Félix González-Torres
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Felix Gonzalez-Torres was a visual artist known for his conceptual works that explored themes of relationships, loss, and political issues. Some of his most famous works included "Untitled" (Portrait of Ross in L.A.) which presented a pile of candies wrapped in different colored cellophane that viewers were invited to take, with the pile diminishing over time to represent the loss of his partner to AIDS. He also created works using printed materials, clocks, and light to explore ideas of absence, memory, and political commentary. Gonzalez-Torres' works have had a significant influence on conceptual and installation art.
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The document provides an overview of major art movements and styles from 1945 onward, including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Photorealism, Neo-Expressionism, and Postmodernism. It discusses key artists such as Robert Smithson, Chuck Close, Richard Estes, Bruce Nauman, Judy Chicago, Barbara Kruger, Cindy Sherman, and others. It also covers the emergence of Feminist art and themes of appropriation, pluralism, and postmodern criticism of modernism.
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The document provides an overview of different art movements and artists through a series of images and captions. It discusses Impressionism, Post-Impressionism, Cubism, Expressionism, Fauvism, Surrealism, Pop Art, Primitivism, Realism and individual artists such as Van Gogh, Monet, Picasso, and Warhol among others. Key characteristics and influences of each movement are summarized.
Assemblage sculpture
Assemblage involves bonding found objects together to create sculptures. It allows artists to give new meaning to everyday items. Famous assemblage artists include Marcel Duchamp, who created readymades like Bicycle Wheel and Fountain, and Louise Nevelson, who assembled wood scraps into monumental black sculptures. Robert Rauschenberg is also known for his combines, which merged paintings and found objects into mixed media works like Monogram, featuring a stuffed goat.
ART100_Fall2016_Class14.1
This document discusses art in the 1960s and provides examples of different art movements that emerged during this period. It introduces abstract and representational art and shows works by artists like Jackson Pollock, Frantisek Kupka, and Robert Rauschenberg to illustrate these concepts. The text then summarizes some 1960s art movements like Pop Art, Minimalism, Conceptualism, and Performance Art that questioned notions of reality and engaged audiences in new ways. Examples of works by artists such as Roy Lichtenstein, Andy Warhol, Carl Andre, and Christo demonstrate these diverse 1960s approaches to art making.
Pecha kucha
The document provides descriptions of artworks and locations in London and Berlin. It describes Paul Noble's drawings "Volume 1" and "Volume 2" which depict Henry Moore sculptures. It then describes a piece of armor from the V&A Museum etched with designs of sphinxes. In Berlin, it mentions the Berlin Wall art and Fernsehturm TV tower. At the Jewish Museum it describes Menashe Kadishman's artwork "Fallen Leaves". It concludes with details on Eran Shakine's exhibition "A Muslim, a Christian and a Jew" exploring the three religions through sketch drawings.
MoMA 1957
This document provides information on recent acquisitions by the Museum of Modern Art in New York. It includes the title, date, medium, dimensions and information about each artwork and its artist. Artists featured include Eugene Berman, Jose Bermudez, Gandy Brodie, James Brooks, Pierre Clerk, Stuart Davis, Max Ernst, Helen Frankenthaler, Fritz Glarner, Joseph Glasco, Roberto Gonzalez Goyri, Arshile Gorky, Paoul Hague, Hans Hofmann, Richard Hunt, Joan Junyer, Robert Kabak and Wolf Kahn.
Vanguardias
The document provides an overview of revolutionary art movements of the 20th century, beginning with Impressionism, Fauvism, Cubism, Dadaism, Surrealism, Pop Art, Conceptual Art, and concluding with more recent avant-garde movements. It discusses key figures like Duchamp, Kandinsky, Picasso, and Warhol and the stylistic developments, influences, and philosophies behind each movement.
Holocaust + art
This document provides the transcript of a lecture given by Dr. Lori Kent on the topic of where art comes from from an artist's perspective. It discusses various influences on art such as memory, imagination, experience, representation, passion, and re-presentation. It provides examples of artworks from different time periods and contexts, including the Holocaust and natural disasters, to illustrate how artists draw from collective and personal memories and experiences to create work that represents and comments on the world around them.
Assemblage Art
Assemblage art is a sculpture technique using found objects arranged in a composition. Pioneered in the early 20th century by artists like Picasso, Duchamp, and Dubuffet, it involves collecting everyday items and combining them in new contexts. Notable assemblage artists discussed include Joseph Cornell, who arranged objects in glass boxes; Robert Rauschenberg, who incorporated urban debris into his "combines"; and Louise Nevelson, known for her painted wood assemblages. A 1961 MOMA exhibition highlighted early European and American assemblage artists and their contributions to bridging collage and later Pop Art.
The History Of Album Art
Alex Steinweiss created the first album covers with original artwork in 1938, replacing plain cardboard covers. By the late 1940s, major record companies featured colorful paper covers with classic art or original designs. As Steinweiss' work proved popular, many companies adopted this new style of album artwork. Through the decades, album covers evolved, featuring various artistic styles from abstract designs to photography to reflect trends in music and culture over time. Computer imaging further expanded possibilities for album cover design from the late 20th century onward.
Appro.pptx
Appropriation involves intentionally borrowing and altering preexisting images and objects. This raises issues around originality, authorship, and copyright. The document discusses the history of appropriation in artistic movements from Cubism to Pop Art. It provides examples such as Warhol appropriating a photo of Prince for a silkscreen series and Lichtenstein appropriating comic book panels. The increasing reproducibility of images through technology challenges traditional notions of an artwork's aura and uniqueness.
Israel Museum, Jerusalem_Paintings Collection, The Masterpieces (2)
This document provides details on artworks from the Israel Museum's Paintings Collection, including key works by Duchamp, Soutine, Jawlensky, Chagall, and others. It includes descriptions of individual artworks that highlight important contextual and artistic information, such as the symbolism and techniques used by the artists. Short biographies are also provided for some of the artists. The document demonstrates the museum's collection of masterworks from modern European art movements between the early 20th century through the 1950s.
Modern art after 1940
The document provides an overview of major art movements and styles from 1945 to the present. It discusses Abstract Expressionism, Pop Art, Minimalism, and Postmodern architecture as some of the prominent developments. It also examines feminist art and conceptual art forms like performance, earthworks, and new media that combined art with other disciplines or eliminated the physical object. The document seeks to familiarize readers with influential artists, key works, styles, and theories across this period of modern to contemporary Western and American art.
Modern Art 20 Slide Presentation
This document provides descriptions of 20 modern artworks presented by Mr. Dooley. The artworks span from 1990 to 2000 and include sculptures, installations, prints, photographs and drawings by artists such as Chris Burden, Felix Gonzalez-Torres, David Hammons, Gary Hill, Robert Gober, Willie Cole, Lucian Freud, Sherrie Levine, James Turrell, Doris Salcedo, Beatriz Milhazes, Chuck Close, Andreas Gursky, Rachel Whitereed, Cai Guo-Qiang and Lebbeus Woods. Materials used include plywood, steel, cement, photographs, clocks, paper, canvas, and ink.
artsoftheneo-classicalperiodandromanticperiods-160810101144.pptx
This document provides information about Neo-Classical sculpture during the 9th grade arts curriculum. It identifies the objectives as recognizing famous Neo-Classical sculptors, describing their artworks, and differentiating their characteristics. Two famous sculptors are highlighted: Antonio Canova, who was known for delicately rendered nude marble sculptures opening ideas of sexual pleasure; and Bertel Thorvaldsen, the first acclaimed Danish artist who executed mythological and religious marble sculptures. Students are assigned to study Neo-Classical architecture and identify famous architects from this period.
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Israel Museum, Jerusalem_Paintings Collection, The Masterpieces (2)
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artsoftheneo-classicalperiodandromanticperiods-160810101144.pptx
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Félix González-Torres
- 2. Félix González-Torres Noviembre 26, 1957 – Enero 9, 1996 Artista visual
- 3. From Criticism to Collaboration: The
- 4. “Untitled”, 1991. Printed Billboard
- 6. Travel as a methafore
- 7. “Untitled” (Death by Gun), 1990. Work that shows people who died from gunshots in a single week.
- 8. “Untitled” (NRA), 1991. Offset print on paper, endless copies.
- 9. “Untitled”, 1992-93. Offset print on paper, endless copies.
- 10. “Untitled”, 1991 Offset print on paper, endless copies.
- 11. “Untitled”(Perfect Lovers), 1991. Two wall clocks and paint on wall.
- 12. The Trace
- 13. "Untitled" (Sand) ,1993/1994. Portfolio of photogravures on Somerset Satin paper in silk covered archival box
- 14. "Untitled" (Placebo), 1991.Candies, individually wrapped in silver cellophane, endless supply.
- 15. “Untitled” (For a man in uniform) 1991. Red-,silver-, and blue-cellophane-wrapped pallets, endless supply.
- 16. “Untitled” (Portrait of Ross in L.A.) 1991 Variously colored-cellophane-wrapped candies, endless supply.
- 18. Light - A Meditation
- 19. Double PLATEAU and Leeum, Samsung Museum of Art, Seoul.
- 21. Félix González-Torres Paulina Astudillo Curriel