia in the late 1960s started by two artists named Cornbread and Cool Earl. Street art later branched off from graffiti. The document outlines pros and cons of both graffiti and street art from artistic expression to costs of removal to negative influences. It profiles some influential figures in graffiti history like Taki 183 and Shepard Fairey. Facts are given showing most common graffiti targets in the UK.
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Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
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Graffiti is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. It can range from simple written words to elaborate wall paintings. Graffiti has existed since ancient times with examples dating back to Ancient Greece and Rome, and modern graffiti is commonly created using spray paint, normal paint, and markers. The document discusses graffiti and asks whether it should be considered art or vandalism.
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Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
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Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Graffiti: art or vandalism?
This document discusses graffiti and urban art. It introduces Banksy, the famous graffiti artist from Bristol known for his stenciled spray paintings in public spaces that often contain political or social commentary. Students are instructed to work in pairs to describe graffiti images, look for anything unusual in them, and see if they contain hidden messages. Web links are provided for further information on Banksy and viewing graffiti images.
Street art presentation power point
The document discusses street art, architecture, and urbanism. It defines street art as unsanctioned public expressions using building aesthetics. Polychromy and cladding are mentioned as using color or other materials to dress building exteriors. The conclusion states that street art politically expresses and interacts with urban surroundings in a way that makes functionality aesthetically appealing.
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2) Depp has been in long-term relationships with actresses Winona Ryder in the 1990s and Vanessa Paradis from 1998-2012 with whom he has two children. He was also previously married to Lori Anne Allison.
3) Depp is known for his iconic portrayal of Captain Jack Sparrow in the Pirates of the Caribbean film franchise produced by Disney from 2003-2017. He has worked frequently with director Tim Burton and is praised for his versatility in taking on unique roles.
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Graffiti text
1. Graffiti and street art have a long history dating back to prehistoric times when people painted on cave walls, and examples have also been found in ancient Greece, Rome, Syria and Iraq.
2. In the 1970s in New York City, graffiti emerged as teenagers began writing their tags, or nicknames, on walls using pens. This spread to other cities and later involved using spray paint for larger, more colorful tags.
3. Today, street art is a global phenomenon but is still considered vandalism by many. However, some cities have designated areas for street artists to work, and some art exhibitions have recognized street art as a legitimate art form.
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Lady Pink discusses graffiti as a form of rebellion that questions societal norms and status quo. Graffiti originated from markings found in Pompeii that were seen as a pure creative urge. Graffiti was most prominent in Roman times as a way for citizens to express dissent against oppressive authority. In the Victorian era, graffiti lost popularity but negative attitudes emerged by the late 19th century as it became associated with lower classes. Photographer Brassaï brought graffiti to public attention in the 1930s through his documentation. Tagging began as artists left names on trains, representing freedom of movement. Graffiti became more elaborate and competitive over time and is an addictive and dangerous male-dominated activity. Situationists used gra
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The document is a presentation on graffiti that provides information on the history and types of graffiti. It discusses how graffiti originated as a form of artistic expression in Paris in the 1960s during student protests and then emerged in Brazil influenced by counterculture movements. It also explores different types of graffiti like tags, murals, and "heaven spots"; the purpose of conveying social and political messages; and variations in perceptions and legal regulations of graffiti around the world.
10th, Silhouettes, stencils and graffiti, bim 1, 2011
This document provides information about silhouettes, stencils, and graffiti. It defines a silhouette as an outline of a person or object with a featureless interior. It describes how stencils have been used in cave paintings dating back over 10,000 years by creating handprint outlines. It explains that a stencil is a template used to draw identical images by applying pigment through cut out sections. The document also discusses the history of graffiti dating back to ancient times and how it has evolved into a form of artistic expression, though others view it as vandalism.
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Graffiti and street art have gained more recognition and acceptance in the art world. While graffiti is typically writing someone's name, street art encompasses a wider range of visual artistic expressions done in public spaces, including murals, stencils and wheatpasting. Banksy is a famous street artist known for his politically charged pieces done using stencils and spray paint. Views on street art vary from condemnation as vandalism to acceptance as a valid art form that can beautify cities and bring communities together through outdoor art projects.
graffiti
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презентация1
Graffiti originated in the late 1960s in New York City as tags on subway cars. It began as a way for youth to mark their presence but grew into a subculture with its own styles, rules, and rival groups. Graffiti artists started with simple markers but progressed to using paint cans, allowing their artwork to become brighter and more impressive as they covered not just subway cars but also buildings and bridges. Over time, graffiti evolved from underground subway art to large-scale pieces on city streets and continues to spread worldwide as both an art form and symbol of street culture.
Graffiti
This document discusses graffiti from multiple perspectives. It explores graffiti as a form of art, vandalism, and a symbol of modern times. The document also examines the attitudes of Polish people towards graffiti, how graffiti artists view their work, and attempts to counteract negative graffiti. Finally, it provides a dictionary of graffiti slang terms.
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Graffiti began in the 1960s in Philadelphia and New York as a way to honor musicians and spread messages. Early graffiti was seen as vandalism, but it evolved into an art form as artists tagged their names and neighborhoods across the cities. While some see graffiti as a way to beautify neighborhoods and make political statements, others argue it is socially and politically problematic. It can cost taxpayers millions to remove, encourage crime, and spread hateful or offensive messages. There is ongoing debate around whether graffiti should be considered art or vandalism.
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This document provides information about silhouettes, stencils, and graffiti. It defines a silhouette as an outline of a person or object with a featureless interior. It describes how stencils have been used in cave paintings dating back over 10,000 years by spraying pigment around hands. Stencils are templates used to draw identical images by applying pigment through cut out sections. The document discusses different forms of graffiti including tags, throw-ups, pieces, and wildstyle, and notes that while some see graffiti as vandalism, others view it as a form of artistic expression.
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Introducing Banksy, some examples of his art and dicussing whether graffiti should be considered Vandalism, Art or both. Includes a game and a video, Exit Through the Gift Shop.
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Graffiti began in the 1960s in Philadelphia and New York as tags to honor a musician, but soon became more about vandalism and getting messages across. People began widely tagging their names on public transportation in New York in the 1970s. Authorities worked to remove graffiti from trains, pushing artists to tag walls and other public places instead. Supporters argue graffiti can be used for political messages or to beautify areas, while critics argue it is costly vandalism that can encourage other crimes.
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The document provides an overview of graffiti, including its history and evolution. It begins in the late 1960s with the emergence of "tagging" in New York City, where writers began proliferating their tags across subway systems to communicate and compete. Over time, graffiti grew more elaborate as writers created larger pieces incorporating styles like wildstyle. By the 1980s, graffiti had moved beyond subways and was recognized increasingly as an art form, with a growing presence in commercial media. The document discusses different graffiti styles, public perceptions of graffiti as both a problem and an expression, and approaches to graffiti prevention, removal and management.
Graffititostreetarttoart
Graffiti has evolved from simple tags and names scratched or sprayed in public spaces to a recognized art form known as street art. It began in the 1960s and grew popular in 1970s New York, where artists would tag subway cars to spread their names across the city. Graffiti was seen as vandalism and illegal, but some artists like Shepard Fairey and Banksy have gained fame for their street art, which aims to make social and political statements through large-scale pieces. There is debate around street art, as some argue it beautifies areas while others see it as a costly problem and gateway to more serious crime. The distinction between graffiti and street art is that graffiti artists generally don't
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Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. Over time graffiti transformed into street art. People engage in street art and graffiti for various reasons such as boredom, social bonding, political expression, and simply as a creative outlet. While street art can beautify areas and raise social issues, it is also illegal and cleaning it up costs taxpayers significant money. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to share messages but their works are created using techniques like stenciling, stickers, and tile
Nygraffiti
The document provides a history and overview of graffiti in New York City from the 1960s to the early 2000s. It describes how graffiti evolved from early tags on buses and walls to becoming focused on subway trains in the 1970s. It also discusses the rise of fame of early writers like Taki 183 and the divide between graffiti writers and traditional artists. Later, it addresses how the "War on Graffiti" in 1984 changed dynamics between writers and police and caused writers to return to walls instead of trains.
Nygraffiti
The document provides a history and overview of graffiti in New York City from the 1960s to the early 2000s. It describes how graffiti evolved from early tags on buses and walls to becoming focused on subway trains in the 1970s. It also discusses the distinction between graffiti art and traditional art, the relationship between graffiti and hip hop culture, efforts by authorities to remove graffiti from trains in the 1980s, and how graffiti artists adapted by moving to walls or using stickers and other media.
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Graffiti by. Oleg Bazhenov
- 2. Writer-is the person who engaged graffiti. A synonym «writer» is the word graffitier. Graffiti – it is inscriptions or pictures on walls of buildings, on fences and other vertical surfaces. Sometimes – the form of folk-lore. It is considered one of kinds of self-expressions of youth.
- 3. Graffiti has existed since ancient times.
- 4. The first writer in history it is considered Taki183. Basically he was engaged tagging. His tag could be seen practically in any part of New York. Tagging- it is fast drawing of inscriptions on surfaces in public places. Tagging it also a label of a place («I here was»).
- 5. Skilled writers can write tag for 2-3 seconds (3-4 letters).
- 6. Professional writers earn money painting various clubs, shops or stands.
- 7. Modern graffiti on train.
- 8. Drawing graffiti on buildings without the permission of owners is treated in criminal law of many countries as vandalism.
- 9. In some countries of the Europe necessary to receive the license to draw graffiti.
- 10. Sometimes graffiti is employed to communicate social and political messages. ExamplEs of modErn graffiti stylEs
- 11. The main thing for writer is the culture graffiti .Writer should not spoil the valuable buildings.