Filming techniques
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The 180-degree rule establishes an imaginary line called the 'axis' that the camera cannot cross between a subject and the background to avoid disorienting the audience. Shot-reverse-shot is a common filming technique that alternates between two characters having a conversation. Match on action ensures continuity between cuts by keeping elements like positioning and actions the same.
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180 degree rule
The document discusses techniques used in filmmaking including the 180 degree rule, match on action, cutaways, and shot reverse shot. The 180 degree rule establishes spatial relationships between characters by keeping the camera on one side. Match on action provides continuity by cutting between shots showing the same action. Cutaways interrupt sequences to hint at future events. Shot reverse shot uses multiple cameras to film conversations between characters from different angles.
180 Degree Rule, Shot Reverse Shot and Match on Action
Crossing the line occurs when the camera passes over an imaginary line between two characters or items in a scene. Shot reverse shot alternates between showing one character looking at another and then showing the second character. Match on action matches cuts between shots by continuing the same action, like cutting between views of a door opening.
Evaluation question 7
The document discusses various cinematography techniques used in filmmaking such as the 180 degree rule, match on action, and shot/reverse shot. It provides examples of how these techniques were applied in shooting scenes for a film about a doctor's killing spree. Specifically, it discusses using the 180 degree rule to film the doctor driving away from the hospital to begin his murders and showing the casino from his point of view. It also explains using match on action to show the doctor preparing to leave work and his first steps outside the casino for a murder. However, shot/reverse shot was not needed since only one character was present in the opening scene.
Editing
The document discusses editing techniques used in TV dramas such as cross cutting between scenes, shot reverse shot in conversations, and match cuts to show character movement. It provides examples of these techniques from a scene in the TV show "24" including cross cutting between people watching an interrogation through monitors, shot reverse shot between the characters, and match on action cuts during a tense moment. The editing constructs meaning about the escalating tension and hostility between the two characters being interrogated.
Editing in television drama 4
The document discusses various editing techniques used in television dramas such as crosscutting, shot reverse shot, match on action, and eyeline match. It provides examples of these techniques from a scene in the show "24" and analyzes how the editing constructs meaning about the relationship between characters by increasing tension. Students are asked to evaluate the function of editing devices used in the scene.
Prelim media shots and evaluation
The preliminary task involves four characters: Emma, Nicole, Laura and Jared. It begins with a character opening a door, crossing a room, and sitting down opposite another character to exchange dialogue using shot reverse shot technique. The preliminary task practices three compulsory shots: match on match action between a character knocking and entering through a door, shot reverse shot during a conversation, and a 180-degree scan of a room. The group believes the preliminary task prepared them well for their final film.
Rules of filming..
To film a 180 degree shot, the camera must stay on one side of the subject to maintain orientation for the viewer. If crossing the 180 degree line, the shot crossing must be shown to avoid confusion. These shots involve cutting between two camera positions on the same side of the line to show both sides of the scene. They are often used in conversations to switch between speakers as they take turns. The edits must follow seamlessly to remain believable and give clues to further the narrative.
Media terminology
Continuity refers to maintaining consistent clothing, locations, and other visual elements within a continuous scene. The shot/reverse shot technique cuts between two characters conversing to follow the speaker. The 180 degree rule dictates that a camera should remain on one side of an invisible line between two subjects in a shot to avoid confusing changes in their positioning. Match on action connects two shots by having a character finish an action, like walking through a door, that was begun in the first shot.
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180 degree rule
The document discusses techniques used in filmmaking including the 180 degree rule, match on action, cutaways, and shot reverse shot. The 180 degree rule establishes spatial relationships between characters by keeping the camera on one side. Match on action provides continuity by cutting between shots showing the same action. Cutaways interrupt sequences to hint at future events. Shot reverse shot uses multiple cameras to film conversations between characters from different angles.
180 Degree Rule, Shot Reverse Shot and Match on Action
Crossing the line occurs when the camera passes over an imaginary line between two characters or items in a scene. Shot reverse shot alternates between showing one character looking at another and then showing the second character. Match on action matches cuts between shots by continuing the same action, like cutting between views of a door opening.
Evaluation question 7
The document discusses various cinematography techniques used in filmmaking such as the 180 degree rule, match on action, and shot/reverse shot. It provides examples of how these techniques were applied in shooting scenes for a film about a doctor's killing spree. Specifically, it discusses using the 180 degree rule to film the doctor driving away from the hospital to begin his murders and showing the casino from his point of view. It also explains using match on action to show the doctor preparing to leave work and his first steps outside the casino for a murder. However, shot/reverse shot was not needed since only one character was present in the opening scene.
Editing
The document discusses editing techniques used in TV dramas such as cross cutting between scenes, shot reverse shot in conversations, and match cuts to show character movement. It provides examples of these techniques from a scene in the TV show "24" including cross cutting between people watching an interrogation through monitors, shot reverse shot between the characters, and match on action cuts during a tense moment. The editing constructs meaning about the escalating tension and hostility between the two characters being interrogated.
Editing in television drama 4
The document discusses various editing techniques used in television dramas such as crosscutting, shot reverse shot, match on action, and eyeline match. It provides examples of these techniques from a scene in the show "24" and analyzes how the editing constructs meaning about the relationship between characters by increasing tension. Students are asked to evaluate the function of editing devices used in the scene.
Prelim media shots and evaluation
The preliminary task involves four characters: Emma, Nicole, Laura and Jared. It begins with a character opening a door, crossing a room, and sitting down opposite another character to exchange dialogue using shot reverse shot technique. The preliminary task practices three compulsory shots: match on match action between a character knocking and entering through a door, shot reverse shot during a conversation, and a 180-degree scan of a room. The group believes the preliminary task prepared them well for their final film.
Rules of filming..
To film a 180 degree shot, the camera must stay on one side of the subject to maintain orientation for the viewer. If crossing the 180 degree line, the shot crossing must be shown to avoid confusion. These shots involve cutting between two camera positions on the same side of the line to show both sides of the scene. They are often used in conversations to switch between speakers as they take turns. The edits must follow seamlessly to remain believable and give clues to further the narrative.
Media terminology
Continuity refers to maintaining consistent clothing, locations, and other visual elements within a continuous scene. The shot/reverse shot technique cuts between two characters conversing to follow the speaker. The 180 degree rule dictates that a camera should remain on one side of an invisible line between two subjects in a shot to avoid confusing changes in their positioning. Match on action connects two shots by having a character finish an action, like walking through a door, that was begun in the first shot.
Evaluation question 7
A match on action is a film editing technique where two shots of the same action are cut together to make the motion seem continuous. The action should begin in one shot and end in the other. In the preliminary task, there was too long of a gap between the first shot of a girl approaching a door and the second shot of her inside the room, disrupting continuity. Shot/reverse shot alternates between characters, such as in an over the shoulder shot, to show both sides of a conversation. In the opening sequence, a match on action was used to cut between shots of a character getting out of a car. The edits in this task were faster and did not disturb continuity as much as in the preliminary task.
Editing
Continuity editing aims to make transitions between shots seem smooth and provide a clear narrative. It follows rules like the 180-degree rule and 30-degree rule to avoid confusing the audience's understanding of scenes. Some key techniques in continuity editing include establishing shots, shot-reverse-shot editing, cross-cutting between locations, point-of-view shots, and jump cuts which should be avoided and replaced with angle changes of at least 30 degrees. Transitions like straight cuts, contrast cuts and L-cuts change between scenes and can be used to juxtapose or imply the simultaneity of actions.
Risk assesment for film
This document outlines potential hazards, risks, and control measures for filming the movie "Beware of your Nightmares". It identifies four main hazards: using an actual knife in scenes, wet floors, shots from high up or near edges, and time pressure rushing to finish. For each hazard, it details who may be at risk and recommends control measures like substituting a fake knife, checking for dry floors, ensuring safe camera handling, and allowing enough time to film without rushing.
Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
Preliminary task 1
Continuity task involving filming and editing a character opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue. This task should demonstrate match on action, shot/reverse shot and the 180-degree rule.
180 degree rule
The 180 degree rule is a cinematography technique used to establish spatial relationships between characters in a scene. It requires the camera to stay on one side of an imaginary line between the characters, known as the director's line, so that the characters appear to be facing the same direction. This maintains consistency and avoids confusing the viewer about the characters' positions or making it seem like they have changed locations between shots. The rule is followed through techniques like wide shots that show both characters and their environment, and over-the-shoulder shots that focus on one character's face while they are talking to the other.
Preliminary task2
The document discusses three media techniques: the 180 degree rule, shot/reverse shot, and match on action.
The 180 degree rule establishes orientation by keeping characters on the same side of an imaginary axis between them. Breaking this axis can disorient viewers. Shot/reverse shot shows one character looking at another and then vice versa to depict a conversation. Match on action edits two shots together where an action begun in one is continued in the next, like raising a glass to the mouth, to preserve continuous motion.
Lesson 8&9 editing
The document discusses various editing techniques used in television dramas such as shot reverse shot, match on action, eyeline match, cutting and cross cutting. It provides examples of these techniques from a scene in the TV show "24" and analyzes how the editing creates tension and pace. Students are asked to evaluate the function of these editing devices and discuss whether editing in TV dramas constructs meaning about character relationships.
Evaluation activity 7
The document compares and contrasts the use of film techniques between a preliminary task and opening sequence.
In the preliminary task, the 180 degree rule was followed for a conversation scene but not in the opening sequence where characters were one in front of the other. Shot reverse shot was used in both but executed better in the opening sequence.
Match on action was used to transition between locations in the preliminary task but shots were tilted and unfocused. In the opening sequence, match on action created suspense by not showing what a character was doing with a briefcase until a line of dialogue heightened tension.
Preliminary film screenshots
This document provides descriptions of different film techniques used in preliminary film screenshots, including a shot reverse shot showing a character walking down a corridor from different angles, a match on action smoothly transitioning from outside to inside a room as a character walks through a door, and the 180 degree rule and an eye-line match depicting a conversation between two characters from different perspectives to make the scene easy to follow.
Preliminary locations
The document discusses the locations used for shooting a film preliminary task. The first location was the school corridor by the lockers to introduce the main character standing out against a plain background. The second location was the corridor leading to the stairs to show the character walking toward the next area. The third location used the stairs to clearly show the character following another character and lead viewers to the next floor location. The stairs also prevented confusing viewers about how the characters suddenly reached the top floor. Further locations included opposite sides of the same area for a mugging scene and a central area for a chase scene climax.
Cinematography miss s
This document summarizes various cinematography techniques used in the film SAW V, including extreme close-ups, close-ups, medium shots, long shots, extreme long shots, high angle shots, low angle shots, pacing, editing, zooming, panning, tilting, mise-en-scene, setting, costumes, figure expressions, props, diegetic sound, non-diegetic sound, and performance. It provides examples of how each technique is used to convey information, emotion, location, and build atmosphere for the horror genre.
Editing
This document discusses various editing techniques used in filmmaking. It defines continuity as uninterrupted flow between cuts, with D.W. Griffith cited as the first to break continuity. Montage is described as assembling shots to convey meaning greater than their individual parts, with Russian filmmaker Kuleshov using it to show emotion through juxtaposition. The editing pace, cuts such as jump cuts and cross cuts, and reaction shots are also explained. Finally, the 180 degree rule regarding camera placement in action sequences is mentioned.
Preliminary task 1
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and two shots.
It also discusses improvements made from a first draft script to the final draft, such as adding stage directions, camera shot directions, and character emotions.
5 preliminary presentation draft 2
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and over the shoulder shots and their purposes.
- Differences between a first draft script that lacked details and a final draft that included stage directions, camera shots, and character emotions.
Preliminary tasks AS Media
Shot reverse shot is a film technique where one character is shown looking at another from over their shoulder, and then the other character is shown looking back in the same shot type, presenting the characters as engaging with each other. The 180 degree rule suggests keeping the camera inside 180 degrees on one side of an invisible line between two filmed people to avoid confusing viewers about which direction the characters are facing. Match on action requires that if a scene cuts to a different shot, the same action must be occurring to maintain continuity for the audience.
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Evaluation question 7
A match on action is a film editing technique where two shots of the same action are cut together to make the motion seem continuous. The action should begin in one shot and end in the other. In the preliminary task, there was too long of a gap between the first shot of a girl approaching a door and the second shot of her inside the room, disrupting continuity. Shot/reverse shot alternates between characters, such as in an over the shoulder shot, to show both sides of a conversation. In the opening sequence, a match on action was used to cut between shots of a character getting out of a car. The edits in this task were faster and did not disturb continuity as much as in the preliminary task.
Editing
Continuity editing aims to make transitions between shots seem smooth and provide a clear narrative. It follows rules like the 180-degree rule and 30-degree rule to avoid confusing the audience's understanding of scenes. Some key techniques in continuity editing include establishing shots, shot-reverse-shot editing, cross-cutting between locations, point-of-view shots, and jump cuts which should be avoided and replaced with angle changes of at least 30 degrees. Transitions like straight cuts, contrast cuts and L-cuts change between scenes and can be used to juxtapose or imply the simultaneity of actions.
Risk assesment for film
This document outlines potential hazards, risks, and control measures for filming the movie "Beware of your Nightmares". It identifies four main hazards: using an actual knife in scenes, wet floors, shots from high up or near edges, and time pressure rushing to finish. For each hazard, it details who may be at risk and recommends control measures like substituting a fake knife, checking for dry floors, ensuring safe camera handling, and allowing enough time to film without rushing.
Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
Preliminary task 1
Continuity task involving filming and editing a character opening a door, crossing a room and sitting down in a chair opposite another character, with whom she/he then exchanges a couple of lines of dialogue. This task should demonstrate match on action, shot/reverse shot and the 180-degree rule.
180 degree rule
The 180 degree rule is a cinematography technique used to establish spatial relationships between characters in a scene. It requires the camera to stay on one side of an imaginary line between the characters, known as the director's line, so that the characters appear to be facing the same direction. This maintains consistency and avoids confusing the viewer about the characters' positions or making it seem like they have changed locations between shots. The rule is followed through techniques like wide shots that show both characters and their environment, and over-the-shoulder shots that focus on one character's face while they are talking to the other.
Preliminary task2
The document discusses three media techniques: the 180 degree rule, shot/reverse shot, and match on action.
The 180 degree rule establishes orientation by keeping characters on the same side of an imaginary axis between them. Breaking this axis can disorient viewers. Shot/reverse shot shows one character looking at another and then vice versa to depict a conversation. Match on action edits two shots together where an action begun in one is continued in the next, like raising a glass to the mouth, to preserve continuous motion.
Lesson 8&9 editing
The document discusses various editing techniques used in television dramas such as shot reverse shot, match on action, eyeline match, cutting and cross cutting. It provides examples of these techniques from a scene in the TV show "24" and analyzes how the editing creates tension and pace. Students are asked to evaluate the function of these editing devices and discuss whether editing in TV dramas constructs meaning about character relationships.
Evaluation activity 7
The document compares and contrasts the use of film techniques between a preliminary task and opening sequence.
In the preliminary task, the 180 degree rule was followed for a conversation scene but not in the opening sequence where characters were one in front of the other. Shot reverse shot was used in both but executed better in the opening sequence.
Match on action was used to transition between locations in the preliminary task but shots were tilted and unfocused. In the opening sequence, match on action created suspense by not showing what a character was doing with a briefcase until a line of dialogue heightened tension.
Preliminary film screenshots
This document provides descriptions of different film techniques used in preliminary film screenshots, including a shot reverse shot showing a character walking down a corridor from different angles, a match on action smoothly transitioning from outside to inside a room as a character walks through a door, and the 180 degree rule and an eye-line match depicting a conversation between two characters from different perspectives to make the scene easy to follow.
Preliminary locations
The document discusses the locations used for shooting a film preliminary task. The first location was the school corridor by the lockers to introduce the main character standing out against a plain background. The second location was the corridor leading to the stairs to show the character walking toward the next area. The third location used the stairs to clearly show the character following another character and lead viewers to the next floor location. The stairs also prevented confusing viewers about how the characters suddenly reached the top floor. Further locations included opposite sides of the same area for a mugging scene and a central area for a chase scene climax.
Cinematography miss s
This document summarizes various cinematography techniques used in the film SAW V, including extreme close-ups, close-ups, medium shots, long shots, extreme long shots, high angle shots, low angle shots, pacing, editing, zooming, panning, tilting, mise-en-scene, setting, costumes, figure expressions, props, diegetic sound, non-diegetic sound, and performance. It provides examples of how each technique is used to convey information, emotion, location, and build atmosphere for the horror genre.
Editing
This document discusses various editing techniques used in filmmaking. It defines continuity as uninterrupted flow between cuts, with D.W. Griffith cited as the first to break continuity. Montage is described as assembling shots to convey meaning greater than their individual parts, with Russian filmmaker Kuleshov using it to show emotion through juxtaposition. The editing pace, cuts such as jump cuts and cross cuts, and reaction shots are also explained. Finally, the 180 degree rule regarding camera placement in action sequences is mentioned.
Preliminary task 1
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and two shots.
It also discusses improvements made from a first draft script to the final draft, such as adding stage directions, camera shot directions, and character emotions.
5 preliminary presentation draft 2
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and over the shoulder shots and their purposes.
- Differences between a first draft script that lacked details and a final draft that included stage directions, camera shots, and character emotions.
Preliminary tasks AS Media
Shot reverse shot is a film technique where one character is shown looking at another from over their shoulder, and then the other character is shown looking back in the same shot type, presenting the characters as engaging with each other. The 180 degree rule suggests keeping the camera inside 180 degrees on one side of an invisible line between two filmed people to avoid confusing viewers about which direction the characters are facing. Match on action requires that if a scene cuts to a different shot, the same action must be occurring to maintain continuity for the audience.
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This document discusses several editing techniques used in filmmaking:
1) The 180 degree rule establishes an imaginary axis between characters where the camera stays on one side to avoid confusing the audience.
2) Eye line matching cuts from a character's look off screen to what they are looking at to involve the audience.
3) Establishing shots provide a wide view of the scene setting and relationships between characters and objects.
4) Shot reverse shot cuts between two characters facing each other during dialogue to show facial expressions.
5) A montage uses short clips edited together to condense time, space, and information for the audience.
Film techniques
In filmmaking, there are several important techniques used for editing scenes together smoothly. The 180-degree rule keeps the camera on the same side of an invisible line connecting characters to avoid disorienting the audience. Shot reverse shot alternates between characters looking at each other to imply a conversation. Match on action ensures continuity by cutting between shots that match the same action. Cut aways interrupt scenes to provide context clues through inserted views before cutting back.
Film Techniques
In filmmaking, there are several important techniques used for editing scenes together smoothly. The 180-degree rule keeps the camera on the same side of an invisible line between characters to avoid disorienting the audience. Shot reverse shot alternates between characters looking at each other to imply a conversation. Match on action ensures continuity by cutting between shots that match the same action. Cut aways interrupt scenes to provide context clues through inserted views before cutting back.
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Yes, the use of editing in TV dramas does help construct meaning about relationships between characters. The different editing techniques like shot reverse shot, match on action, and eye line match are used to clearly show who is interacting with whom and emphasize the connections between characters. Editing allows the audience to understand the dynamics and power dynamics between characters by how their interactions are framed and cut together. Through editing, subtext and nuances in relationships can be revealed that might not otherwise come across just through the dialogue and acting alone. So editing plays a key role in how we interpret and understand the relationships that are central to the story.
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This document discusses various film editing techniques including:
- The 180-degree rule which keeps the camera on one side of an imaginary axis between characters.
- Eye line matching which cuts to what a character is looking at to involve the audience.
- Establishing shots which set the scene at the beginning of a sequence.
- Shot reverse shot which cuts between two characters in dialogue over their shoulders.
- Montages which condense time and information through a sequence of short shots.
- Matching action which connects shots to make the action flow seamlessly.
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This document discusses four common cinematography techniques used in filmmaking: shot reverse shot, the 180 degree rule, match on action, and eyeline match. Shot reverse shot alternates between shots of two characters conversing to show facial expressions. The 180 degree rule maintains the same spatial relationship between characters during a conversation by keeping them on the same side of an imaginary axis. Match on action cuts between a character's action and the resulting effect. Eyeline match cuts between a character looking at something and then showing what they are looking at. All of these techniques aim to provide clarity for viewers about actions, intentions, and spatial relationships between characters.
Evaluation question 7
The preliminary task was the first filming assignment in the student's AS media course. To complete the task, students had to learn about different camera angles and filming rules. The student's group used a match on action cut between shots of the student walking through a door from different perspectives to show continuity. They followed the 180 degree rule by keeping the camera on one side of an imaginary line between characters. Shot/reverse shot technique was also explained, showing characters looking at each other during a conversation.
Preliminary task2
The document discusses three media techniques: the 180 degree rule, shot/reverse shot, and match on action.
The 180 degree rule establishes orientation by keeping the camera on one side of an imaginary axis between characters. Breaking this rule can disorient viewers. Shot/reverse shot shows one character looking at another and then vice versa to depict a conversation. Match on action edits shots so the same repeated action is continuous between scenes.
Research into editing techniques
Shot-reverse-shot is an editing technique that alternates between close-ups of two characters facing each other during a conversation to focus on their emotions. Match on action ensures continuity by cutting from one shot to another that matches the same action, like walking up to a door. Elliptical editing allows events to be shortened on screen compared to their duration in the story, often used in walking scenes. The 180 degree rule maintains the left/right relationship between characters to avoid confusion when the camera passes over the axis between them. Parallel editing alternates between two simultaneous scenes in different locations to unfold parallel storylines or create suspense.
4 techniques in camera work
This document summarizes 4 techniques in camera work: the 180 degree rule which establishes spatial relationships between characters; shot reverse shot which alternates between characters facing each other; match on action which changes camera perspective while maintaining scene flow; and cut away shots which interrupt scenes to insert unrelated views before cutting back.
4 techniques in camera work
The document discusses 4 techniques in camera work: the 180 degree rule which establishes spatial relationships between characters; shot reverse shot which alternates between characters facing each other; match on action which changes camera perspective while maintaining scene flow; and cut away shots which interrupt scenes to insert unrelated views before cutting back.
Film Techniques
The document discusses several film techniques used in continuity editing:
1) Shot reverse shot shows two characters facing each other and then cuts between their perspectives.
2) Continuity editing aims to smoothly transition between shots in time and space to establish logical coherence.
3) Match on match films the same subject from multiple angles to imply continuity of real time.
4) The 180 degree rule states that two characters should maintain the same left/right relationship between shots to avoid disorienting the viewer.
Screenshots TBGS
The document discusses several filmmaking techniques used in scene transitions and shot composition. It provides examples of "match on action," where a cut between shots matches the action taking place, like opening a door. It also discusses the "180 degree rule" for positioning cameras and characters during a conversation to avoid confusion. Another technique described is "shot reverse shot" where the camera alternates between shots of a character walking toward and away from it. Finally, it discusses "eye-line matches" which show what one character sees by cutting to the other character's point of view. These techniques are used to create continuity and realism when transitioning between shots.
180 degree rule
The 180-degree rule in filmmaking establishes an imaginary line called the axis between characters or objects in a scene, and recommends keeping the camera on one side of this line in every shot so the characters' positions remain consistent from the audience's perspective. Crossing this axis by moving the camera to the other side could disorient viewers by changing which side a character appears on screen from shot to shot.
Editing techniques
Continuity editing creates a smooth transition between shots to maintain a logical story flow without confusing the audience. Non-continuity editing removes the laws of physics between shots and can confuse viewers by cutting between unrelated subjects or locations. The document then defines and provides examples of various cutting techniques used in editing, including cut on action, cut away, cross cut, jump cut, match cut, fade in/fade out, dissolve, smash cut, iris, wipe, invisible cut, L-cut, and J-cut.
Description of shots
Match on action involves cutting between two shots from different angles to create the illusion of continuous movement. Shot reverse shot alternates between characters in a conversation by showing one over the other's shoulder and vice versa to capture reactions and identify speakers. The 180 degree rule establishes an imaginary axis between characters that the camera must stay on one side of for each shot to maintain consistent character positioning on screen from the audience's perspective.
Briedprojectexplanationmediastudies.pptx
The document outlines a student project to plan, shoot, and edit a video sequence demonstrating mastery of continuity editing techniques. It includes an explanation of the techniques to be featured - match on action, eyeline match, cross cutting, shot/reverse shot, and the 180-degree rule. A synopsis of the story is provided along with a script, storyboard, equipment list, call sheet, and actor information. Finally, the document reflects on the editing process and evaluates how well the project exemplifies the taught continuity techniques.
Shot reverse shot
Shot reverse shot is a filming technique used when characters are conversing where the camera cuts between shots of each character, allowing the audience to associate that they are talking to each other, even if not fully in frame together. This technique provides an eyeline match between two characters and switches perspectives to film the conversation from both angles in an alternating pattern during editing.
Continuity Editing Research
The document discusses various cinematography and editing techniques used to maintain a logical narrative structure in films. It defines techniques like shot/reverse shot, match on action, crosscutting, the 180-degree rule, and re-establishing shots. Examples are provided to illustrate how each technique is implemented to seamlessly transition between shots and locations.
Editing Techniques & Concepts
This document discusses several editing concepts:
1. The 180 degree rule states that characters should maintain the same left/right relationship to each other in a scene to avoid confusing the viewer.
2. Matching on action involves changing camera perspectives seamlessly during a scene to continue the flow of action without disruption.
3. Eyeline matching establishes a relationship between characters by having them look in complementary directions (e.g. left and right) across shots.
4. Cross cutting cuts between different scenes happening simultaneously to build suspense or emotion.
5. Establishing shots provide context about the location.
6. Shot reverse shot gives the impression of looking between actors in a conversation by
Similar to Filming techniques (20)
Filming techniques
- 1. 180 degree rule The 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. This is the imaginary line called the ‘axis’ that you cannot cross, if you cross the line this is called ‘crossing or jumping the line’. The Camera may film from anywhere along this line as long as it does not cross the axis!
- 2. Shot-reverse-shot Shot-reverse-shot is a filming technique which shows you each side of the conversation. It is the most commonly used shot when filming dialogue between two characters. It starts off showing the first character talking, then shows the second character responding.
- 3. Match on action. Match on action is when something happens in a scene, and there is a cut, when the scene is shown again everything has to be the same. This is an example of continuity editing, and helps make the material more realistic and helps the audience to continually understand what is happening.