XXX

1. FEMININITY IN MOVIES
THROUGH POPULAR
CULTURE

2. WESTERNIZATION
 Tanzimat reform era
 Building block of the cultural and social changes
 Legal and political rights
 ‘’Self-sucrifising mother, honorable wife’’ role continued
 Also educated, adopted Kemalizm, work with men roles

3. PENÇE
 Institution of marriage and forbidden love
 Bad women
 Bad = will be punished by society

4. MÜREBBİYE – BİR FACİA-I AŞK
 ‘’ Street Walker ‘’ typecasting Vamp woman typecasting
 Prioritizing sexuality typecasting

5. KARIM BENİ ALDATIRSA -
VURUN KAHPEYE
 Women with swimsuit in Karım Beni Aldatırsa movie in 1933
 Muslim women in cinema after proclamation of republic
 Vurun Kahpeye in 1949
 Idealist village teacher Aliye
 Secularist woman typecasting
 Honorable, nationalist
 New identitiy for women in republic period

6. YEŞİLÇAM PERIOD

7. YEŞİLÇAM PERIOD
 Honorable wife, self-sucrifising mother
 Easy womanv typecasting
 Little woman typecasting in Ayşecik
 Self sucrifising mother as a little girl

8. KÜÇÜK HANIMEFENDİ – ŞOFÖR
NEBAHAT
 Migration from country to town
 Unequality of income
 Acting like men

9. SUSUZ YAZ – YASAK AŞK
 Marrying for labour force in family
 Women as property problem
 Women were not equal
 Contentious
 Fight for living oneself
 Were not miserable, helpless and passive

10. ŞEHRAZAT: DİŞİ ÖRÜMCEK
 Nudity of women
 The ground of erotic movies
 Women and their body as sex objects

11. ARABESQUE MOVIES
 Women faced up the difficulties more than
men
 Two important branches
 Erotic movies – women body as an object
 Social reality movies – the place of
women in society

12. AFTER 1980 – ÖLÜ DENİZ
 Feminism and women freedom
 Urban women
 Honorable wife idea removed
 Unfeeling, aimless
 Free but unhappy
 Independent but lonely
 Freedom is equal to sexuality idea
 Women are not loyal
 Ölü Deniz
 Extramartial relationship
 Giving importance to sex

14. DISNEY PRINCESSES

15. CINDERELLA, SNOW WHITE
 Domestic women
 Silent
 Calm
 Clean and domestic
 Stay at home
 Do housework

16. ARIEL, BELLE
 Pretty and calm
 Pretty face is enough for affect a man
 Intelligence is not important
 Changing for men
 Male dominance in relationship

17. Independent
Heroic
Determined
Decisive
Headstrong

19.  Not strong in family
 Sexual object
 Marry and start a family
 Have children
 Social pressure
 Male prespective
WOMEN IN HOLLYWOOD

20. NEW WOMEN IMAGE
 Source of amusement
 Always in the centre of film industry
 Appereance instead of ability
 New Women image came after social change
 Young, urban, independed
 Young women were fascinated
 Cutting hair, raising skirts, smoking, driving cars

21. MAE WEST (1893-1980)
 First women of Hollywood who earned million dollars
 An imperessive women of 1920’s

22. SOCIETY AND WOMEN
 They could not leave their place
 Familiy tie with her husband and children
 Adventure ends with marriage
 Adventure ends with returning to family
 Try to find a husband to live in city
 Freedom = Married

23. FLAPPER MODEL – IT GIRL
 Young, urban women
 Socialized and have a career
 Short dresses and skirts
 Sexually open
 End with a tragedy if she can not find a husband
 Establishing the flapper model

24. VAMP MODEL
 Sexually agressive women
 The famous vamp : Theda Bara
 Sexuality and exotism on movie
 European actress Pola Negri

25. BLONDE BOMBSHELL JEAN HARLOW
 Another type of sex symbol
 Platinum hair
 Short dresses
 Slinky
 Bad women

26. MOVIES AND EFFECTS ON FASHION
 BREAKFAST AT TIFFANY’S (1961)
 Jewels, hats, pointed alligator flats iconic
little black dress

27. MOVIES AND EFFECTS ON FASHION –
MARILYN MONROE
Iconic dresses
Dresses from her
movies
Platinum hair
color
Short hair

28. MOVIES AND EFFECTS ON FASHION –
ELIZABETH TAYLOR

29. STEREOTYPES ABOUT WOMEN IN
MOVIES
 All girls, even "friends," pretty much hate each other
 Hot popular girl is a horrible enemy of all other girls
 Bridesmaids are always jealous of the bride
 Women only like rovers
 If a woman is "good enough’’ she can magically change her partner into an
amazing person
 Women are never divorced unless her divorce is what the movie is actually about

30. 2000s
 Popular culture affect movie
 Violence against women and prostitution
 Means of entertainment popular culture

31. SHAPİNG A WOMAN'S ROLE
 sex appeal
 well-groomed lady
 beauty
 obedience, loyalty

32. WOMEN IN DAILY LIFE
 Patriarchal Ideology
 Wife or Mother
 Object of Sexual Desire
 Powerful But Male-Dominated

33. MOVIES AFTER 2000s

35. THE ROLE OF THE FEMALE FEATURES
 Uneducated Women
 Employment
 Prostitute
 Violence Against Women
 Sex
 Sexual Objects
 Visual Pleasure

36. VIOLENCE AGAINST WOMEN

37. AVATAR
 Navier
 Matriarchal Nature
 Emphasis On Nature And Community
 Feel The Dignity

38. HAYAT VAR
 Young Girl's Transition To Womanhood
 Does Not Approach Women’s Education
And Employment
 Sexuality
 Violence
 Prostitution

39.  Bad Women – Good Women Devoted woman Vamp

40. STUPID BLONDE ROLE

41. THE IMPACT ON HUMANS
They Think;
 violence against women andsexual harassment are normal
 Women’s role just is like in the movies
 Women’s tasks are brith baby and care a baby
 Women associate romantic relationships, family, housework, child care issues. They do not not join production
area.
 lower than men
 Woman is sexual object

42.  Ezgi Vatansever
 Melis Tan
 Tuğba Moğol