The document outlines the design strategy for an exhibition on Canada's human rights history, emphasizing the use of natural user interfaces and transmedia storytelling. It details the historical eras covered, the materials and media used for storytelling, and the goal of creating engaging, interactive experiences for visitors. The design directs visitors to interact with content in ways reflective of historical contexts, fostering increased engagement and accessibility.

1. Facing the Future
Natural User Interfaces and
Transmedia Spaces in Museums

2. Experience Design
> Passive, Active, Interactive, Immersive
Environmental Design
> Scenographic, graphic, material selection
> Inclusive Design
Media Design
> Mixed and transmedia
> Digital, analogue, tangible, natural, interface design consistency, usability,
accessibility
Design Prerequisites

3. Corey
Design intent and overview.

5. . 150 years of Canada’s human rights history
. key debates, topics, issues over time
. 5 zones (eras)
1867-1914: Foundations and Dislocations
1915-1960: Transformations and Interventions
1960-1982: Towards the Charter
1982-Present: Human Rights in a Contemporary Canada
Past and Present: Defending Sovereignty
Rights of Passage

6. . Mandate: encourage reflection & dialogue
. Content: Relevance building
. Experience: Increase engagement
. Technical: Respond to our Design Prerequisites
Design Problems

7. Expressing the stories of the time, through the medium and material of the
time.
Use material and medium as storytelling vehicles.
Design Direction

8. Ask the visitor to perform an action to access the stories of the eras, in the
exact way those stories would have been presented and accessed
historically.
Design Direction

9. Ask the visitor to perform an action to access the stories of the eras, in the
exact way those stories would have been presented and accessed
historically.
Use the media of the time to provoke the visitor into action.
Design Direction

10. 1867-1914: Foundations and Dislocations
Material: Wood
Medium: Printing Press, newsprint, pulp posters, magic lantern
Rights of Passage

15. 1915-1960: Transformations and Interventions
Material: Steel, Wood
Medium: Radio (broadcast audio)
Rights of Passage

18. 1960-1982: Towards the Charter
Material: Plastic, laminate
Medium: Television (broadcast video, audio)
Rights of Passage

22. 1982-Present: Human Rights in a Contemporary Canada (& Facing the
Future)
Material: Light
Medium: Light (digital, fiber, broadcast & response)
Rights of Passage

26. Past and Present: Defending Sovereignty
Material: 4 sacred plants/medecins (cedar, sage, tobacco, sweetgrass)
Medium: Oral tradition, the intangible
Rights of Passage

30. . Use material for environmental immersion (reflecting the era/context)
. Use medium of the time to present content of the time
. Use of material and media created passive, active, and interactive
experiences
To date:
> visitors use the interfaces (kids seem naturally inclined to interact)
> re-creation of the old media facilitates accessibility
> dwell time is 3x as long as it is in other galleries
Outcomes

31. The natural interfaces in this exhibition served the roles of creating active
and interactive experiences, increasing personalization, and reflecting the
transmedia storytelling approach now characteristic of the CMHR’s
exhibition style.
Natural Interfaces

32. The natural interfaces in this exhibition served the roles of creating active
and interactive experiences, increasing personalization, and reflecting the
transmedia storytelling approach now characteristic of the CMHR’s
exhibition style.
Address inclusive/universal design and accessibility in the seamless
integration of media installations within the fabric of the exhibition.
Natural Interfaces

33. 1800s Newspaper

35. 1930’s Radio

38. 1970’s Television

42. Audio Beaded Projection

45. Facing the Future

49. Liz
Dress, maker aspect

53. For the digital experience in Human Rights in Contemporary Canada, we
wanted to capture the imagination of the visitor. Creating an environment,
multimodal in nature, that responded to a single input.
IOT Experience Design

55. For the digital experience in Human Rights in Contemporary Canada, we
wanted to capture the imagination of the visitor. Creating an environment,
multimodal in nature, that responded to a single input.
That input would be made up of three hashtags projected on the floor:
#reconciliation, #equality, and #environment
IOT Experience Design

70. Thank You
@coreytimpson
@pushdesignca
@lili_czarina