Encryption in Microsoft 365 - ExpertsLive Netherlands 2024Albert Hoitingh
In this session I delve into the encryption technology used in Microsoft 365 and Microsoft Purview. Including the concepts of Customer Key and Double Key Encryption.
Connector Corner: Automate dynamic content and events by pushing a buttonDianaGray10
Here is something new! In our next Connector Corner webinar, we will demonstrate how you can use a single workflow to:
Create a campaign using Mailchimp with merge tags/fields
Send an interactive Slack channel message (using buttons)
Have the message received by managers and peers along with a test email for review
But there’s more:
In a second workflow supporting the same use case, you’ll see:
Your campaign sent to target colleagues for approval
If the “Approve” button is clicked, a Jira/Zendesk ticket is created for the marketing design team
But—if the “Reject” button is pushed, colleagues will be alerted via Slack message
Join us to learn more about this new, human-in-the-loop capability, brought to you by Integration Service connectors.
And...
Speakers:
Akshay Agnihotri, Product Manager
Charlie Greenberg, Host
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
Guy Korland, CEO and Co-founder of FalkorDB, will review two articles on the integration of language models with knowledge graphs.
1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
Securing your Kubernetes cluster_ a step-by-step guide to success !KatiaHIMEUR1
Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
Neuro-symbolic is not enough, we need neuro-*semantic*Frank van Harmelen
Neuro-symbolic (NeSy) AI is on the rise. However, simply machine learning on just any symbolic structure is not sufficient to really harvest the gains of NeSy. These will only be gained when the symbolic structures have an actual semantics. I give an operational definition of semantics as “predictable inference”.
All of this illustrated with link prediction over knowledge graphs, but the argument is general.
Dev Dives: Train smarter, not harder – active learning and UiPath LLMs for do...UiPathCommunity
💥 Speed, accuracy, and scaling – discover the superpowers of GenAI in action with UiPath Document Understanding and Communications Mining™:
See how to accelerate model training and optimize model performance with active learning
Learn about the latest enhancements to out-of-the-box document processing – with little to no training required
Get an exclusive demo of the new family of UiPath LLMs – GenAI models specialized for processing different types of documents and messages
This is a hands-on session specifically designed for automation developers and AI enthusiasts seeking to enhance their knowledge in leveraging the latest intelligent document processing capabilities offered by UiPath.
Speakers:
👨🏫 Andras Palfi, Senior Product Manager, UiPath
👩🏫 Lenka Dulovicova, Product Program Manager, UiPath
Epistemic Interaction - tuning interfaces to provide information for AI supportAlan Dix
Paper presented at SYNERGY workshop at AVI 2024, Genoa, Italy. 3rd June 2024
https://alandix.com/academic/papers/synergy2024-epistemic/
As machine learning integrates deeper into human-computer interactions, the concept of epistemic interaction emerges, aiming to refine these interactions to enhance system adaptability. This approach encourages minor, intentional adjustments in user behaviour to enrich the data available for system learning. This paper introduces epistemic interaction within the context of human-system communication, illustrating how deliberate interaction design can improve system understanding and adaptation. Through concrete examples, we demonstrate the potential of epistemic interaction to significantly advance human-computer interaction by leveraging intuitive human communication strategies to inform system design and functionality, offering a novel pathway for enriching user-system engagements.
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024Tobias Schneck
As AI technology is pushing into IT I was wondering myself, as an “infrastructure container kubernetes guy”, how get this fancy AI technology get managed from an infrastructure operational view? Is it possible to apply our lovely cloud native principals as well? What benefit’s both technologies could bring to each other?
Let me take this questions and provide you a short journey through existing deployment models and use cases for AI software. On practical examples, we discuss what cloud/on-premise strategy we may need for applying it to our own infrastructure to get it to work from an enterprise perspective. I want to give an overview about infrastructure requirements and technologies, what could be beneficial or limiting your AI use cases in an enterprise environment. An interactive Demo will give you some insides, what approaches I got already working for real.
Essentials of Automations: Optimizing FME Workflows with ParametersSafe Software
Are you looking to streamline your workflows and boost your projects’ efficiency? Do you find yourself searching for ways to add flexibility and control over your FME workflows? If so, you’re in the right place.
Join us for an insightful dive into the world of FME parameters, a critical element in optimizing workflow efficiency. This webinar marks the beginning of our three-part “Essentials of Automation” series. This first webinar is designed to equip you with the knowledge and skills to utilize parameters effectively: enhancing the flexibility, maintainability, and user control of your FME projects.
Here’s what you’ll gain:
- Essentials of FME Parameters: Understand the pivotal role of parameters, including Reader/Writer, Transformer, User, and FME Flow categories. Discover how they are the key to unlocking automation and optimization within your workflows.
- Practical Applications in FME Form: Delve into key user parameter types including choice, connections, and file URLs. Allow users to control how a workflow runs, making your workflows more reusable. Learn to import values and deliver the best user experience for your workflows while enhancing accuracy.
- Optimization Strategies in FME Flow: Explore the creation and strategic deployment of parameters in FME Flow, including the use of deployment and geometry parameters, to maximize workflow efficiency.
- Pro Tips for Success: Gain insights on parameterizing connections and leveraging new features like Conditional Visibility for clarity and simplicity.
We’ll wrap up with a glimpse into future webinars, followed by a Q&A session to address your specific questions surrounding this topic.
Don’t miss this opportunity to elevate your FME expertise and drive your projects to new heights of efficiency.
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered QualityInflectra
In this insightful webinar, Inflectra explores how artificial intelligence (AI) is transforming software development and testing. Discover how AI-powered tools are revolutionizing every stage of the software development lifecycle (SDLC), from design and prototyping to testing, deployment, and monitoring.
Learn about:
• The Future of Testing: How AI is shifting testing towards verification, analysis, and higher-level skills, while reducing repetitive tasks.
• Test Automation: How AI-powered test case generation, optimization, and self-healing tests are making testing more efficient and effective.
• Visual Testing: Explore the emerging capabilities of AI in visual testing and how it's set to revolutionize UI verification.
• Inflectra's AI Solutions: See demonstrations of Inflectra's cutting-edge AI tools like the ChatGPT plugin and Azure Open AI platform, designed to streamline your testing process.
Whether you're a developer, tester, or QA professional, this webinar will give you valuable insights into how AI is shaping the future of software delivery.
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
UiPath Test Automation using UiPath Test Suite series, part 4DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 4. In this session, we will cover Test Manager overview along with SAP heatmap.
The UiPath Test Manager overview with SAP heatmap webinar offers a concise yet comprehensive exploration of the role of a Test Manager within SAP environments, coupled with the utilization of heatmaps for effective testing strategies.
Participants will gain insights into the responsibilities, challenges, and best practices associated with test management in SAP projects. Additionally, the webinar delves into the significance of heatmaps as a visual aid for identifying testing priorities, areas of risk, and resource allocation within SAP landscapes. Through this session, attendees can expect to enhance their understanding of test management principles while learning practical approaches to optimize testing processes in SAP environments using heatmap visualization techniques
What will you get from this session?
1. Insights into SAP testing best practices
2. Heatmap utilization for testing
3. Optimization of testing processes
4. Demo
Topics covered:
Execution from the test manager
Orchestrator execution result
Defect reporting
SAP heatmap example with demo
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Smart TV Buyer Insights Survey 2024 by 91mobiles.pdf91mobiles
91mobiles recently conducted a Smart TV Buyer Insights Survey in which we asked over 3,000 respondents about the TV they own, aspects they look at on a new TV, and their TV buying preferences.
2. Qu1) - In what ways does
your media product use,
develop or challenge
forms and conventions of
real media products?
3. I chose to call my magazine „SOUND‟
because it is a short title and I also needed to make my
font bold for my masthead because the main image for
my front cover is quite feminine and I don‟t want my
magazine to just appeal to woman, I want it to appeal
to men too. So I made I tried to stop making the front
cover so feminine by making the font different and
masculine. If I wanted my front cover to look very
feminine I would have used the „Times New Roman‟ font
which is smart and chic, but in doing this I would be in
danger of making my magazine look like a fashion
magazine, for example like Vogue whom also uses this
font.
SOUND
4. For the front over of my magazine I wanted
the model to be the entire focus, so I wanted
no distractions in the background therefore I
made sure my background was completely
clear and white by hiring out my college
photography studio. I chose simple lighting,
trying to avoid creating any shadows on my
models face because I wanted the face to
be the main focus, and I achieved this by
doing a close up shot (Similar to the
RollingStone Magazine). In having an image
like this, if I didn‟t make the font around the
image look masculine, my front cover would
have looked like a fashion magazine, but in
my research I found a few magazines with
main images very similar to mine so as the
RollingStone Magazine and Q Magazine of
famous female artists like Florence and The
Machine and Adele.
Also to make my music genre more obvious
to the audience I did more music magazine
research into cover line of a genre similar to
mine. So Q and RollingStone Magazine were
a big influence to me again. My magazine
front cover image does look very similar to
magazines with the same genre as mine,
partly because I used these magazines as
inspiration, but also because this sort of
images the average image you would see
and associate with a mainstream/chart
music magazine.
5. My image is only of my model,
giving the impression she is an up
and coming or already famous
artist. So I think and wanted my
audience to think my magazine is
of mainstream/chart music
because, from my audience
research questionnaire, I was told
mainstream music and music in the
charts are most popular, mostly
because it is easily found and
accessible, played on radio
stations such as Radio 1 and
Capital.
6. My image was originally quite
colourful; my model had
turquoise eye shadow on, but
I wanted my models eyes to
be a big main focus and the
bright colour of the turquoise
took the „limelight‟ away
from her eyes a bit, so I
manipulated my image to
make it a tiny bit grey with
small hints of colour still
coming through. I also
changed the colour of my
models eyes to make them
„pop‟ ore by making them I
light hazel colour. After
changing the colour of my
image the turquoise eye
shadow went a grey colour
and I added the colour grey
into my colour scheme along
with white and black.
7. I had no props for my front cover image, my
models face was most important for my
image, so the makeup was very important. The
image makes the artist look innocent and
new, and this is exactly what I wanted because
she is supposed to be, “The New Heartbreak
Superstar”.
8. To make the genre of my magazine
clear in my image I made my
model look like a “pop star”,
someone who you could imagine
being in the charts. I didn‟t make
my artist look „individual‟ to avoid
confusion of what genre my
magazine is.
9. My model featured a lot in my
magazine but festivals goers did too,
because this magazine is aimed to the.
I think the images I used for my
magazine are very appropriate for a
magazine genre such as mine because
it really appeals to me and my friends,
whom are my target audience, and
we love festivals and chart music.
10. Straight away I knew how I wanted my masthead font to look like; I have already
said that I needed it to look masculine because of my feminine looking front
cover image, so I needed the font for my masthead to be big and bold which I
think worked well. But for the rest of my cover the font went all feminine again! I
didn‟t mean to do in on purpose, I think I can‟t help it because I am a girl, so if I
could do it again I would be more disciplined on making my front cover fonts
look more masculine. But in saying that I think I did well on the contents page
making the fonts look masculine but I go back to feminine again on my double
page spread. I got my masthead font from dafont.com, it was called „Nova
Solid‟, and the rest of the fonts I used were easily accessed on either Photoshop
or InDesign. For my masthead I print screen the font from the website and
cropped in in paint then, but using the lasso tool on Photoshop I was able to
crop the font even, but this time really accurately leaving to white from the
website behind. Font for a magazine, especially for the front cover of a
magazine is very important because it is the first thing the consumer looks at
when deciding whether to buy the magazine or not, so I made my font smart
and easy to read with no other distractions of PLUS or EXTRA ruining the front
cover. I am most proud of my contents page title, I originally did it by accident
but I love how it‟s my models eyes colouring the word contents.
11. My front cover doesn‟t have much text
on it because I didn‟t want it to look
chaotic and have too many other
things distracting consumers from
looking at the image.
Chaotic Neat
So my exclamation marks and slang
comes out better in my Contents page
selling the magazine a bit more. The
contents using „young‟ language
hopefully appealing more to young
people aged 16-25.
12. For my front cover, I wanted my image to be the centre of
attention and I made this happen by not putting much text on to
the front cover avoiding the image to be ruined, I made the
image of my model go on top of the masthead and I made sure
no text covered my models face. For my contents page I wanted
to balance it out a bit by making the text the main thing on the
page but images do take a lot of the page up and also for my
double page spread one page is solely for an image and the
other one for text. I didn’t want to do loads of text though
because personally I am not a big reader, I like to look at
pictures, this may to be the same for other people but for the
people I am aiming this magazine at are like me and prefer
photos to text.
I have made the genre very clear with the images I have used, a
few of a famous artist and the rest of people at a festival. The front
cover is not colourful but the contents page and the double page
spread especially are much more colourful giving my magazine
more of a fun, you and colourful vibe. I have followed
conventions with my magazine because I know it is successful
with the consumer and will look for like a real magazine.
13. Qu2)- How does your
media product represent
particular social groups?
14. The magazine I have made is
definitely a young people‟s music
magazine. To make this clear I have
only used pictures of young people
throughout my magazine, from my
young artist/model on my front page
to the festival goers on my contents
page covered in mud wearing
colourful clothes and covered in neon
paint. This magazine is aimed to a
social group of young people who
love music, having fun and are
interested in new bands and artists. I
have represented them through the
clothes the people wear in my photos
and the language I use which is
simple, with no long words – not that
they won‟t be able to understand
them but because they do not care
for long words, they want it straight up
and easy… just like me.