Evaluation question 2 powerpoint
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The combination of the main documentary and ancillary texts is effective because they consistently reinforce the same key details about the documentary. Specifically, all three use the same title, date, program name, and slogan. Additionally, the scouse accent and phrases from interviews in the documentary are also used in the radio trailer and print ad. This consistency of themes and elements related to Liverpool and scousers effectively links the documentary with the ancillary texts.
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Creating a brand identity east enders
This document provides analysis of the opening credits sequence of the BBC soap opera EastEnders. It summarizes the visual and auditory elements that establish the show's distinctive brand identity and provide context clues about the working-class characters and London setting. The drums in the opening theme music and aerial shots of landmarks like the Thames and O2 Arena signal to viewers that they are watching EastEnders. Visual details like worn carpets and furniture in the characters' homes further denote their working-class socioeconomic status.
In what ways does your media product use, develop or challenge forms and conv...
Evaluation Question 1:
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Eval2
The film aims to attract young urban males as its target audience. It depicts the underground skating community in Britain and deals with taboo topics like drugs and relationships. The soundtrack uses fast-paced urban grime music to appeal to this demographic. Skating stunts performed by non-professional skaters make the scenes feel authentic. The opening sequence takes influence from the British film This is England by using stills and footage to set the atmosphere of the urban setting and introduce the characters and storyline.
British social realism
British social realism films aim to portray realistic depictions of British culture and everyday life. They typically use non-professional actors, shoot on location instead of in studios to feel authentic, and may use semi-improvised scripts and dialogue. Wide shots are often used to give context of the surroundings. Technical aspects like natural lighting and handheld camerawork further reinforce the realistic style of this genre.
Soap realism presentation
UK soap operas like Coronation Street and EastEnders tend to focus on working class characters and social issues rather than wealthy glamorous characters. They embrace their locations and feature stereotypical accents and occupations. EastEnders is set in London's East End and features tough working class lives, while Coronation Street is set in Manchester and portrays "northern straight talking". Soap operas use stock stereotypical characters like villains, schemers, and long-suffering characters to appeal to audiences and drive storylines. Bringing back past characters can also boost ratings, like when EastEnders brought back the villainous character "Dirty Den" in 2003.
John west analysing adverts
The advert uses humor and live action footage to promote John West Salmon. A fisherman fights a costumed bear to obtain the premium salmon for customers. This absurd scenario uses transference techniques to associate the brand with positive qualities like humor and heroism. The realistic natural setting and documentary-style filming adds believability and humor despite the unrealistic events. The advert targets a broad audience but particularly those in lower income demographics who see tinned fish as an affordable option.
Coming of age research
A coming of age film focuses on the growth of a protagonist from youth to adulthood through their personal experiences between ages 14-19. Key themes include relationships, experimentation, and personal discovery to encourage audience connection. While targeted towards teenagers facing similar challenges, some films include mature content appealing to older viewers. Notable early examples are Rebel Without a Cause (1955) and The Breakfast Club (1985), with box office success ranging from $50 million to $300 million. Prolific directors of the genre include John Hughes and Richard Linklater.
Social realism
Social realism is a film genre that portrays realistic depictions of everyday life. Social realist films typically focus on themes like drugs, alcohol, abuse, or religion and portray them in a naturalistic style. Key conventions of social realism include location shooting instead of studios, use of non-professional actors, darker colors and lighting to create realism, and inclusion of strong language. Examples like Nil By Mouth, Last Resort, This Is England, and Fish Tank are discussed as illustrations of these conventions.
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Creating a brand identity east enders
This document provides analysis of the opening credits sequence of the BBC soap opera EastEnders. It summarizes the visual and auditory elements that establish the show's distinctive brand identity and provide context clues about the working-class characters and London setting. The drums in the opening theme music and aerial shots of landmarks like the Thames and O2 Arena signal to viewers that they are watching EastEnders. Visual details like worn carpets and furniture in the characters' homes further denote their working-class socioeconomic status.
In what ways does your media product use, develop or challenge forms and conv...
Evaluation Question 1:
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Eval2
The film aims to attract young urban males as its target audience. It depicts the underground skating community in Britain and deals with taboo topics like drugs and relationships. The soundtrack uses fast-paced urban grime music to appeal to this demographic. Skating stunts performed by non-professional skaters make the scenes feel authentic. The opening sequence takes influence from the British film This is England by using stills and footage to set the atmosphere of the urban setting and introduce the characters and storyline.
British social realism
British social realism films aim to portray realistic depictions of British culture and everyday life. They typically use non-professional actors, shoot on location instead of in studios to feel authentic, and may use semi-improvised scripts and dialogue. Wide shots are often used to give context of the surroundings. Technical aspects like natural lighting and handheld camerawork further reinforce the realistic style of this genre.
Soap realism presentation
UK soap operas like Coronation Street and EastEnders tend to focus on working class characters and social issues rather than wealthy glamorous characters. They embrace their locations and feature stereotypical accents and occupations. EastEnders is set in London's East End and features tough working class lives, while Coronation Street is set in Manchester and portrays "northern straight talking". Soap operas use stock stereotypical characters like villains, schemers, and long-suffering characters to appeal to audiences and drive storylines. Bringing back past characters can also boost ratings, like when EastEnders brought back the villainous character "Dirty Den" in 2003.
John west analysing adverts
The advert uses humor and live action footage to promote John West Salmon. A fisherman fights a costumed bear to obtain the premium salmon for customers. This absurd scenario uses transference techniques to associate the brand with positive qualities like humor and heroism. The realistic natural setting and documentary-style filming adds believability and humor despite the unrealistic events. The advert targets a broad audience but particularly those in lower income demographics who see tinned fish as an affordable option.
Coming of age research
A coming of age film focuses on the growth of a protagonist from youth to adulthood through their personal experiences between ages 14-19. Key themes include relationships, experimentation, and personal discovery to encourage audience connection. While targeted towards teenagers facing similar challenges, some films include mature content appealing to older viewers. Notable early examples are Rebel Without a Cause (1955) and The Breakfast Club (1985), with box office success ranging from $50 million to $300 million. Prolific directors of the genre include John Hughes and Richard Linklater.
Social realism
Social realism is a film genre that portrays realistic depictions of everyday life. Social realist films typically focus on themes like drugs, alcohol, abuse, or religion and portray them in a naturalistic style. Key conventions of social realism include location shooting instead of studios, use of non-professional actors, darker colors and lighting to create realism, and inclusion of strong language. Examples like Nil By Mouth, Last Resort, This Is England, and Fish Tank are discussed as illustrations of these conventions.
Pink digipack
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Hum poem pp
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This newspaper advertisement uses lighting and facial expressions to characterize one figure as aggressive and antagonistic, representing the "bad guy", while the other looks submissive and anguished, representing the victim. The advertisement also features a red Channel 4 logo and minimal text to focus attention on the imagery, which depicts a hooded white man holding his hand like a gun to represent gun crime as an issue that exists outside of cities. The advertisement aims to shock and scare a mature audience by portraying a realistic situation around disarming Britain in order to raise awareness and attract viewers.
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- While romance films still primarily target women, the types of women watching has broadened with new subgenres that appeal to different age groups. Films shown from a male perspective have also increased the male romance film audience.
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Pink digipack
The album cover portrays the artist in a way that references circus and gypsy culture through her provocative costume. She is depicted differently on the front and back covers - on the front she seems carefree while on the back she appears lonely and isolated. The settings of the circus on the inside and desert on the back contrast between lively and happy versus quiet and isolated, changing the narrative from happy to sad. Technical elements like lighting, filters, and composition are used to distinguish narrative parts and appeal to fans while referencing the time period of the Victorian era through props.
Creative and media
The Great Depression crippled the world economy in the 1920s-1930s, leaving many unemployed and without enough money to spend on entertainment. Musicals of this era reflected the hardship and depression, often featuring tragic storylines about poor characters struggling to survive. However, some comedies provided relief. Popular musicals like Porgy and Bess and Babes in Toyland related to audiences through their depictions of poverty but also hope of achieving dreams. Musicals became more tragic in nature and tried to appeal to wealthier audiences, but put on lower budget productions due to financial constraints of the time.
Hum poem pp
This summary analyzes a student project comparing World War I recruitment posters depicting heroic images of battle with scenes from the poem "Dulce et Decorum Est" showing the gruesome realities of war. The project contrasts the propaganda posters young men saw promoting glory and honor in combat with black and white images illustrating the poem's graphic depiction of a soldier suffocating from gas. The student argues the recruitment posters did not accurately portray the true dangers of war that soldiers soon discovered on the front lines.
Newspaper advertisement 1
This newspaper advertisement uses lighting and facial expressions to characterize one figure as aggressive and antagonistic, representing the "bad guy", while the other looks submissive and anguished, representing the victim. The advertisement also features a red Channel 4 logo and minimal text to focus attention on the imagery, which depicts a hooded white man holding his hand like a gun to represent gun crime as an issue that exists outside of cities. The advertisement aims to shock and scare a mature audience by portraying a realistic situation around disarming Britain in order to raise awareness and attract viewers.
Working title films love actually
The film Love Actually follows multiple characters as they experience different stages of love around Christmas time in London. Some characters are falling in love, others are falling out of love, dealing with affairs, or mourning lost love. The characters span various ages and social levels and experience both romantic and brotherly love. Most of the movie is filmed in London during Christmas, and ultimately all of the characters end up converging at Heathrow airport in an uplifting finale. The $45 million production was released by Universal Pictures and grossed over $247 million worldwide, with strong box office numbers in the UK, Australia, and North America.
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History of Teen comedies
Teen comedy is a subgenre of comedy that focuses on the interests of teenagers such as coming of age, relationships, and conflicts with parents. These topics are often presented in a stereotyped or trivialized way. Some of the earliest teen comedies date back to the 1950s but the genre became most popular between the 1980s-2000s with films like Heathers, Clueless, and American Pie that centered around social hierarchies and embarrassing relatable situations in high school. However, teen comedies tend to quickly become outdated as teen culture and slang evolves rapidly. To remain successful, modern teen films need to incorporate other genres to engage teenage audiences.
Audience of film and romance films
- Film audiences greatly increased over time, from short films to feature-length films, and with the introduction of color and sound. In the UK, cinema ticket sales peaked between 1947-1951 at around 1600 million tickets per year.
- Since then, UK cinema ticket sales have declined annually as people have alternative entertainment options like television at home. This has led cinemas to increase food and ticket prices to compensate for the reduced audience numbers.
- While romance films still primarily target women, the types of women watching has broadened with new subgenres that appeal to different age groups. Films shown from a male perspective have also increased the male romance film audience.
Strippers
The document provides an analysis of the Channel 4 series "Strippers" which documents the lives of women who have chosen lap dancing as a short term career. It focuses on three major cities in Scotland: Glasgow, Edinburgh, and Aberdeen. Throughout the analysis, several techniques used in the show are examined. Close-ups of sexualized body parts give the impression that women are objects for male lust. Fluorescent lighting has connotations of artificiality and the red light district, suggesting things are fake and tacky. Low camera angles frequently show body parts but rarely faces, implying the women's identities do not matter and they exist only to please customers.
California gurls by katy perry essay
The music video for "California Gurls" by Katy Perry uses elements of postmodernism and hyperreality to create a candy-filled fantasy world. It references several films like The Wizard of Oz and Willy Wonka & the Chocolate Factory through costumes, sets, and characters. Snoop Dogg takes on the role of the candy king "Sugar Daddy" who controls Katy's journey. Katy saves various candy-themed characters while wearing eccentric outfits and waving to giant gummy bears. The video parodies and pays homage to movies through its candy-coated sets and pastiche storytelling style.
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Lady Gaga creates distinct stage personas to separate her personal and public lives. As Lady Gaga, she controls her image through outrageous fashion and personas. This allows her to draw attention away from her private life. The music video for "Telephone" references many films through its styling, scenes, and dialogue. It alludes to works by Tarantino, Madonna, Michael Jackson, and others to create a pastiche that challenges gender stereotypes.
Wilkinson - Afterglow
This document analyzes and summarizes the representations in the music video "Afterglow" in several areas:
1) The main characters, Paul and Dana, are represented as trendy and aspirational young people aged 16-35, with Dana wearing modest but attractive clothing. This representation aims to attract a broad younger demographic, predominantly white people.
2) Elements like texting, hashtags, and apps reference digital technology and reflect current zeitgeist to seem relatable.
3) Locations shown like their small first flat and trips portray them as enjoying travel but not lavishly. This creates a sense of realism and relatability.
4) Gender representations are critiqued as
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This document provides an analysis of the poster for Bastille's debut studio album "Bad Blood" released in 2013. It notes that the poster's style, with credits listed at the bottom, resembles a film poster more than a typical music poster. The poster features an unconventional single image of the singer running away at night, captured with motion blur, creating intrigue and a sense of wanting to run away that many people can relate to. As Bastille were still relatively unknown at the time, not showing the band members' faces was a strategic decision to build curiosity without needing star recognition.
Utopia pitch
The document outlines a proposed British social realism film called "Utopia". It would follow the stories of two 17-year-old boys from different social classes who are both struggling and being victimized by modern society. The film aims to subvert the typical negative portrayal of young people in the genre by showing the characters find peace and each other.
Draft 2 of review
The document provides a review of the short film "Redemption" shown at the London Short Film Festival. It summarizes that the film is a dark retelling of Little Red Riding Hood, starring Emily Redif in a vulnerable teenage role. Though it has elements of the classic tale, the film takes an unexpected, twisted turn by involving a manipulative "friend" that leads Emily into the forest. The cinematography and sounds immerse the viewer intensely in the enchanted setting. It subverts expectations by having a female hero who saves Emily, and includes many plot twists that make the viewer want to watch it again.
Media q2
The document discusses how various media texts work together to market an artist named Sloozie. It explains that the digipack, music video, and advert all promote Sloozie's humble background and passion for teaching. The video, booklet, and CD covers also correlate through a dark theme. Clothes in the video and ancillary texts represent Sloozie as not rich to reinforce she is like an "average Joe." Posting the video on YouTube and sites like Spiff TV will help promote Sloozie and target the hip hop audience.
Ted Grader Lighting Design Portfolio
The lighting design for the play "The Liar" directed by Bill Morris at Le Moyne College aimed to create a realistic Paris scene through lighting with bursts of saturated absurdity to highlight the absurdity of the main character Dorante's lies. The lighting design used tempered colors as well as dramatic lighting effects depicting roses, trees, leaves, and crosses to accomplish the director's vision of conveying the play's examination of how lying does not lead to what one wants.
Word investigation
The phrase "shut up" originated in the 16th century to mean "hold one's tongue" or "compel silence". However, the TV show "The Only Way Is Essex" has popularized a new meaning among viewers where "shut up" expresses disbelief or encouragement rather than telling someone to be quiet. While this new usage has spread beyond Essex viewers as a common expression, others see it as a "stupid expression" associated more with jokes about the Essex accent. The changing meaning of everyday phrases to suit certain TV shows or groups can annoy others who dislike established terms being altered.
Lady Gaga - Postmodern Artist
Lady Gaga is a postmodern artist who creates a hyperreal persona named Lady Gaga separate from her personal identity of Stefani Germanotta. She references other works like films in her music videos and live performances to remix genres and push boundaries in unconventional ways for a mainstream pop star. By blending symbols, signs, and intertextual references from popular culture, Lady Gaga controls her image and critiques society.
Media codes and conventions of the trailer we need to talk about kevin
The document analyzes the codes and conventions used in the trailer for the film "We Need to Talk About Kevin". It breaks down the trailer into 5 parts: exposition, complication, rising action, climax, and cliffhanger. For each part, it describes the narrative and tonal shifts that occur through the use of music, sound effects, imagery, and dialogue to build mystery and tension around the character of Kevin.
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Media codes and conventions of the trailer we need to talk about kevin
Media codes and conventions of the trailer we need to talk about kevin
Similar to Evaluation question 2 powerpoint
Evaluation q2
The document summarizes the promotional campaign created for the band Mumford and Sons to promote their album "Sigh No More". The campaign included a music video, magazine advertisement, and digipak. Common folk conventions were used across materials, including natural imagery, acoustic instruments, and vintage clothing to create a cohesive aesthetic and reinforce the band's folk image. The materials were also designed to have consistent color grading and typography to clearly link the video, advertisement, and digipak.
P lus sized wars
This documentary tells the story of caravanning in Britain from its origins to modern times. It uses a chronological narrative structure to explore the history and evolution of caravanning through interviews with experts and caravan enthusiasts, archival footage, and a narrator. Various themes are examined including the caravan industry itself, the sense of community among caravan owners, and the inventions that changed caravanning over time. A variety of filmmaking techniques like fixed camera shots, appropriate mise-en-scene, natural sound, and editorial cuts are employed to immerse viewers in the world of British caravanning culture.
Documetnary adverts
This document summarizes four documentary film advertisements:
1) Planet Earth highlights the BBC nature documentary through an image of wildebeests on a globe-shaped landscape.
2) Who Killed Tupac? uses dark imagery and minimal text to emphasize the lack of answers around Tupac Shakur's murder.
3) Blackfish draws viewers in with an unsettling close-up of an orca to hint at dark secrets about orcas in captivity.
4) March of the Penguins takes the form of a movie poster, with an image of a father penguin and its child to convey a story of love overcoming hardship.
Evaluation question 1
This document discusses how the student's media products for a soap opera called "Chalk Lane" use, develop, and challenge conventions of real soap operas.
The student's soap opera trailer incorporates conventions like a voiceover providing air time information, repeating soundtrack and editing techniques from other soap opera trailers. However, it also features some differences like including critical praise and displaying the channel ident throughout.
The soap opera magazine cover repeats conventions from Inspiration magazine "InsideSoap" like close-up character shots and facial expressions showing emotion. However, it includes the air time for the new soap, challenging conventions.
The soap opera poster attempts to repeat conventions from EastEnders posters by focusing on the key
evaluation question 1
This document summarizes how the music video follows conventions of the genre while also challenging conventions. It follows conventions of folk music videos by focusing on natural imagery and locations that represent a simple lifestyle. It challenges conventions by using color alterations to create a surreal atmosphere, splitting the screen to highlight the narrative of a solitary female traveling alone, and representing a female protagonist in a non-sexualized way. The goal was to engage the target audience while experimenting with conventions of independent films and folk music videos.
presentation
The student proposes to create a promotional package for the release of an album, including a music video, DVD cover, and magazine advertisement. The music video will be for the song "Goin' Down" by The Pretty Reckless and will be in a punk rock style. Research was conducted on conventions of music videos, rock music videos, and digipak packaging. Analysis of examples discusses the symbolism in a Paramore music video, digipak design, and conventions used in a magazine advertisement to appeal to a rock audience. Sources are cited.
Research
The document proposes creating a promotional package for an album including a rock music video, DVD cover, and magazine advertisement. The package will promote the song "Goin' Down" by The Pretty Reckless. The music video will be created in a punk rock style to emphasize the song's speed and energy. The focus will be on experimenting with editing techniques to develop impact and drama. The target audience is primarily teenagers who can relate to the punk style.
3. research(1) 200606
Based on this interview, here are some key points I've learned about appealing to this type of audience:
- Limit narration to avoid breaking immersion in the world of the show. Let the music and sounds tell the story.
- Use real music from bands rather than generic music, as it will feel more relatable and leave more room for interpretation.
- Focus on choosing music that conveys the theme, as that's what this listener pays most attention to.
- Avoid too many interruptions for reviews, dates, etc. Either keep the information flow together or save extras for after.
- Only include necessary ads since ads were called out as the only acceptable interruption.
Overall, this
Evaluation Question one - section one
The document summarizes how the music video conventions folk music genres in its narrative, representation, and visual elements. It follows many conventions of folk music videos such as focusing on natural landscapes, minimalist storytelling, and representations of solitude. However, it also challenges some conventions by featuring a non-sexualized female protagonist and using unconventional color alterations to achieve a surreal atmosphere. The target audience of 16-24 year old females is aligned with the representations found in independent films. Overall, the music video draws from conventions of both folk music genres and independent films to appeal to its intended demographic.
Question 1
The document discusses how a music video, digipak, and magazine advertisement utilize and develop conventions of their respective mediums to promote a band. The music video draws from conventions of music videos like relating visuals to lyrics and music, uses intertextual references, and adheres to conventions of tempo, shots, and genre. The digipak and magazine ad similarly reference scenes from the video while conforming to standard layouts, using images and text placement typical for their formats. Reoccurring motifs in the video and prints are also discussed.
3. research(1) 2020 1205
Here are my key takeaways from Interview 2:
- The interviewee is open to some narration as long as it's not excessive. This suggests balancing narration with other elements.
- They prefer radio show music as long as it has a creative feel. Original music is important to maintain interest.
- They pay attention to whatever element is done best in a given radio show. Quality is prioritized over any single element.
- Release dates should be announced upfront, with more information released closer to air date. A gradual, strategic marketing approach is preferred over dumping all details at once.
Overall this interviewee values immersion, creativity, quality over quantity, and a strategic marketing approach. This
War- music video
The group aims to create an exciting music video for their song "War" that challenges conventions. They plan to film in unique locations around London like Buckingham Palace and Whitehall to engage the public. The video will feature the group members wearing masks of world leaders and holding protest signs with messages about war. It will incorporate Goodwin's Theory of relating the music, lyrics, and visuals. The goal is to express their creative vision of war's impact through an artistic music video.
Evaluation Q1
The document summarizes how the media product challenges and develops conventions of real music videos. It discusses conventions related to lyrics establishing feeling, genre being reflected in visual elements, and camera work impacting meaning. While some conventions like close-ups were followed, others like objectifying female performers or using intertextuality were challenged as they are not common in folk music videos which served as inspiration. Analysis of other folk videos informed shot choices and editing style to conform to typical techniques in the genre.
WCC-COMM 101 Chapter 7-Music and Culture + Reflective Project #3.pptx
This document discusses how music can reflect and influence culture. It focuses on New York City in 1977, when hip hop, punk, and disco emerged and related to the political and social realities of the time. The documentary NY77: The Coolest Year in Hell is analyzed, which examines this relationship between music and culture. The document argues that these genres have had lasting impacts outside of music, such as in fashion, film, language, and advertising. It maintains that studying mass media, including music, can provide insight into cultural evolution and future trends.
Evaluation q4
The document discusses the target audience for a media product about urban crime aimed at teenagers. The target audience is identified as middle class, multi-cultural 15+ year olds, mostly male, from major UK cities where crime and teen pregnancy are most prevalent. To appeal to this audience, the media product incorporates colloquial dialogue, characters that reflect urban stereotypes, and a soundtrack of popular "grime" music from the genre. Establishing shots filmed in urban housing estates are also used to set the scene for the crime drama.
Q1
1) The document discusses the conventions of soap operas that the author's media product used, developed, or challenged in their soap opera trailer.
2) Key conventions included a non-linear narrative with multiple storylines, cliffhangers to intrigue audiences, and elements of realism through everyday activities and issues portrayed.
3) The author's trailer incorporated these conventions through flashbacks, an ambiguous cliffhanger about the killer's identity, and having characters with roles like a priest or nurse.
Media language pp for blog
Media language is conveyed through camera work, editing, sound, and mise-en-scene to send messages to audiences. The document discusses how editing was used to portray smoking cannabis negatively by adding a dark, grimy filter and slowing down shots. Camera work placed a singer on a tall bridge overlooking a financial district to emphasize his dreams of worldwide success. Costumes, props, and locations were chosen deliberately, such as dressing a woman in non-revealing clothes to challenge stereotypes and showing a man wearing an obvious brand name logo to represent the importance of wealth and material possessions. Sound was also used meaningfully, like adding the sound of a clapperboard to symbolize the end of the singer's old life and the
The boat that rocked
The document provides a summary of the 2009 British comedy film "The Boat That Rocked". Set in 1966, the film tells the story of a pirate radio station called "Radio Rock" that broadcasts rock and pop music to the UK from a ship in the North Sea, while the British government tries to shut them down. It has an ensemble cast including Philip Seymour Hoffman and Bill Nighy. The summary highlights the film's setting of pirate radio in the 1960s UK and its crew of disc jockeys broadcasting illegally from a boat anchored in the North Sea.
Film Music Research
The document discusses the history of film soundtracks from the first sound films in 1900 to modern digital composition software. It outlines some of the most famous composers like John Williams and soundtracks from films like Star Wars. It then discusses the target audience for film score magazines, noting it is difficult to define but generally eclectic fans of both film and music who are usually adults. Finally, it considers subgenres of film scores, competition from other film music magazines, cross-media uses of scores, and potential futures including more electronic scores and merging of instruments/effects in software.
Media Evaluation
The document summarizes the forms and conventions used in a music video created by the student. It discusses how the video was inspired by another indie pop video but developed its own style. It analyzes the camera work, editing, mise-en-scene, representation, and postmodern elements used to represent the band and amplify the song's meaning through the visuals. Additional texts like a magazine advert and digipak were created to further develop the band's image.
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- 1. Evaluation Question 2; How effective is the combination of your main product and ancillary texts?
- 2. • The combination of the main product and ancillary texts is effective through the idea that everything links together. The same title, time, date, programme title and slogan are effective features used within the documentary, the radio trailer, and the print advert. This is effective through the idea that it reinforces throughout the main facts about the documentary. All three work together in creating
- 5. What do you call a scouser in a suit? A successful business man from the North West. Over the years scousers have been portrayed as thieves, curly haired chavs and Liverpool is seen as somewhere that police sirens are heard just as often as the Beatles. Comedian Interview But in fact liverpudlians are renowned for their love of their hometown and the people in it “we’re most friendly in the country....” Bekkas friend Known for their sense of humour, “Born this way, natural comedians” old women their massive music scene and their iconic accent. Sound as a Pound is taking you on a journey up the Mersey to discover the reality of the place affectionately known as “the pool” and the scousers who live there. Calm down, calm down it’s only a documentary. Sound as a Pound Wednesday 8PM BBC 1
- 6. • The theme of Scousers/ Liverpool is kept throughout the documentary, print advert and radio trailer; this is done in many ways: For example in linking the documentary and advert the same voiceover is kept. The voiceover is significant due it being the voice of a scouse male, the scouse accent is known worldwide more so than many other regional accents. This is also done through voxpops used within the documentary being used for the radio trailer of real scouse people. This is an immediate association with Liverpool. In addition to this is the slogan, the slogan is a pun upon a typical scouse/ liverpuddlian phrase. The slogan is featured within both ancillary texts. The presentation of the slogan on the print advert is significant, ‘CALM DOWN, CALM DOWN...its only a documentary’, the use of capitals is a way of presenting the slogan as it would be said, stereotypically there would be more emphasis upon ‘calm down’. All three productions coincide in creating the stereotypical scouse sound.
- 7. • The striking image of the newspaper advert links with the documentary and radio trailer because the viewer can clearly state the obvious that the print advert is about Liverpool. The print Advert is a picture of the River Mersey which is featured within the documentary. This is significant through during the documentary some filming is done whilst on the Liverpool Ferry, whilst in the river. This links the two in the sense that the advert shows you Liverpool but the Documentary/main production will take it to a new level.