Evaluation question 7
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The preliminary task was the first filming assignment in the student's AS media course. To complete the task, students had to learn about different camera angles and filming rules. The student's group used a match on action cut between shots of the student walking through a door from different perspectives to show continuity. They followed the 180 degree rule by keeping the camera on one side of an imaginary line between characters. Shot/reverse shot technique was also explained, showing characters looking at each other during a conversation.
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Analysing Preliminary Task
What I have learnt using the three techniques: 180 degree rule, Match on action and Shot Reverse Shot
Understanding of continuity principles
Cutting between shots that match the action, such as a man walking up to a door and reaching for the knob, helps provide continuity in film editing. The 180 degree rule and shot reverse shot techniques also aid continuity by maintaining the spatial relationship between characters and objects in a scene from different camera angles.
Shot types
Continuity editing makes shots appear filmed at the same time by showing characters in the same position at the end of one shot and the beginning of the next. The 180 degree rule keeps shots on the same side of a scene to avoid confusion, while shot reverse shot alternates between two characters talking to show who is speaking and being spoken to.
Media | 'Fetish' Risk Assessment
This document summarizes the risk assessment for a media studies coursework project involving filming a video. It identifies several potential hazards during filming including the actress being barefoot outside, props on the floor that could cause tripping, and the camera operator standing on objects to get certain shots. The risks are assessed as mostly medium level. Controls are outlined such as checking locations beforehand, instructing the actress on positions, changing locations if weather is hazardous, and being cautious of trip hazards. The risk assessment also specifies checking locations and costumes beforehand, continuously assessing risks during filming, and leaving locations as found after filming to manage risks.
Evaluation question 7
The document discusses various cinematography techniques used in filmmaking such as the 180 degree rule, match on action, and shot/reverse shot. It provides examples of how these techniques were applied in shooting scenes for a film about a doctor's killing spree. Specifically, it discusses using the 180 degree rule to film the doctor driving away from the hospital to begin his murders and showing the casino from his point of view. It also explains using match on action to show the doctor preparing to leave work and his first steps outside the casino for a murder. However, shot/reverse shot was not needed since only one character was present in the opening scene.
Edit czzzzzz
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Edit c
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Prelim task continuity editing
The document discusses three continuity editing techniques:
1. The 180-degree rule maintains the spatial relationship between characters and the audience's perspective. It creates a consistent sense of location.
2. Match on action uses cuts between shots that continue the same action, creating a sense of continuity. It draws attention away from edits.
3. Shot reverse shot structures a conversation by alternating between one character's perspective and the other's, applying the 180-degree rule to retain spatial logic. It is commonly used with match on action.
The techniques allow for smooth storytelling by preserving spatial and temporal coherence across shots through strategic camera placement and editing. Breaking conventions can confuse audiences by distorting the perceived location or
Recommended
Analysing Preliminary Task
What I have learnt using the three techniques: 180 degree rule, Match on action and Shot Reverse Shot
Understanding of continuity principles
Cutting between shots that match the action, such as a man walking up to a door and reaching for the knob, helps provide continuity in film editing. The 180 degree rule and shot reverse shot techniques also aid continuity by maintaining the spatial relationship between characters and objects in a scene from different camera angles.
Shot types
Continuity editing makes shots appear filmed at the same time by showing characters in the same position at the end of one shot and the beginning of the next. The 180 degree rule keeps shots on the same side of a scene to avoid confusion, while shot reverse shot alternates between two characters talking to show who is speaking and being spoken to.
Media | 'Fetish' Risk Assessment
This document summarizes the risk assessment for a media studies coursework project involving filming a video. It identifies several potential hazards during filming including the actress being barefoot outside, props on the floor that could cause tripping, and the camera operator standing on objects to get certain shots. The risks are assessed as mostly medium level. Controls are outlined such as checking locations beforehand, instructing the actress on positions, changing locations if weather is hazardous, and being cautious of trip hazards. The risk assessment also specifies checking locations and costumes beforehand, continuously assessing risks during filming, and leaving locations as found after filming to manage risks.
Evaluation question 7
The document discusses various cinematography techniques used in filmmaking such as the 180 degree rule, match on action, and shot/reverse shot. It provides examples of how these techniques were applied in shooting scenes for a film about a doctor's killing spree. Specifically, it discusses using the 180 degree rule to film the doctor driving away from the hospital to begin his murders and showing the casino from his point of view. It also explains using match on action to show the doctor preparing to leave work and his first steps outside the casino for a murder. However, shot/reverse shot was not needed since only one character was present in the opening scene.
Edit czzzzzz
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Edit c
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Prelim task continuity editing
The document discusses three continuity editing techniques:
1. The 180-degree rule maintains the spatial relationship between characters and the audience's perspective. It creates a consistent sense of location.
2. Match on action uses cuts between shots that continue the same action, creating a sense of continuity. It draws attention away from edits.
3. Shot reverse shot structures a conversation by alternating between one character's perspective and the other's, applying the 180-degree rule to retain spatial logic. It is commonly used with match on action.
The techniques allow for smooth storytelling by preserving spatial and temporal coherence across shots through strategic camera placement and editing. Breaking conventions can confuse audiences by distorting the perceived location or
Shot by shot list
This document provides a detailed shot by shot list for filming a practice over the shoulder (OTS) sequence. It includes shots for filming a murder scene, photographing the body, shots of a montage on a wall, and developing photographs in a dark room. Following the list shot by shot will allow the practice OTS to be filmed with no improvisation and fewer continuity mistakes by being well organized.
Edit c
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Editing concepts
The document discusses several important editing concepts used in filmmaking including establishing shots, the 180-degree rule, shot-reverse shot, eye-line match, match on action, and montage. Establishing shots orient the audience to the setting. The 180-degree rule maintains camera positioning on the same side of an imaginary line between subjects. Shot-reverse shot shows conversations by alternating between characters' perspectives. Eye-line match follows a character's gaze to reveal what they are looking at. Match on action cuts between shots to seamlessly continue an action. Montage uses rapid editing to compress time and emphasize meaning through juxtaposed scenes.
Continuity editing
This document discusses several techniques used in film editing to maintain continuity and prevent viewer disorientation, including:
1) Diegetic sound that overlaps cuts to imply temporal continuity.
2) Matching actions before and after cuts, such as someone tossing a ball, to preserve continuity.
3) Establishing shots that show the entire scene space to help orient viewers before complex sequences of cuts.
4) Techniques like the 180 degree rule and eye line matching to guide viewer perspective between shots.
Media terminology
Continuity refers to maintaining consistent clothing, locations, and other visual elements within a continuous scene. The shot/reverse shot technique cuts between two characters conversing to follow the speaker. The 180 degree rule dictates that a camera should remain on one side of an invisible line between two subjects in a shot to avoid confusing changes in their positioning. Match on action connects two shots by having a character finish an action, like walking through a door, that was begun in the first shot.
Film opening analysis inception
1) The opening scene of Inception uses ellipsis to transition from the main character lying on the beach to being taken into a room by guards without showing how he got there.
2) A flashback is shown through changes in lighting, theme, and sound to reflect on the character's past.
3) Various camera shots and techniques like the 180 degree rule, mid shots, close ups, continuity editing, and shot reverse shots are used to establish scenes, emphasize characters, show emotions, create realism and tension, and depict conversations.
Preliminary task
This document discusses various types of shots that can be used in filmmaking and evaluates examples of their usage. It describes establishing shots, over the shoulder shots, reaction shots, long shots, match on action, the 180-degree rule, and reverse shots. Each example is evaluated as either successful or unsuccessful based on whether it effectively uses the shot type. Overall, the document provides guidance on using different shot types to improve storytelling and aid the audience's understanding.
One Shot Short Introduction
The document discusses one shots in filmmaking. A one shot is a continuous shot with no edits that tells a complete story or idea. Planning is critical to the success of a one shot. Hitchcock's 1948 film Rope used long 10 minute takes with carefully planned camera movements and props to hide cuts. The document provides tips for developing, previsualizing, and polishing a one shot film.
Risk assesment for film
This document outlines potential hazards, risks, and control measures for filming the movie "Beware of your Nightmares". It identifies four main hazards: using an actual knife in scenes, wet floors, shots from high up or near edges, and time pressure rushing to finish. For each hazard, it details who may be at risk and recommends control measures like substituting a fake knife, checking for dry floors, ensuring safe camera handling, and allowing enough time to film without rushing.
Editing Techniques
The document discusses various editing techniques used in filmmaking to transition between scenes smoothly and tell a coherent story. It explains continuity editing which hides cuts between scenes; directional editing which maintains the direction of a subject's movement; parallel editing which alternates between simultaneous scenes in different locations; and other techniques like shot reverse shot, graphic matches, point-of-view cutting, eye line matches, match on action, insert shots, cross-cutting, following the 180-degree rule, and using cutaways. All of these techniques are used to guide the viewer's focus and enhance realism.
Progression from the preliminary task
The document discusses how a preliminary task helped the author and others learn and practice various filmmaking techniques like shot reverse shot, match on action, and the 180 degree rule. They were able to apply these techniques in their final film opening. Through trial and error in the preliminary task, they gained confidence in including these shots and rules. They also learned additional techniques like overlapping scenes and using sound/music while editing which helped progress their skills for the final product. The preliminary task was beneficial for practicing basics like camera angles and helped prepare them to apply these skills to their own thriller film.
Preliminary Research Task.
This document discusses three film editing techniques: match on action, which edits together multiple shots of the same action to create a continuous illusion; shot reverse shot, which films the lines of each person in a conversation separately and edits them together to appear like a normal discussion; and the 180 degree rule, which keeps characters on the same side of the screen within a scene by not crossing an invisible line to maintain consistency.
Preliminary tasks AS Media
Shot reverse shot is a film technique where one character is shown looking at another from over their shoulder, and then the other character is shown looking back in the same shot type, presenting the characters as engaging with each other. The 180 degree rule suggests keeping the camera inside 180 degrees on one side of an invisible line between two filmed people to avoid confusing viewers about which direction the characters are facing. Match on action requires that if a scene cuts to a different shot, the same action must be occurring to maintain continuity for the audience.
Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
Continuity editing
Continuity editing is a process that takes place during film production to seamlessly join shots together and tell a coherent narrative. It uses techniques like match-on-action editing, shot/reverse shot cutting, and following the 180-degree rule to make the viewer forget they are watching something artificial and engage with the story. Match-on-action editing matches the same action, like tossing a ball, across two shots from different angles. Shot/reverse shot cutting shows the perspective of two characters conversing back and forth. The 180-degree rule maintains the spatial relationship between characters and objects in a scene. Together, these techniques create a sense of realism and believable storytelling.
Media
The document outlines continuity rules for filmmaking including the 180 degree rule, match on action, and shot reverse shot techniques. It then provides examples of how a short film about wise men discovering the birth of Jesus would apply these rules, including details on the scene, dialogue, actors, and filming log.
Preliminary locations
The document discusses the locations used for shooting a film preliminary task. The first location was the school corridor by the lockers to introduce the main character standing out against a plain background. The second location was the corridor leading to the stairs to show the character walking toward the next area. The third location used the stairs to clearly show the character following another character and lead viewers to the next floor location. The stairs also prevented confusing viewers about how the characters suddenly reached the top floor. Further locations included opposite sides of the same area for a mugging scene and a central area for a chase scene climax.
Preliminary Task 2
The student produced a half-minute video clip demonstrating media techniques including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180-degree rule. The video shows a student interacting with teachers in the hallway and classroom. Various shots and editing techniques were used to clearly show the techniques while maintaining continuity and telling a cohesive story.
_Continuity Video Task.pptx
The student produced a half-minute video clip demonstrating media techniques including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180-degree rule. The video shows a student interacting with teachers in the hallway and classroom. Various shots and editing techniques were used to comply with continuity standards and convey the story clearly.
Preliminary Task 2
This document outlines the continuity techniques that will be used and demonstrated in a short film sequence, including match on action, eyeline match, cross-cutting, shot/reverse-shot, and the 180-degree rule. It provides examples of each technique from classic films. It also includes details of the short film such as the story, script, storyboards, crew, and editing process. The goal is to film a scene showing a character entering a cafe and discovering their partner talking to someone else, demonstrating continuity through editing.
Preliminary Task
This document outlines the continuity techniques that will be used and demonstrated in a short film sequence, including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180 degree rule. It provides examples of each technique from classic films. It also includes details of the short film such as the story, script, storyboards, crew, and editing process. The goal is to film a character walking into a café, discovering their partner with another person, and confronting them, utilizing proper continuity techniques.
Screenshots TBGS
The document discusses several filmmaking techniques used in scene transitions and shot composition. It provides examples of "match on action," where a cut between shots matches the action taking place, like opening a door. It also discusses the "180 degree rule" for positioning cameras and characters during a conversation to avoid confusion. Another technique described is "shot reverse shot" where the camera alternates between shots of a character walking toward and away from it. Finally, it discusses "eye-line matches" which show what one character sees by cutting to the other character's point of view. These techniques are used to create continuity and realism when transitioning between shots.
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Shot by shot list
This document provides a detailed shot by shot list for filming a practice over the shoulder (OTS) sequence. It includes shots for filming a murder scene, photographing the body, shots of a montage on a wall, and developing photographs in a dark room. Following the list shot by shot will allow the practice OTS to be filmed with no improvisation and fewer continuity mistakes by being well organized.
Edit c
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Editing concepts
The document discusses several important editing concepts used in filmmaking including establishing shots, the 180-degree rule, shot-reverse shot, eye-line match, match on action, and montage. Establishing shots orient the audience to the setting. The 180-degree rule maintains camera positioning on the same side of an imaginary line between subjects. Shot-reverse shot shows conversations by alternating between characters' perspectives. Eye-line match follows a character's gaze to reveal what they are looking at. Match on action cuts between shots to seamlessly continue an action. Montage uses rapid editing to compress time and emphasize meaning through juxtaposed scenes.
Continuity editing
This document discusses several techniques used in film editing to maintain continuity and prevent viewer disorientation, including:
1) Diegetic sound that overlaps cuts to imply temporal continuity.
2) Matching actions before and after cuts, such as someone tossing a ball, to preserve continuity.
3) Establishing shots that show the entire scene space to help orient viewers before complex sequences of cuts.
4) Techniques like the 180 degree rule and eye line matching to guide viewer perspective between shots.
Media terminology
Continuity refers to maintaining consistent clothing, locations, and other visual elements within a continuous scene. The shot/reverse shot technique cuts between two characters conversing to follow the speaker. The 180 degree rule dictates that a camera should remain on one side of an invisible line between two subjects in a shot to avoid confusing changes in their positioning. Match on action connects two shots by having a character finish an action, like walking through a door, that was begun in the first shot.
Film opening analysis inception
1) The opening scene of Inception uses ellipsis to transition from the main character lying on the beach to being taken into a room by guards without showing how he got there.
2) A flashback is shown through changes in lighting, theme, and sound to reflect on the character's past.
3) Various camera shots and techniques like the 180 degree rule, mid shots, close ups, continuity editing, and shot reverse shots are used to establish scenes, emphasize characters, show emotions, create realism and tension, and depict conversations.
Preliminary task
This document discusses various types of shots that can be used in filmmaking and evaluates examples of their usage. It describes establishing shots, over the shoulder shots, reaction shots, long shots, match on action, the 180-degree rule, and reverse shots. Each example is evaluated as either successful or unsuccessful based on whether it effectively uses the shot type. Overall, the document provides guidance on using different shot types to improve storytelling and aid the audience's understanding.
One Shot Short Introduction
The document discusses one shots in filmmaking. A one shot is a continuous shot with no edits that tells a complete story or idea. Planning is critical to the success of a one shot. Hitchcock's 1948 film Rope used long 10 minute takes with carefully planned camera movements and props to hide cuts. The document provides tips for developing, previsualizing, and polishing a one shot film.
Risk assesment for film
This document outlines potential hazards, risks, and control measures for filming the movie "Beware of your Nightmares". It identifies four main hazards: using an actual knife in scenes, wet floors, shots from high up or near edges, and time pressure rushing to finish. For each hazard, it details who may be at risk and recommends control measures like substituting a fake knife, checking for dry floors, ensuring safe camera handling, and allowing enough time to film without rushing.
Editing Techniques
The document discusses various editing techniques used in filmmaking to transition between scenes smoothly and tell a coherent story. It explains continuity editing which hides cuts between scenes; directional editing which maintains the direction of a subject's movement; parallel editing which alternates between simultaneous scenes in different locations; and other techniques like shot reverse shot, graphic matches, point-of-view cutting, eye line matches, match on action, insert shots, cross-cutting, following the 180-degree rule, and using cutaways. All of these techniques are used to guide the viewer's focus and enhance realism.
Progression from the preliminary task
The document discusses how a preliminary task helped the author and others learn and practice various filmmaking techniques like shot reverse shot, match on action, and the 180 degree rule. They were able to apply these techniques in their final film opening. Through trial and error in the preliminary task, they gained confidence in including these shots and rules. They also learned additional techniques like overlapping scenes and using sound/music while editing which helped progress their skills for the final product. The preliminary task was beneficial for practicing basics like camera angles and helped prepare them to apply these skills to their own thriller film.
Preliminary Research Task.
This document discusses three film editing techniques: match on action, which edits together multiple shots of the same action to create a continuous illusion; shot reverse shot, which films the lines of each person in a conversation separately and edits them together to appear like a normal discussion; and the 180 degree rule, which keeps characters on the same side of the screen within a scene by not crossing an invisible line to maintain consistency.
Preliminary tasks AS Media
Shot reverse shot is a film technique where one character is shown looking at another from over their shoulder, and then the other character is shown looking back in the same shot type, presenting the characters as engaging with each other. The 180 degree rule suggests keeping the camera inside 180 degrees on one side of an invisible line between two filmed people to avoid confusing viewers about which direction the characters are facing. Match on action requires that if a scene cuts to a different shot, the same action must be occurring to maintain continuity for the audience.
Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
Continuity editing
Continuity editing is a process that takes place during film production to seamlessly join shots together and tell a coherent narrative. It uses techniques like match-on-action editing, shot/reverse shot cutting, and following the 180-degree rule to make the viewer forget they are watching something artificial and engage with the story. Match-on-action editing matches the same action, like tossing a ball, across two shots from different angles. Shot/reverse shot cutting shows the perspective of two characters conversing back and forth. The 180-degree rule maintains the spatial relationship between characters and objects in a scene. Together, these techniques create a sense of realism and believable storytelling.
Media
The document outlines continuity rules for filmmaking including the 180 degree rule, match on action, and shot reverse shot techniques. It then provides examples of how a short film about wise men discovering the birth of Jesus would apply these rules, including details on the scene, dialogue, actors, and filming log.
Preliminary locations
The document discusses the locations used for shooting a film preliminary task. The first location was the school corridor by the lockers to introduce the main character standing out against a plain background. The second location was the corridor leading to the stairs to show the character walking toward the next area. The third location used the stairs to clearly show the character following another character and lead viewers to the next floor location. The stairs also prevented confusing viewers about how the characters suddenly reached the top floor. Further locations included opposite sides of the same area for a mugging scene and a central area for a chase scene climax.
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Similar to Evaluation question 7
Preliminary Task 2
The student produced a half-minute video clip demonstrating media techniques including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180-degree rule. The video shows a student interacting with teachers in the hallway and classroom. Various shots and editing techniques were used to clearly show the techniques while maintaining continuity and telling a cohesive story.
_Continuity Video Task.pptx
The student produced a half-minute video clip demonstrating media techniques including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180-degree rule. The video shows a student interacting with teachers in the hallway and classroom. Various shots and editing techniques were used to comply with continuity standards and convey the story clearly.
Preliminary Task 2
This document outlines the continuity techniques that will be used and demonstrated in a short film sequence, including match on action, eyeline match, cross-cutting, shot/reverse-shot, and the 180-degree rule. It provides examples of each technique from classic films. It also includes details of the short film such as the story, script, storyboards, crew, and editing process. The goal is to film a scene showing a character entering a cafe and discovering their partner talking to someone else, demonstrating continuity through editing.
Preliminary Task
This document outlines the continuity techniques that will be used and demonstrated in a short film sequence, including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180 degree rule. It provides examples of each technique from classic films. It also includes details of the short film such as the story, script, storyboards, crew, and editing process. The goal is to film a character walking into a café, discovering their partner with another person, and confronting them, utilizing proper continuity techniques.
Screenshots TBGS
The document discusses several filmmaking techniques used in scene transitions and shot composition. It provides examples of "match on action," where a cut between shots matches the action taking place, like opening a door. It also discusses the "180 degree rule" for positioning cameras and characters during a conversation to avoid confusion. Another technique described is "shot reverse shot" where the camera alternates between shots of a character walking toward and away from it. Finally, it discusses "eye-line matches" which show what one character sees by cutting to the other character's point of view. These techniques are used to create continuity and realism when transitioning between shots.
5 preliminary presentation draft 2
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and over the shoulder shots and their purposes.
- Differences between a first draft script that lacked details and a final draft that included stage directions, camera shots, and character emotions.
Preliminary task 1
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and two shots.
It also discusses improvements made from a first draft script to the final draft, such as adding stage directions, camera shot directions, and character emotions.
Evaluation question 7
The document discusses various filmmaking techniques including continuity, the 180 degree rule, match on action, shot/reverse shot, cinematography, editing, mise-en-scene, and titles. It provides examples of how these techniques were used in a preliminary task and opening sequence created by the author. The author demonstrates improved understanding and application of techniques between the preliminary task and opening sequence. They conclude they have gained knowledge in how shot types, editing, mise-en-scene, and other elements can influence a film's theme and storytelling.
Continuity task research
This document discusses different continuity editing techniques that will be used in a film project. It defines match on action, shot reverse shot, and the 180 degree rule. For match on action, it provides an example of cutting between shots that continue the same action. Shot reverse shot is explained as alternating between shots of characters looking at each other. The 180 degree rule maintains the left/right relationship between characters within 180 degrees. The document notes specific scenes where these techniques will be applied, such as a conversation using continuous shot reverse shot.
Evaluation question 7 - John Glen
This document discusses techniques for creating a successful thriller that the author learned about and applied in their preliminary task and final thriller opening. These techniques include the 180 degree rule, reaction shots, shot reverse shot technique, and match-on-action shots. The author analyzes how they used techniques like the 180 degree rule and shot reverse shots to build tension without dialogue. While they were unable to explicitly use match-on-action shots, they identify one part of their final cut that relates indirectly to this technique. Overall, the author feels they gained valuable knowledge of techniques that helped improve their thriller opening.
Filming techniques
The 180-degree rule establishes an imaginary line called the 'axis' that the camera cannot cross between a subject and the background to avoid disorienting the audience. Shot-reverse-shot is a common filming technique that alternates between two characters having a conversation. Match on action ensures continuity between cuts by keeping elements like positioning and actions the same.
Evaluation question 7
The document discusses continuity techniques used in filmmaking, including the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from the preliminary project to the opening sequence in areas like camera work, editing, mise-en-scene, and title design. In conclusion, the author learned the importance of continuity principles and how to effectively incorporate them through practice.
Audiovisual media language 2 Camera angles and movements
This document discusses different camera techniques used in audiovisual media including camera shots, angles, and movements. It provides examples of different camera angles like high angle, low angle, eye level, bird's eye view, and worm's eye view. It also discusses various camera movements such as pan, whip pan, and tilt. For each technique, it provides a definition and an example from a music video or film to illustrate how that technique is used to convey meaning or direct the viewer's attention.
Film techniques
In filmmaking, there are several important techniques used for editing scenes together smoothly. The 180-degree rule keeps the camera on the same side of an invisible line connecting characters to avoid disorienting the audience. Shot reverse shot alternates between characters looking at each other to imply a conversation. Match on action ensures continuity by cutting between shots that match the same action. Cut aways interrupt scenes to provide context clues through inserted views before cutting back.
Film Techniques
In filmmaking, there are several important techniques used for editing scenes together smoothly. The 180-degree rule keeps the camera on the same side of an invisible line between characters to avoid disorienting the audience. Shot reverse shot alternates between characters looking at each other to imply a conversation. Match on action ensures continuity by cutting between shots that match the same action. Cut aways interrupt scenes to provide context clues through inserted views before cutting back.
Evaluation question 7
The document discusses various continuity techniques used in filmmaking such as the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from having more practice with camera angles, movement, and editing techniques on Final Cut Express. Mise-en-scene and title design are also discussed. In conclusion, the author learned the importance of continuity principles and improved filmmaking skills through practice.
Evaluation Question 7
In this document, the filmmaker reflects on what they have learned from their preliminary task to their full opening sequence. They discuss progressing in their understanding and application of continuity, the 180 degree rule, match on action, shot reverse shot, cinematography, editing, mise-en-scene, and titles. They provide examples of how each element was used more effectively in the opening sequence compared to the preliminary task by employing a wider range of techniques.
Audiovisual media language 2 Camera angles and movements
The document discusses various camera techniques used in audiovisual media such as films and music videos. It defines different camera shots including high angles, low angles, and bird's eye views which can be used to make a subject appear vulnerable or powerful. It also explains common camera movements like pans, tilts, and whip pans which transition between scenes or reveal settings. Specific examples are provided from music videos to illustrate how different camera techniques can be used to convey moods or represent a character's perspective.
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Audiovisual media language 2 Camera angles and movements
Audiovisual media language 2 Camera angles and movements
Audiovisual media language 2 Camera angles and movements
Audiovisual media language 2 Camera angles and movements
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The document discusses four potential color schemes for a digipak:
1) Gold, white, red. Gold represents luxury but red may be too dominant.
2) Black, gold, white. Bold but black and dark blue may be too dark for the album's mood.
3) Navy, gold, black. Neutral colors but too dark.
4) Black, white, red. Complimentary colors that stand out but could incorporate gold through the artist's logo.
The document also discusses font ideas, selecting one that is bold and evokes mystery fitting the artist.
AG video theory
Andrew Goodwin is a professor who identified 6 key aspects for analyzing music videos. These include demonstrating genre characteristics, having a relationship between lyrics and visuals, a relationship between music and visuals, demands of record labels being met through close-ups of artists, frequent references to looking or voyeurism, and inter-textual references. The document analyzes Peter Andre's "Mysterious Girl" video and finds it meets Goodwin's aspects of genre characteristics through dance routines, a relationship between lyrics and visuals through illustrating the words, and a relationship between music and visuals through gestures matching the lyrics. It also discusses how the video sexualizes Peter Andre's image for voyeuristic viewing pleasure.
Auteur Theory
Hype Williams is an American music video and film director known for his work with hip hop and R&B artists. His music videos are characterized by futuristic themes and settings, with elements like flashing lights and colors. He uses techniques like high-key lighting, color filters and futuristic narratives to showcase the artist and match the fast pace of their songs. Some of his most well-known videos include Kanye West's "All of the Lights", TLC's "No Scrubs", and 2Pac's "California Love".
Video Analysis
This music video analysis summarizes the 1988 music video for "Especially for You" by Kylie Minogue and Jason Donovan. The video tells a story of two young people, played by Minogue and Donovan, whose lives intersect in coincidental ways until they finally reunite at a singing audition. Throughout the video, split screens show both characters separately as they go about their daily lives missing each other. The ending features the characters reunited, singing to each other with flashbacks to their past relationship.
Music Video Analysis
The music video for "Especially for You" by Kylie Minogue and Jason Donovan tells the story of two young people, played by Minogue and Donovan, who are in love but separated. Throughout the video, they go about their daily lives alone and coincidentally end up in the same places but at different times, missing each other. In the end, they reunite at the same audition and embrace, rekindling their love. The video uses a narrative structure and performance elements like singing to tell the story and show the characters' emotions.
Favourite Music Video - Rude Boy
Rihanna's "Rude Boy" music video premiered in 2010 and was directed by Melina Matsoukas. While the song has elements of ragamuffin, pop, and R&B, the video does not follow typical R&B video conventions, using abstract visuals and a performance structure rather than a narrative. It features Rihanna in provocative outfits but does not focus on money, wealth, or expensive items. The target audience is fans of Rihanna and Caribbean music regardless of gender.
Rihanna Rude Boy
Rihanna's "Rude Boy" music video uses a green screen and references pop artists like Andy Warhol. Though an R&B song, the video does not follow typical R&B conventions by using an abstract structure rather than narrative and not focusing on wealth. The target audience includes R&B and Caribbean music fans of any gender, as Rihanna's provocative dancing appeals to both males and females.
Favourite Music Video
Rihanna's "Rudeboy" music video premiered in 2010 and was directed by Melina Matsoukas. The video uses a green screen and references pop art artists like Andy Warhol. While the genre of R&B typically features narratives focused on wealth and sexuality, "Rudeboy" uses abstract visuals and Rihanna's dancing to connect to the song instead. The target audience is fans of Rihanna and Caribbean music regardless of gender.
Evaluation Question 4
The target audience for the media product would be teenagers and young adults between the ages of 16-25. The narrative and style of the thriller title sequence aims to engage this audience by including elements they enjoy like a build up of tension, dark scenes, and fitting soundtracks. Their favorite TV shows and films have similar thriller and mystery genres. A questionnaire was used to determine what this audience likes and ensure the title sequence incorporated those aspects to appeal to them.
Evaluation Question 6
The student learned several new technologies during the process of constructing a product. They used Adobe After Effects software on Mac computers to create credits for their thriller title sequence. They found the Mac computers challenging to use at first due to differences from Windows, but learned how to perform tasks like print screening and changing fonts. They also used a video camera and tripod, and learned about properly recording and rewinding footage. Through the entire process, the student learned to use various software programs and gained an understanding of thriller film conventions.
Evaluation question 1
The document summarizes the opening sequence of a student's thriller film project. It establishes the film's subgenres as crime thriller and possibly psychological thriller through its mystery antagonist and missing schoolgirl plot. Generic thriller conventions like a dark color palette, shadows, and slow build of tension are employed. However, plain title credits challenge expectations to keep viewers focused on the visual storytelling. Nine clips from the opening are provided to represent the thriller genre through their black-and-white filter and enigmatic special effects shots that advance the mystery of the storyline.
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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The immediate aftermath of the Dwayne Johnson kidnappin
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1:该专业认证可证明留学生真实身份
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3:国家专业人才认证中心颁发入库证书
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Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
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Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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1:该专业认证可证明留学生真实身份
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
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Evaluation question 7
- 1. Preliminary Task By Chloe Pilgrim
- 2. The preliminary task was the first task which we did in our AS media course. For me, this was the first time I had ever had to film anything. In order to complete this task we needed to learn about the different camera angles used within media and the rules when filming.
- 3. Match on action A match on action, also known as a match cut, is a cut in film editing between either two objects, spaces, people etc to help show a strong continuity of filming and links the two different shots 1 The match on action which my group and I used in our preliminary task was me walking through the door (picture 1) and appearing on the other side (picture 2). In order to do this we filmed from one 2 side of the door a mid shot of me walking in and then filmed from the other side of the door a long shot of the same action from a different perspective.
- 4. 180 Degree Rule In film making, the 180 degree rule is a guideline which you follow regarding an imaginary line between one character and another. The means that at all times of filming you must keep yourself on one side of the line. If the camera passes over the axis it is called crossing the line or jumping the line. From these pictures/screenshots you can see that the camera is always on one side of the invisible line.
- 5. Shot/Reverse shot Shot/Reverse shot is a film technique where one character is shown looking at another character and then the other character is shown looking back at the first character. Most of the time Shot/Reverse shot is filmed using an over the shoulder shot whilst a conversation is happening between two characters.