Film poster edon
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The action movie poster aims to appeal to males by featuring muscular male characters holding weapons that symbolize power and intimidation. The dark colors and serious facial expressions of the characters further emphasize power and strength. In contrast, the rom-com poster aims to appeal to females by featuring smiling female characters in romantic dresses on a pure white background, holding love hearts to represent relationships, passion, and innocence.
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Romcom&action
Romcom films target mid-teen females as their main audience. They combine elements of romance and comedy. Males generally do not relate as much to romcoms. Action films appeal more to males, as they feature heroes facing challenges and dangers. They often contain violence and fighting scenes. The tight clothing and muscular appearance of the man on the action film poster appeals to the target audience and promotes a sense of masculinity and power.
evaluation
The combination of the main film project and its ancillary materials like the film review and poster are effective. Key images and concepts from the film are used in the ancillary materials, linking all the pieces together and showing they are for the same film. Major film productions also use a consistent visual language across these materials. The film, review, and poster all depict the complex representations of gender in the film, showing both the loving and abusive sides of male characters and the caring yet vulnerable depictions of female characters. This consistency across the materials makes for an impactful combination that reflects the film's exploration of everyday relationship dynamics.
Movie poster comparisons
The document compares the movie posters of Bridesmaids and Expendables 2 to contrast how they appeal to different audiences. The Bridesmaids poster uses bright colors and shows women standing confidently, appealing to female viewers. The Expendables 2 poster has a dark, explosive feel with fire and built, angry men holding weapons to interest male viewers stereotypically interested in action and fighting. Both posters represent the expected genres through visuals, fonts, and stylistic choices that match expected audience interests.
Question 2 Evaluation
The document discusses how the film represents social groups through its characters. It follows crime/thriller genre conventions by featuring a mysterious male protagonist dressed professionally who keeps his face hidden. His secretary is also stereotypically female. Like the video game Hitman, the protagonist hardly speaks and focuses on his job. The film is similar to Collateral in featuring a seemingly normal man with a dark secret life as a killer. It aims to portray stereotypical gender roles of the time through the receptionist character.
rom com & action (E . Enio
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
Bridget Jones: Edge of Reason & EXPENDABLES 3: (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
BRIDGET JONES & EXPENDABLES 3 - (E . ENIOLA O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotions and romantic pursuits of female protagonists. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for love. Additionally, it states that action movies tend to feature darker colors and portray male characters as strong, tough, and fearless to appeal to a male audience.
333333rom com n2 (1) (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for the right man. Additionally, it states that action movies tend to feature darker colors like metallic and dark blue in their marketing to portray male characters as strong, tough, and fearless.
Recommended
Romcom&action
Romcom films target mid-teen females as their main audience. They combine elements of romance and comedy. Males generally do not relate as much to romcoms. Action films appeal more to males, as they feature heroes facing challenges and dangers. They often contain violence and fighting scenes. The tight clothing and muscular appearance of the man on the action film poster appeals to the target audience and promotes a sense of masculinity and power.
evaluation
The combination of the main film project and its ancillary materials like the film review and poster are effective. Key images and concepts from the film are used in the ancillary materials, linking all the pieces together and showing they are for the same film. Major film productions also use a consistent visual language across these materials. The film, review, and poster all depict the complex representations of gender in the film, showing both the loving and abusive sides of male characters and the caring yet vulnerable depictions of female characters. This consistency across the materials makes for an impactful combination that reflects the film's exploration of everyday relationship dynamics.
Movie poster comparisons
The document compares the movie posters of Bridesmaids and Expendables 2 to contrast how they appeal to different audiences. The Bridesmaids poster uses bright colors and shows women standing confidently, appealing to female viewers. The Expendables 2 poster has a dark, explosive feel with fire and built, angry men holding weapons to interest male viewers stereotypically interested in action and fighting. Both posters represent the expected genres through visuals, fonts, and stylistic choices that match expected audience interests.
Question 2 Evaluation
The document discusses how the film represents social groups through its characters. It follows crime/thriller genre conventions by featuring a mysterious male protagonist dressed professionally who keeps his face hidden. His secretary is also stereotypically female. Like the video game Hitman, the protagonist hardly speaks and focuses on his job. The film is similar to Collateral in featuring a seemingly normal man with a dark secret life as a killer. It aims to portray stereotypical gender roles of the time through the receptionist character.
rom com & action (E . Enio
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
Bridget Jones: Edge of Reason & EXPENDABLES 3: (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
BRIDGET JONES & EXPENDABLES 3 - (E . ENIOLA O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotions and romantic pursuits of female protagonists. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for love. Additionally, it states that action movies tend to feature darker colors and portray male characters as strong, tough, and fearless to appeal to a male audience.
333333rom com n2 (1) (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for the right man. Additionally, it states that action movies tend to feature darker colors like metallic and dark blue in their marketing to portray male characters as strong, tough, and fearless.
Film analysis essay
This document discusses different approaches to analyzing films, including genre analysis and auteur theory. Genre analysis examines how a film adheres to or breaks from the typical codes and conventions of its genre, such as narrative structure, characters, themes, and ideology. Auteur theory focuses on how a director may break conventions to impose their own style. Examples provided include Mean Girls following teen rom-com conventions, while Napoleon Dynamite and Pulp Fiction break conventions in unique ways through characters and nonlinear narratives. Both theories consider how films use setting, characters, and other elements in conventional or unconventional ways.
Charles whelan poster analysis
The poster for Anchorman uses various techniques to advertise the movie, including featuring the well-known lead actor Will Ferrell prominently above the title. The bold blue background and flamboyant outfits of the characters imply the film's genre as a comedy set in the era when anchorman was exclusively a male role. The positioning and expressions of the characters also represent the workplace hierarchy within the film's television news team.
Unit 4 gender targeted in posters
The Fast & Furious 5 movie poster targets male audiences by featuring muscular male actors, basic colors, and cars that suggest racing. It includes two female characters to attract a broader audience. The Mean Girls poster targets young female audiences with pink and purple colors, by isolating one girl from three "mean" girls to suggest conflict, and with the tagline "Watch your back" to indicate drama. Both films are rated PG and deal with topics like relationships that would interest their intended teenage audiences.
Evaluation question 2
The document discusses how the media product represents different social groups through stereotypes. The villain is portrayed as a criminal wearing a hoodie and dark clothing, representing stereotypes of villains. The villain and characters are described as being of a normal and low social class. The film opening only includes males, aiming to portray male stereotypes of being strong and powerful. The target audience is described as being 20-30 year old males. The race represented is only white people, portrayed as strong.
Genre analysis
1) The document discusses genre analysis in film, focusing on the romantic drama genre.
2) Romantic drama revolves around two people in love facing an obstacle to their relationship, such as differences in class, religion, or age.
3) Examples of notable romantic drama films include "Charlie St. Cloud", "Casablanca", "Water for Elephants", and "A Walk to Remember".
Deconstructions
This document summarizes and analyzes the cover of a magazine focused on rap music. It discusses the dominant image of Eminem on the cover, with his serious expression summarizing the serious tone of the magazine. His clothing and tattoos are analyzed in the context of how he views himself versus how others see him. The contents page and cover layout are also summarized, noting the emphasis on advertising and focusing on important articles. Finally, the lead story on Eminem is outlined, discussing his upbringing and struggles along with his career successes, though leaving out some personal details.
Evaluation question2
The document discusses how the media product represents social groups and challenges stereotypes. It notes that in the opening scene, a male character is portrayed vulnerably to challenge stereotypes. Both male and female news reporters are shown as equals through camera angles. The rest of the film would feature females in lead roles to portray them as stronger. Young people are shown as laid back at first, challenging stereotypes of them being thrill-seeking. Men are portrayed as vulnerable through a dream sequence, challenging the stereotype of them being superior. No parents are present to show the characters are alone and vulnerable without guidance.
Evaluation: Question 1 - 2
The document discusses the film "The Intimidation Game" and how it was inspired by and develops conventions from the films "Taken" and "Silence of the Lambs." Specifically:
- The film combines the plotlines of a daughter being kidnapped, as in "Taken," and having a serial killer antagonist, as in "Silence of the Lambs."
- The main character Michael Anderson is a detective, drawing from the character in "Taken." His daughter Sarah is also kidnapped, making her vulnerable like the daughter in "Taken."
- Shots and lighting are used to obscure the killer Jacob Duffy's face, similar to techniques used to show the traffickers in "Taken."
evaluation
The combination of the main film project and its ancillary tasks (film poster and film review) are effective. Concepts from the film are used in the ancillary tasks, like shots from the film appearing in the poster and review, linking all three together. Major films also use the same conventions of posters and reviews displaying images to represent the film. The poster and review for this film suggest a happy young couple but also hint that something bad may happen involving the male character and a steering wheel. Both ancillary tasks feature the main characters and effectively represent the film's exploration of gender roles and domestic violence.
Conventions
The document discusses conventions and elements of romantic comedies. It proposes a plot where the main protagonist, who is one of four best friends, falls for one of the girls in the group. This causes problems and ruins their friendship. The narrative aims to subvert conventions by having the male protagonist need saving and the female be the hero who resolves the issue. It also discusses the categories romantic comedy narratives fall into, selecting the "Slumming It" type where class differences cause conflict.
How do we analyse a film
This document discusses genre analysis and auteur theory in film. It provides examples of films that follow genre conventions like Quantum of Solace, as well as those that break conventions, such as Apocalypse Now. Key aspects of genre analysis are discussed, including codes/conventions, setting, characters, narrative, iconography, and ideological messages. Auteur theory is also examined through directors like Luc Besson, Quentin Tarantino, and Jared Hess, whose films often break conventions. In conclusion, genre analysis looks at common elements in films of a genre, while auteur theory considers a director's unique style that may subvert genre expectations.
Pr4 how do we analyse film
This document discusses techniques for analyzing films, including genre analysis and auteur theory. Genre analysis examines elements like character, narrative, iconography, setting and style/technical codes to establish a film's genre. Auteur theory focuses on directors whose films have a distinctive and consistent style. The document then provides examples of applying these analytical techniques to various films, such as A Walk Among the Tombstones, Leon, Mean Girls, and Napoleon Dynamite, discussing how they adhere to or modify typical genre conventions.
Romantic Comedy genre conventions
Romantic comedies, also known as rom coms or chick flicks, feature lighthearted humor and focus on the idea that true love can overcome any obstacles. They typically involve a complicated love story between two protagonists who are meant for each other that ends happily. Directors provide hints that the protagonists are a match, like common interests or constantly bumping into each other. Romantic comedy subgenres include films that adopt extreme circumstances for the characters, explore more serious adult themes, or flip conventions by not providing the expected happy ending.
Treatment for my film
The document provides details about a proposed film titled "Brother Hood" including:
- The film is a 90-minute drama exploring class divisions in British society through the story of identical twins separated at birth and raised in different social classes.
- Key scenes include one twin attempting to kill the other after discovering they are secretly dating the same girl, and the moment their mother is offered money to give up one of the newborn twins.
- The film aims to represent the British classification system and how life circumstances can change based on class, targeting a youth audience of 15-25 year olds.
Romantic genre
The document discusses the romantic genre in film. Romantic films typically focus on the love story or relationship between a leading man and woman. They involve courtship, marriage, emotion, and following the journey of the characters' love. Some conventions of romantic films include romantic scenes set in cities or beaches, holidays together like honeymoons, and arguments between the couple. Successful romantic films also often include a protective father figure or disapproving mother for the characters to overcome.
Presentation2
This document analyzes how gender stereotypes are represented in a student film. It notes that the male character, Adam, is given more focus and portrayed as the dominant, fearless protector. Scenes are framed and edited to position Adam as taking charge when investigating the power outage. His clothing also fits the stereotype of being in authority. In contrast, the female character Karen seems more scared and is framed and dressed in a way that depicts her as less important. Through elements like camera angles, shot composition, sound, and editing, the film reinforces stereotypes of males having more power and status than females in the relationship.
Research log proforma EF
This document is a research log containing information from various sources about extracurricular activities. It includes the definitions of "extracurricular" from a dictionary, details on extracurricular programs at a school, and primary research from interviews with a tutor and classmate about their extracurricular experiences. The log was created on various dates in September 2014 to gather information for a radio program.
Edon bollywood
Bollywood films are being shown in UK cinemas because there is a large Asian population that is likely to watch them. Examples given include the films Roy and Kaakki Sattai showing at various VUE cinemas, and Badlapur showing at multiple Odeon locations in the UK. Additionally, the Bollywood films Dhoom 3 and Kaakki Sattai made $85 million and $2.4 million worldwide respectively, demonstrating the potential for financial success by showing these films in UK cinemas.
Edon economic classification
This document outlines different socioeconomic classes from upper middle class to the lowest level of income. It then states that media companies aim to target the upper middle class, middle class, and lower middle class as they have more disposable income to spend on movies. However, it notes that many students who have free time also frequently go to movies but are not recognized as a target audience.
Grimshaw research EF
The document outlines various research questions about the Nick Grimshaw Breakfast Show radio program and proposes methods for finding answers to each question. It suggests using sources like the BBC website, listening to episodes of the show, and conducting a questionnaire to gather both qualitative and quantitative data on topics like the broadcast schedule, audience size and demographics, production process, content of discussions, guest stars, public opinions, language used, and presence of co-hosts.
grimshaw research table EF
This document describes and compares different research methods including interviews, questionnaires, focus groups, surveys, internet research, and library research. Interviews are one-on-one conversations that provide qualitative primary data but are time-consuming. Questionnaires are sheets of questions that provide qualitative primary data through self-reported answers quickly and easily but lack detail. Focus groups are discussions with multiple people that provide qualitative primary data through group interactions but are more expensive. Surveys provide quantitative primary data through limited answer choices but responses may be untruthful. Internet and library research provide secondary data through online searching and books, but information sources cannot always be relied upon to be accurate or comprehensive.
Edon young and rubicams consumers
This document segments the population into four groups based on their motivations and priorities: Mainstreams prioritize security and belonging to a group; Aspires seek status and esteem through material symbols; Succeeders already have status and control; Reformers define themselves through self-esteem, self-fulfillment, and are socially aware. It notes the advantage of this classification is that it is not based on wealth but on personality and interests.
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Film analysis essay
This document discusses different approaches to analyzing films, including genre analysis and auteur theory. Genre analysis examines how a film adheres to or breaks from the typical codes and conventions of its genre, such as narrative structure, characters, themes, and ideology. Auteur theory focuses on how a director may break conventions to impose their own style. Examples provided include Mean Girls following teen rom-com conventions, while Napoleon Dynamite and Pulp Fiction break conventions in unique ways through characters and nonlinear narratives. Both theories consider how films use setting, characters, and other elements in conventional or unconventional ways.
Charles whelan poster analysis
The poster for Anchorman uses various techniques to advertise the movie, including featuring the well-known lead actor Will Ferrell prominently above the title. The bold blue background and flamboyant outfits of the characters imply the film's genre as a comedy set in the era when anchorman was exclusively a male role. The positioning and expressions of the characters also represent the workplace hierarchy within the film's television news team.
Unit 4 gender targeted in posters
The Fast & Furious 5 movie poster targets male audiences by featuring muscular male actors, basic colors, and cars that suggest racing. It includes two female characters to attract a broader audience. The Mean Girls poster targets young female audiences with pink and purple colors, by isolating one girl from three "mean" girls to suggest conflict, and with the tagline "Watch your back" to indicate drama. Both films are rated PG and deal with topics like relationships that would interest their intended teenage audiences.
Evaluation question 2
The document discusses how the media product represents different social groups through stereotypes. The villain is portrayed as a criminal wearing a hoodie and dark clothing, representing stereotypes of villains. The villain and characters are described as being of a normal and low social class. The film opening only includes males, aiming to portray male stereotypes of being strong and powerful. The target audience is described as being 20-30 year old males. The race represented is only white people, portrayed as strong.
Genre analysis
1) The document discusses genre analysis in film, focusing on the romantic drama genre.
2) Romantic drama revolves around two people in love facing an obstacle to their relationship, such as differences in class, religion, or age.
3) Examples of notable romantic drama films include "Charlie St. Cloud", "Casablanca", "Water for Elephants", and "A Walk to Remember".
Deconstructions
This document summarizes and analyzes the cover of a magazine focused on rap music. It discusses the dominant image of Eminem on the cover, with his serious expression summarizing the serious tone of the magazine. His clothing and tattoos are analyzed in the context of how he views himself versus how others see him. The contents page and cover layout are also summarized, noting the emphasis on advertising and focusing on important articles. Finally, the lead story on Eminem is outlined, discussing his upbringing and struggles along with his career successes, though leaving out some personal details.
Evaluation question2
The document discusses how the media product represents social groups and challenges stereotypes. It notes that in the opening scene, a male character is portrayed vulnerably to challenge stereotypes. Both male and female news reporters are shown as equals through camera angles. The rest of the film would feature females in lead roles to portray them as stronger. Young people are shown as laid back at first, challenging stereotypes of them being thrill-seeking. Men are portrayed as vulnerable through a dream sequence, challenging the stereotype of them being superior. No parents are present to show the characters are alone and vulnerable without guidance.
Evaluation: Question 1 - 2
The document discusses the film "The Intimidation Game" and how it was inspired by and develops conventions from the films "Taken" and "Silence of the Lambs." Specifically:
- The film combines the plotlines of a daughter being kidnapped, as in "Taken," and having a serial killer antagonist, as in "Silence of the Lambs."
- The main character Michael Anderson is a detective, drawing from the character in "Taken." His daughter Sarah is also kidnapped, making her vulnerable like the daughter in "Taken."
- Shots and lighting are used to obscure the killer Jacob Duffy's face, similar to techniques used to show the traffickers in "Taken."
evaluation
The combination of the main film project and its ancillary tasks (film poster and film review) are effective. Concepts from the film are used in the ancillary tasks, like shots from the film appearing in the poster and review, linking all three together. Major films also use the same conventions of posters and reviews displaying images to represent the film. The poster and review for this film suggest a happy young couple but also hint that something bad may happen involving the male character and a steering wheel. Both ancillary tasks feature the main characters and effectively represent the film's exploration of gender roles and domestic violence.
Conventions
The document discusses conventions and elements of romantic comedies. It proposes a plot where the main protagonist, who is one of four best friends, falls for one of the girls in the group. This causes problems and ruins their friendship. The narrative aims to subvert conventions by having the male protagonist need saving and the female be the hero who resolves the issue. It also discusses the categories romantic comedy narratives fall into, selecting the "Slumming It" type where class differences cause conflict.
How do we analyse a film
This document discusses genre analysis and auteur theory in film. It provides examples of films that follow genre conventions like Quantum of Solace, as well as those that break conventions, such as Apocalypse Now. Key aspects of genre analysis are discussed, including codes/conventions, setting, characters, narrative, iconography, and ideological messages. Auteur theory is also examined through directors like Luc Besson, Quentin Tarantino, and Jared Hess, whose films often break conventions. In conclusion, genre analysis looks at common elements in films of a genre, while auteur theory considers a director's unique style that may subvert genre expectations.
Pr4 how do we analyse film
This document discusses techniques for analyzing films, including genre analysis and auteur theory. Genre analysis examines elements like character, narrative, iconography, setting and style/technical codes to establish a film's genre. Auteur theory focuses on directors whose films have a distinctive and consistent style. The document then provides examples of applying these analytical techniques to various films, such as A Walk Among the Tombstones, Leon, Mean Girls, and Napoleon Dynamite, discussing how they adhere to or modify typical genre conventions.
Romantic Comedy genre conventions
Romantic comedies, also known as rom coms or chick flicks, feature lighthearted humor and focus on the idea that true love can overcome any obstacles. They typically involve a complicated love story between two protagonists who are meant for each other that ends happily. Directors provide hints that the protagonists are a match, like common interests or constantly bumping into each other. Romantic comedy subgenres include films that adopt extreme circumstances for the characters, explore more serious adult themes, or flip conventions by not providing the expected happy ending.
Treatment for my film
The document provides details about a proposed film titled "Brother Hood" including:
- The film is a 90-minute drama exploring class divisions in British society through the story of identical twins separated at birth and raised in different social classes.
- Key scenes include one twin attempting to kill the other after discovering they are secretly dating the same girl, and the moment their mother is offered money to give up one of the newborn twins.
- The film aims to represent the British classification system and how life circumstances can change based on class, targeting a youth audience of 15-25 year olds.
Romantic genre
The document discusses the romantic genre in film. Romantic films typically focus on the love story or relationship between a leading man and woman. They involve courtship, marriage, emotion, and following the journey of the characters' love. Some conventions of romantic films include romantic scenes set in cities or beaches, holidays together like honeymoons, and arguments between the couple. Successful romantic films also often include a protective father figure or disapproving mother for the characters to overcome.
Presentation2
This document analyzes how gender stereotypes are represented in a student film. It notes that the male character, Adam, is given more focus and portrayed as the dominant, fearless protector. Scenes are framed and edited to position Adam as taking charge when investigating the power outage. His clothing also fits the stereotype of being in authority. In contrast, the female character Karen seems more scared and is framed and dressed in a way that depicts her as less important. Through elements like camera angles, shot composition, sound, and editing, the film reinforces stereotypes of males having more power and status than females in the relationship.
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Research log proforma EF
This document is a research log containing information from various sources about extracurricular activities. It includes the definitions of "extracurricular" from a dictionary, details on extracurricular programs at a school, and primary research from interviews with a tutor and classmate about their extracurricular experiences. The log was created on various dates in September 2014 to gather information for a radio program.
Edon bollywood
Bollywood films are being shown in UK cinemas because there is a large Asian population that is likely to watch them. Examples given include the films Roy and Kaakki Sattai showing at various VUE cinemas, and Badlapur showing at multiple Odeon locations in the UK. Additionally, the Bollywood films Dhoom 3 and Kaakki Sattai made $85 million and $2.4 million worldwide respectively, demonstrating the potential for financial success by showing these films in UK cinemas.
Edon economic classification
This document outlines different socioeconomic classes from upper middle class to the lowest level of income. It then states that media companies aim to target the upper middle class, middle class, and lower middle class as they have more disposable income to spend on movies. However, it notes that many students who have free time also frequently go to movies but are not recognized as a target audience.
Grimshaw research EF
The document outlines various research questions about the Nick Grimshaw Breakfast Show radio program and proposes methods for finding answers to each question. It suggests using sources like the BBC website, listening to episodes of the show, and conducting a questionnaire to gather both qualitative and quantitative data on topics like the broadcast schedule, audience size and demographics, production process, content of discussions, guest stars, public opinions, language used, and presence of co-hosts.
grimshaw research table EF
This document describes and compares different research methods including interviews, questionnaires, focus groups, surveys, internet research, and library research. Interviews are one-on-one conversations that provide qualitative primary data but are time-consuming. Questionnaires are sheets of questions that provide qualitative primary data through self-reported answers quickly and easily but lack detail. Focus groups are discussions with multiple people that provide qualitative primary data through group interactions but are more expensive. Surveys provide quantitative primary data through limited answer choices but responses may be untruthful. Internet and library research provide secondary data through online searching and books, but information sources cannot always be relied upon to be accurate or comprehensive.
Edon young and rubicams consumers
This document segments the population into four groups based on their motivations and priorities: Mainstreams prioritize security and belonging to a group; Aspires seek status and esteem through material symbols; Succeeders already have status and control; Reformers define themselves through self-esteem, self-fulfillment, and are socially aware. It notes the advantage of this classification is that it is not based on wealth but on personality and interests.
Auteur theory
The document discusses auteur theory in film and music videos. It provides background on the origins of auteur theory from French New Wave directors like Francois Truffaut. An auteur is a director, filmmaker, or music video director whose signature style is recognizable in their work. The document examines several music video directors as potential auteurs, including Chris Cunningham and Samuel Bayer. It analyzes some of their music videos to identify signature techniques, styles, and themes that suggest they have achieved auteur status.
Nick grimshaw evidence EF
This document summarizes research conducted on Nick Grimshaw's radio show broadcast on BBC Radio 1. Websites are cited to find information on broadcast times, frequency, listener numbers, production process, comparisons to similar shows, guest stars, audience feedback, and language used. The show discusses celebrities, pop culture, music and sports with guest stars like Russell Brand and Tulisa. While aimed at a young audience, the language balances slang with a more formal tone befitting the BBC.
Bbfc rating edon powerpoint EF
The document discusses the British board film classification ratings system. It explains that U rated films are suitable for preschool children and contain no violence. PG rated films are generally suitable for children but may contain mild language or scenes unsuitable for young kids. Films rated 12A and 12 are not suitable for unaccompanied children under 12 and may contain stronger language or violence. Films rated 15 and 18 are restricted to older teenagers and adults respectively and can contain graphic violence, strong language, sexual content and nudity.
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Film posters research
The document discusses different genres of film posters and common design elements used for each genre. For romance film posters, the main elements typically include a close shot of the two main characters, with the female character as the main focus. The color schemes, images, and text used aim to convey the romantic relationship at the center of the film's narrative. Analysis of five romance film posters shows common traits like positioning the characters close together and using taglines or backgrounds to provide context about the story.
rom com action and war analysis
This document summarizes the key elements of a romantic comedy (rom-com) movie poster that target female audiences. It notes that rom-coms typically feature lighthearted plots focused on true love overcoming obstacles. The poster uses bright colors, depicts the main characters (a nervous female and relaxed male sitting closely on a beach), and features a casual tagline to signal it is a comedy for teenage girls and women. Bold red text is used consistently for the title and release date to draw attention.
Romcom & action
The document discusses different genres of films including romcoms, action movies, Disney films, and war films. It provides definitions and analyzes examples for each genre. For romcoms, it defines them as light-hearted comedies focused on romance and defines common tropes. For action movies, it notes they involve challenges, violence, and feats and attract male audiences. Disney films are summarized as using bright colors and featuring good and bad characters to attract child audiences. War films are said to target adult males with dull colors, violence, and soldier/weapon imagery.
Presentation1
Rom-com movies target young female audiences through their lighthearted plots focusing on love overcoming obstacles, as well as colorful posters and imagery. These films do not generally appeal to male audiences, who may not find the stories as interesting. The document then analyzes several movie posters, noting how elements like characters, colors, and background settings are used to convey a sense of the genre and target particular demographic groups.
Poster analysis
The document analyzes and compares two movie posters - one for the film "Four Christmases" and one for the film "Iron Man 2" - to understand how they target different audiences.
The "Four Christmases" poster features a woman in formal clothing to appeal to female viewers by depicting a character they can relate to. Elements like presents and a ribbon tied around the couple are meant to show love and appeal to what women want to see.
In contrast, the "Iron Man 2" poster features a man in formal clothing and adds elements like missiles, explosions and helicopters to appeal to male viewers by including action and drama. It depicts the protagonist as larger than others to portray a heroic fighter. Dark
Ladies First
The poster analyzes the key elements of a movie poster titled "Ladies First". The title implies the plot will focus on the love story between the main female and male characters. Dark floral colors and a natural background suggest the narrative will have a dark, depressing tone. The positioning of the characters gazing into each others' eyes indicates they have a strong, passionate relationship. The production company featured is not well-known but is promoting on social media to expand its audience.
Audience Research Gender And Disney/Action
The document analyzes how a movie poster targets different audiences. It discusses techniques used to appeal to female audiences such as the leading lady's dress and posture suggesting intelligence and the color red symbolizing love. It also examines how the poster attracts male viewers through depictions of the handsome hero, action scenes, and iconic city backgrounds. Overall, the poster aims to widen its audience by representing different types of male characters and genres like comedy and drama that would draw varied viewers.
Evaluation question 2
This document analyzes the use of gender stereotypes in the filmmaker's short film. It notes that casting a female actor as the nurse role uses the stereotype of nursing being a female profession. It also points out that the main character Summer is portrayed as more emotional than the male character Tom, playing into stereotypes of women being more openly emotional. However, it acknowledges some of these decisions could also be due to the story being told from Summer's perspective. Overall, the document provides a detailed examination of both the intentional and unintentional use of common gender stereotypes in the film's characters, shots, and storyline.
Evaluation question 2
The document discusses how social groups are represented in the filmmaker's thriller film. It notes that most characters in thrillers are typically older but they cast younger actors due to resource limitations. Males are often portrayed as antagonists using power and dominance while females are usually depicted as vulnerable victims. The film follows conventions by having the investigation prompted by the death of a female character who is not shown on screen. Class and age are represented through characters' professions and costumes, with most appearing middle-class and between ages 18-22 to fit within their casting abilities.
eom com n2
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotions and romantic pursuits of female leads. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their search for love. Additionally, it examines how action movie posters tend to feature darker colors and portray male characters as strong, tough, and fearless through their clothing, poses, and roles.
rom-com & action (E . Eniola O)
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, observing that the colors purple, pink, and white in the poster for "Bridget Jones: The Edge of Reason" are meant to portray women as pure, innocent, and beautiful in their search for the right man. Additionally, it states that action movies tend to feature darker colors like metallic and dark blue in their marketing to portray male characters as strong, tough, and fearless.
Bridget Jones: Edge of Reason & Expendables 3
The document discusses romantic comedy films and their target audiences. It notes that romantic comedies often use the colors pink, red, and white in their marketing and focus on the emotional journey of the female protagonist finding love. The document also analyzes specific movie posters, pointing out how colors like purple, pink, and white are meant to portray female characters as pure and innocent in their pursuit of the right male partner. Additionally, it examines how action movie posters tend to use darker colors like metallic and dark blue to portray male characters as strong, tough, and fearless.
Media evaluation question 1
The document discusses how the film "Finding Mrs Simon" uses and challenges conventions of romance comedy films. It uses typical romance comedy characters like a geeky male lead and potential love interests, but challenges expectations by telling the story from the male's point of view and portraying him as clumsy rather than masculine. The narrative structure jumps back and forth in time rather than following a linear story. Costumes and props are used for their comedic effect. The film aims to feel both familiar enough to be enjoyed as a romance comedy, but also different enough to seem fresh.
Two cars one night film analysis
The short film "Two Cars, One Night" directed by Taika Waititi in 2004 follows two young children, a boy and a girl, who meet outside a pub and begin to develop feelings for each other. The film uses conventions of the romance genre like the meet-cute trope to portray the blossoming relationship between the shy female character and more forward male character within the limited 12-minute runtime. Camera shots and dialogue are used to show the progression of the relationship from initial bitterness to smiling and laughing together by the end.
2 Analysing Existing Products
The document analyzes the trailer and plot of the romantic comedy film "A Cinderella Story". It summarizes the plot, which is a modern remake of Cinderella where the main character Sam struggles against her mean stepmother and stepsisters. It discusses the use of non-diegetic and diegetic music in the trailer to set the fairytale and romantic tones. Screenshots are analyzed showing stereotypical romantic comedy scenes and characters.
Analysing Existing Products
The document analyzes trailers and posters for several romantic comedy films including A Cinderella Story, She's The Man, and American Pie 2. It discusses common conventions seen in romantic comedy genres, such as stereotypical characters, light-hearted music, upbeat pacing, and happy endings. Screenshots from the trailers are analyzed to show how they represent elements of teen romantic comedies like costumes, settings, and cinematography.
Research into film magazines
The document discusses conventions for magazine covers promoting different genres of films. Horror film covers typically use dark colors like red and blue to seem menacing. Action film covers usually show a scene behind the lead actor with blues and grays. Romantic comedy covers often feature the lead actor out of character using reds and pinks. The document also analyzes specific magazine covers promoting films like Sherlock Holmes, Harry Potter, and movies featuring actress Megan Fox. It provides an example of a poorly designed cover for the film Paranormal Activity that is misleading and does not effectively promote the movie.
Film poster analysis 2
The film poster for Mean Girls uses purple shades that make it look feminine and eye-catching, fitting the genre. The bolder "mean" compared to "girls" highlights the genre. The tagline is large to emphasize the genre. Credits are horizontally across the bottom to avoid looking inconvenient and fit the structure. The positioning of the actresses' names fits the film's theme and genre well.
The film still shows four main characters - the girls - positioned to show their attitudes towards each other. Lindsay Lohan attracts most attention through her posture, clothing, and expression. The setting is a high school, evident from lockers and students in the background. Bright pink and eye-catching colors highlight the
9frame
The film trailer summarizes the romance film "The Vow" through a series of images that establish the happy relationship between the two main characters at the beginning, show intimacy between them, and their life as a married couple. When a disruption occurs, both characters experience hurt and struggle, with the male character feeling helpless and distraught without the female character remembering him. The trailer uses techniques like over-the-shoulder shots and character reactions to build empathy and engage the target female audience emotionally. It follows a typical genre structure of establishing normalcy, introducing disruption, and hinting at a resolution.
Representation of gender - doctor who
The document discusses how the technical elements of camera work, editing, sound, and mise en scene are used in a Dr. Who episode to both construct and challenge stereotypical representations of gender. It provides examples of how low camera angles make the male character seem powerful while high angles diminish the female. Flashbacks edited with saturated colors draw attention to the female character's story. Strong male dialogue and laughing female dialogue subvert expectations. Costuming also challenges norms, with the powerful female hero dressed in black rather than stereotypical female attire.
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Eval 2
The combination of the filmmaker's short film and ancillary texts like film reviews and posters were important to tie them together and make the short film have more impact. The texts provided context about the build up and aftermath of the film. Key symbols like a clock were featured in both the film and poster to represent the main theme of time. Consistent visual elements and a plain backdrop in both the film and texts kept the focus on the protagonist and his story. Similar colors and effects were used in both to connect the pieces.
Eval 1
The document discusses a student's short documentary film project about their 90-year-old grandfather. To follow documentary conventions, the film tells a story through a series of photographs and video clips showing the progression of the grandfather's life. Scenes of him speaking in his armchair used natural lighting and an uncluttered background. Opening and closing shots of a cuckoo clock symbolized the passing of time. Post-production effects on the clock made it more appealing and eye-catching. Overall, the film creates a unique, creative story that develops over time and highlights key life moments from the perspective of a 90-year-old man to attract and involve the audience.
Music video idea
The video would have a dark, desaturated style to create a depressing mood. It would show the two artists standing alone on different dark roads, with the camera panning in for close-ups of their bloody faces as they sing. The camera would do 360 pans between the roads, revealing the artists arguing with the same woman or walking alone down the roads, with extreme close-ups emphasizing their frustration and singing of the lyrics. Ultimately, the roads would converge, with the woman at their intersection.
Video idea weeknd -Amad Islam
The video would have a dark, desaturated look to create a depressing mood. Scenes would include long shots of the artists standing alone on dark roads, then close-ups of their bloody faces as they sing. The camera would track them as they walk and sing. It would also show one artist arguing with a woman, then pan to the other artist with the same woman, implying disloyalty. Throughout, the camera work would transition between the artists in different locations to tell the story through their perspectives and movements as they sing the dark lyrics.
The weeknd feat ed sheeran Dark Times Lyric Analysis (Amad Islam)
Ed Sheeran describes waking up bruised and hungover, having drunk too much the night before and gotten into a fight. He warns that this isn't the right time to fall in love with him, as he knows his lies can't be believed. Both Ed Sheeran and The Weeknd reference their past struggles with drugs, alcohol, and unstable lifestyles before fame. They acknowledge issues they are still trying to overcome that could undermine their success if not addressed. The Weeknd recalls using cocaine, getting into fights, and choosing a life of substance abuse and chaos.
The weeknd lyric analysis By Amad Islam
The song "High for This" by The Weeknd describes a sexual encounter where he mentally prepares a woman for what is about to happen. He tells her they will have sex and do drugs together, reassuring her that she doesn't need to worry because he will be with her. As the drugs take effect, he tells her to breathe and relax while promising they will have a good time. He eliminates any doubts by saying to trust him as he knows she wants to experience this feeling.
Imvdb
The document analyzes research from IMVDb on music charts and popular music videos. It finds that the target audience prefers hip-hop and pop genres, especially recent pop videos by artists like Sia, David Guetta, and Rudimental. This research will help decide which genre of music to focus on going forward.
Analysisoflyrics 111010192016-phpapp01
1) Lupe Fiasco meets a girl at a club and is instantly captivated by her beauty and intelligence.
2) He expresses his growing love for her through poetic metaphors and promises to protect her.
3) At the end of the song, Lupe assures the girl that he wants their relationship to last beyond a typical short-lived club romance and promises to see her in the morning.
Beyonce - dance for you
This music video portrays Beyoncé dancing seductively for her male love interest in a 1940s style setting. Voyeurism is prominently featured through close-ups of the intimate dancing and longing gazes between Beyoncé and the man. The video follows the conventions of R&B by including a choreographed dance routine to promote the artist. It depicts a stereotypical power dynamic between the male boss and female secretary but aims to empower women through Beyoncé's display of control through her dancing.
British board of film classication (bbfc)
The British Board of Film Classification (BBFC) regulates films and videos in the UK. It is a non-governmental organization that provides age ratings to films such as U, PG, 12A, 15, and 18. The BBFC recognizes adult freedom of choice, protects the public (especially children) from harmful content, and helps parents make informed viewing choices for their children. The document then provides detailed descriptions of the content allowed or implied for each age rating.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as other factors like leisure activities may be more important than income alone.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document discusses two methods for categorizing audiences: Young and Rubicam's Four Consumers model and socio-economic class. Young and Rubicam divides people into four categories based on personality - Mainstreamers, Aspirers, Succeeders, and Reformers. The socio-economic model classifies people into six classes based on income - A through E. Both are useful for media targeting, but the socio-economic model is limited as it only considers income and not other factors like leisure activities.
3 different ways of classifying audiences
The document describes several systems for categorizing consumers:
- Young and Rubicam's Four Consumers model divides people into Mainstreamers, Aspirers, Succeeders, and Reformers based on psychological attributes rather than income.
- Their socio-economic class system ranks people from A to E based on income and occupation.
- Life Matrix segments audiences based on lifestyle and values rather than demographic factors.
Final Sketch Evaluation - 4018
The student created a final drawing of a potion using Photoshop. They first hand drew the potion and then scanned it into Photoshop to color and add details digitally. It was difficult to control the pen at first but got easier with practice. The student used various colors like light blue, dark brown, and different shades of pink to create realistic effects like bubbles and shading. They used tools like the blur tool and size-adjustable brushes. In the end, the student felt they successfully created a realistic looking digital image meeting the goals of the project.
Unit 13 assignment 1 report
This document discusses digital graphics technology, describing features of vector and bitmap images. Vector images are resolution-independent and scalable without quality loss, using mathematical expressions to represent lines and shapes. Bitmap images are made up of pixels that lose quality when resized. The document provides examples of how vector and bitmap images differ when resized, and discusses image capturing, output methods for print and screen, storage considerations like file size and organization, and naming conventions.
Analysis For Attack The Block - 4018
1) Attack the Block was released in 2011 and was directed by Joe Cornish with production companies including The UK Film Council and Studio Canal. It had a budget of £8 million and made $5,824,175.
2) The film is a science fiction horror set in a London council estate about teenagers who encounter an alien invasion. It is rated 15 for violence, drug use, and gore.
3) The movie poster depicts a diverse group of teenagers from the council estate ready to battle the aliens, showing the working class setting and themes of fighting and violence.
Focus Group - 4018
The document outlines questions from a focus group about a film trailer. It asks for opinions on whether the trailer was effective and enjoyable, what genre it represents, how it could be improved, and favorite parts. It explains that the filmmaker created a focus group of 12 friends and family to get feedback on the trailer by showing it and having them answer questions. Most feedback suggested making the trailer look less like a drama and more realistic.
Audience Research - 4018
Audience research is conducted to gather information about what audiences want to watch and their personalities. There are several methods for conducting audience research, including focus groups, questionnaires, box office takings, and test screenings. Focus groups involve interviewing a small group of people to discuss their opinions in an interactive setting, but the results may not represent the larger population. Questionnaires can be inexpensive and gather a lot of data quickly from many people, but responses may be biased by wording and response rates may be low. Box office takings refer to the financial success of a film based on the number of viewers and money made, which depends on the quality of the movie. Test screenings allow audiences to provide feedback on a movie before
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6:个人职称评审加20分
7:个人信誉贷款加10分
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一比一原版(LSBU毕业证书)伦敦南岸大学毕业证如何办理
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二.真实使馆公证(即留学回国人员证明,不成功不收费)
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如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微6496090】
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◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(LSBU毕业证书)伦敦南岸大学毕业证【微信：6496090 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
AHMED TALAAT ARCHITECTURE PORTFOLIO .pdf
Architectural and constructions management experience since 2003 including 18 years located in UAE.
Coordinate and oversee all technical activities relating to architectural and construction projects,
including directing the design team, reviewing drafts and computer models, and approving design
changes.
Organize and typically develop, and review building plans, ensuring that a project meets all safety and
environmental standards.
Prepare feasibility studies, construction contracts, and tender documents with specifications and
tender analyses.
Consulting with clients, work on formulating equipment and labor cost estimates, ensuring a project
meets environmental, safety, structural, zoning, and aesthetic standards.
Monitoring the progress of a project to assess whether or not it is in compliance with building plans
and project deadlines.
Attention to detail, exceptional time management, and strong problem-solving and communication
skills are required for this role.
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Slides used for the International Upcycling Research Network advisory board 4 (last one). The project is based at De Montfort University in Leicester, UK, and funded by the Arts and Humanities Research Council.
Maximize Your Content with Beautiful Assets : Content & Asset for Landing Page
Figma is a cloud-based design tool widely used by designers for prototyping, UI/UX design, and real-time collaboration. With features such as precision pen tools, grid system, and reusable components, Figma makes it easy for teams to work together on design projects. Its flexibility and accessibility make Figma a top choice in the digital age.
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Decormart Studio is widely recognized as one of the best interior designers in Bangalore, known for their exceptional design expertise and ability to create stunning, functional spaces. With a strong focus on client preferences and timely project delivery, Decormart Studio has built a solid reputation for their innovative and personalized approach to interior design.
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This guide helps identify potential issues related to navigation, clarity, consistency, and other factors that can affect user experience.
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Film poster edon
- 1. Action movie film poster Action films are mostly aimed towards males. The character in the middle is holding a shotgun which is interesting for most males. He is also wearing a vest to show some of his muscles. The character on the right is wearing body armour which associates with the army. They both are quite big and muscular this is aimed because a lot of men want to be big and muscular and idealize these men because they want to show power. All the characters in the film poster are serious which is intimidating and this also showers power because they are not scared. The colours used are mostly dark colours males would wear.
- 2. Rom-com film poster Rom-com’s are mostly aimed towards females. The females in most rom-com posters are wearing dresses. The female is wearing a red dress which shows desire, passion and also love which is stereotypically aimed at females because they are more interested in relationships. The white background shows the innocence and purity which represents a female. The characters are holding love hearts which is romantic which a female would enjoy. The characters are smiling where as in the action movies the characters are mostly looking serious.