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This summary analyzes a student project comparing World War I recruitment posters depicting heroic images of battle with scenes from the poem "Dulce et Decorum Est" showing the gruesome realities of war. The project contrasts the propaganda posters young men saw promoting glory and honor in combat with black and white images illustrating the poem's graphic depiction of a soldier suffocating from gas. The student argues the recruitment posters did not accurately portray the true dangers of war that soldiers soon discovered on the front lines.
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Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
Codes and conventions realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Marketing
The document discusses and analyzes various marketing techniques used to promote the horror film The Descent, including its trailer, movie poster, billboards, and website. The trailer focuses on trapping the girls and hints at horror without showing gore. Both the poster and trailer depict a girl emerging from blood and darkness. Billboards also use similar dark, isolated themes and emphasize positive reviews. However, the movie poster had to be redesigned after the 7/11 London bombings due to depicting trapped women. The website follows the dark color scheme and hints at a sole survivor like other advertisements.
British social realism
British social realism films aim to portray realistic depictions of British culture and everyday life. They typically use non-professional actors, shoot on location instead of in studios to feel authentic, and may use semi-improvised scripts and dialogue. Wide shots are often used to give context of the surroundings. Technical aspects like natural lighting and handheld camerawork further reinforce the realistic style of this genre.
Generic conventions of british films
British films typically use natural lighting, unknown actors, and depict slices of life to seem realistic for audiences. Natural lighting saves on production costs compared to hired lighting crews and helps films feel more authentic. Unknown actors also keep costs low and make stories more believable by avoiding recognition from prior roles. Focusing on ordinary peoples' lives through "slices of life" shows viewers realistic versions of everyday experiences. Together, these techniques aim to attract audiences who appreciate social realism in an affordable, genuine way.
Codes and conventions British social realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Codes and conventions
Social Realism focuses on realistic portrayals of working class lives and social issues. It uses techniques like handheld camera shots, natural lighting, and locations and clothing that feel authentic. Micro features contribute to this realism, like lighting that sets moods and clothing that provides context about characters' backgrounds. For example, the main character in Fish Tank wears dark colors that reflect her sad mood. Sound is also used authentically, with recognizable noises like cars that show trouble, and dialogue and accents that provide context about characters' social class and origins.
5 Tips to Master the Concept of Relevance: Relevance and The Hoff #CannesLion...
1) Relevance is about anticipating audiences' needs and filtering messages to manage information overload. It allows people to focus on what is most important to them.
2) Relevance is a more dynamic measure than love and trust, which are static. While people may love and trust certain brands, relevance depends on being aligned with what is currently important.
3) The dimensions of relevance are prevalence, or how widely known something is; intensity, or the strength of feeling; and aspects, or the specific reasons something is considered relevant. The Hoff is well known globally and inspires strong feelings, making him relevant in terms of prevalence and intensity.
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Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
Codes and conventions realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Marketing
The document discusses and analyzes various marketing techniques used to promote the horror film The Descent, including its trailer, movie poster, billboards, and website. The trailer focuses on trapping the girls and hints at horror without showing gore. Both the poster and trailer depict a girl emerging from blood and darkness. Billboards also use similar dark, isolated themes and emphasize positive reviews. However, the movie poster had to be redesigned after the 7/11 London bombings due to depicting trapped women. The website follows the dark color scheme and hints at a sole survivor like other advertisements.
British social realism
British social realism films aim to portray realistic depictions of British culture and everyday life. They typically use non-professional actors, shoot on location instead of in studios to feel authentic, and may use semi-improvised scripts and dialogue. Wide shots are often used to give context of the surroundings. Technical aspects like natural lighting and handheld camerawork further reinforce the realistic style of this genre.
Generic conventions of british films
British films typically use natural lighting, unknown actors, and depict slices of life to seem realistic for audiences. Natural lighting saves on production costs compared to hired lighting crews and helps films feel more authentic. Unknown actors also keep costs low and make stories more believable by avoiding recognition from prior roles. Focusing on ordinary peoples' lives through "slices of life" shows viewers realistic versions of everyday experiences. Together, these techniques aim to attract audiences who appreciate social realism in an affordable, genuine way.
Codes and conventions British social realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Codes and conventions
Social Realism focuses on realistic portrayals of working class lives and social issues. It uses techniques like handheld camera shots, natural lighting, and locations and clothing that feel authentic. Micro features contribute to this realism, like lighting that sets moods and clothing that provides context about characters' backgrounds. For example, the main character in Fish Tank wears dark colors that reflect her sad mood. Sound is also used authentically, with recognizable noises like cars that show trouble, and dialogue and accents that provide context about characters' social class and origins.
5 Tips to Master the Concept of Relevance: Relevance and The Hoff #CannesLion...
1) Relevance is about anticipating audiences' needs and filtering messages to manage information overload. It allows people to focus on what is most important to them.
2) Relevance is a more dynamic measure than love and trust, which are static. While people may love and trust certain brands, relevance depends on being aligned with what is currently important.
3) The dimensions of relevance are prevalence, or how widely known something is; intensity, or the strength of feeling; and aspects, or the specific reasons something is considered relevant. The Hoff is well known globally and inspires strong feelings, making him relevant in terms of prevalence and intensity.
Codes and Conventions of British Social Realism
British Social Realism films employ several codes and conventions including location shooting instead of studios, wide shots, non-professional actors, semi-improvised scripts, balancing humor and seriousness, exploring wider social issues through individual stories, and portraying the erosion of regional identities. These techniques aim to portray realistic stories that examine social problems through the lens of personal struggles and triumphs over adversity.
Report copy
The document discusses the props and costumes used in the film Radio-Waves. A vintage radio with the printing "sunnylife" was used to contrast the happy implication of the printing with the grave news being reported. A plain white dress symbolized the victim's innocence and highlighted her difference from the antagonist wearing black. Smudged eye makeup on the victim showed her distressed state and suggested her death was water-related. Roughly laced black shoes on the antagonist reinforced his darkness, while bracelets were ultimately not used on the victim to keep her appearance raw and anonymous.
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Social realism in film originated from Italian Neorealism after World War 2, which depicted the difficult lives of the working class. It was influenced by British documentaries of the 1930s and focused on location shooting in run-down urban areas. Key characteristics include using non-professional actors, close-ups to elicit sympathy, and exploring social issues like poverty, unemployment and injustice through working-class protagonists in dysfunctional family settings. Cathy Come Home, a 1966 BBC documentary-style series about a couple made homeless, had a huge impact and sparked political discussion.
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Kings speech
The opening sequence of The King's Speech establishes the historical context of the film by showing King George VI preparing for a speech at Wembley Stadium in 1925. Through close-ups of his nervous facial expressions and trembling lips, the sequence depicts him as a weak public speaker struggling with a stammer. His wife provides reassurance as he works to overcome his lack of confidence in public speaking. The costumes, music, and cinematography immerse the viewer in the period setting and communicate the protagonist's struggles in a way that generates sympathy from the audience.
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British Social Realism
British Social Realism films focus on realistic portrayals of working class life and social issues. Some common conventions of the genre include using unknown or non-professional actors, portraying social classes and locations accurately, and addressing themes like poverty, drugs, sex and crime. The target audience for social realism films varies depending on the specific film, but often appeals both to younger viewers due to portrayals of teenagers, as well as older audiences who remember the time periods depicted. Some classic examples that exemplify the genre include Kes, Billy Elliot, and This is England.
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Eval1
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Fish Tank
Social realism is a genre that aims to portray realistic depictions of everyday life, often focusing on working-class characters and social issues. It typically uses handheld camera work, unknown actors, and gritty urban settings to represent the struggles of ordinary people. Films in the social realism genre commonly deal with controversial topics like poverty, relationships, and minority groups that were not typically represented in other films at the time. The genre became prominent in British cinema starting in the late 1950s as filmmakers sought to authentically capture the realities of working-class lives on screen.
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The opening sequence of The King's Speech establishes the historical context of the film by showing King George VI preparing to give a speech in 1925 at Wembley. Through camera shots, music, and costumes, the sequence portrays King George as a weak and nervous public speaker who struggles with a stammer. It aims to make the audience feel sympathetic towards the King as he works to overcome his stammer with the help of his speech therapist. Overall, the opening sequence effectively orients the viewer to the time period and genre of the film as a historical drama about King George VI's personal struggles.
Ass 1 something postmodern
The document discusses The Great Gatsby novel and film adaptations from 1974 and 2013. It notes that while the stories are based on the same original book, film remakes are common and show there are no truly original ideas. The document also examines elements like the nonlinear narrative in the story, how the novel portrays high culture of the 1920s, how the book represents high art but the films blend genres as low art, and how the works provide nostalgia for the 1920s era they depict.
Kings speech media
The opening sequence of The King's Speech establishes the historical context of the film by showing King George VI preparing to give a speech in 1925 at Wembley Stadium. Through the use of close-ups, costumes, and music, the sequence represents King George as a weak and nervous public speaker who struggles with his stammer. It introduces his supportive wife and sets up his journey to becoming a more confident speaker with the help of his speech therapist.
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Codes and Conventions of British Social Realism
British Social Realism films employ several codes and conventions including location shooting instead of studios, wide shots, non-professional actors, semi-improvised scripts, balancing humor and seriousness, exploring wider social issues through individual stories, and portraying the erosion of regional identities. These techniques aim to portray realistic stories that examine social problems through the lens of personal struggles and triumphs over adversity.
Report copy
The document discusses the props and costumes used in the film Radio-Waves. A vintage radio with the printing "sunnylife" was used to contrast the happy implication of the printing with the grave news being reported. A plain white dress symbolized the victim's innocence and highlighted her difference from the antagonist wearing black. Smudged eye makeup on the victim showed her distressed state and suggested her death was water-related. Roughly laced black shoes on the antagonist reinforced his darkness, while bracelets were ultimately not used on the victim to keep her appearance raw and anonymous.
Social Realism
Social realism in film originated from Italian Neorealism after World War 2, which depicted the difficult lives of the working class. It was influenced by British documentaries of the 1930s and focused on location shooting in run-down urban areas. Key characteristics include using non-professional actors, close-ups to elicit sympathy, and exploring social issues like poverty, unemployment and injustice through working-class protagonists in dysfunctional family settings. Cathy Come Home, a 1966 BBC documentary-style series about a couple made homeless, had a huge impact and sparked political discussion.
Kings speech
The document provides an analysis of the opening sequence of the film "The King's Speech". It summarizes that the opening sequence effectively establishes the historical context of the film by showing King George VI preparing for a speech in 1925 and the struggles he faces with his stammer. Through the use of camera shots, sound, music and costumes, the sequence represents King George as a weak and nervous man who lacks the strength and authority expected of a monarch. It creates sympathy for the protagonist and his battle to overcome his stammer.
Kings speech
The opening sequence of The King's Speech establishes the historical context of the film by showing King George VI preparing for a speech at Wembley Stadium in 1925. Through close-ups of his nervous facial expressions and trembling lips, the sequence depicts him as a weak public speaker struggling with a stammer. His wife provides reassurance as he works to overcome his lack of confidence in public speaking. The costumes, music, and cinematography immerse the viewer in the period setting and communicate the protagonist's struggles in a way that generates sympathy from the audience.
Social realism as a genre 2 SECTION B
The document provides information about the genre of social realism in film. It defines social realism as a realistic portrayal of British society that depicts social and economic hardship through unvarnished pictures of real people's lives and struggles. It lists some key conventions of social realism films including realistic settings and events, believable filming techniques, gritty urban locations, and focusing on working class activities and heroes. Examples of notable social realism films from Britain are provided such as Billy Elliot and Kes.
British Social Realism
British Social Realism films focus on realistic portrayals of working class life and social issues. Some common conventions of the genre include using unknown or non-professional actors, portraying social classes and locations accurately, and addressing themes like poverty, drugs, sex and crime. The target audience for social realism films varies depending on the specific film, but often appeals both to younger viewers due to portrayals of teenagers, as well as older audiences who remember the time periods depicted. Some classic examples that exemplify the genre include Kes, Billy Elliot, and This is England.
The red wheelbarrow, fog, and the
The document discusses how William Carlos Williams' poem "The Red Wheelbarrow" and Carl Sandburg's poem "Fog" were influenced by the events of the 20th century despite not explicitly mentioning any specific events. Both poems focus on finding beauty in simplicity as a contrast to the pain and violence of the World Wars. They represent the literary styles of Imagism and Dadaism that emerged from writers seeking to escape the realities of their time through vivid yet simple imagery.
Thriller Evaluation - Q5
The document discusses how the creators of the thriller opening "Homeless" aimed to attract a target audience of 15-24 year old females. They sought to do this by creating a strong, independent female character named Norma who violently attacks a male, breaking traditional gender conventions. By portraying Norma as a "deviant" yet capable female, they hoped to appeal more to their target audience. Feedback from target audience members, especially young females, was positive about the representations in "Homeless" and their ability to relate to the unconventional female characters.
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The music video for "Welcome to the Black Parade" by My Chemical Romance features four main characters: The Patient, Fear, Regret, and Mother War. It is shot in a style inspired by German expressionist horror films of the 1920s with an emphasis on blacks, whites, and shadows. The video follows the character of The Patient as he dies and is met by a parade representing his fondest memory of childhood. Scenes shift between a hospital setting and a surreal cityscape covered in ash and wreckage as The Patient encounters strange figures in gas masks during his journey.
Eval1
The document discusses how the author drew inspiration from other thriller films and media texts to develop elements of their own thriller film titled "Thief". Locations from films like "The Third Man" and "The Girl with the Dragon Tattoo" provided examples of dystopian cities and claustrophobic spaces that were referenced in developing the film's setting in Norwich. Character elements like the femme fatale character Scarlett Fraser and youth criminal Will Block also took inspiration from existing texts and real-world issues like rising youth unemployment.
Fish Tank
Social realism is a genre that aims to portray realistic depictions of everyday life, often focusing on working-class characters and social issues. It typically uses handheld camera work, unknown actors, and gritty urban settings to represent the struggles of ordinary people. Films in the social realism genre commonly deal with controversial topics like poverty, relationships, and minority groups that were not typically represented in other films at the time. The genre became prominent in British cinema starting in the late 1950s as filmmakers sought to authentically capture the realities of working-class lives on screen.
Kings speech
The opening sequence of The King's Speech establishes the historical context of the film by showing King George VI preparing to give a speech in 1925 at Wembley. Through camera shots, music, and costumes, the sequence portrays King George as a weak and nervous public speaker who struggles with a stammer. It aims to make the audience feel sympathetic towards the King as he works to overcome his stammer with the help of his speech therapist. Overall, the opening sequence effectively orients the viewer to the time period and genre of the film as a historical drama about King George VI's personal struggles.
Ass 1 something postmodern
The document discusses The Great Gatsby novel and film adaptations from 1974 and 2013. It notes that while the stories are based on the same original book, film remakes are common and show there are no truly original ideas. The document also examines elements like the nonlinear narrative in the story, how the novel portrays high culture of the 1920s, how the book represents high art but the films blend genres as low art, and how the works provide nostalgia for the 1920s era they depict.
Kings speech media
The opening sequence of The King's Speech establishes the historical context of the film by showing King George VI preparing to give a speech in 1925 at Wembley Stadium. Through the use of close-ups, costumes, and music, the sequence represents King George as a weak and nervous public speaker who struggles with his stammer. It introduces his supportive wife and sets up his journey to becoming a more confident speaker with the help of his speech therapist.
What is Social Realism?
Social realism is a film genre that aims to depict realistic portrayals of life, especially for underrepresented groups. It focuses on contemporary social issues through stories set in the current time. Directors of social realism films, like Ken Loach and Shane Meadows, want to shed light on social injustices such as economic hardship and discrimination. Their films are meant to represent attitudes and struggles of ordinary people, especially the working class, during a particular period in history.
Laing kenneth pcm assignment w2
Bill Finger and Bob Kane created the Batman character in 1939. They developed Batman as a passionate hero with integrity and compassion that ordinary people could look up to. The Dark Knight version of Batman from the Batman Begins and Dark Knight films has a self-entitled billionaire lifestyle, but still dedicates himself to helping others in need as a hero at night. Bruce Wayne is willing to risk everything to protect others, demonstrating that power and money mean nothing without a willingness to help people.
Mise en-scene-planning
The document outlines the mise-en-scene planning for a triggered production to take place at the Southbank Centre in London. It will feature a suicidal man in a blue suit who shoots himself, with a businessman in a black suit as a secondary character. Morgan Connally Hernandez, a 17-year-old drama student, will potentially play both roles. Props will include a replica gun, newspaper, briefcase, and notepad. The location was chosen for its iconic architecture and ability to create unique camera angles for the final scene.
Evaluation Task 4
The document provides information about the target audience, intended outcome, production companies, budget, and age classification of a film production. It also discusses feedback received and how various media theorists and concepts were applied to the production. The production aimed to attract a late teen to mid-thirties audience interested in intelligent action films. Feedback suggested changes to the soundtrack and establishing character roles through filters, but social media feedback was limited. Various genre conventions and concepts around narrative structure, character archetypes, and formal elements were considered.
Lars And The Real Girl
Lars (Ryan Gosling) invites an inflatable sex doll named Bianca to dinner, treating her as his real girlfriend. The small town initially views Lars as lonely but then embraces Bianca, treating her as a citizen. Though the relationship with an inanimate object seems delusional, the film makes the audience grow fond of Lars and his love for Bianca. It is a quirky but surprisingly delightful film that shows how community support can help those who are socially isolated.
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My Chemical Romance Media Presentation - Music Video Analysis
My Chemical Romance Media Presentation - Music Video Analysis
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Hum poem pp
- 1. Humanities 30Dulce et decorum est visual By: Laramie Sissons
- 2. If in some smothering dreams you too could pace Behind the wagon that we flung him in,
- 3. And watch the white eyes writhing in his face, like a devils sick of sin;
- 4. If you could hear, at every jolt, the blood Come gargling from froth- corrupted lungs
- 5. My Friend, you would not tell with such high zest To children ardent for some desperate glory, the old Lie: Dulce et decorum est Pro patria mori
- 6. Citations All images courtesy of Corbis Images Bombs Away! Poster by Cecil Calvert BeallIMAGE:© K.J. Historical/CorbisCREATORNAMECecil Calvert BeallDATE CREATED1944 Just Meet Those Schedules, Will You? Poster by Harry Morse Meyers IMAGE:© K.J. Historical/Corbis CREATOR NAME Harry Morse Meyers DATE CREATED1944 Wings Over America Poster by Tom WoodburyIMAGE:© David Pollack/K.J. Historical/CorbisCREATORNAMETomWoodburyDATECREATEDca. 1918 Buy War Bonds Poster by Ferdinand WarrenIMAGE:© Swim Ink 2, LLC/CORBISCREATOR NAME Ferdinand E. Warren DATE CREATED1942 ...Pass the Ammunition - O.K. Soldier - That's Our Job! Poster by Frederic StanleyIMAGE:© Swim Ink 2, LLC/CORBISCREATOR NAMEFredericStanleyDATECREATEDca. 1941-1945 Boys Come Over Here You're Wanted Recruitment PosterIMAGE:© Swim Ink 2, LLC/CORBIS My Girl's a WOW Poster by Adolph Treidler IMAGE:© K.J. Historical/CREATED1943 Signal Corps Recruitment Poster by JesSchlaikjer IMAGE:© Swim Ink 2, LLC/CORBISCREATOR NAME JesSchlaikjer DATE CREATED1942
- 7. Explanation Throughout my visual I feel that the message I am trying to portray is evident. The war posters would have been a form of propaganda that young men would have seen before they went to battle. This is what the images of war looked like while these men were safe at home, this is what they believed they would experience when thrust onto the front line. However this was seldom the case, these men quickly realized the true perils of war and what the realities of intense combat were. If the posters portrayed the real scenes of battle they might look something like the black and white images in my project. I feel the contrast between both sets of images captures the true irony as well as the tragic sarcasm that comes forth upon reading the poem we were assigned.