Fonts for film title
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The document discusses fonts that are popular in graphic design and films. It mentions that Avenir was used for Inception, Monotype for Wolfman, and Trajan for Black Swan. It also discusses finding additional fonts on Dafont.com to use for a film trailer, poster, and website. Feedback on a custom font combination suggests simplifying it or using Avenir instead.
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Font analysis
The document discusses fonts used in movie trailers and their effects. It notes that bolder, louder fonts catch attention but may be too much for some films. Fonts for action movies tend to be expressive while simpler, shaded fonts for The Hunger Games and Maze Runner signal some action amid a calm tone. Plain white fonts for films like Gravity and Ex Machina set no expectations but look sophisticated. The author would use fonts similar to those in Maze Runner and Gravity for their film trailer.
Final research
The document discusses selecting fonts for film credits. It considers several options, including a graffiti-like font deemed too difficult to read, and a horror-inspired font not fitting for the drama genre. The preferred font is described as big, bold, and masculine, conveying drama while remaining readable in white. Famous fonts used by Quentin Tarantino and in fast food logos are also examined, with the Tarantino font conveying grit and the fast food font feeling open and inviting customers inside.
Font research
The document discusses font research for a horror film opening. It examines several fonts including "Some Lines", "Zombified", "Face Your Fears", and "Scratch Kit" but ultimately selects "Trajan Pro" for the title and credits. "Trajan Pro" was chosen because it had a horror feel, was bold and clear to read, and could transition from red to white to represent the film's mysterious main character.
Q1
The document discusses various elements of filmmaking and trailer production that were used and considered for a student film trailer project. It covers choices made regarding setting/location, costumes/props, editing, placement of titles, how the trailer suggests the action genre, introduction of characters, and use of special/after effects software. Key decisions were made to establish the urban setting, introduce the main character first, and use basic titling and effects to maintain a professional look.
Q1. Evaluation
The document discusses various formal and technical elements used in the creation of a film trailer, and how they develop or challenge conventions of real media. It describes setting establishing shots in urban areas to suggest a street racing theme. It discusses the protagonist's black and pink costume and use of a Mini Cooper car to fit the genre. The editing becomes faster-paced, and titles are placed at the end for memorability, conforming to viewed trailer conventions. Locations, costumes, vehicles and editing aim to suggest the action genre.
Font ideas
The document discusses choosing fonts for different purposes including a film title and magazine masthead. It considers 7 fonts for a film title that will be featured in the trailer, poster and cover. It selects the Ringbearer font as it is easily readable and reflects the horror genre and film narrative. For a magazine targeted at film fans, it selects fonts that reflect classic cinema and will look professional on the magazine cover without focusing solely on the horror genre. It plans to use either the Riot Squad or AC Mountain font for the magazine masthead.
Fonts
The document discusses different fonts for use in intertitles in a film trailer. It considers the Gaskin font, noting that it resembles sophisticated handwriting but may not accurately portray a teenager's handwriting. Another font is described as feminine but possibly too young or crowded for the 14-20 year old target audience. A bold font would suit a film title but the creator does not like its capital E. The favorite font imitates teenage handwriting simply without complications for editing or an immature appearance.
Review of Pre-lim Tast
Within the document, the author reviews shots used in their teaser trailer for a film. Various shot types were used to set specific atmospheres and advance the narrative. Night vision shots were used to create an eerie feeling, while a high-angled shot of a frightened female character alone revealed her vulnerability. The title is only shown at the end to keep viewers engaged. Voice over from the male character describes the female as his obsession. Fast editing and tense music further build suspense throughout the trailer.
Recommended
Font analysis
The document discusses fonts used in movie trailers and their effects. It notes that bolder, louder fonts catch attention but may be too much for some films. Fonts for action movies tend to be expressive while simpler, shaded fonts for The Hunger Games and Maze Runner signal some action amid a calm tone. Plain white fonts for films like Gravity and Ex Machina set no expectations but look sophisticated. The author would use fonts similar to those in Maze Runner and Gravity for their film trailer.
Final research
The document discusses selecting fonts for film credits. It considers several options, including a graffiti-like font deemed too difficult to read, and a horror-inspired font not fitting for the drama genre. The preferred font is described as big, bold, and masculine, conveying drama while remaining readable in white. Famous fonts used by Quentin Tarantino and in fast food logos are also examined, with the Tarantino font conveying grit and the fast food font feeling open and inviting customers inside.
Font research
The document discusses font research for a horror film opening. It examines several fonts including "Some Lines", "Zombified", "Face Your Fears", and "Scratch Kit" but ultimately selects "Trajan Pro" for the title and credits. "Trajan Pro" was chosen because it had a horror feel, was bold and clear to read, and could transition from red to white to represent the film's mysterious main character.
Q1
The document discusses various elements of filmmaking and trailer production that were used and considered for a student film trailer project. It covers choices made regarding setting/location, costumes/props, editing, placement of titles, how the trailer suggests the action genre, introduction of characters, and use of special/after effects software. Key decisions were made to establish the urban setting, introduce the main character first, and use basic titling and effects to maintain a professional look.
Q1. Evaluation
The document discusses various formal and technical elements used in the creation of a film trailer, and how they develop or challenge conventions of real media. It describes setting establishing shots in urban areas to suggest a street racing theme. It discusses the protagonist's black and pink costume and use of a Mini Cooper car to fit the genre. The editing becomes faster-paced, and titles are placed at the end for memorability, conforming to viewed trailer conventions. Locations, costumes, vehicles and editing aim to suggest the action genre.
Font ideas
The document discusses choosing fonts for different purposes including a film title and magazine masthead. It considers 7 fonts for a film title that will be featured in the trailer, poster and cover. It selects the Ringbearer font as it is easily readable and reflects the horror genre and film narrative. For a magazine targeted at film fans, it selects fonts that reflect classic cinema and will look professional on the magazine cover without focusing solely on the horror genre. It plans to use either the Riot Squad or AC Mountain font for the magazine masthead.
Fonts
The document discusses different fonts for use in intertitles in a film trailer. It considers the Gaskin font, noting that it resembles sophisticated handwriting but may not accurately portray a teenager's handwriting. Another font is described as feminine but possibly too young or crowded for the 14-20 year old target audience. A bold font would suit a film title but the creator does not like its capital E. The favorite font imitates teenage handwriting simply without complications for editing or an immature appearance.
Review of Pre-lim Tast
Within the document, the author reviews shots used in their teaser trailer for a film. Various shot types were used to set specific atmospheres and advance the narrative. Night vision shots were used to create an eerie feeling, while a high-angled shot of a frightened female character alone revealed her vulnerability. The title is only shown at the end to keep viewers engaged. Voice over from the male character describes the female as his obsession. Fast editing and tense music further build suspense throughout the trailer.
Disturbed font styles
This document discusses and evaluates several font styles for suitability in titling a thriller film. It analyzes sans-serif, serif, and bold fonts used in films like "Derailed", "Frozen", "Obsessed", "Bad Company", and "The Town". While some fonts are commonly used in thrillers, the document suggests customizing a style to make it simple yet unique for this particular film.
Font ideas - Horror Trailer
The document discusses font choices for a film project. It notes that fonts should appeal to the film's genre and catch audience attention. Horror film magazines often use bold masthead fonts. The document selects the "Feast of Flesh" font from dafont.com for its bold yet dark and urban style. It also chooses the "October Crow" font for the movie logo because it looks sinister and eye-catching in representing the horror genre. The document plans to use these fonts and start layout designs.
Font Analysis
This document discusses fonts for a movie opening sequence. A font from Family Guy is rejected because it symbolizes happiness rather than suspense needed for the movie. A font from Predator is a possibility as it conveys excitement and possible death. A Friday the 13th font is also rejected as it has a scary nature unsuitable for a thriller. A Tomb Raider font is selected as it is from an action/thriller genre and symbolizes excitement through bold letters fitting for the movie's fast-paced thriller genre.
Fonts used
The document discusses the fonts used for the credits in a production. Lantinghie TC Extralight and Demibold were used for the opening and ending credits because they fit the serious tone of the drama. For the opening credits, the letters faded in one at a time to create a mysterious feel. A black background was used with a glow on the letters to make them stand out. Demibold, a bolder variation of Lantinghie TC, was also used for the ending credits to help the work titles stand out.
Typography
The document discusses choosing fonts for film titles and credits. It notes that the font should reflect the genre and mood of the film. Examples are given of fonts used in thriller films like Psycho and Black Swan that stand out against a black background to intrigue audiences without giving away the plot. Options for the font "INQUISITION" are presented, with Birch Std ultimately chosen as it fits the mystery/crime genre and title name while the white on black color scheme adds drama.
not this one
The student created a magazine cover, teaser poster, and analyzed how they used and developed conventions of real media. For the magazine cover, they based it on the Empire magazine cover of The Dark Knight, following conventions like using the rule of thirds and replicating stylistic elements. They also challenged conventions by changing some colors. For the teaser poster, they analyzed posters for Blood Red and The Possession to develop a mysterious main image and title font that hinted at paranormal themes while revealing minimal details, as is typical for teaser posters. Overall, the student closely replicated conventions from real media while putting their own spin on some elements.
Final question 1
The student created a magazine cover for their film that followed the forms and conventions of Empire magazine covers. They based their cover design on Empire's The Dark Knight collector's cover for its color scheme and main image. They placed elements like the masthead, main image, cover lines, and pug in the conventional locations based on the rule of thirds. While modeling it after the Dark Knight cover, the student also drew from other Empire covers to make their design original while still looking like a real Empire magazine.
The Darkest Hour typeface ideas
This document discusses font choices for the title of a crime action thriller film called "The Darkest Hour". It analyzes five different font styles - "Felix Titling", a serif font with spaced letters, and "Disturbed" - and how they could work for the film title based on their similarities to fonts used in other thriller films like "Derailed", "Frozen", and "Obsessed". The document argues that a sans-serif font called "Felix Titling" has a threatening feel that suits the thriller genre, while a serif font with spaced letters could link to themes of loss of connection. It ultimately recommends the bold, demanding font "Disturbed" as the most eye-catching choice that
Deciding on font
This document discusses choosing an appropriate font for a magazine focused on the music genre of grime. It notes that font carries responsibility and needs to represent the product or topic coherently without being overly fancy or complex. For a grime magazine, the font should look strong, bold, and hardcore. It then shows some font options found on dafont.com, with one liked for its retro effect, another for being simple yet effective and coherent, and one disliked for potential ambiguity in reading "CRIME" instead of "Grime".
Research into the title and opening credit for final production
Daisy Newman is researching fonts and text styles for the title and opening credits of her final film production called "Where's Joey?". She evaluates several font options on criteria like readability, era appropriateness, and ability to fit the gangster genre. She narrows her choices down to Ariel, Algerian, and BatangChe for the main title, and Ariel and Bernard MT Condensed for the opening credits. She also considers variations in capitalization and punctuation for the main title to convey different meanings and tones.
Font and titles
The document discusses font and title design considerations for zombie film openings. It recommends sans serif fonts in bold and large sizes with dark colors like black, dark red, or brown. Inspiration is drawn from The Walking Dead which uses a title wipe. Potential fonts include Arial Black, Bank Gothic, Century Gothic, Lucida Sans Unicode, Verdana, and Tahoma. Text should contrast the background but not stand out too much. Big bold text on a black background will introduce the title, while smaller bold text lists the crew names and regular text gives their jobs. Minimal or no movement is preferred, though a slow crawl could work. Text should appear in unused negative space and wipe away as clips change.
Possible fonts for insanity
This document discusses font choices for branding ancillary texts for a film project about a girl named Flora with dissociative identity disorder. The group explored various fonts to link their poster, trailer, and magazine. They ultimately selected the "Skratch Punk" font which effectively conveyed the narrative of a dysfunctional family and Flora's unstable mental state. For the poster, they positioned the film title "Insanity" offset from the main image to symbolize Flora's instability. Font color, sizing, and positioning presented challenges across the different mediums to achieve a coherent brand identity while meeting the conventions of each format.
Evaluation activity one
The document provides an evaluation of the opening sequence of a short film called "Steeze" that uses conventions of the urban drama genre. It summarizes the key elements of the opening including the title, locations, costumes, camera work, and lack of special effects. While most elements effectively set the scene for an urban drama, the evaluator notes some elements like locations and title effects could have been more challenging or captivating within the constraints of the project.
Typography
This document discusses typography options for a movie opening sequence targeted toward female audiences. It notes that cursive fonts engage the target audience and shows an example of a cursive pink title that conveys the "chick flick" genre. It also describes wanting to title the movie "LOUBS& LIES" in capital red letters at the end to link the mystery genre to chick flicks. A typewriting transition is proposed to create a feeling of social media popularity.
Typography
This document discusses font choices for a movie opening sequence targeted at female audiences. It notes that cursive fonts engage this target demographic and shows an example of a pink cursive title fitting for a "chick flick". It also describes wanting to title the movie "LOUBS & LIES" in red capital letters at the end to convey both the chick flick and mystery genres. A typewriting transition is proposed to create a feeling of social media relevance.
Typography (1)
This document discusses font choices for a movie opening sequence targeted at female audiences. It notes that cursive fonts engage the target audience and shows an example of a pink cursive title fitting for a chick flick. It also describes wanting to title the movie "LOUBS & LIES" in red capital letters at the end to convey both the chick flick and mystery genres, and include a typewriting transition to link to social media and popularity.
Fontface issue 3
This document showcases and summarizes several free script fonts. It introduces Nick Curtis and his font foundry that preserves historical typefaces. It highlights his Creampuff font. It also features the Zebra font from Somewhere Else studio inspired by a zebra pen. Additionally, it describes Andrew Leman's Satisfaction font based on 1930s cigarette ads known for its exaggerated lowercase letters. The document promotes these free fonts and invites the reader to visit Fontface website.
Evaluation question 1 nyle
The document provides examples of techniques used from the "Law Abiding Citizen" film trailer and how the student developed some elements while also introducing unique challenges. Key points:
1) Establishing shots, two shots, and angles were used similarly but with adaptations like only showing one character's face.
2) Flashbacks, locations, and logos were employed as in "Law Abiding Citizen" but with original elements like split colored text.
3) Chase scenes and distress scenes followed conventions but with customized details like the lone protagonist.
4) Unique challenges not seen in other trailers included a fuzzy screen effect and simulated camera interface. Angles and montages provided fresh perspectives.
The missing titles
This document discusses research into title sequences for thriller films. It analyzes the order of credits in films like Red Lights, Cape Fear, and Rubicon. Common conventions identified include using dark colors with splashes of red and white, as well as mysterious and incomplete-looking fonts. The document also outlines plans for the title sequence of the film "The Missing," including using a simple yet bold white font on a black screen to make the title stand out, as well as including a cliffhanger element to engage audiences.
Title & Font
The document discusses title design and font choice in film trailers and openings. It analyzes how two films, Catch Me If You Can and Juno, used memorable title sequences to set the tone for their genres. The document also explores the use of serif versus sans-serif fonts and how cursive fonts are generally not suited for thriller genres. It highlights how film trailers like Catfish, Cloverfield, and Inception use mysterious black backgrounds with bright fonts to avoid revealing too much about the plot.
Font ideas 2
The document discusses seven fonts being considered for a horror film title. It analyzes each font, how it relates to the horror genre and the film's circus theme. The author chooses the "Ringbearer" font as it is easily readable and subtly suggests horror while connecting to the title inspiration "Cirque Du Soleil". The font will be combined with the more overtly horror font "Bloody" to instantly signal the slasher genre and narrative. A second part discusses five fonts for a film magazine masthead, seeking a classic cinema style to represent the publication's broad focus beyond any single genre.
Font research
This document discusses the importance of fonts in setting the tone for horror films. It provides examples of how the fonts for films like "SAW" and "Orphan" were designed to convey scary themes through visual elements of the font itself. The document also explores searching the website dafont.com for horror-themed fonts to use for the title of a student film called "Adeline", ultimately selecting one called "face your fears" that resembles smeared blood to match the intended red color scheme.
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Disturbed font styles
This document discusses and evaluates several font styles for suitability in titling a thriller film. It analyzes sans-serif, serif, and bold fonts used in films like "Derailed", "Frozen", "Obsessed", "Bad Company", and "The Town". While some fonts are commonly used in thrillers, the document suggests customizing a style to make it simple yet unique for this particular film.
Font ideas - Horror Trailer
The document discusses font choices for a film project. It notes that fonts should appeal to the film's genre and catch audience attention. Horror film magazines often use bold masthead fonts. The document selects the "Feast of Flesh" font from dafont.com for its bold yet dark and urban style. It also chooses the "October Crow" font for the movie logo because it looks sinister and eye-catching in representing the horror genre. The document plans to use these fonts and start layout designs.
Font Analysis
This document discusses fonts for a movie opening sequence. A font from Family Guy is rejected because it symbolizes happiness rather than suspense needed for the movie. A font from Predator is a possibility as it conveys excitement and possible death. A Friday the 13th font is also rejected as it has a scary nature unsuitable for a thriller. A Tomb Raider font is selected as it is from an action/thriller genre and symbolizes excitement through bold letters fitting for the movie's fast-paced thriller genre.
Fonts used
The document discusses the fonts used for the credits in a production. Lantinghie TC Extralight and Demibold were used for the opening and ending credits because they fit the serious tone of the drama. For the opening credits, the letters faded in one at a time to create a mysterious feel. A black background was used with a glow on the letters to make them stand out. Demibold, a bolder variation of Lantinghie TC, was also used for the ending credits to help the work titles stand out.
Typography
The document discusses choosing fonts for film titles and credits. It notes that the font should reflect the genre and mood of the film. Examples are given of fonts used in thriller films like Psycho and Black Swan that stand out against a black background to intrigue audiences without giving away the plot. Options for the font "INQUISITION" are presented, with Birch Std ultimately chosen as it fits the mystery/crime genre and title name while the white on black color scheme adds drama.
not this one
The student created a magazine cover, teaser poster, and analyzed how they used and developed conventions of real media. For the magazine cover, they based it on the Empire magazine cover of The Dark Knight, following conventions like using the rule of thirds and replicating stylistic elements. They also challenged conventions by changing some colors. For the teaser poster, they analyzed posters for Blood Red and The Possession to develop a mysterious main image and title font that hinted at paranormal themes while revealing minimal details, as is typical for teaser posters. Overall, the student closely replicated conventions from real media while putting their own spin on some elements.
Final question 1
The student created a magazine cover for their film that followed the forms and conventions of Empire magazine covers. They based their cover design on Empire's The Dark Knight collector's cover for its color scheme and main image. They placed elements like the masthead, main image, cover lines, and pug in the conventional locations based on the rule of thirds. While modeling it after the Dark Knight cover, the student also drew from other Empire covers to make their design original while still looking like a real Empire magazine.
The Darkest Hour typeface ideas
This document discusses font choices for the title of a crime action thriller film called "The Darkest Hour". It analyzes five different font styles - "Felix Titling", a serif font with spaced letters, and "Disturbed" - and how they could work for the film title based on their similarities to fonts used in other thriller films like "Derailed", "Frozen", and "Obsessed". The document argues that a sans-serif font called "Felix Titling" has a threatening feel that suits the thriller genre, while a serif font with spaced letters could link to themes of loss of connection. It ultimately recommends the bold, demanding font "Disturbed" as the most eye-catching choice that
Deciding on font
This document discusses choosing an appropriate font for a magazine focused on the music genre of grime. It notes that font carries responsibility and needs to represent the product or topic coherently without being overly fancy or complex. For a grime magazine, the font should look strong, bold, and hardcore. It then shows some font options found on dafont.com, with one liked for its retro effect, another for being simple yet effective and coherent, and one disliked for potential ambiguity in reading "CRIME" instead of "Grime".
Research into the title and opening credit for final production
Daisy Newman is researching fonts and text styles for the title and opening credits of her final film production called "Where's Joey?". She evaluates several font options on criteria like readability, era appropriateness, and ability to fit the gangster genre. She narrows her choices down to Ariel, Algerian, and BatangChe for the main title, and Ariel and Bernard MT Condensed for the opening credits. She also considers variations in capitalization and punctuation for the main title to convey different meanings and tones.
Font and titles
The document discusses font and title design considerations for zombie film openings. It recommends sans serif fonts in bold and large sizes with dark colors like black, dark red, or brown. Inspiration is drawn from The Walking Dead which uses a title wipe. Potential fonts include Arial Black, Bank Gothic, Century Gothic, Lucida Sans Unicode, Verdana, and Tahoma. Text should contrast the background but not stand out too much. Big bold text on a black background will introduce the title, while smaller bold text lists the crew names and regular text gives their jobs. Minimal or no movement is preferred, though a slow crawl could work. Text should appear in unused negative space and wipe away as clips change.
Possible fonts for insanity
This document discusses font choices for branding ancillary texts for a film project about a girl named Flora with dissociative identity disorder. The group explored various fonts to link their poster, trailer, and magazine. They ultimately selected the "Skratch Punk" font which effectively conveyed the narrative of a dysfunctional family and Flora's unstable mental state. For the poster, they positioned the film title "Insanity" offset from the main image to symbolize Flora's instability. Font color, sizing, and positioning presented challenges across the different mediums to achieve a coherent brand identity while meeting the conventions of each format.
Evaluation activity one
The document provides an evaluation of the opening sequence of a short film called "Steeze" that uses conventions of the urban drama genre. It summarizes the key elements of the opening including the title, locations, costumes, camera work, and lack of special effects. While most elements effectively set the scene for an urban drama, the evaluator notes some elements like locations and title effects could have been more challenging or captivating within the constraints of the project.
Typography
This document discusses typography options for a movie opening sequence targeted toward female audiences. It notes that cursive fonts engage the target audience and shows an example of a cursive pink title that conveys the "chick flick" genre. It also describes wanting to title the movie "LOUBS& LIES" in capital red letters at the end to link the mystery genre to chick flicks. A typewriting transition is proposed to create a feeling of social media popularity.
Typography
This document discusses font choices for a movie opening sequence targeted at female audiences. It notes that cursive fonts engage this target demographic and shows an example of a pink cursive title fitting for a "chick flick". It also describes wanting to title the movie "LOUBS & LIES" in red capital letters at the end to convey both the chick flick and mystery genres. A typewriting transition is proposed to create a feeling of social media relevance.
Typography (1)
This document discusses font choices for a movie opening sequence targeted at female audiences. It notes that cursive fonts engage the target audience and shows an example of a pink cursive title fitting for a chick flick. It also describes wanting to title the movie "LOUBS & LIES" in red capital letters at the end to convey both the chick flick and mystery genres, and include a typewriting transition to link to social media and popularity.
Fontface issue 3
This document showcases and summarizes several free script fonts. It introduces Nick Curtis and his font foundry that preserves historical typefaces. It highlights his Creampuff font. It also features the Zebra font from Somewhere Else studio inspired by a zebra pen. Additionally, it describes Andrew Leman's Satisfaction font based on 1930s cigarette ads known for its exaggerated lowercase letters. The document promotes these free fonts and invites the reader to visit Fontface website.
Evaluation question 1 nyle
The document provides examples of techniques used from the "Law Abiding Citizen" film trailer and how the student developed some elements while also introducing unique challenges. Key points:
1) Establishing shots, two shots, and angles were used similarly but with adaptations like only showing one character's face.
2) Flashbacks, locations, and logos were employed as in "Law Abiding Citizen" but with original elements like split colored text.
3) Chase scenes and distress scenes followed conventions but with customized details like the lone protagonist.
4) Unique challenges not seen in other trailers included a fuzzy screen effect and simulated camera interface. Angles and montages provided fresh perspectives.
The missing titles
This document discusses research into title sequences for thriller films. It analyzes the order of credits in films like Red Lights, Cape Fear, and Rubicon. Common conventions identified include using dark colors with splashes of red and white, as well as mysterious and incomplete-looking fonts. The document also outlines plans for the title sequence of the film "The Missing," including using a simple yet bold white font on a black screen to make the title stand out, as well as including a cliffhanger element to engage audiences.
What's hot (19)
Research into the title and opening credit for final production
Research into the title and opening credit for final production
Similar to Fonts for film title
Title & Font
The document discusses title design and font choice in film trailers and openings. It analyzes how two films, Catch Me If You Can and Juno, used memorable title sequences to set the tone for their genres. The document also explores the use of serif versus sans-serif fonts and how cursive fonts are generally not suited for thriller genres. It highlights how film trailers like Catfish, Cloverfield, and Inception use mysterious black backgrounds with bright fonts to avoid revealing too much about the plot.
Font ideas 2
The document discusses seven fonts being considered for a horror film title. It analyzes each font, how it relates to the horror genre and the film's circus theme. The author chooses the "Ringbearer" font as it is easily readable and subtly suggests horror while connecting to the title inspiration "Cirque Du Soleil". The font will be combined with the more overtly horror font "Bloody" to instantly signal the slasher genre and narrative. A second part discusses five fonts for a film magazine masthead, seeking a classic cinema style to represent the publication's broad focus beyond any single genre.
Font research
This document discusses the importance of fonts in setting the tone for horror films. It provides examples of how the fonts for films like "SAW" and "Orphan" were designed to convey scary themes through visual elements of the font itself. The document also explores searching the website dafont.com for horror-themed fonts to use for the title of a student film called "Adeline", ultimately selecting one called "face your fears" that resembles smeared blood to match the intended red color scheme.
Production of poster and review
The document provides details on creating a film poster and magazine review for a student film project. For the poster, the student chose an image showing three main characters with different expressions to convey the genres of comedy and horror. The image was edited to be darker and more foreboding. Fonts were selected and text was added including the film title, release date, and cast. For the magazine review, an atmospheric image of two characters was selected and layout conventions from real reviews were followed, including a large leading image and sections for key details and a verdict. The review was written for an independent music magazine to match its target audience.
Final research
The document discusses different fonts that could be used for horror movie titles and analyzes how each font conveys different meanings and tones through their design. It examines fonts used in titles for films like The Blair Witch Project and Paranormal Activity and how their serif, spacing, and shadowing styles set ominous, unsettling, and mysterious tones. Several spooky fonts found on dafont.com are proposed for a potential horror film title based on how their bold, cut-out, or shadowed lettering could attract attention and relate to themes of mystery, the supernatural, and being watched.
Development of house style
The document discusses plans for developing a consistent house style for a film project. It will use the color red to convey themes of passion and romance, and darker gray to represent the dark theme. Iconography on the poster and magazine cover will include a rose to symbolize romance without being overt. Based on audience research, the font for the poster will be simple, sophisticated and modern to match conventions of recent romance films, using the same font as the film production for continuity.
4. pre production(1)
The document discusses pre-production for various types of projects including print, moving image, video games, and audio. It provides examples of paperwork that could be included in pre-production such as risk assessments, storyboards, budgets, schedules, and other planning documents. The pre-production process is important for organizing a project before production begins. Effective pre-production ensures a smooth production process through thorough planning and preparation.
Dfsdgs
Fonts are important for setting the tone of a film and conveying the plot or theme to audiences. The Saw franchise would not have been as successful with a less frightening font choice. For their horror film "Adeline", the document discusses choosing the font "FACE YOUR FEARS" in red to imply blood and fit with the genre, as fonts usually tell viewers about the film's content and nature.
Question 2
The trailer aimed to build suspense and anticipation in viewers through the use of sound, camera angles, editing, and visual elements. Two different soundtracks were used - one for suspenseful scenes and one for a calm voiceover. Fast pacing and horror film conventions from films like Scream and Final Destination were also employed. The poster featured an extreme close-up of the main character with a gag to connote kidnapping, drawing from the Prom Night poster. Dark lighting and fonts were used across products to fit the horror genre. The website followed a black and red color scheme seen in other horror sites, with pages about the film, cast, and downloads.
Contents page construction
The document describes the process of selecting and designing images for the contents page of a magazine. Several photos were taken but many were rejected for being too dark, blurry, or the model wasn't ready. Some internet images were also used. Initially one page was planned but there was too much content, so it was spread across two pages similarly to Q Magazine. Backgrounds were removed from many images. The artist on the cover was featured larger on the contents page. Different shades of gray arrows linked to sections and a gradient effect replicated the cover. Fonts, text boxes, gradients, and a printscreen background were used to design and lay out the contents pages.
Analysis of student work
The student analyzed a film poster, webpage, and trailer created by another student for similarities they could apply to their own project. The poster used bold red typography against a dark blue background to convey the neo-noir genre. The grayscale webpage layout prioritized images over text to engage the audience. The trailer employed high contrast lighting, a dull color scheme, costumes to denote characters, and conventions like voiceover and abrupt cuts to unsettle the viewer.
Genre research summary
This document summarizes the analyses conducted by the author on various romantic films and trailers as part of genre research for an upcoming trailer project. Analyses included annotated videos of trailers examining elements like camera work, editing and mise-en-scene. Frame-by-frame analyses of trailers identified conventions for representing romance through shot length and camera angles. Additional research covered magazine covers, posters and content analyses to understand effective promotional materials and pacing. The research provided insights into romantic conventions to apply to the author's own trailer and ancillary products.
Genre research summary
This document summarizes the analyses conducted by the author on various romantic films and trailers as part of genre research for an upcoming trailer project. The analyses included annotated videos of trailers examining elements like camera work, editing, and mise-en-scène. Magazine and poster designs were also analyzed to identify conventions for ancillary products. A content analysis of "The Lucky One" trailer tracked shot details. Key learnings included conventions for representing masculinity and femininity, effective scene lengths, and use of music to build emotion. The research provided insights into romantic genre conventions to apply to the author's own trailer and ancillary products.
FMP 4. Pre-Production
This document provides pre-production details for a music video being created for the song "rock + roll" by EDEN. It includes lists of locations, equipment, props, sound effects, storyboards, and a shot list. Contingency plans are also outlined to address potential issues like equipment malfunctions, location changes, and health and safety concerns. The overall budget for the project is estimated to be £73, with most of the costs going towards travel for the cast and crew to three different shooting locations.
Evaluation text
The document discusses the creation of three promotional pieces - a website, poster, and trailer - for a horror film called "Midnight Messenger" as part of an A-level media studies project. Key points:
- The pieces were designed to have a consistent "house style" using the font Trajan Pro and a color scheme of red, white, and black to clearly link them.
- The poster conveys the film's supernatural subgenre through imagery of a clock set to midnight and strategic use of the three colors.
- The interactive website effectively promotes the film to its target teenage/young adult audience through social media links and moving images.
- The trailer builds suspense through a mont
Unit 14: Digital Magazine-pt.1
This document describes a proposed magazine cover design project for Scarface, which is celebrating its 35th anniversary. The designer chose Scarface as it has had a powerful visual impact over the years. Secondary images and quotes from positive movie reviews are included. Text boxes advertise the anniversary, describe the movie's genre, and warn about mature content. The final design is presented, incorporating the main character's face, weapon, title text, and the designer's magazine logo. Feedback has been positive, attracting interest in the movie from those unfamiliar with it.
A2 Meida Studies Minor tasks
The document provides information on website and postcard design conventions for films. It discusses key elements like layout, images, fonts, content, target audiences, and genres. It then outlines the research and design process for a website and postcard for a film called Bardo, including initial draft designs, changes made, and the final designs. The website design focuses on visual appeal for teen audiences through dramatic images and color coordination. The postcard uses a dark color scheme and unsettling image to attract viewers and generate hype for the unknown film. Both pieces aim to look professional while conveying the drama genre and intrigue around the film.
Media
Avanish Bhopal is analyzing fonts for a film trailer in the action/crime genre. They will look at fonts used in similar trailers like The Bourne Ultimatum to see which fonts best represent the genre. The Bourne Ultimatum uses a bright blue, bold sans serif font for the intertitles to convey seriousness and fit the fast-paced action film. Most action/crime trailers use similar sans serif fonts that are big and bold but limit written text due to relying on dramatic action to engage the target audience.
Media
This document discusses suitable fonts for a film trailer for an action or crime thriller genre film. It analyzes the font used in the trailer for "The Bourne Ultimatum" which is a bright blue sans serif bold font that conveys seriousness and relates well to the fast-paced action genre. Most action and crime thriller trailers use similar sans serif, bold fonts and don't include much written text as the action is the main focus.
In what ways does your media product use
The document discusses how the media product uses and develops conventions of the film noir genre. It examines key film noir conventions including low-key lighting, dutch angle shots, and characters like detectives and femme fatales. The product incorporates these elements through the trailer, magazine cover, and poster it creates. While mostly conforming to genre conventions, it subverts some by using younger actors rather than the typically older characters of noir films.
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Fonts for film title
- 2. RESEARCH I have looked at fonts which are very popular in graphic design and used in films. Some of them were : - Avenir which was used for Inception - Monotype used for Wolfman - Trajan which was used for the film Black swan
- 3. RESEARCH I have also found a website with variety of fonts which I plan to use for my film trailer fonts as it will include superimposing. This will also be useful for the poster and website I will design further on.
- 5. MICROSOFT WORD FONTS My own combination of the font Edwardian Script ITC and Century Gothic
- 6. I created this font as I believe it would symbolize : - The love and romance involved in the film using the calligraphy font for the L and M - The urban, modern and young theme using simple and bold font.
- 7. FEEDBACK - ‘’The font looks too complicated so maybe you it would be effective if the title was called Luv only.’’ - ‘’The ‘M’ makes appear too sophisticated and does not go with the genre.’’ - ‘’The AVENIR font was more appropriate.’’ - ‘’Maybe you should only keep the L in calligraphy style’’ - ‘’You should look at more fonts.’’