Graffiti presentation
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Graffiti began in the 1960s in Philadelphia and New York as a way to honor musicians and spread messages. Early graffiti was seen as vandalism, but it evolved into an art form as artists tagged their names and neighborhoods across the cities. While some see graffiti as a way to beautify neighborhoods and make political statements, others argue it is socially and politically problematic. It can cost taxpayers millions to remove, encourage crime, and spread hateful or offensive messages. There is ongoing debate around whether graffiti should be considered art or vandalism.
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Graffiti Presentation
Graffiti began in the 1960s in Philadelphia and New York as tags to honor a musician, but soon became more about vandalism and getting messages across. People began widely tagging their names on public transportation in New York in the 1970s. Authorities worked to remove graffiti from trains, pushing artists to tag walls and other public places instead. Supporters argue graffiti can be used for political messages or to beautify areas, while critics argue it is costly vandalism that can encourage other crimes.
Street art presentation power point
The document discusses street art, architecture, and urbanism. It defines street art as unsanctioned public expressions using building aesthetics. Polychromy and cladding are mentioned as using color or other materials to dress building exteriors. The conclusion states that street art politically expresses and interacts with urban surroundings in a way that makes functionality aesthetically appealing.
Graffiti/street art Presentation
Graffiti began in the 1960s in Philadelphia and New York as people began tagging messages and names to honor a musician who had passed away. Over time, graffiti evolved from simple vandalism to a more artistic form as taggers spent more time developing their styles. Supporters argue that graffiti can be used to spread political messages or beautify dull areas when done legally by artists. However, critics argue that graffiti often costs taxpayers significant money to remove and that even illegal graffiti can encourage other crimes by signaling that vandalism will not be punished. The debate continues over whether graffiti is a positive art form or merely destructive vandalism.
Pros and cons of graffiti and street art
The document discusses the history and perspectives of graffiti and street art. It notes that graffiti originated in Philadelphia in the late 1960s started by two artists named Cornbread and Cool Earl. Street art later branched off from graffiti. The document outlines pros and cons of both graffiti and street art from artistic expression to costs of removal to negative influences. It profiles some influential figures in graffiti history like Taki 183 and Shepard Fairey. Facts are given showing most common graffiti targets in the UK.
From graffiti to street art essay pp.pptx
Street art began emerging in the 1960s with tributes to jazz musicians being written on walls in Philadelphia. It grew in the 1970s in New York City as artists like TAKI 183 and TRACY 168 began "tagging" trains. Over time, vandalism and graffiti evolved into a recognized art form. Street artists use various techniques like stencils, posters, and freehand painting to create works that can address social and political issues while beautifying public spaces. Famous street artists like Banksy, Shepard Fairey, and Space Invader have helped bring attention to causes while transforming dull areas into more vibrant places.
Street Art Essay
Street art began as gang graffiti in the 1920s-30s and evolved over time. By the 1970s-80s, artists began using public spaces to tag their names, starting trends like Taki 183. Street art grew popular in the 80s due to technology and now expresses political and social messages. While sometimes seen as vandalism, street art is now more accepted as an art form. It comes in many styles and is used worldwide to engage audiences in important issues.
Graffiti art or vandalism
Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
Street art methods
This document provides information on several street artists and their techniques:
- Space Invader uses ceramic tiles to create mosaic-style artwork glued on walls in cities worldwide.
- Banksy is known for his stenciled graffiti spray painted on walls, streets, and bridges around the world.
- Shepard Fairey emerged from skateboarding and is known for his "Andre the Giant has a posse" and Obama "Hope" posters displayed in museums globally.
- Mark Jenkins sculpts entirely with cellophane tape to create interactive art.
- Juan Muñoz worked mainly with paper mache, bronze and resin to tell stories through his sculptures.
- JR places
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Graffiti Presentation
Graffiti began in the 1960s in Philadelphia and New York as tags to honor a musician, but soon became more about vandalism and getting messages across. People began widely tagging their names on public transportation in New York in the 1970s. Authorities worked to remove graffiti from trains, pushing artists to tag walls and other public places instead. Supporters argue graffiti can be used for political messages or to beautify areas, while critics argue it is costly vandalism that can encourage other crimes.
Street art presentation power point
The document discusses street art, architecture, and urbanism. It defines street art as unsanctioned public expressions using building aesthetics. Polychromy and cladding are mentioned as using color or other materials to dress building exteriors. The conclusion states that street art politically expresses and interacts with urban surroundings in a way that makes functionality aesthetically appealing.
Graffiti/street art Presentation
Graffiti began in the 1960s in Philadelphia and New York as people began tagging messages and names to honor a musician who had passed away. Over time, graffiti evolved from simple vandalism to a more artistic form as taggers spent more time developing their styles. Supporters argue that graffiti can be used to spread political messages or beautify dull areas when done legally by artists. However, critics argue that graffiti often costs taxpayers significant money to remove and that even illegal graffiti can encourage other crimes by signaling that vandalism will not be punished. The debate continues over whether graffiti is a positive art form or merely destructive vandalism.
Pros and cons of graffiti and street art
The document discusses the history and perspectives of graffiti and street art. It notes that graffiti originated in Philadelphia in the late 1960s started by two artists named Cornbread and Cool Earl. Street art later branched off from graffiti. The document outlines pros and cons of both graffiti and street art from artistic expression to costs of removal to negative influences. It profiles some influential figures in graffiti history like Taki 183 and Shepard Fairey. Facts are given showing most common graffiti targets in the UK.
From graffiti to street art essay pp.pptx
Street art began emerging in the 1960s with tributes to jazz musicians being written on walls in Philadelphia. It grew in the 1970s in New York City as artists like TAKI 183 and TRACY 168 began "tagging" trains. Over time, vandalism and graffiti evolved into a recognized art form. Street artists use various techniques like stencils, posters, and freehand painting to create works that can address social and political issues while beautifying public spaces. Famous street artists like Banksy, Shepard Fairey, and Space Invader have helped bring attention to causes while transforming dull areas into more vibrant places.
Street Art Essay
Street art began as gang graffiti in the 1920s-30s and evolved over time. By the 1970s-80s, artists began using public spaces to tag their names, starting trends like Taki 183. Street art grew popular in the 80s due to technology and now expresses political and social messages. While sometimes seen as vandalism, street art is now more accepted as an art form. It comes in many styles and is used worldwide to engage audiences in important issues.
Graffiti art or vandalism
Graffiti art is a form of self-expression that allows artists to showcase their talent and opinions in public spaces. While often lumped together with vandalism, graffiti requires skill as a true art form, transforming plain walls into creative works of art through practice over time. The document distinguishes graffiti art from mindless vandalism and highlights that respectful graffiti artists do not deface private property or the work of others without permission.
Street art methods
This document provides information on several street artists and their techniques:
- Space Invader uses ceramic tiles to create mosaic-style artwork glued on walls in cities worldwide.
- Banksy is known for his stenciled graffiti spray painted on walls, streets, and bridges around the world.
- Shepard Fairey emerged from skateboarding and is known for his "Andre the Giant has a posse" and Obama "Hope" posters displayed in museums globally.
- Mark Jenkins sculpts entirely with cellophane tape to create interactive art.
- Juan Muñoz worked mainly with paper mache, bronze and resin to tell stories through his sculptures.
- JR places
Street art or graffiti
This document discusses the differences between graffiti and street art. While both involve placing art in public spaces rather than galleries, graffiti writers primarily want to communicate with other writers, whereas street artists want the public to view and engage with their work. Graffiti focuses more on "tagging" with spray paint or markers to mark territory, while street art uses symbolic imagery and techniques like stencils or posters to convey conceptual messages to viewers. The intention of engaging the public is the main distinction between graffiti writers and street artists.
Street art
Street art and graffiti both involve public art displays, but graffiti focuses more on tags and fame within the graffiti community, while street art aims to send social or political messages anonymously. Graffiti began in the 1960s with tags on subway cars in New York City and has rules around different styles like throw ups and pieces. Street art is now found in museums and brings communities together through murals, but both forms face legal issues and conflicting views from the public. Artists themselves disagree on differences, with some seeing graffiti as rebellious and street art as mature, while others feel the distinctions are forced.
Street Art Essay
Street art began as tagging by gangs in the 1920s-30s and evolved over time. By the 1970s-80s, artists began tagging their names on public transportation and walls in New York. Street art gained popularity in the 1980s and 21st century due to technology and the internet. It has transformed from vandalism into a widely accepted art form that communicates powerful messages. Well-known street artists like Banksy, Shepard Fairey, and Invader have helped establish street art as a legitimate art movement through their unique styles and meaningful works.
Street art presentation
Street art and architecture can interact in various ways. Street art is a public expression using buildings' aesthetics or lack thereof, while polychromy is using color on exteriors and cladding involves dressing exteriors with thin exterior materials. Urbanism involves how inhabitants interact with surroundings, and political expression through street art can affect communities by making functionality aesthetically appealing.
Grafitti
Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
What is street art
The document discusses different definitions and types of street art. It defines street art as art found in or inspired by the urban environment, with anti-capitalist undertones. Street art encompasses various impermanent forms like stencils, stickers, and yarn bombing. While some see it as vandalism, others view it as a tool for political expression or urban beautification. The legal distinction between graffiti art and vandalism is permission, though many celebrated street artists began without permission.
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The document discusses the controversy around street art and graffiti, exploring whether it should be considered vandalism or a valid form of artistic expression. It introduces the concept of "yarn bombing" as a type of street art that is non-permanent and can be easily removed, using colorful yarn to decorate public spaces in a way that may be less offensive than traditional graffiti. The document proposes a project for students to collaboratively create a yarn bombing installation and discusses criteria for evaluating the project.
Graffiti art
The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
Street Art
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Street art
Street art began in the 1920s with graffiti on train carts in New York City by gangs. It evolved into a true artistic expression in the 1970s-1980s as done by teenagers. While often illegal, street art gained acceptance in the contemporary art world through art enthusiasts. There is no single definition of street art, but it is found in urban environments and is a popular public art form not limited to galleries. Street art has been influenced by artists' past experiences, the surrounding area, political views, and thoughts and opinions. It has relationships with other art forms like sculpture and installations. Famous street artist Shepard Fairey's "Hope" poster of Barack Obama impacted society by helping Obama win the presidency
History of Graffiti
Graffiti began in New York in the 1960s as single hitting and was done predominantly by Puerto Ricans and African-Americans from poor, inner-city neighborhoods. In the late 1980s, graffiti was forced to transform as cities built secure train yards and enacted stricter laws in response to graffiti on subway cars. Most artists then took their art to the streets, though some began painting freight trains, losing a vital part of graffiti culture. Varying graffiti styles developed over time, from quick throw ups to complex wildstyles.
Street art methods
This document discusses various methods that street artists use to create their artwork in public spaces. It describes temporary non-permanent methods like tile art, sticker art, stencil art, poster art, and flower bombs that do not damage property. It also covers more permanent methods like graffiti, chewing gum paintings, and using LED lights or projectors. The methods street artists choose depend on factors like their background, the area, and availability of resources.
Graffiti essay
Graffiti began in the 1920s-1930s as gang markings but became more popular in New York in the 1960s-1970s as people tagged their names. Authorities tried to stop subway tagging, so artists began tagging walls and adding more color and design. Taki 183 and Tracy 168 gained fame for their tagging styles. Graffiti can positively impact run-down areas by making them more vibrant, and it allows political expression, but it is also seen as vandalism and illegal. Pop art inspired graffiti with its use of commercial imagery and styles. Graffiti focuses on tagging to gain fame while street art makes statements, though both comment on society and politics. Famous graffiti artists include Egs, Os
Graffiti Culture
Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
Street art pros
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Street art
Street art originated from graffiti art in New York City in the 1980s. It uses various mediums like stencils and posters to express messages in public spaces. While sometimes illegal, street art is becoming more accepted as a way to regenerate communities and share political or social commentary. Famous street artists like Banksy and Shepard Fairey often use their art to address issues like homelessness, inequality, and political campaigns. Technology has also helped street art spread more widely through advances in printing and sharing on the internet.
Different methods of street art
Ben Wilson creates tiny artworks by painting designs on pieces of chewing gum stuck to pavements. This form of street art does not damage property or break laws.
Stencil graffiti involves spraying cutout stencil designs onto surfaces using spray paint, which can damage buildings and be costly to remove.
Tile artist Space Invader creates mosaics out of ceramic tiles inspired by video games, which do not damage buildings as they are adhered with cement paste that does not leave marks when removed.
Jan Vormann does street art by filling cracks in walls with Lego blocks, repairing rather than damaging buildings.
Shepard Fairey produces sticker, poster and print art to spread messages, which
History of Graffiti
The document discusses the history and origins of graffiti art. It traces graffiti back 30,000 years to prehistoric cave paintings. Modern graffiti emerged in the 1960s with teenagers tagging subway trains in New York City. Graffiti grew closely associated with hip hop culture in the 1980s as artists used spray paint and stencils to create designs. Artists like Basquiat were influential figures in both the graffiti and hip hop scenes in New York during that time. Graffiti continues to influence modern art movements while also dividing opinions as more mainstream artists like Banksy have adopted the style.
History of Graffiti
The document provides an overview of graffiti, including its origins, history, definitions, types, and issues surrounding it. It traces graffiti back 40,000 years to early cave paintings and discusses its emergence in the 1960s in Philadelphia and proliferation in New York City in the 1970s-1980s. The document also explores modern graffiti styles and the various public approaches to handling graffiti.
Presentation
Modern graffiti began in Philadelphia in the 1960s after the death of jazz musician Charlie Parker. In the 1970s, the center of graffiti culture shifted to New York City as writers like TAKI 183 and Tracy 168 began using their street numbers in their tags and bombing subway trains, allowing their work to spread across the city. Street artists challenge definitions of art by situating their work in non-art contexts and questioning the existing environment in its own language rather than aiming to change what art is.
Tagging
Tagging is a technique used to organize digital information. The document discusses tagging and is authored by Thomas Cavanagh. However, the document contains no other details about tagging or the author.
Guide to street art - Manchester
This document provides a guide to street art in Manchester's Northern Quarter, summarizing different types of works. It describes stickers as easy to apply but seen as littering if not removed. Mosaics are made of small tiles and some in Manchester were illegal works by Space Invader. Posters are similar to stickers but cover larger walls and are also seen as littering. Murals are large spray-painted pieces, often commissioned works like a David Bowie piece. Commissioned works are pieces allowed by buildings that hire artists to decorate in their style.
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Street art or graffiti
This document discusses the differences between graffiti and street art. While both involve placing art in public spaces rather than galleries, graffiti writers primarily want to communicate with other writers, whereas street artists want the public to view and engage with their work. Graffiti focuses more on "tagging" with spray paint or markers to mark territory, while street art uses symbolic imagery and techniques like stencils or posters to convey conceptual messages to viewers. The intention of engaging the public is the main distinction between graffiti writers and street artists.
Street art
Street art and graffiti both involve public art displays, but graffiti focuses more on tags and fame within the graffiti community, while street art aims to send social or political messages anonymously. Graffiti began in the 1960s with tags on subway cars in New York City and has rules around different styles like throw ups and pieces. Street art is now found in museums and brings communities together through murals, but both forms face legal issues and conflicting views from the public. Artists themselves disagree on differences, with some seeing graffiti as rebellious and street art as mature, while others feel the distinctions are forced.
Street Art Essay
Street art began as tagging by gangs in the 1920s-30s and evolved over time. By the 1970s-80s, artists began tagging their names on public transportation and walls in New York. Street art gained popularity in the 1980s and 21st century due to technology and the internet. It has transformed from vandalism into a widely accepted art form that communicates powerful messages. Well-known street artists like Banksy, Shepard Fairey, and Invader have helped establish street art as a legitimate art movement through their unique styles and meaningful works.
Street art presentation
Street art and architecture can interact in various ways. Street art is a public expression using buildings' aesthetics or lack thereof, while polychromy is using color on exteriors and cladding involves dressing exteriors with thin exterior materials. Urbanism involves how inhabitants interact with surroundings, and political expression through street art can affect communities by making functionality aesthetically appealing.
Grafitti
Lady Pink argues that art should not be restricted only to galleries and museums, but should be freely expressed by humans wherever they want. Graffiti has a long history dating back to markings found in Pompeii. Though initially seen as uncultured, graffiti was a form of expression for the working classes and a way to critique oppressive authority. Photographer Brassaï brought graffiti to the attention of famous artists in the 1930s. Tagging began as artists started signing their names to trains, and became more elaborate over time. Graffiti is addictive and competitive, valued for its placement in public spaces, and was historically a male-dominated form of expression. The Situationists used graffiti to subvert social
What is street art
The document discusses different definitions and types of street art. It defines street art as art found in or inspired by the urban environment, with anti-capitalist undertones. Street art encompasses various impermanent forms like stencils, stickers, and yarn bombing. While some see it as vandalism, others view it as a tool for political expression or urban beautification. The legal distinction between graffiti art and vandalism is permission, though many celebrated street artists began without permission.
Yarn bomb 8th grade
The document discusses the controversy around street art and graffiti, exploring whether it should be considered vandalism or a valid form of artistic expression. It introduces the concept of "yarn bombing" as a type of street art that is non-permanent and can be easily removed, using colorful yarn to decorate public spaces in a way that may be less offensive than traditional graffiti. The document proposes a project for students to collaboratively create a yarn bombing installation and discusses criteria for evaluating the project.
Graffiti art
The document discusses the history and origins of graffiti. It traces graffiti back to ancient Rome, where political statements and satire were scratched onto walls. The word "graffiti" comes from the Italian word "graffiato," meaning scratched. While sometimes viewed as vandalism, graffiti has also been considered a form of art and political expression throughout history. Modern graffiti emerged in New York in the 1970s, where artists would tag trains as a way to gain exposure and mark their territory across the city. The document explores both the legal and illegal aspects of graffiti and provides tips for creating graffiti-style lettering on paper.
Street Art
Here is a slideshow presentation of Street Art, with little discussion on its history, differentiation of kinds (e.g. Street Art, Mural Art, Graffiti, and Public Art), various movements, and function of street art. This is presentation is created in attempt to share information and educate people.
Street art
Street art began in the 1920s with graffiti on train carts in New York City by gangs. It evolved into a true artistic expression in the 1970s-1980s as done by teenagers. While often illegal, street art gained acceptance in the contemporary art world through art enthusiasts. There is no single definition of street art, but it is found in urban environments and is a popular public art form not limited to galleries. Street art has been influenced by artists' past experiences, the surrounding area, political views, and thoughts and opinions. It has relationships with other art forms like sculpture and installations. Famous street artist Shepard Fairey's "Hope" poster of Barack Obama impacted society by helping Obama win the presidency
History of Graffiti
Graffiti began in New York in the 1960s as single hitting and was done predominantly by Puerto Ricans and African-Americans from poor, inner-city neighborhoods. In the late 1980s, graffiti was forced to transform as cities built secure train yards and enacted stricter laws in response to graffiti on subway cars. Most artists then took their art to the streets, though some began painting freight trains, losing a vital part of graffiti culture. Varying graffiti styles developed over time, from quick throw ups to complex wildstyles.
Street art methods
This document discusses various methods that street artists use to create their artwork in public spaces. It describes temporary non-permanent methods like tile art, sticker art, stencil art, poster art, and flower bombs that do not damage property. It also covers more permanent methods like graffiti, chewing gum paintings, and using LED lights or projectors. The methods street artists choose depend on factors like their background, the area, and availability of resources.
Graffiti essay
Graffiti began in the 1920s-1930s as gang markings but became more popular in New York in the 1960s-1970s as people tagged their names. Authorities tried to stop subway tagging, so artists began tagging walls and adding more color and design. Taki 183 and Tracy 168 gained fame for their tagging styles. Graffiti can positively impact run-down areas by making them more vibrant, and it allows political expression, but it is also seen as vandalism and illegal. Pop art inspired graffiti with its use of commercial imagery and styles. Graffiti focuses on tagging to gain fame while street art makes statements, though both comment on society and politics. Famous graffiti artists include Egs, Os
Graffiti Culture
Graffiti culture has evolved into a modern art form using spray paint with its own history, styles, and prominent artists. While still illegal in most places, graffiti is considered an expression of individuality by its practitioners. The culture includes specialized terms like "writer" for artists and "crew" for collaborative groups. While some view graffiti as vandalism, others see it as a legitimate art form and some cities have designated legal walls for graffiti.
Street art pros
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. There are various reasons why people engage in graffiti, street art, and vandalism, ranging from expressing themselves artistically to gaining social acceptance to making political statements. While graffiti can beautify empty spaces and spread messages, it is also expensive to remove and can decrease property values if not properly regulated. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to comment on social and political issues, but their work is sometimes illegal and causes property damage.
Street art
Street art originated from graffiti art in New York City in the 1980s. It uses various mediums like stencils and posters to express messages in public spaces. While sometimes illegal, street art is becoming more accepted as a way to regenerate communities and share political or social commentary. Famous street artists like Banksy and Shepard Fairey often use their art to address issues like homelessness, inequality, and political campaigns. Technology has also helped street art spread more widely through advances in printing and sharing on the internet.
Different methods of street art
Ben Wilson creates tiny artworks by painting designs on pieces of chewing gum stuck to pavements. This form of street art does not damage property or break laws.
Stencil graffiti involves spraying cutout stencil designs onto surfaces using spray paint, which can damage buildings and be costly to remove.
Tile artist Space Invader creates mosaics out of ceramic tiles inspired by video games, which do not damage buildings as they are adhered with cement paste that does not leave marks when removed.
Jan Vormann does street art by filling cracks in walls with Lego blocks, repairing rather than damaging buildings.
Shepard Fairey produces sticker, poster and print art to spread messages, which
History of Graffiti
The document discusses the history and origins of graffiti art. It traces graffiti back 30,000 years to prehistoric cave paintings. Modern graffiti emerged in the 1960s with teenagers tagging subway trains in New York City. Graffiti grew closely associated with hip hop culture in the 1980s as artists used spray paint and stencils to create designs. Artists like Basquiat were influential figures in both the graffiti and hip hop scenes in New York during that time. Graffiti continues to influence modern art movements while also dividing opinions as more mainstream artists like Banksy have adopted the style.
History of Graffiti
The document provides an overview of graffiti, including its origins, history, definitions, types, and issues surrounding it. It traces graffiti back 40,000 years to early cave paintings and discusses its emergence in the 1960s in Philadelphia and proliferation in New York City in the 1970s-1980s. The document also explores modern graffiti styles and the various public approaches to handling graffiti.
Presentation
Modern graffiti began in Philadelphia in the 1960s after the death of jazz musician Charlie Parker. In the 1970s, the center of graffiti culture shifted to New York City as writers like TAKI 183 and Tracy 168 began using their street numbers in their tags and bombing subway trains, allowing their work to spread across the city. Street artists challenge definitions of art by situating their work in non-art contexts and questioning the existing environment in its own language rather than aiming to change what art is.
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Guide to street art - Manchester
This document provides a guide to street art in Manchester's Northern Quarter, summarizing different types of works. It describes stickers as easy to apply but seen as littering if not removed. Mosaics are made of small tiles and some in Manchester were illegal works by Space Invader. Posters are similar to stickers but cover larger walls and are also seen as littering. Murals are large spray-painted pieces, often commissioned works like a David Bowie piece. Commissioned works are pieces allowed by buildings that hire artists to decorate in their style.
Development and influences of street art
Street art began as graffiti in the early 20th century with gangs tagging walls in New York. Kyselak is considered the "father of graffiti" for spreading his name throughout the Austro-Hungarian Empire in the early 19th century. Graffiti became popular in New York in the 1960s-1970s as people tagged their names and street numbers. Street art is now defined as using techniques like stencils or stickers to convey a message beyond just tagging, and influences include early hobos drawing images. Technology now allows street artists to gain popularity by sharing their work online.
Final piece - LH
Liam Heeley created street art pieces based on outfit grids, which are photos of outfits laid out on the floor. He was inspired by similar grids posted on fashion blogs and used photos he took of his own outfits. Through experimenting with editing techniques in Photoshop, he developed several outfit grids with variations in color, background, and style. For his final piece, he chose a grid with vibrant colors that would stand out against different surfaces without a distracting background.
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- Sans serif fonts do not have the short lines and go back to 5 BC in Greek and Latin inscriptions. They are commonly used for computer screens and newspaper headlines.
- Decorative fonts have an ornamental style and became popular in the Victorian Era and Art Nouveau movement. They are used for decorative purposes like advertisements.
- Script fonts are based on handwriting styles from the 17th-18th century and were used for invitations and diplomas to give an elegant look.
Why these posters work
This document analyzes and summarizes several anti-smoking posters. It discusses how each poster is effective in discouraging smoking through their visual design and messaging. The first poster uses a cartoon illustration and caption to grab attention without long text. The second replaces a mouth with cigarettes to elicit disgust. The third appeals to parental emotions by depicting an upset child who would love them more if they quit. The fourth warns about the harmful influence of smoking around babies. The fifth poster is simple text that gets its point across clearly without confusing images.
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David carson
David Carson was born in 1955 in Texas. He attended Cocoa Beach High School and San Diego State University, graduating with honors in sociology. Carson worked as a teacher but also took design courses, realizing he wanted to change careers to graphic design. He is known for his experimental typography as art director for Ray Gun magazine, defining the "grunge typography" style with chaotic layouts using mixed fonts and overlapped images. Carson cited having no formal training as allowing him to develop his unique style by learning outside conventional methods.
Laws on street art
This document discusses different types of legal and illegal street art, or graffiti. It identifies four types of legal graffiti: paper cup graffiti, masking tape art, graffiti on walls with owner permission, and rangoli powder art. The document notes that graffiti without permission is a form of criminal damage according to law. Those caught can face fines up to £5,000 or further punishment if damages exceed that amount. Three common types of illegal graffiti identified are tagging, throw-ups, and stenciling, which are considered criminal damage since they ruin property without consent.
From graffiti to street art
From cave paintings 40,000 years ago to modern street art, graffiti has served as a means of expression and communication. It started as vandalism in Philadelphia in the 1960s but has evolved into a recognized art form. However, opinions on graffiti vary - some see it as a way to beautify communities, while others view it as visual clutter that should not be allowed without permission. Legalizing certain graffiti could help social groups feel included in communities while also saving governments money spent on removal.
Stop smoking
Stopping smoking has numerous health benefits. Within a year of quitting, lung capacity can improve by 10% as coughing lessens and breathing becomes easier. Those who quit by age 30 add 10 years to their life expectancy. Quitting smoking also reduces stress levels, improves senses of taste and smell, and lowers the risk of many cancers and heart or lung diseases. Secondhand smoke increases risks of lung cancer, heart disease, and respiratory illnesses for non-smokers as well. Smoking during pregnancy can cause complications like premature birth and low birthweight for the baby.
Vinyl Cover The Smiths Redesign
The document discusses the Smith family and their views on eating meat. It suggests that consuming meat is equivalent to murder. In a very concise manner, it relays the key message that meat eating should not be supported due to the harm it causes animals.
Evaluation
The document provides an evaluation of a book cover design project for Roald Dahl's "All Sorts" by a student named Karan Singh. The evaluation consists of 3 sections:
1) Explaining how the final cover communicates the themes of the book through images, colors, lighting and style.
2) Evaluating how the typeface styles and letter forms communicate the main themes of the book using correct terminology.
3) Explaining contextual influences from other designers and artists, and what was learned from them, as well as other book covers that inspired or influenced the design and why the original cover was or was not effective.
Barbara kruger
Barbara Kruger is an American conceptual artist known for her black and white images with strong messages surrounded by a red border. Her work often addresses issues of power, identity, and sexuality using pronouns like "you" and "we" to engage viewers. This document discusses two of Kruger's pieces that relate to mental health and eating disorders through imagery of a cracked mirror, broken text, diet pills, scales, and magazines promoting unrealistic body standards. It also mentions the student's attempt to create their own work in Kruger's style focusing on these topics of mental health and identity.
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The document summarizes information on four street artists: Banksy, Os Gêmeos, Swoon, and Escif. It provides details on each artist's background, style, and location of work. For Banksy, it notes he began doing graffiti in Bristol in the late 1990s using stencils and focuses on political and social themes. Os Gêmeos are twin brothers from Brazil whose international career has seen their art in many museums. Swoon uses temporary paint so her works will wash away, avoiding permanent damage. Escif primarily does large murals in Valencia and other countries.
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The document appears to be about a family or person named "The Smitsh". Unfortunately there is not enough contextual information provided to generate a meaningful 3 sentence summary. The single word title "THE SMITSH" is the only information given.
masking tape art
Masking tape street art was created by three friends, Liam, Karan and Connor. They used masking tape to create large scale artwork directly on streets and sidewalks. Their temporary tape murals aimed to bring color and creativity to public spaces in a unique way.
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From vandalism to graffiti to street art
Street art began as graffiti in the 1950s-60s in Philadelphia and New York City. It has since evolved into a global art movement that uses public spaces to communicate messages. While often illegal, street art beautifies neighborhoods and brings attention to social and political issues. It has also helped launch the careers of famous artists like Banksy and introduced new styles like stenciling and tile art. Though controversial, street art has become firmly integrated into modern culture.
Graffititostreetarttoart
Graffiti has evolved from simple tags and names scratched or sprayed in public spaces to a recognized art form known as street art. It began in the 1960s and grew popular in 1970s New York, where artists would tag subway cars to spread their names across the city. Graffiti was seen as vandalism and illegal, but some artists like Shepard Fairey and Banksy have gained fame for their street art, which aims to make social and political statements through large-scale pieces. There is debate around street art, as some argue it beautifies areas while others see it as a costly problem and gateway to more serious crime. The distinction between graffiti and street art is that graffiti artists generally don't
Street Art
Street art began in the 1960s with graffiti related to jazz musician Charlie Parker in Philadelphia. Graffiti spread to New York in the 1970s and was pioneered by artists like TAKI 183. Over time graffiti transformed into street art. People engage in street art and graffiti for various reasons such as boredom, social bonding, political expression, and simply as a creative outlet. While street art can beautify areas and raise social issues, it is also illegal and cleaning it up costs taxpayers significant money. Famous street artists like Banksy, Shepard Fairey, and Space Invader use the medium to share messages but their works are created using techniques like stenciling, stickers, and tile
Graffiti group project
The document provides an overview of graffiti, including its history and evolution. It begins in the late 1960s with the emergence of "tagging" in New York City, where writers began proliferating their tags across subway systems to communicate and compete. Over time, graffiti grew more elaborate as writers created larger pieces incorporating styles like wildstyle. By the 1980s, graffiti had moved beyond subways and was recognized increasingly as an art form, with a growing presence in commercial media. The document discusses different graffiti styles, public perceptions of graffiti as both a problem and an expression, and approaches to graffiti prevention, removal and management.
Street art Presentaion
Graffiti can have both positive and negative impacts. Positively, it can be used to beautify empty spaces, serve as a form of political or personal expression, and have been used to raise money for charity by iconic street artists. However, cleaning graffiti can be very expensive for taxpayers and property owners and decrease property values. It can also make areas feel unsafe and be associated with criminal gang activity.
Pros and cons of graffiti and street art
The document discusses the history and perspectives of graffiti and street art. It notes that graffiti originated in Philadelphia in the late 1960s started by two artists named Cornbread and Cool Earl. Street art later branched off from graffiti. The document outlines pros and cons of both graffiti and street art from artistic expression to costs of removal to negative influences. It profiles some influential figures in graffiti history like Taki 183 and Shepard Fairey. Facts are given on common graffiti targets in the UK.
Graffiti
This document discusses graffiti from multiple perspectives. It explores graffiti as a form of art, vandalism, and a symbol of modern times. The document also examines the attitudes of Polish people towards graffiti, how graffiti artists view their work, and attempts to counteract negative graffiti. Finally, it provides a dictionary of graffiti slang terms.
Graffiti
The document is a presentation on graffiti that provides information on the history and types of graffiti. It discusses how graffiti originated as a form of artistic expression in Paris in the 1960s during student protests and then emerged in Brazil influenced by counterculture movements. It also explores different types of graffiti like tags, murals, and "heaven spots"; the purpose of conveying social and political messages; and variations in perceptions and legal regulations of graffiti around the world.
Content research
This document provides a history of graffiti from ancient times to modern day. It discusses how ancient graffiti displayed simple messages while today it often conveys social and political statements. It outlines the development of different graffiti styles over time, from cave paintings to the invention of aerosol spray paint cans. Key graffiti artists from the 1970s onward are mentioned like Cornbread, Phase 2, and Banksy. The emergence of graffiti into an accepted art form displayed in galleries is also touched on.
Content research
This document provides a history of graffiti from ancient times to modern day. It discusses how ancient graffiti displayed simple messages while today it often conveys social and political statements. It outlines the development of different graffiti styles over time, from cave paintings to the invention of aerosol spray paint cans. Key graffiti artists from the 1970s onward are mentioned like Cornbread, Phase 2, and Banksy. The emergence of graffiti into an accepted art form displayed in galleries is also touched on.
Graffiti and Billboard
Graffiti has existed for centuries, starting as simple written words and evolving to include elaborate wall paintings. It is now commonly created using spray paint and markers. While some see graffiti as art, most consider it vandalism as it is made without permission. Billboards are large outdoor advertising structures used to display advertisements to people in public areas like roads. They come in different sizes, with bulletins being the largest to allow visibility from vehicles. Opinions on graffiti and billboards are mixed, with most seeing drawbacks to graffiti due to it being dirty and sometimes used for gang messages, while billboards are seen as generally clean and informative.
Banksy: Pop and Graffiti Art
When the walls turn canvas, it’s said to be the gateway of street arts. The street arts are often called unsanctioned art as it demonstrates the thoughts of the common people and brings out their views in raw form. It opens up unlimited possibilities for art as most of the art forms reflect the thoughts of the elite or well-to-do class. The street arts differ from country to country according to social-economic, political and moral ethos. Pop and graffiti art is one of the most popular art forms of street art.
Street art
The document provides information about street art, including its definition, history, examples of different styles (e.g. graffiti, murals, stickers), and the legality of street art. It notes that street art began as gang graffiti in New York in the 1920s-1930s and grew into a movement in the 1970s-1980s as young people used it to express political views. While most street art is illegal, some cities provide designated walls where graffiti is permitted. The laws governing street art as well as penalties for violating these laws are also summarized.
Street art or vandalism? Essay
Graffiti and street art have gained more recognition and acceptance in the art world. While graffiti is typically writing someone's name, street art encompasses a wider range of visual artistic expressions done in public spaces, including murals, stencils and wheatpasting. Banksy is a famous street artist known for his politically charged pieces done using stencils and spray paint. Views on street art vary from condemnation as vandalism to acceptance as a valid art form that can beautify cities and bring communities together through outdoor art projects.
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Experiments on street art
Shows images of the masking tape project and the stickers I produced and what they look like outside.
Final outcome and evaluation
1) The document describes the design and development of a sticker and posters created by Thomas Cavanagh.
2) The sticker features a pink cartoon brain in a turquoise background with the text "Thinking too much" to represent overthinking.
3) Cavanagh then created posters continuing the theme of the brain and message of thinking, with one poster saying "think positive" and showing a happy brain, while another focuses on overthinking.
Masking tape project
The group built a bee out of masking tape to represent worker bees in Manchester, symbolizing the city's hard-working past. Masking tape art is a common street art form in Manchester. Buff Diss is an Australian artist known for using tape in his artwork, starting with spray paint and switching to tape in 2005.
Masking tape project
Our group built a bee sculpture out of masking tape to represent worker bees in Manchester, as bee street art is commonly seen around the city. The bee symbolizes Manchester's hard-working past as an industrial center known for its factories and mills. We created the bee sculpture with masking tape to participate in a type of street art already associated with Manchester.
10 suitable types of type
There are 10 suitable types of fonts discussed in the document. The document refers to a previous PowerPoint presentation about the first four fonts that are good for book covers based on an example from the Spiderwick Chronicles series. The document examines 10 fonts but does not provide details about the specific fonts.
Evaluation on book cover
1) The document evaluates three book covers designed for the novel "The Spiderwick Chronicles" focusing on themes of nature, magic, and dark colors.
2) Inspiration was drawn from the original novels, Joseph Cornell's artwork, and researching fonts. The main cover features a cardboard box representing the magical themes.
3) The brief for the covers called for imaginative exploration of typefaces and letters. The main cover meets this with a creative font in red that stands out against the beige background and includes torn book pages inside the box.
Vinyl cover work
The document discusses vinyl sticker designs for album covers. It notes design elements that make vinyl covers eye-catching such as bright colors, large text for the band and album names, and focusing design elements in the center. It also lists common elements found on vinyl covers like colors, artist names, record labels, and song/album names. The document then describes the author's ideas for designing a vinyl cover, including using colors from the original CD cover and including a background image and lyrics to make the design look more visually interesting than a simpler alternative.
Mars advert (advertising)
The document discusses a Mars-themed poster and logo ideas created by Thomas Cavanagh. The poster was made in Photoshop using Google images and depicts a paper airplane traveling from Earth to Mars, representing a Mars vacation. It uses a "z method" left-to-right reading format and includes a "holiday motel" image representing the main part of the trip. Mind maps were also created for the poster and logo concepts.
Describing type Thomas Cavangh
Times New Roman is an example of a typeface that includes specific fonts like Times New Roman italic. Uppercase or capital letters are generally used to make text stand out more or seem more aggressive compared to lowercase letters. Numerals are symbols that demonstrate numbers, while glyphs are symbols that form character appearances like question marks or bullet points. Point size and leading refer to the size of text and vertical spacing between lines, while alignment styles determine if text is left, right, or center justified. Kerning and tracking adjust spacing between letters or whole words. Dingbats are symbol characters that replace standard letters and numbers.
Alphabet
Alphabet is a company founded by Thomas Cavanagh. It operates through several subsidiaries including Google, which provides internet-related products and services like search engines, cloud computing, and digital mapping. Under Cavanagh's leadership, Alphabet has become a technology giant and one of the most valuable companies in the world.
Advertising
This document discusses different types of advertising and considerations for design. It outlines various advertising mediums including digital/online, print, outdoor, guerrilla, broadcast, mobile, and packaging. It also covers constraints like budget, legal/ethical issues. The document analyzes sample road safety ads, noting they use empathy strategies to make people feel bad and think twice about dangers. The ads graphically portray car crashes and injuries to strongly convey anti-drunk and distracted driving messages.
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Graffiti presentation
- 1. GRAFFITI: ART OR VANDALISM? By Dom, Tom & Forhad
- 2. Graffiti: History • Graffiti began in Philadelphia, New York between the 60s and 70s. An old jazz musician named ‘yard-bird’ died in the early 60s, people began to tag ‘bird lives’ on walls and windows to honour his career as a musician. • In it’s early years graffiti was more vandalism and was used to get messages across to authorities. • In New York people began tagging their names/nicknames and their street number on walls, public transport and street signs. • It was extremely common that people would tag the subway around New York with their name, the idea was that when the subway moved around new york city it gave the person tagging the train more publicity because the transport moved between each area. • Authorities were aware of this vandalism happening to public transport and they took action to remove it, they warned that each time it was painted on it would be removed and if it continued they would stop the train from going out, this eventually stopped them from tagging public transport and they moved back to walls and public places. • These graffiti artists now had more time to spray-paint their tags or paint what they like which moved the vandalism into graffiti. • In the 1970s graffiti moved from Philadelphia to New York City, around Washington Heights, this is where writers such as Take 183 and Tracy 168 started to gain popularity.
- 3. For Graffiti - Political • Can be used to spread messages and thoughts primarily political agenda such as statements against governments, corporations and conglomerates. People can express themselves more openly through art and using the outside allows a lot more people to view it. • Instead of the council having to pay workers to paint or re-design a wall in an area they can pay less to have professional street artists to spray-paint an image onto a wall.
- 4. For Graffiti - Social • If done with permission it can make a run down area/building look better with more colour and images. If it is done by a professional graffiti can be just like art in a gallery, expressive and something that is enjoyable to look at. • Possibly becomes a career choice for some people that do it legally, shop owners sometimes pay to have walls or shutters outside their shops spray painted on and designed to brighten up the store front. • Street art gives a positive outlet for people to send a message or idea with art and voice concerns and frustrations in a constructive manner.
- 5. Against Graffiti - Social • Broken window theory, this is the idea that if there is a broken window and no one does anything about it, It is in a deprived area similarly if no one does anything about graffiti then the area becomes known as run down and deprived. • Gate way theory, the gate way theory is that if someone gets away with a small crime such as tagging private property or public transport they will lose the fear of getting caught committing crimes and begin to progress into bigger crimes such as burglary. • Graffiti can be used to portray hate speech or racist symbols that offend people or communities.
- 6. Against Graffiti - Political • Costs a lot of money to be removed from property and public transport. Records from 2003 mention that the cost of cleaning up graffiti around London was up to £100m a year which is paid for by tax payers. • Can cause gang turf wars and encourage bad behavior such as violence or vandalism. • Does the end justify the means when people use graffiti to make a point, does the vandalism and damages it causes make it worth it?
- 7. For graffiti - Graffiti can enhance an area that was originally really plain or an eyesore, an artist can disguise ugly architecture with a bright creative image. “An artist that has made use of a run-down building to create their art is in fact using his/her environment to its full potential. It is giving the building of neglect a new purpose” – Henry Carbank, Stokes croft. - Can be used to spread messages and thoughts primarily political agenda such as statements against governments, corporations and conglomerates. - Graffiti can be used for people to escape from normal day to day life when set against the background of urban city life.