graffiti vs mural by jason hurtado
•
0 likes•401 views
This document compares and contrasts graffiti and murals. It defines graffiti as informal inscriptions or paintings, often with political or social messages, created without permission on street furniture or walls. Graffiti originated in the 1960s in New York and is one element of hip hop culture. It uses tags, bright colors, and stylized lettering. Murals are large sanctioned images painted on walls that tell stories through backgrounds, details, and characters. Unlike graffiti, murals have an educational purpose and contain narratives through monumental, compositional images.
Report
Share
Report
Share
Recommended
graffiti
This document provides an overview of graffiti, including its etymology and history. It discusses the earliest forms of graffiti dating back 30,000 years found in prehistoric cave paintings. Modern graffiti originated in ancient Greece and is often associated with hip hop culture. The document also briefly describes common graffiti styles like tags, and provides some examples of graffiti from different cities around the world.
Graffiti, Vandalism or Art - or both?
Introducing Banksy, some examples of his art and dicussing whether graffiti should be considered Vandalism, Art or both. Includes a game and a video, Exit Through the Gift Shop.
Street art or graffiti
This document discusses the differences between graffiti and street art. While both involve placing art in public spaces rather than galleries, graffiti writers primarily want to communicate with other writers, whereas street artists want the public to view and engage with their work. Graffiti focuses more on "tagging" with spray paint or markers to mark territory, while street art uses symbolic imagery and techniques like stencils or posters to convey conceptual messages to viewers. The intention of engaging the public is the main distinction between graffiti writers and street artists.
Presentation
Modern graffiti began in Philadelphia in the 1960s after the death of jazz musician Charlie Parker. In the 1970s, the center of graffiti culture shifted to New York City as writers like TAKI 183 and Tracy 168 began using their street numbers in their tags and bombing subway trains, allowing their work to spread across the city. Street artists challenge definitions of art by situating their work in non-art contexts and questioning the existing environment in its own language rather than aiming to change what art is.
Graffiti group project
The document provides an overview of graffiti, including its history and evolution. It begins in the late 1960s with the emergence of "tagging" in New York City, where writers began proliferating their tags across subway systems to communicate and compete. Over time, graffiti grew more elaborate as writers created larger pieces incorporating styles like wildstyle. By the 1980s, graffiti had moved beyond subways and was recognized increasingly as an art form, with a growing presence in commercial media. The document discusses different graffiti styles, public perceptions of graffiti as both a problem and an expression, and approaches to graffiti prevention, removal and management.
Grafitti
Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
Graffiti art
The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
Graffiti
Graffiti began as inscriptions or symbols illegally placed on walls. It is created using spray paint applied by hand or with stencils. Early graffiti in the 1960s-70s was an act of rebellion, but it is now also used for advertising. Different styles developed over time, beginning with Phaze II's Gothic script in the 1970s. Crews began illegally painting trains and subway walls, attracting authorities' disapproval, though graffiti is now more accepted as street art in most countries.
Recommended
graffiti
This document provides an overview of graffiti, including its etymology and history. It discusses the earliest forms of graffiti dating back 30,000 years found in prehistoric cave paintings. Modern graffiti originated in ancient Greece and is often associated with hip hop culture. The document also briefly describes common graffiti styles like tags, and provides some examples of graffiti from different cities around the world.
Graffiti, Vandalism or Art - or both?
Introducing Banksy, some examples of his art and dicussing whether graffiti should be considered Vandalism, Art or both. Includes a game and a video, Exit Through the Gift Shop.
Street art or graffiti
This document discusses the differences between graffiti and street art. While both involve placing art in public spaces rather than galleries, graffiti writers primarily want to communicate with other writers, whereas street artists want the public to view and engage with their work. Graffiti focuses more on "tagging" with spray paint or markers to mark territory, while street art uses symbolic imagery and techniques like stencils or posters to convey conceptual messages to viewers. The intention of engaging the public is the main distinction between graffiti writers and street artists.
Presentation
Modern graffiti began in Philadelphia in the 1960s after the death of jazz musician Charlie Parker. In the 1970s, the center of graffiti culture shifted to New York City as writers like TAKI 183 and Tracy 168 began using their street numbers in their tags and bombing subway trains, allowing their work to spread across the city. Street artists challenge definitions of art by situating their work in non-art contexts and questioning the existing environment in its own language rather than aiming to change what art is.
Graffiti group project
The document provides an overview of graffiti, including its history and evolution. It begins in the late 1960s with the emergence of "tagging" in New York City, where writers began proliferating their tags across subway systems to communicate and compete. Over time, graffiti grew more elaborate as writers created larger pieces incorporating styles like wildstyle. By the 1980s, graffiti had moved beyond subways and was recognized increasingly as an art form, with a growing presence in commercial media. The document discusses different graffiti styles, public perceptions of graffiti as both a problem and an expression, and approaches to graffiti prevention, removal and management.
Grafitti
Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
Graffiti art
The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
Graffiti
Graffiti began as inscriptions or symbols illegally placed on walls. It is created using spray paint applied by hand or with stencils. Early graffiti in the 1960s-70s was an act of rebellion, but it is now also used for advertising. Different styles developed over time, beginning with Phaze II's Gothic script in the 1970s. Crews began illegally painting trains and subway walls, attracting authorities' disapproval, though graffiti is now more accepted as street art in most countries.
Graffiti and street art
The document provides an introduction to street art, describing it as art created in public spaces that is meant to make a statement or beautify an area. It notes that street art includes various mediums like stickers, spray paint, and stencils. Examples are given of famous street artists from around the world and some of their notable pieces that have been created using different techniques.
Graffiti
Graffiti is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. It can range from simple written words to elaborate wall paintings. Graffiti has existed since ancient times with examples dating back to Ancient Greece and Rome, and modern graffiti is commonly created using spray paint, normal paint, and markers. The document discusses graffiti and asks whether it should be considered art or vandalism.
Graffiti is art
Graffiti is often associated with gangs and vandalism. However, not all graffiti artists have criminal intentions. Some respect private property and do not deface other artwork. Graffiti allows artists to express their thoughts publicly without cost and reaches broader audiences than traditional art forms. While graffiti and vandalism are illegal, attempting to stop it or painting over pieces will not end it, as graffiti represents the voice of the streets for many. It should be appreciated for its message rather than dismissed as a crime alone. New art forms often start controversially; graffiti is simply this generation's new means of artistic expression.
Street art or vandalism? Essay
Graffiti and street art have gained more recognition and acceptance in the art world. While graffiti is typically writing someone's name, street art encompasses a wider range of visual artistic expressions done in public spaces, including murals, stencils and wheatpasting. Banksy is a famous street artist known for his politically charged pieces done using stencils and spray paint. Views on street art vary from condemnation as vandalism to acceptance as a valid art form that can beautify cities and bring communities together through outdoor art projects.
Graffiti art or vandalism
Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
Graffiti Culture
Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
Street Art Essay
Street art began as gang graffiti in the 1920s-30s and evolved over time. By the 1970s-80s, artists began using public spaces to tag their names, starting trends like Taki 183. Street art grew popular in the 80s due to technology and now expresses political and social messages. While sometimes seen as vandalism, street art is now more accepted as an art form. It comes in many styles and is used worldwide to engage audiences in important issues.
Street art
Street art and graffiti both involve public art displays, but graffiti focuses more on tags and fame within the graffiti community, while street art aims to send social or political messages anonymously. Graffiti began in the 1960s with tags on subway cars in New York City and has rules around different styles like throw ups and pieces. Street art is now found in museums and brings communities together through murals, but both forms face legal issues and conflicting views from the public. Artists themselves disagree on differences, with some seeing graffiti as rebellious and street art as mature, while others feel the distinctions are forced.
Bearden Collection Rebecca K.Ppt
Romare Bearden was an American artist influenced by the collage techniques of Picasso and Braque as well as the works of Sargent Johnson and African art including masks. Bearden utilized collage, a technique pioneered by Picasso and Braque, in many of his works including Pittsburgh Memory and The Dove. He was also influenced by the sculpture of Sargent Johnson from the Harlem Renaissance as well as African masks from Nigeria.
S6 The State Pt 2 Graffiti
Lady Pink discusses graffiti as a form of rebellion that questions societal norms and status quo. Graffiti originated from markings found in Pompeii that were seen as a pure creative urge. Graffiti was most prominent in Roman times as a way for citizens to express dissent against oppressive authority. In the Victorian era, graffiti lost popularity but negative attitudes emerged by the late 19th century as it became associated with lower classes. Photographer Brassaï brought graffiti to public attention in the 1930s through his documentation. Tagging began as artists left names on trains, representing freedom of movement. Graffiti became more elaborate and competitive over time and is an addictive and dangerous male-dominated activity. Situationists used gra
Street art research
Cranio is a Brazilian street artist born in 1982 who uses bright colors and an animated Indian character in his work. His style has remained consistent as his work has spread around the world. Smates is a Belgian artist born in 1978 who focuses on realistic underwater-themed street art using bold colors. Flix is a Venezuelan artist born in 1976 who transforms spaces with strong geometric designs inspired by Aztec culture. Replete is a British artist who spent years in the video game and music industries and experiments with graffiti styles, creating illusionary black and white works that stand out.
Street Art Essay
Street art began as tagging by gangs in the 1920s-30s and evolved over time. By the 1970s-80s, artists began tagging their names on public transportation and walls in New York. Street art gained popularity in the 1980s and 21st century due to technology and the internet. It has transformed from vandalism into a widely accepted art form that communicates powerful messages. Well-known street artists like Banksy, Shepard Fairey, and Invader have helped establish street art as a legitimate art movement through their unique styles and meaningful works.
Osgêmeos
The twins Gustavo and Otávio Pandolfo create detailed street art graffiti in São Paulo, Brazil. Their figures have dreamlike stories influenced by Brazilian culture like carnival and capoeira. While graffiti began as a way for youth to mark their belonging in the city, it is now considered visual pollution by some. However, graffiti is also a transitory art form of self-expression that appropriately uses streets and walls as its support.
Avant-Garde Sculpture (II)
Pablo Gargallo was an early pioneer of avant-garde sculpture, cutting figures from sheet metal and being interested in tribal art which influenced his unique style. Julio Gonzalez was a skilled blacksmith who established iron sculpture as a new art form, using rods and surfaces to represent volume and penetrate figure and space. Alexander Calder was known for his delicate wire sculptures, from toy-like mobiles to large-scale kinetic sculptures using color and movement. Alberto Giacometti engaged with surrealism in his work from the 1930s onward, producing elongated and slim figures to accurately depict the human form from a distance in space through perspective and scale.
Surrealism
The document defines surrealism as an art movement that aimed to express imaginative dreams and visions free from rational control. It flourished in the early 20th century. Surrealist paintings combined objects that did not belong together in realistic, almost photographic, images that could be funny, mysterious, or frightening. The document provides information on three prominent surrealist artists: Salvador Dali, known for his painting "The Persistence of Memory" and for working with figures like Alfred Hitchcock; Rene Magritte, a Belgian painter and major surrealist figure; and M.C. Escher, known for works portraying impossible spaces through lithography and woodcuts. It assigns the reader a project to create a surre
Presentacion ingles problema de mi comunidad
The document discusses different types of vandalism such as graffiti, abuse, strong language, and theft. It defines vandalism as hostility towards art and literature that results in damage or destruction of monuments and property. While some see graffiti as an art form, others believe it is illegal to express art in public or private spaces without permission. The main reasons for destructive vandalism are disrespect for others and expressing oneself through violence. Theft vandalism aims to take property, sometimes accompanied by robbery or destruction. To help address these issues, the document suggests creating awareness, reporting offenders, and occupying people through employment to prevent idle time that could lead to vandalism.
Jean michel basquiat
Jean-Michel Basquiat was an American graffiti artist born in Brooklyn, New York in 1960. From a young age, his parents exposed him to art, music, and theater which inspired his love of drawing. He began his career drawing graffiti and went on to create large, colorful paintings featuring images like teeth, Native Americans, and crowns that portrayed his unique perspective on the world in a funny, angry, or sad way. Though he became quickly successful, Basquiat died young at age 27, leaving behind a short but influential body of work.
Graffiti
The document is a presentation on graffiti that provides information on the history and types of graffiti. It discusses how graffiti originated as a form of artistic expression in Paris in the 1960s during student protests and then emerged in Brazil influenced by counterculture movements. It also explores different types of graffiti like tags, murals, and "heaven spots"; the purpose of conveying social and political messages; and variations in perceptions and legal regulations of graffiti around the world.
dumpster jersey city nj 908-313-9888
The document introduces a new direction for the Hirshhorn magazine under Richard Koshalek, the museum's new director. Each issue will now be guest edited by a senior staff member, trustee, or outside thinker. The spring issue is guest edited by Kerry Brougher, the museum's chief curator. The document outlines Koshalek and Brougher's vision of making the museum more relevant by focusing on themes relevant to art and society and presenting complex, diverse perspectives. Upcoming exhibitions and programs mentioned include a Blinky Palermo retrospective and talks on performance art and film.
title1
Graffiti refers to writings or drawings created illicitly on walls or other surfaces. Graffiti has existed since ancient times but modern graffiti most commonly uses spray paint or markers. While graffiti was historically found in public places, creating graffiti without property owner consent is now considered defacement or vandalism, a punishable crime in most countries.
6th grade Silhouettes stencils and graffiti
This document provides information about silhouettes, stencils, and graffiti. It defines a silhouette as an outline of a person or object with a featureless interior. It describes how stencils have been used in cave paintings dating back over 10,000 years by spraying pigment around hands. Stencils are templates used to draw identical images by applying pigment through cut out sections. The document discusses different forms of graffiti including tags, throw-ups, pieces, and wildstyle, and notes that while some see graffiti as vandalism, others view it as a form of artistic expression.
10th, Silhouettes, stencils and graffiti, bim 1, 2011
This document provides information about silhouettes, stencils, and graffiti. It defines a silhouette as an outline of a person or object with a featureless interior. It describes how stencils have been used in cave paintings dating back over 10,000 years by creating handprint outlines. It explains that a stencil is a template used to draw identical images by applying pigment through cut out sections. The document also discusses the history of graffiti dating back to ancient times and how it has evolved into a form of artistic expression, though others view it as vandalism.
More Related Content
What's hot
Graffiti and street art
The document provides an introduction to street art, describing it as art created in public spaces that is meant to make a statement or beautify an area. It notes that street art includes various mediums like stickers, spray paint, and stencils. Examples are given of famous street artists from around the world and some of their notable pieces that have been created using different techniques.
Graffiti
Graffiti is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. It can range from simple written words to elaborate wall paintings. Graffiti has existed since ancient times with examples dating back to Ancient Greece and Rome, and modern graffiti is commonly created using spray paint, normal paint, and markers. The document discusses graffiti and asks whether it should be considered art or vandalism.
Graffiti is art
Graffiti is often associated with gangs and vandalism. However, not all graffiti artists have criminal intentions. Some respect private property and do not deface other artwork. Graffiti allows artists to express their thoughts publicly without cost and reaches broader audiences than traditional art forms. While graffiti and vandalism are illegal, attempting to stop it or painting over pieces will not end it, as graffiti represents the voice of the streets for many. It should be appreciated for its message rather than dismissed as a crime alone. New art forms often start controversially; graffiti is simply this generation's new means of artistic expression.
Street art or vandalism? Essay
Graffiti and street art have gained more recognition and acceptance in the art world. While graffiti is typically writing someone's name, street art encompasses a wider range of visual artistic expressions done in public spaces, including murals, stencils and wheatpasting. Banksy is a famous street artist known for his politically charged pieces done using stencils and spray paint. Views on street art vary from condemnation as vandalism to acceptance as a valid art form that can beautify cities and bring communities together through outdoor art projects.
Graffiti art or vandalism
Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
Graffiti Culture
Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
Street Art Essay
Street art began as gang graffiti in the 1920s-30s and evolved over time. By the 1970s-80s, artists began using public spaces to tag their names, starting trends like Taki 183. Street art grew popular in the 80s due to technology and now expresses political and social messages. While sometimes seen as vandalism, street art is now more accepted as an art form. It comes in many styles and is used worldwide to engage audiences in important issues.
Street art
Street art and graffiti both involve public art displays, but graffiti focuses more on tags and fame within the graffiti community, while street art aims to send social or political messages anonymously. Graffiti began in the 1960s with tags on subway cars in New York City and has rules around different styles like throw ups and pieces. Street art is now found in museums and brings communities together through murals, but both forms face legal issues and conflicting views from the public. Artists themselves disagree on differences, with some seeing graffiti as rebellious and street art as mature, while others feel the distinctions are forced.
Bearden Collection Rebecca K.Ppt
Romare Bearden was an American artist influenced by the collage techniques of Picasso and Braque as well as the works of Sargent Johnson and African art including masks. Bearden utilized collage, a technique pioneered by Picasso and Braque, in many of his works including Pittsburgh Memory and The Dove. He was also influenced by the sculpture of Sargent Johnson from the Harlem Renaissance as well as African masks from Nigeria.
S6 The State Pt 2 Graffiti
Lady Pink discusses graffiti as a form of rebellion that questions societal norms and status quo. Graffiti originated from markings found in Pompeii that were seen as a pure creative urge. Graffiti was most prominent in Roman times as a way for citizens to express dissent against oppressive authority. In the Victorian era, graffiti lost popularity but negative attitudes emerged by the late 19th century as it became associated with lower classes. Photographer Brassaï brought graffiti to public attention in the 1930s through his documentation. Tagging began as artists left names on trains, representing freedom of movement. Graffiti became more elaborate and competitive over time and is an addictive and dangerous male-dominated activity. Situationists used gra
Street art research
Cranio is a Brazilian street artist born in 1982 who uses bright colors and an animated Indian character in his work. His style has remained consistent as his work has spread around the world. Smates is a Belgian artist born in 1978 who focuses on realistic underwater-themed street art using bold colors. Flix is a Venezuelan artist born in 1976 who transforms spaces with strong geometric designs inspired by Aztec culture. Replete is a British artist who spent years in the video game and music industries and experiments with graffiti styles, creating illusionary black and white works that stand out.
Street Art Essay
Street art began as tagging by gangs in the 1920s-30s and evolved over time. By the 1970s-80s, artists began tagging their names on public transportation and walls in New York. Street art gained popularity in the 1980s and 21st century due to technology and the internet. It has transformed from vandalism into a widely accepted art form that communicates powerful messages. Well-known street artists like Banksy, Shepard Fairey, and Invader have helped establish street art as a legitimate art movement through their unique styles and meaningful works.
Osgêmeos
The twins Gustavo and Otávio Pandolfo create detailed street art graffiti in São Paulo, Brazil. Their figures have dreamlike stories influenced by Brazilian culture like carnival and capoeira. While graffiti began as a way for youth to mark their belonging in the city, it is now considered visual pollution by some. However, graffiti is also a transitory art form of self-expression that appropriately uses streets and walls as its support.
Avant-Garde Sculpture (II)
Pablo Gargallo was an early pioneer of avant-garde sculpture, cutting figures from sheet metal and being interested in tribal art which influenced his unique style. Julio Gonzalez was a skilled blacksmith who established iron sculpture as a new art form, using rods and surfaces to represent volume and penetrate figure and space. Alexander Calder was known for his delicate wire sculptures, from toy-like mobiles to large-scale kinetic sculptures using color and movement. Alberto Giacometti engaged with surrealism in his work from the 1930s onward, producing elongated and slim figures to accurately depict the human form from a distance in space through perspective and scale.
Surrealism
The document defines surrealism as an art movement that aimed to express imaginative dreams and visions free from rational control. It flourished in the early 20th century. Surrealist paintings combined objects that did not belong together in realistic, almost photographic, images that could be funny, mysterious, or frightening. The document provides information on three prominent surrealist artists: Salvador Dali, known for his painting "The Persistence of Memory" and for working with figures like Alfred Hitchcock; Rene Magritte, a Belgian painter and major surrealist figure; and M.C. Escher, known for works portraying impossible spaces through lithography and woodcuts. It assigns the reader a project to create a surre
Presentacion ingles problema de mi comunidad
The document discusses different types of vandalism such as graffiti, abuse, strong language, and theft. It defines vandalism as hostility towards art and literature that results in damage or destruction of monuments and property. While some see graffiti as an art form, others believe it is illegal to express art in public or private spaces without permission. The main reasons for destructive vandalism are disrespect for others and expressing oneself through violence. Theft vandalism aims to take property, sometimes accompanied by robbery or destruction. To help address these issues, the document suggests creating awareness, reporting offenders, and occupying people through employment to prevent idle time that could lead to vandalism.
Jean michel basquiat
Jean-Michel Basquiat was an American graffiti artist born in Brooklyn, New York in 1960. From a young age, his parents exposed him to art, music, and theater which inspired his love of drawing. He began his career drawing graffiti and went on to create large, colorful paintings featuring images like teeth, Native Americans, and crowns that portrayed his unique perspective on the world in a funny, angry, or sad way. Though he became quickly successful, Basquiat died young at age 27, leaving behind a short but influential body of work.
Graffiti
The document is a presentation on graffiti that provides information on the history and types of graffiti. It discusses how graffiti originated as a form of artistic expression in Paris in the 1960s during student protests and then emerged in Brazil influenced by counterculture movements. It also explores different types of graffiti like tags, murals, and "heaven spots"; the purpose of conveying social and political messages; and variations in perceptions and legal regulations of graffiti around the world.
dumpster jersey city nj 908-313-9888
The document introduces a new direction for the Hirshhorn magazine under Richard Koshalek, the museum's new director. Each issue will now be guest edited by a senior staff member, trustee, or outside thinker. The spring issue is guest edited by Kerry Brougher, the museum's chief curator. The document outlines Koshalek and Brougher's vision of making the museum more relevant by focusing on themes relevant to art and society and presenting complex, diverse perspectives. Upcoming exhibitions and programs mentioned include a Blinky Palermo retrospective and talks on performance art and film.
title1
Graffiti refers to writings or drawings created illicitly on walls or other surfaces. Graffiti has existed since ancient times but modern graffiti most commonly uses spray paint or markers. While graffiti was historically found in public places, creating graffiti without property owner consent is now considered defacement or vandalism, a punishable crime in most countries.
What's hot (20)
Similar to graffiti vs mural by jason hurtado
6th grade Silhouettes stencils and graffiti
This document provides information about silhouettes, stencils, and graffiti. It defines a silhouette as an outline of a person or object with a featureless interior. It describes how stencils have been used in cave paintings dating back over 10,000 years by spraying pigment around hands. Stencils are templates used to draw identical images by applying pigment through cut out sections. The document discusses different forms of graffiti including tags, throw-ups, pieces, and wildstyle, and notes that while some see graffiti as vandalism, others view it as a form of artistic expression.
10th, Silhouettes, stencils and graffiti, bim 1, 2011
This document provides information about silhouettes, stencils, and graffiti. It defines a silhouette as an outline of a person or object with a featureless interior. It describes how stencils have been used in cave paintings dating back over 10,000 years by creating handprint outlines. It explains that a stencil is a template used to draw identical images by applying pigment through cut out sections. The document also discusses the history of graffiti dating back to ancient times and how it has evolved into a form of artistic expression, though others view it as vandalism.
Graffiti
This document discusses graffiti from multiple perspectives. It explores graffiti as a form of art, vandalism, and a symbol of modern times. The document also examines the attitudes of Polish people towards graffiti, how graffiti artists view their work, and attempts to counteract negative graffiti. Finally, it provides a dictionary of graffiti slang terms.
Session201 waxman
Graffiti: Criminals, Art and Archives presented at Society of American Archivists 2015 annual conference
Graffiti
This article discusses the evolution of graffiti art from its ancient origins to its modern integral form. It traces graffiti back to ancient Rome, Egypt, and Paleolithic cave paintings, noting it served purposes of personal expression, political dissent, and communication. The modern graffiti movement emerged in 1960s Philadelphia through the works of Cornbread, who pioneered the use of spray paint and revolutionary canvases like buildings and vehicles. His performative style drew attention and inspired emulation. The article argues graffiti art has transformed from a primitive street style to integral fine art embraced by galleries and artists using diverse mediums and styles.
Gangs to Galleries pdf
This document discusses the history and evolution of graffiti art in New York City. It begins by describing the author's observations of street art in the city and their interest in understanding graffiti as a creative art form rather than mere vandalism. The document then traces the origins of graffiti in Philadelphia in the 1960s where it was associated with gangs and an expression of territorialism. When graffiti emerged in New York City via subway taggers in the 1970s, it was similarly viewed negatively. However, graffiti matured and developed artistic merit. By the 1980s, graffiti had grown in recognition abroad and in art galleries, moving from its gang origins to an expression worthy of praise. Today, graffiti is
Street Art
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. Over time graffiti transformed into street art. People engage in street art and graffiti for various reasons such as boredom, social bonding, political expression, and simply as a creative outlet. While street art can beautify areas and raise social issues, it is also illegal and cleaning it up costs taxpayers significant money. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to share messages but their works are created using techniques like stenciling, stickers, and tile
Street art pros
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Traditional mural vs non traditional mural
Traditional murals are large artworks painted on permanent surfaces like walls or ceilings to bring art to the public. In contrast, graffiti refers to images or letters marked in any manner on property without permission. Kerala, India is known for its unique traditional mural art style that is distinct from other regions, using natural dyes to depict mythology and legends through dramatic scenes. Graffiti has existed for centuries but now often uses spray paint; while some see it as art, it is generally considered vandalism without permission of the property owner.
From graffiti to street art
From cave paintings 40,000 years ago to modern street art, graffiti has served as a means of expression and communication. It started as vandalism in Philadelphia in the 1960s but has evolved into a recognized art form. However, opinions on graffiti vary - some see it as a way to beautify communities, while others view it as visual clutter that should not be allowed without permission. Legalizing certain graffiti could help social groups feel included in communities while also saving governments money spent on removal.
From vandalism to graffiti to street art
Street art began as graffiti in the 1950s-60s in Philadelphia and New York City. It has since evolved into a global art movement that uses public spaces to communicate messages. While often illegal, street art beautifies neighborhoods and brings attention to social and political issues. It has also helped launch the careers of famous artists like Banksy and introduced new styles like stenciling and tile art. Though controversial, street art has become firmly integrated into modern culture.
Similar to graffiti vs mural by jason hurtado (11)
10th, Silhouettes, stencils and graffiti, bim 1, 2011
10th, Silhouettes, stencils and graffiti, bim 1, 2011
Recently uploaded
CACJapan - GROUP Presentation 1- Wk 4.pdf
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS Template 2023-2024 by: Irene S. Rueco
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxMohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
DRUGS AND ITS classification slide share
Any substance (other than food) that is used to prevent, diagnose, treat, or relieve symptoms of a
disease or abnormal condition
Digital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments Unit - NGV Pavilion Concept Design
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...National Information Standards Organization (NISO)
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.Advanced Java[Extra Concepts, Not Difficult].docx
This is part 2 of my Java Learning Journey. This contains Hashing, ArrayList, LinkedList, Date and Time Classes, Calendar Class and more.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective UpskillingExcellence Foundation for South Sudan
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.Types of Herbal Cosmetics its standardization.
Physiology and chemistry of skin and pigmentation, hairs, scalp, lips and nail, Cleansing cream, Lotions, Face powders, Face packs, Lipsticks, Bath products, soaps and baby product,
Preparation and standardization of the following : Tonic, Bleaches, Dentifrices and Mouth washes & Tooth Pastes, Cosmetics for Nails.
Assessment and Planning in Educational technology.pptx
In an education system, it is understood that assessment is only for the students, but on the other hand, the Assessment of teachers is also an important aspect of the education system that ensures teachers are providing high-quality instruction to students. The assessment process can be used to provide feedback and support for professional development, to inform decisions about teacher retention or promotion, or to evaluate teacher effectiveness for accountability purposes.
Hindi varnamala | hindi alphabet PPT.pdf
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
Recently uploaded (20)
Liberal Approach to the Study of Indian Politics.pdf
Liberal Approach to the Study of Indian Politics.pdf
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
Film vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movie
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Your Skill Boost Masterclass: Strategies for Effective Upskilling
Assessment and Planning in Educational technology.pptx
Assessment and Planning in Educational technology.pptx
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
graffiti vs mural by jason hurtado
- 1. UNIVERSIDAD CENTRAL DEL ECUADOR FACULTAD DE FILOSOFIA LETRAS Y CIENCIAS DE LA EDUCACIÓN ESCUELA DE IDIOMAS JASON HURTADO
- 2. Graffitti vs mural The wall is the book of the people… FSD
- 3. What is Graffiti? It's called graffiti (taken from the Italian plural word graffiti, graffire) or painted to various forms of inscription or painting, usually on street furniture. The Royal Academy of Spanishdesignated as "graphite" graffiti particular, and its corresponding plural is "graffiti". Also called graffiti to the inscriptions on walls that have remained since the time of the Roman Empire.
- 4. Characteristics The result of painting signs on the walls, often political or social content, with or without the permission of the owner of the property, and the sign or set of signs of that naturethat have been painted in one place. Graffiti expression is also used to refer to the art movement of the same name.
- 5. Characteristics Its origin in the twentieth century. It was a movement started in 1960 in NewYork, or, according to literature sources referas getting from the underground, in Philadelphia. Graffiti is one of the four basic elements of hip hop culture, which is called graffiti graphor a specific type. It has brillant colors and tags.
- 6. Tagging A tag or taggers ("tag") is practically a signature or an acronym of a person or a group ofpeople, usually Crews. For tags with the name of the Crew are commonly used abbreviations or simply acronyms. Although a tag comprises much more than just a signature, is a way of expressing a own style with a nickname or alias.
- 7. In many parts of world the street art is illegal, and in many cases do not finish to realize graffiti on their entirety, that is when the tag enters utility, a quick and little rough style to express a moment of "spray paint". This is how you identify a "graffiti"
- 8. What is a mural? A mural is an image used as a wall or wall support. Is produced withbackground, details and characters. Type or graphic pictorial composition performed on a wall, can be al fresco, tempera, acrylic,etc.. Painting or relief made in the wall. The murals are pages thatillustrate the life of the protagonists of the story.
- 9. The mural is a form of expression and communication that achievesimpact entire communities because these directly to indirectly, relate toissues whose content is clear and deeply cultural. The murals are perpetuated situations, characters to symbols that identify with the traditions and cultural traditions of peoples to peculiarities of everyday life with which people identify.
- 10. Characteristics Mural painting usually has a decorative nature of architecture, but also serves educational purposes. Unlike the billboard, the mural should contain a narrative. Therefore, is said to be like a film still.Monumentality, which not only is given by the size of the wall butcompositional image issues
- 11. The human figure is not shown in the drawings but full-length cut and viewed from different points. The size of the main human figures of the composition is no less than the height of a normal (small figuresmonumental and lose no physical relationship to the observer). The composition of the mural is linked to the viewer's vision, which may be mobile or static depending on the character of the site.
- 12. GRAFF
- 13. MURAL
- 14. Thanks