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HOW DOES YOUR MEDIA
   PRODUCT REPRESENT
PARTICULAR SOCIAL GROUPS?
SOCIAL REALISM FILMS


    In general, social realism films focus on the working class social
group. The one or two main characters will fit this role by conforming
to the stereotype, creating the clear image of what the director wants
 an audience to see. The setting and location will also conform to the
stereotypically view of the working class, for example council estates.
  A recent social realism series, aimed at teenagers, ‘Youngers’ is a
  very good example of representing the working class, who live on
      estates and don’t try hard in education, but try to succeed in
 industries like music, sports or vocational courses. However, this is
 all conforming to a stereotype and if the director decided to have the
 same storyline but with a different class or a different type of person
maybe it wouldn’t work or maybe the audience would not recognise it
                            as being believable.
OUR MEDIA PRODUCT


In our media product we wanted the representation of the young girl
  to be clear, almost immediately. With the jump cuts to the car the
audience can see glimpses of the girls personality and what she may
  be like and her location. Furthermore, the surroundings of well lit
streets at night also suggest a working class background, the places
 need to be lit to avoid danger. To follow the codes and conventions
of a social realism film we followed the working class stereotype with
our main protagonist dressed in a track suit and a hooded coat, both
  of which were dark and menacing. Also taking on board what the
  setting and location should be like to be fitting to this stereotype.
OUR MEDIA PRODUCT


 We also wanted to look at the main protagonists age as a social group.
    As our target audience is 15-18 we wanted our cast to be this age
     also, so there is a sense of relation to the protagonist. Our main
   character, Zoe, was cast as a 16 year old working class girl living in
     London. At this age teenagers can still be manipulated and peer
   pressured into doing things, so casting at this age was fitting to our
  storyline of the pressures into drugs. However, being at this age and
  doing hard drugs can have such a damaging effect like our character
becoming schizophrenic. Again this is fitting to our film conforming to the
   working class stereotype, because our protagonist turns to violence
  which is common in gang culture in working class areas. The age of
   character again ensures the believability as teenagers will, in some
             cases, follow demands and pressure just to fit in.
OUR MEDIA PRODUCT


 In conclusion our media product conforms to the stereotypes of the
working class and teenagers social groups. We have decided to this
   because it is clear to the audience what the main protagonist is
meant to be like. Furthermore, it means that our target audience (15-
    18 year olds) will be able to relate the character/s through own
experience or from being stereotyped themselves or simply because
                    they know of these stereotypes.

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Evaluation criteria 2

  • 1. HOW DOES YOUR MEDIA PRODUCT REPRESENT PARTICULAR SOCIAL GROUPS?
  • 2. SOCIAL REALISM FILMS In general, social realism films focus on the working class social group. The one or two main characters will fit this role by conforming to the stereotype, creating the clear image of what the director wants an audience to see. The setting and location will also conform to the stereotypically view of the working class, for example council estates. A recent social realism series, aimed at teenagers, ‘Youngers’ is a very good example of representing the working class, who live on estates and don’t try hard in education, but try to succeed in industries like music, sports or vocational courses. However, this is all conforming to a stereotype and if the director decided to have the same storyline but with a different class or a different type of person maybe it wouldn’t work or maybe the audience would not recognise it as being believable.
  • 3. OUR MEDIA PRODUCT In our media product we wanted the representation of the young girl to be clear, almost immediately. With the jump cuts to the car the audience can see glimpses of the girls personality and what she may be like and her location. Furthermore, the surroundings of well lit streets at night also suggest a working class background, the places need to be lit to avoid danger. To follow the codes and conventions of a social realism film we followed the working class stereotype with our main protagonist dressed in a track suit and a hooded coat, both of which were dark and menacing. Also taking on board what the setting and location should be like to be fitting to this stereotype.
  • 4. OUR MEDIA PRODUCT We also wanted to look at the main protagonists age as a social group. As our target audience is 15-18 we wanted our cast to be this age also, so there is a sense of relation to the protagonist. Our main character, Zoe, was cast as a 16 year old working class girl living in London. At this age teenagers can still be manipulated and peer pressured into doing things, so casting at this age was fitting to our storyline of the pressures into drugs. However, being at this age and doing hard drugs can have such a damaging effect like our character becoming schizophrenic. Again this is fitting to our film conforming to the working class stereotype, because our protagonist turns to violence which is common in gang culture in working class areas. The age of character again ensures the believability as teenagers will, in some cases, follow demands and pressure just to fit in.
  • 5. OUR MEDIA PRODUCT In conclusion our media product conforms to the stereotypes of the working class and teenagers social groups. We have decided to this because it is clear to the audience what the main protagonist is meant to be like. Furthermore, it means that our target audience (15- 18 year olds) will be able to relate the character/s through own experience or from being stereotyped themselves or simply because they know of these stereotypes.