Genres and sub genres powerpoint
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The film is set in an isolated town located far from civilization. The houses are usually dimly lit and dingy inside, often decorated with old Christian symbols. The characters are pale children wearing innocent clothing who have very dark makeup around their eyes and prominent veins in their faces. Children are often possessed by a demonic force and used as puppets since children are seen as innocent.
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Media horror possession conventions
The document summarizes key conventions in possession horror films from the early 2010s such as Sinister and Insidious. Some common conventions discussed include:
1) Films being set in isolated, abandoned locations away from civilization with dim lighting and dingy interior settings.
2) Children often being the targets of demonic possession since they are seen as innocent and can be manipulated as puppets.
3) Outsiders sometimes being brought in to help deal with the possession threatening the family.
Trailer Analysis - The Unborn
The trailer uses common horror film conventions to set up the plot and introduce the protagonist and antagonist. It begins with an establishing shot of a house at night that creates feelings of isolation and discomfort. The protagonist, a babysitter, is introduced as she watches over two children. Supernatural elements are hinted at through quick cuts showing an evil-looking boy. As the trailer progresses, the boy gets closer and more aggressive towards the protagonist. She is portrayed as a strong character fighting against the spirit of her unborn twin brother who is antagonizing her. Editing, sound, and camera shots are used to build tension and scare the audience.
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The document discusses common conventions in horror genre films, including isolated locations like deserted houses or areas, unsettling musical cues that build tension, and creepy props like antique dolls or religious symbols. Costuming often involves dull, dirty gowns on evil characters and makeup is sometimes used to make characters look pale or scary. These elements aim to create an eerie atmosphere and leave audiences feeling uncomfortable or on edge.
Media the devil, hell and demons
The document discusses common tropes and techniques used in horror films that depict demonic possession or the devil. It notes that possession is often shown through facial disfigurement of the victim, usually a teenage girl or vulnerable person, including blackened or red eyes. Families in these films often unknowingly move into a new home plagued by demons. Music, camera angles, special effects and location are used to build suspense and tension, with jump scares accompanied by sudden loud noises. Depictions of hell often show an underground, cavernous space lit only by fire.
Todorov's narrative theory
This document summarizes Tzvetan Todorov's narrative theory, which proposes that stories follow a five-part structure: equilibrium, disruption, recognition of disruption, attempts to repair disruption, and return to equilibrium. It then applies this theory to analyze the structure of a Friends episode. Finally, it outlines Vladimir Propp's character archetypes and maps them to characters in the Harry Potter series, identifying Harry as the hero, Voldemort as the villain, etc.
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Godfatherr
The document provides an analysis of the representation of respect in the film "The Godfather". It discusses how Don Corleone, as the head of the powerful Italian crime family, commands great respect from those around him. All decisions are made by Don Corleone alone, and no one interferes. Those seeking favors, like Bonesara in the opening scene, ask Don Corleone for help while showing signs of respect, like standing while he sits. Don Corleone is dressed sharply and his family is well-respected, highlighting his high status. He reprimands Bonesara for his slight disrespectful tone and has him accept their friendship by kissing his hand, demonstrating Don Corleone's influential and respected
Skypemare Analysis
The document provides an analysis of the mise-en-scene, camera shots, angles, and sound used in the film "Skypemare". It notes that the lighting contrasts the rooms of the two main characters. The blonde girl's costume emphasizes her femininity in a sexual way, portraying her as a helpless victim. Common horror film props like fake blood and a large knife are used. Camera shots include close-ups of the characters' facial expressions, high and canted angles to depict powerlessness, and an extreme close-up of the blonde girl's eye for shock value. Background sounds and ominous music are used to build fear and tension.
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1) Films being set in isolated, abandoned locations away from civilization with dim lighting and dingy interior settings.
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3) Outsiders sometimes being brought in to help deal with the possession threatening the family.
Trailer Analysis - The Unborn
The trailer uses common horror film conventions to set up the plot and introduce the protagonist and antagonist. It begins with an establishing shot of a house at night that creates feelings of isolation and discomfort. The protagonist, a babysitter, is introduced as she watches over two children. Supernatural elements are hinted at through quick cuts showing an evil-looking boy. As the trailer progresses, the boy gets closer and more aggressive towards the protagonist. She is portrayed as a strong character fighting against the spirit of her unborn twin brother who is antagonizing her. Editing, sound, and camera shots are used to build tension and scare the audience.
Horror genre conventions
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The document discusses common tropes and techniques used in horror films that depict demonic possession or the devil. It notes that possession is often shown through facial disfigurement of the victim, usually a teenage girl or vulnerable person, including blackened or red eyes. Families in these films often unknowingly move into a new home plagued by demons. Music, camera angles, special effects and location are used to build suspense and tension, with jump scares accompanied by sudden loud noises. Depictions of hell often show an underground, cavernous space lit only by fire.
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This document summarizes Tzvetan Todorov's narrative theory, which proposes that stories follow a five-part structure: equilibrium, disruption, recognition of disruption, attempts to repair disruption, and return to equilibrium. It then applies this theory to analyze the structure of a Friends episode. Finally, it outlines Vladimir Propp's character archetypes and maps them to characters in the Harry Potter series, identifying Harry as the hero, Voldemort as the villain, etc.
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Skypemare Analysis
The document provides an analysis of the mise-en-scene, camera shots, angles, and sound used in the film "Skypemare". It notes that the lighting contrasts the rooms of the two main characters. The blonde girl's costume emphasizes her femininity in a sexual way, portraying her as a helpless victim. Common horror film props like fake blood and a large knife are used. Camera shots include close-ups of the characters' facial expressions, high and canted angles to depict powerlessness, and an extreme close-up of the blonde girl's eye for shock value. Background sounds and ominous music are used to build fear and tension.
Deconstruction
The document provides a detailed analysis and deconstruction of the 2012 horror film The Possession. It examines various scenes and elements of the film including the poster, tagline, characters, lighting, sounds, editing techniques, and how they conform to genre conventions. For example, it notes that the poster depicts a young female victim with innocence to conform to common horror conventions. It also analyzes specific scenes like the moth scene and exorcism scene, describing the camera shots, lighting, sounds and how they build tension and relate to themes of good versus evil.
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This document outlines the key elements of a proposed 2 minute horror film opening including:
- Genre: Horror
- Actors: Angela, Doris, Icarus
- Props: Phone, drugs
- Setting: Mostly indoors
- Idea/Scenario: The story is about childhood friends Angela and Doris whose friendship is strained when Doris starts dating Icarus, who Angela also develops feelings for. In retaliation, Angela poisons Doris. However, things take a mysterious turn.
- Inspiration: The idea was inspired by a Korean music video about unrequited love in a friendship triangle that the document's author wanted to expand upon and exaggerate for this short film
Textual Analysis: Genre
This document analyzes the genre, style, narrative, plot, settings, themes, and characters of the horror films Silent Hill and Evil Dead. It finds that both films use dark colors and lighting to establish their horror genre. Silent Hill uses wind sounds and string music to build tension, while Evil Dead uses close-ups and loud noises to create mystery. Their plots involve supernatural threats and a struggle for survival, with settings like forests that connote evil. Common horror themes are revenge, justice, and good versus evil. Characters usually include vulnerable victims confronting villains without limits.
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Mise en scene (1)
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Synopsis
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300
The document provides a detailed analysis of scenes from the film 300. It describes how cinematography and mise-en-scene are used to establish relationships between characters and create tension. Specific shots like close-ups, long shots, and shot reverse shots are examined. Elements of setting like architecture, costumes, and lighting are discussed in terms of the atmosphere and meaning they convey. Key moments like a baby's fate being decided, a son's training with his father, and a climactic beast hunt are summarized. In conclusion, the analysis emphasizes how technical elements are effectively employed to showcase Leonidas' upbringing and ultimate triumph as the Spartan king.
Homework1 presentation
Misfits is a British teen sci-fi drama that first aired in 2009. It follows 5 delinquent teenagers doing community service who gain special powers after a strange thunderstorm. Each episode finds the teens dealing with personal problems and misdeeds while developing their extraordinary abilities. The relatively unknown cast appeals to a teenage audience. The show is set in a dreary urban London and keeps viewers engaged through cliffhanger endings and the characters' development as both people and beings with supernatural powers.
Drag Me To Hell
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Theory meaning
The document discusses various concepts related to film analysis including:
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- How icons and stereotypes are used in different genres, with Western films typically featuring towns, cowboys, and shootouts, and sci-fi films featuring spaceships, aliens, and advanced weapons.
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Click flick[1]
This document discusses conventions of the romantic comedy (rom-com) and chick flick genres. It provides examples of a teaser trailer for a modern Cinderella story film and a short film about two shy office workers expressing their love through post-it notes. Key conventions highlighted include the main characters overcoming obstacles to find love, inclusion of a character trying to split up the couple, and the unlikely hero winning the person's affection. Technical elements like mise-en-scene locations, shot types, editing pace, and voiceovers/music are also described as typical of these genres.
Click flick
This document discusses conventions of the romantic comedy (rom-com) and chick flick genres. It provides examples of a teaser trailer for a modern Cinderella story film and a short film about two shy office workers expressing their love through post-it notes. Key conventions highlighted include the main characters overcoming obstacles to find love, inclusion of a character trying to split up the couple, and the unlikely hero winning the person's affection. Technical elements like mise-en-scene locations, shot types, editing pace, and voiceovers/music are also described as typical of these genres.
Presentation 14
The document discusses conventions used in opening title sequences (OTS) of films. It provides examples from the horror film Evil Dead. Key conventions discussed include displaying the film title, credits for actors and production companies, and establishing the genre/tone through visuals. The OTS for Evil Dead uses a dark font, red text and images of blood and gore to set the tone for a horror film and portray the genre. These conventions are typical of other horror film OTS and help introduce the audience to the type of film without revealing the storyline.
Ots conventions juno (1)
The document analyzes the opening title sequence (OTS) of the film Juno. It summarizes that the OTS conventions used are to credit the cast and film company, introduce the film title, establish the setting as a neighborhood, establish the genre as a romantic comedy through upbeat music, and create an enigmatic opening by focusing on the protagonist Juno and questioning her everyday life. The OTS is evaluated to be effective at setting the scene of Juno's world, introducing Juno as the protagonist, successfully establishing the theme and genre through visual and audio elements, and creating intrigue by signaling the audience will journey with Juno.
Assignment 1
This document summarizes the horror subgenre of phobia/isolation films. It provides examples of films that fall into this subgenre, including Buried, Frozen, and IT. The conventions of this subgenre are described as involving either a character facing their phobia or becoming isolated/stranded in a difficult to escape situation. Plots typically focus on the characters struggling against their phobia or to survive in isolation against threats. Common elements include dark lighting, minimal props, and costumes appropriate to teenage victim characters.
Media locations
This document describes a park setting that is located near a great park and is easily accessible. The location includes a black park area, a wooded area near a river, and an abandoned building in the forest.
Media planning
The document outlines an assignment to create a trailer for the Blair Witch film. It assigns four people different roles: Zak will create storyboards, Marcus will plan locations, Abdullah will write the trailer script, and Adam will handle props and costumes.
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The document provides a detailed analysis and deconstruction of the 2012 horror film The Possession. It examines various scenes and elements of the film including the poster, tagline, characters, lighting, sounds, editing techniques, and how they conform to genre conventions. For example, it notes that the poster depicts a young female victim with innocence to conform to common horror conventions. It also analyzes specific scenes like the moth scene and exorcism scene, describing the camera shots, lighting, sounds and how they build tension and relate to themes of good versus evil.
Possession
This document outlines the key elements of a proposed 2 minute horror film opening including:
- Genre: Horror
- Actors: Angela, Doris, Icarus
- Props: Phone, drugs
- Setting: Mostly indoors
- Idea/Scenario: The story is about childhood friends Angela and Doris whose friendship is strained when Doris starts dating Icarus, who Angela also develops feelings for. In retaliation, Angela poisons Doris. However, things take a mysterious turn.
- Inspiration: The idea was inspired by a Korean music video about unrequited love in a friendship triangle that the document's author wanted to expand upon and exaggerate for this short film
Textual Analysis: Genre
This document analyzes the genre, style, narrative, plot, settings, themes, and characters of the horror films Silent Hill and Evil Dead. It finds that both films use dark colors and lighting to establish their horror genre. Silent Hill uses wind sounds and string music to build tension, while Evil Dead uses close-ups and loud noises to create mystery. Their plots involve supernatural threats and a struggle for survival, with settings like forests that connote evil. Common horror themes are revenge, justice, and good versus evil. Characters usually include vulnerable victims confronting villains without limits.
Meaning theory pro forma
The document discusses various concepts related to media theory including denotation and connotation of symbols, analysis of film posters, analysis of film trailers and clips, stereotypes, narrative structures, and iconography in different genres. It provides examples and definitions for each concept.
Genre of trailer
The document discusses the various film genres - family, action, comedy, horror, thriller, western - and their typical target audiences and conventions. For each genre, it provides details on who the target audience tends to be in terms of age and gender, as well as common narrative elements, character types, settings, and visual styles seen in both films of that genre and their trailers.
Mise en scene (1)
The document summarizes the key details and atmosphere of a horror film trailer. It describes the 1970s British setting, including the house and train station locations. It outlines the props used, such as voice recorders and religious items. The protagonists are casually dressed in jumpers and dresses fitting of the 1970s era. In contrast, the main antagonist is pale with dark makeup. Scenes show characters listening worriedly to a recording or sitting shocked and upset. The coloring and lighting create a stereotypical horror atmosphere that shifts from natural to darker tones.
Synopsis
The music video for "Take Care" by Drake featuring Rihanna tells the story of a woman escaping an abusive relationship and finding love and care with a new partner. The video begins by showing the woman drinking and smoking on the street while flashing back to her ex-boyfriend beating her. She later bumps into her ex while out with a friend and he tries to control her again. A new man approaches her and she hesitantly opens up to him. They go on a date where they bump into her ex again, but the new man protects her and they share an intimate moment on a train together.
Codes and conventions teen drama
The document discusses codes and conventions used in teen drama films. It focuses on elements like stereotypical cliques found in movies like Mean Girls and Twilight, exaggerated characters that deal with common teenage issues, and settings like high school hallways and locker rooms. Lighting, costumes, and props are also explored to portray different moods and distinguish characters. The goal is to incorporate these techniques from the teen drama genre into a psychological thriller to make it more relatable to teenagers.
Teen drama codes & conventions
Teen dramas typically focus on the lives and relationships of teenagers. They often feature an underdog main character and involve a love interest. While exaggerated at times, this allows sensitive topics to be addressed in a lighthearted way. Settings, costumes, lighting, character narratives, and music are employed to provide context and evoke certain moods. Techniques like cross-cutting, point-of-view shots, and handheld camerawork help advance compelling storylines.
300
The document provides a detailed analysis of scenes from the film 300. It describes how cinematography and mise-en-scene are used to establish relationships between characters and create tension. Specific shots like close-ups, long shots, and shot reverse shots are examined. Elements of setting like architecture, costumes, and lighting are discussed in terms of the atmosphere and meaning they convey. Key moments like a baby's fate being decided, a son's training with his father, and a climactic beast hunt are summarized. In conclusion, the analysis emphasizes how technical elements are effectively employed to showcase Leonidas' upbringing and ultimate triumph as the Spartan king.
Homework1 presentation
Misfits is a British teen sci-fi drama that first aired in 2009. It follows 5 delinquent teenagers doing community service who gain special powers after a strange thunderstorm. Each episode finds the teens dealing with personal problems and misdeeds while developing their extraordinary abilities. The relatively unknown cast appeals to a teenage audience. The show is set in a dreary urban London and keeps viewers engaged through cliffhanger endings and the characters' development as both people and beings with supernatural powers.
Drag Me To Hell
The document provides analysis of cinematography techniques used in a scene from the horror film "Drag Me To Hell". It discusses the slow-paced title sequence with contrasting dark backgrounds. Camera movements are used to track characters in trouble seeking help, with close-ups showing a distressed boy and trying woman. Low camera angles give the helping woman power over the distressed family. The editing is fast-paced to build suspense, and sound gets louder when the villain attacks.
TV Drama Codes and Conventions
The document discusses TV drama codes and conventions by comparing the openings of several TV dramas. It analyzes the openings of Neighbours, Hollyoaks, Press, and Killing Eve. Some key elements discussed include title sequences, recaps of previous episodes, themes, characters, and tone set by dramatic scenes, music, and imagery. The document also discusses genre conventions like technical codes, characters, narratives, and challenging genres. It provides examples of how some shows reference or draw from other media through intertextuality.
Theory meaning
The document discusses various concepts related to film analysis including:
- The use of color in film posters to convey meaning, with examples from Tangled and Snow White. Blue and yellow typically suggest good characters while dark colors like black suggest evil ones.
- How icons and stereotypes are used in different genres, with Western films typically featuring towns, cowboys, and shootouts, and sci-fi films featuring spaceships, aliens, and advanced weapons.
- The difference between a linear narrative that tells a story chronologically versus a non-linear one that uses flashbacks and flashforwards, citing Cinderella and Pulp Fiction as examples.
Click flick[1]
This document discusses conventions of the romantic comedy (rom-com) and chick flick genres. It provides examples of a teaser trailer for a modern Cinderella story film and a short film about two shy office workers expressing their love through post-it notes. Key conventions highlighted include the main characters overcoming obstacles to find love, inclusion of a character trying to split up the couple, and the unlikely hero winning the person's affection. Technical elements like mise-en-scene locations, shot types, editing pace, and voiceovers/music are also described as typical of these genres.
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This document discusses conventions of the romantic comedy (rom-com) and chick flick genres. It provides examples of a teaser trailer for a modern Cinderella story film and a short film about two shy office workers expressing their love through post-it notes. Key conventions highlighted include the main characters overcoming obstacles to find love, inclusion of a character trying to split up the couple, and the unlikely hero winning the person's affection. Technical elements like mise-en-scene locations, shot types, editing pace, and voiceovers/music are also described as typical of these genres.
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Ots conventions juno (1)
The document analyzes the opening title sequence (OTS) of the film Juno. It summarizes that the OTS conventions used are to credit the cast and film company, introduce the film title, establish the setting as a neighborhood, establish the genre as a romantic comedy through upbeat music, and create an enigmatic opening by focusing on the protagonist Juno and questioning her everyday life. The OTS is evaluated to be effective at setting the scene of Juno's world, introducing Juno as the protagonist, successfully establishing the theme and genre through visual and audio elements, and creating intrigue by signaling the audience will journey with Juno.
Assignment 1
This document summarizes the horror subgenre of phobia/isolation films. It provides examples of films that fall into this subgenre, including Buried, Frozen, and IT. The conventions of this subgenre are described as involving either a character facing their phobia or becoming isolated/stranded in a difficult to escape situation. Plots typically focus on the characters struggling against their phobia or to survive in isolation against threats. Common elements include dark lighting, minimal props, and costumes appropriate to teenage victim characters.
Media locations
This document describes a park setting that is located near a great park and is easily accessible. The location includes a black park area, a wooded area near a river, and an abandoned building in the forest.
Media planning
The document outlines an assignment to create a trailer for the Blair Witch film. It assigns four people different roles: Zak will create storyboards, Marcus will plan locations, Abdullah will write the trailer script, and Adam will handle props and costumes.
Iconography in the zombie horror genre
This document discusses audience feedback on a collage representing the zombie horror genre. Feedback showed people expect similar conventions in horror and understand portrayals of viral zombies. While the collage clearly represented the viral zombie subgenre, one participant confused some images with the vampire genre, such as a bite mark and blood-stained hand, as those images also represent vampires.
A level media psychological
This document summarizes key elements of psychological horror movies. It discusses the plots of three films: Shutter Island, Jacob's Ladder, and American Psycho. It then lists conventions of the psychological horror subgenre, including a focus on exposing the evil behind normal characters, using flashbacks to show what disturbed the characters, having protagonists/antagonists who are mentally ill, including a scene where the mental reality is shockingly revealed, and initially presenting protagonists as normal to create familiarity.
Locations 1
The document discusses potential locations for a student film project, including a dark forest, a creepy run-down house with only an exterior scene needed, interior hallways and rooms that are both scary and normal. It also mentions needing a road in the woods as seen in a trailer. Evidence is provided of scouting a house under renovation and school hallways that could work along with dismissing a park as too far away. The chosen locations are a house exterior, hallways, and forest.
Media assign 16
This document summarizes the opening title sequence of the film "The Shining". It discusses the order of credits with the director first, then actors, and the title in the middle. The font used is Arial, which is basic and doesn't reveal much about the film, implying mystery. The font moves up the screen as the shots are in long takes, implying a journey. The font color is a light blue, which is ironic for a horror film, and its strangeness foreshadows the film. The font size is big and in capital letters to show importance. While not a generic horror convention, the subtle irony of the title sequence makes it suitable for the genre.
Media assignmant 15 ; text billing
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Credits, assign 16
The document summarizes the opening credits for the film "The Girl with the Dragon Tattoo." It discusses the order of the credits, the font and placement of the credits on screen, the size and color of the credits, and the lack of animation. Overall, the credits are assessed as a good fit for the film and its genre due to the bold yet stylish font and color used.
Assignment 10
This document provides an analysis of visual elements common in zombie films. It notes that shots of fire and smoke show turmoil within a scene without leadership. Large abandoned spaces create tension by not knowing what could be around corners. Close-ups of gory zombie makeup make attacks look realistic. Titles using bold red letters directly reference blood and violence. Surprising elements like child zombies make the threat more unsettling. Ambulances ironically running people over shows societal collapse. Large zombie crowds display the skill needed for survivors to persist against such odds. Clever title editing using blowing blood enhances the horror genre experience. Overall these techniques suit zombie films known for blood and gore.
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This document analyzes the target demographics for 4 horror films - The Conjuring, The Conjuring 2, Chainsaw Massacre 3, and World War Z. For each film, it identifies the key age range, attitudes, gender breakdown, values, location or class that the film is aimed at. For example, it states that The Conjuring targets females aged 15-24 who value religion, while Chainsaw Massacre 3 targets males aged 30-45 who have nostalgic and curious attitudes towards cult classics. The document uses demographic and psychographic data to understand each film's intended audience.
Assign 26 individual pitch
This document outlines generic conventions in slasher films and provides details for an original slasher film plot that incorporates both conventional and unconventional elements. It discusses how to increase tension through camera angles, sound, lighting, and editing. The proposed plot involves a female killer seeking revenge who targets wealthy victims in subtle ways to maintain narrative mystery. While keeping suspense through a hidden identity and slow reveals, the plot aims to subvert expectations by having an unlikely female antagonist and avoiding justification of indiscriminate killing.
Swede planning
This document discusses planning locations and props for a Blair Witch-style student film project. It identifies potential outdoor locations like woods/forests and run-down houses. Indoor locations like hallways and rooms are also mentioned. Evidence of scouting various locations is provided. Props needed include Blair Witch stick figures, flashlights, and tents. Costume plans aim to make outfits increasingly ragged over the course of filming to match the trailer. A script and storyboards are also referenced.
Blood media
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This document discusses common conventions and symbolism used in horror films. Religious icons like bibles and crucifixes are often used to highlight a lack of faith or presence of the devil. Colors like green, red, yellow, black, and white carry symbolic meanings and are used intentionally to set mood. Shot types such as close-ups, tilted shots, and low angles are employed to build tension, emotion, and power dynamics between characters. Children are sometimes portrayed as threatening to subvert expectations, representing fears of failing future generations. Settings like deserted towns, churches, forests, and houses are chosen deliberately to contrast with their ordinary meanings and feel realistic.
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This document discusses common conventions and symbolism used in horror films. Religious icons like bibles and crucifixes are often used to highlight a lack of faith or presence of the devil. Color palettes typically use low-key tones to create tension, with colors like red symbolizing blood and white initially representing purity before subverting expectations. Shot types like close-ups emphasize emotion while tilted shots create an unnatural sense of impending danger. Children are sometimes portrayed as threatening to undermine assumptions of innocence. Settings like deserted towns, churches, forests, and houses provide familiar yet eerie backdrops.
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The document discusses horror film conventions across different subgenres of horror films. It analyzes trailers and screenshots from films like The Cabin in the Woods, The Loved Ones, The Shining, Scream, Jaws, 28 Days Later, and Oculus. For each film, it identifies common conventions like isolated settings, mysterious events, threats that are difficult to escape, and supernatural presences invading personal spaces.
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This document outlines common codes and conventions of horror films. It discusses themes such as revenge, childhood issues, and the supernatural. It also examines sub-genres and describes how horror films typically use isolated or abandoned locations with low lighting to create tension. Common audio techniques like non-diegetic sounds and nursery rhymes are mentioned. The document also analyzes Propp's character archetypes in horror narratives, such as the villain, hero, and princess.
Generic conventions of mise en scene in psychological
The document summarizes generic conventions of mise en scene in psychological horror film trailers. It discusses how the trailers typically feature settings in large, isolated houses that make it difficult for victims to escape. Props are used to raise tension and foreshadow violent events, while costumes and lighting aim to present villains as normal at first but increasingly disturbing. Facial expressions start calm for villains but become angry or smiling as their evil nature is revealed, while victims shift from happy to anxious and scared.
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Typical horror film settings include isolated, abandoned, or hidden dark places that people normally would not visit, such as abandoned houses, creepy forests, or warehouses. Horror films commonly use dark colors like black and red, as well as dark lighting and shadows. Key props include costumes, weapons, and other gruesome items that help identify villains. Paranormal horror films feature iconography such as ghostly symbols, unusual events in dark places, and "home video footage" to make the audience feel helpless.
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This document discusses conventions of the horror genre. It notes that horror aims to create a sense of fear in audiences by focusing on dark or evil forces. Common themes include hauntings, murders, demons and ghosts. Narratives typically involve heroes facing evil characters or spirits and surviving to defeat them. Settings are usually remote, dark places like forests and abandoned homes. Characters include protagonists, villains, teens and possessed children. Examples like Insidious and The Woman in Black are provided that follow these conventions through their characters, settings and use of fear.
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This document summarizes the key elements of a possession horror film subgenre. It discusses conventions like priests helping possessed individuals, isolation/entrapment, and strange physical abilities. The proposed film would feature three characters whose hands are shown moving a Ouija board in flashbacks and scenes depicting their possessed states. Inspiration comes from films like The Exorcist, Ouija, and The Devil Inside for their use of possession, Ouija boards, and challenging of conventions. The unique selling point is the scary potential of Ouija boards.
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This document summarizes a student's assignment on the possession horror subgenre. It discusses conventions of the subgenre like priests helping possessed individuals, entrapment in isolated locations, and use of ouija boards. The student's opening sequence will focus symbolically on hands moving a ouija board to create narrative intrigue about the characters. Flashbacks will show the characters' differing possessed states, from violent killing to self-harm. Inspirational films cited are The Exorcist for establishing conventions, Ouija for its use of the board, and The Devil Inside for challenging expectations. The ouija board is identified as the unique selling point.
The possession
The film uses many horror conventions such as a creepy old lady, dark hospital rooms, a religious Jewish priest, whispery voices, a possessed girl, scary music, a villain and victim, and loud screams. It develops conventions by basing the story on an allegedly haunted dybbuk box that possesses a family's home. The film also challenges conventions by being shot during the daytime and having the demon escape at the end rather than being defeated. The film is aimed at teen girls but received positive reviews for its unique storyline based on a true story and box office success from generating interest.
The possession horror genre
The film uses many horror conventions such as a creepy old lady, dark hospital rooms, a religious Jewish priest, whispery voices, a possessed girl, scary music, a villain and victim, and loud screams. It develops conventions by basing the story on an allegedly haunted dybbuk box that possesses a family's home. It challenges conventions by being shot during the daytime and having the demon escape at the end rather than being defeated. The film is aimed at teen girls but was rated 15 in the UK for its haunting content. It received positive reviews for its storyline and was a box office success, ranked #1 in its opening weekend.
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This document discusses the possession horror movie subgenre. It outlines key conventions like films being set in isolated locations like houses to trap victims. Priests or mediums typically try to help rid spirits from possessed people. Common character types include the possessed person and priests. The document proposes an opening title sequence for a new possession film that won't show character faces, only their hands around an Ouija board, creating narrative mystery. Scenes will flash back and forth in time between the board and characters' later possessed states. Inspirational films cited are The Exorcist, Ouija, and The Devil Inside. The Ouija board is identified as the unique selling point for the proposed film.
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This document discusses the possession horror subgenre and plans for a student film project exploring its conventions. It will focus on three characters communicating through an Ouija board, with flashbacks revealing how they become possessed. Key conventions that will be included are isolated settings like homes, the involvement of priests or mediums, and signs of possession like strange physical abilities. The project aims to both enforce conventions like using a family home and challenge them by subverting expectations of who becomes possessed. Inspirations include The Exorcist for its entrapment scenes, Ouija for its use of the board, and The Devil Inside for possessing the intended exorcists.
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This document provides a summary of various narrative theories and how they can be applied to analyzing films. It discusses Todorov's theory of equilibrium and disequilibrium in the film Memento. It also covers Levi-Strauss's theory of binary opposites shown in Memento through the characters of Leonard and Teddy. Barthes' semantic, symbolic, and cultural codes are explained with examples. Propp's character roles of hero, villain, dispatcher, and donor are summarized. Finally, some of Cameron's concepts of modular narratives like forking paths and episodic structure are mentioned.
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This document provides a summary and analysis of the film Memento (2000) according to several narrative theories. It discusses Todorov's theory of equilibrium, disequilibrium, and re-equilibrium in the film's nonlinear timeline. It also applies Levi-Strauss's concept of binary opposites to the main character and antagonist. Finally, it analyzes how Barthes' semantic, symbolic, and cultural codes are represented in the film's themes of memory loss and revenge. The summary is provided in 3 sentences or less.
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The document provides two pitches for opening title sequences (OTS) for horror films. The first pitch is for a voodoo/occult film and discusses conventions of the genre, inspirational films, and plans for a nonlinear OTS that focuses on the mysterious antagonist without revealing their identity. The second pitch is for a killer/psychological thriller based on the true story of "Bible John." It also discusses plans for a nonlinear, montage-style OTS that implies violence through techniques like music and quick cuts to attract audiences aged 15-35 without revealing too much of the plot.
1 horror sub genre [repaired]
Gothic horrors were first made in the 1920s and were the first films to use soundtracks. Early female monsters in these films tended to be beautiful rather than scary, defying horror conventions. Psychological horrors rely on fears and instability to build tension using realistic threats like assault. Slasher films from the 1990s featured masked killers stalking victims with weapons like knives. Possession films center around families with a possessed member and use religious figures to confront the evil spirit.
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This document summarizes the key conventions of paranormal/ghost subgenre films. It provides examples of films in the subgenre like The Others and The Conjuring 2. Common elements include family-based plots involving a new home with a dark history and a spirit tormenting family members, especially children. Dutch/canted camera angles are used to convey uncertainty and a spirit taking control. Eerie children's music plays in creepy contexts. Lighting uses backlighting and under lighting for suspense and to obscure spirits while profiling makes characters seem sinister.
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一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：95270640】文凭即可
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留信网认证的作用:
1:该专业认证可证明留学生真实身份【微信：95270640】
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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办理布里斯托大学毕业证Bristol学位证硕士学位证成绩单【微信：95270640 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理布里斯托大学毕业证硕士学位证成绩单Bristol学位证【微信：95270640 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理布里斯托大学毕业证硕士学位证成绩单Bristol学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
A Review on Recent Advances of Packaging in Food Industry
Effective food packaging provides number of purposes. It functions as a container to hold and transport the food product, as well as a barrier to protect the food from outside contamination such as water, light, odours, bacteria, dust, and mechanical damage by maintaining the food quality. The package may also include barriers to keep the product's moisture content or gas composition consistent. Furthermore, convenience is vital role in packaging, and the desire for quick opening, dispensing, and resealing packages that maintain product quality until fully consumed is increasing. To facilitate trading, encourage sales, and inform on content and nutritional attributes, the packaging must be communicative. For storage of food there is huge scope for modified atmosphere packaging, intelligent packaging, active packaging, and controlled atmosphere packaging. Active packaging has a variety of uses, including carbon dioxide absorbers and emitters, oxygen scavengers, antimicrobials, and moisture control agents. Smart packaging is another term for intelligent packaging. Edible packaging, self-cooling and self-heating packaging, micro packaging, and water-soluble packaging are some of the advancements in package material.
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- 1. the film is set in an isolated town house quite far from civilisation convention 1 convention2 the houses are usually dimly lit and are a bit dingy inside , often with old christian decor convention 3 the make up is very dark around the eyes and veins are prominent in their faces also the characters are kids and they are wearing very innocent clothing and have very pale white faces. convention 4 children are often possessed by a demonic force , children used as they are seen as innocent and become a puppet for the demon.
- 2. Convention 1: Abandoned locations convention 2 : dim lighting , dingy setting convention 3 : , children used as they are seen as innocent and become a puppet for the demon. convention 4 : help is often drafted in from an outsider
- 3. convention 1 : dim lighting , dingy setting convention 3 : , children used as they are seen as innocent and become a puppet for the demon. convention 2 : help is often drafted in from an outsider