Evaluation
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The document discusses album artwork and a tour poster created for a new artist named Ellie. For the album artwork, a landscape photo was used as a wrap around background to match the forest theme of Ellie's music. Her name is kept small to not define her yet by her name alone. For the tour poster, the album artwork was included and the font was made more edgy to bring her live shows to life while still connecting the two pieces of artwork to promote recognition as a new artist.
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Evaluation
The document discusses album artwork and an advertisement poster created for a new artist named Ellie. For the album artwork, natural landscape images and colors were used to represent the artist's rustic and forest-centered themes. The artist's name is kept small to reflect that she is new. For the poster, a more vibrant and edgy look was used to bring her live shows to life, and the album artwork was included to advertise on multiple levels. Both pieces relate to a video being used to take photos for the artwork.
Digipak Designs
This document discusses various potential edits and filters that could be applied to an image of Katy Perry for use as an album cover. It examines edits using vintage filters, cartoon effects, cyanotype and rainbow color filters, applying paint textures, and testing different fonts. The author considers how each edit represents themes like fun, versatility, and energy while still keeping Katy Perry as the central focus and engaging the audience.
Only girl (in the world)
The document discusses locations for a music video, noting that an open field makes the artist the main focus even in long wide shots. It also discusses using field locations and colors to convey themes of being alone in the world or associated with space, taking inspiration from how colors in another music video helped bring across its narrative.
DVD Digipak Research
The document discusses existing DVD digipaks from various artists such as Paul Van Dyk and Adele. It notes that they maintain a consistent style across their albums through the use of logos, colors, and overall design. This consistency helps establish the artist's individual style and identity. The document also discusses digipaks from Rihanna that effectively showcase her image and previous albums. It concludes that maintaining a clear and cohesive style across the packaging and content will help introduce a new artist and define their identity for audiences.
Digipak Analysis
The document provides an analysis of a digipak design for an indie folk album. It describes the design elements and artistic choices made for the front and back covers, as well as inside images and CD art. Neutral colors and a handwritten font create a simple, nostalgic aesthetic. Nature imagery and the artist's gaze imply themes of loss and longing. Continuity is achieved through a consistent color palette and typography across all elements of the packaging.
Evaluation q2 to luke o'donnell
The document discusses the effectiveness of combining a main product with ancillary texts. It was carefully produced to ensure complementarity. A black, white, and yellow color palette links the pieces visually. Locations and themes depicted in the music video also appear in the ancillary texts. The album digipack highlights themes from the album and video. Product names stay within the same theme. A minimal, simplistic style conveys bleak emotions across the range. Only cold, artificial lighting or the moon illuminate pieces to maintain a nocturnal theme. A dark yellow font contrasts the background and resembles graffiti to subvert mainstream celebration of popularity with themes of isolation.
Digipak analysis
The digipak analysis discusses design elements used that create continuity with the music video themes of happiness and sadness. The front cover uses a black and white filter and orange color to represent misery and link to the protagonist's life in the music video. Overlapping images on the front cover show the connection between two characters and their contrasting emotions. Inside pages feature nature imagery and lyrics that relate to the video's narrative and folk music genre conventions. The left cover includes sparks to represent the protagonist's happy childhood linked to lights in the artist's videos. The spine uses a tree trunk to represent the strength of nature throughout the products in line with the folk genre.
Digipack final
This document discusses the design choices for the front and back covers, inside cover, and CD for an indie pop album. Photos were taken in Abney Park and edited with purple filters in Photoshop to create a cohesive aesthetic. The front cover features a mid-shot of the actress to show her trendy clothes. Fonts and positioning of text were chosen so the artist's name is the most prominent. The inside cover has a symbolic heart image reflecting the album's theme of love. Photos on the CD and back cover continue the purple-filtered theme across all aspects of the packaging.
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Evaluation
The document discusses album artwork and an advertisement poster created for a new artist named Ellie. For the album artwork, natural landscape images and colors were used to represent the artist's rustic and forest-centered themes. The artist's name is kept small to reflect that she is new. For the poster, a more vibrant and edgy look was used to bring her live shows to life, and the album artwork was included to advertise on multiple levels. Both pieces relate to a video being used to take photos for the artwork.
Digipak Designs
This document discusses various potential edits and filters that could be applied to an image of Katy Perry for use as an album cover. It examines edits using vintage filters, cartoon effects, cyanotype and rainbow color filters, applying paint textures, and testing different fonts. The author considers how each edit represents themes like fun, versatility, and energy while still keeping Katy Perry as the central focus and engaging the audience.
Only girl (in the world)
The document discusses locations for a music video, noting that an open field makes the artist the main focus even in long wide shots. It also discusses using field locations and colors to convey themes of being alone in the world or associated with space, taking inspiration from how colors in another music video helped bring across its narrative.
DVD Digipak Research
The document discusses existing DVD digipaks from various artists such as Paul Van Dyk and Adele. It notes that they maintain a consistent style across their albums through the use of logos, colors, and overall design. This consistency helps establish the artist's individual style and identity. The document also discusses digipaks from Rihanna that effectively showcase her image and previous albums. It concludes that maintaining a clear and cohesive style across the packaging and content will help introduce a new artist and define their identity for audiences.
Digipak Analysis
The document provides an analysis of a digipak design for an indie folk album. It describes the design elements and artistic choices made for the front and back covers, as well as inside images and CD art. Neutral colors and a handwritten font create a simple, nostalgic aesthetic. Nature imagery and the artist's gaze imply themes of loss and longing. Continuity is achieved through a consistent color palette and typography across all elements of the packaging.
Evaluation q2 to luke o'donnell
The document discusses the effectiveness of combining a main product with ancillary texts. It was carefully produced to ensure complementarity. A black, white, and yellow color palette links the pieces visually. Locations and themes depicted in the music video also appear in the ancillary texts. The album digipack highlights themes from the album and video. Product names stay within the same theme. A minimal, simplistic style conveys bleak emotions across the range. Only cold, artificial lighting or the moon illuminate pieces to maintain a nocturnal theme. A dark yellow font contrasts the background and resembles graffiti to subvert mainstream celebration of popularity with themes of isolation.
Digipak analysis
The digipak analysis discusses design elements used that create continuity with the music video themes of happiness and sadness. The front cover uses a black and white filter and orange color to represent misery and link to the protagonist's life in the music video. Overlapping images on the front cover show the connection between two characters and their contrasting emotions. Inside pages feature nature imagery and lyrics that relate to the video's narrative and folk music genre conventions. The left cover includes sparks to represent the protagonist's happy childhood linked to lights in the artist's videos. The spine uses a tree trunk to represent the strength of nature throughout the products in line with the folk genre.
Digipack final
This document discusses the design choices for the front and back covers, inside cover, and CD for an indie pop album. Photos were taken in Abney Park and edited with purple filters in Photoshop to create a cohesive aesthetic. The front cover features a mid-shot of the actress to show her trendy clothes. Fonts and positioning of text were chosen so the artist's name is the most prominent. The inside cover has a symbolic heart image reflecting the album's theme of love. Photos on the CD and back cover continue the purple-filtered theme across all aspects of the packaging.
Clous
This document discusses the design choices for Amelia's new album digi-pack. The designers chose a gradient white-turquoise spine to attract consumers. A handwritten font was selected to make the album feel personal rather than synthetic. Song listings on the back also use the handwritten font for consistency. The front features a broken heart photo symbolizing Amelia's heartbreak, and the same font in white for contrast. A photo of Amelia emerging from a shed represents her debut, and a graffiti girl with skull hints at the album's sensitive themes.
Evaluation Question 2
1) The music video focuses on lights as its main theme by featuring the artist singing at night in front of the city lights of London.
2) For the digipak and advertisement, the creators originally planned to feature the artist in front of city lights at the same London location as the music video. However, they later decided on a close-up shot of the artist against a plain background with lights incorporated differently for a more creative and focused design.
3) To link the digipak and advertisement visually, the same font and color scheme of purple/pink were used, creating cohesion while still standing out. The artist also wears similar white clothing in all three products.
Case studies
The document discusses and analyzes the album covers of three artists:
1) Professor Green's album cover for "Alive till I'm Dead" features a close-up shot of him looking emotionless and angry, representing the album title. It is simple with just his image and tattoo visible.
2) Chris Brown's album cover for "X" is also simple, just showing him with an X over his face in black and white. This represents the album name and gives a vintage feel.
3) Emile Sande's cover for "Our Version of Events" is also simple and in black and white, representing her soul music genre. It is a mid-shot of her facing the camera to tell her
Question 2
The document discusses the creation of ancillary texts, including a digipak and poster, for a drum and bass music video. The digipak features manipulated graffiti imagery to relate to the urban feel of the music video. Additional features were kept minimal to avoid being too busy. Feedback confirmed the ancillary texts fit well with the drum and bass genre and complemented the music video as intended.
Untitled presentation
The document discusses ideas for designing a digipak for a song. It analyzes digipaks from various artists like Jamie T, Gorillaz, Eliza Doolittle, and Kate Nash. The author notes design elements like cartoon drawings, bright colors, and childlike themes that appeal to wide audiences. For their own digipak, the author considers incorporating a child's drawing, photos from filming, or creating original artwork in the style of Kate Nash to represent the song.
Evaluation post 2
I have created this powerpoint to explain my creation of my magazine poster, digipak and also my music video.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background to emphasize themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to promote the artist and album.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions with the artist's name in large white text on a black background.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to look professional and promote the artist and album.
Contact sheets
The document discusses choosing images for an album cover and disc. For the album cover, the selected image depicts a shadowy figure representing someone who wants to reconnect with an ex but is unable to due to their broken relationship. Black represents despair and invisibility. For the disc, a cropped image of a red flower is chosen to represent love rather than being the main focus. Color balancing and exposure adjustments are made to both images to achieve abstract, bright, and red-toned effects.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts (album covers, advertisements, etc). For both, a simple white typography was used to relate to the jazz/soul genre. Natural lighting and positioning the actress in the center were employed to represent the genre authentically. Black and white was largely used throughout to reflect mood, with hints of color on covers to connect to an uplifting final scene in the video. Conventions from real jazz/soul artists were considered to achieve the closest representation of the genre across all elements.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts designed to resemble jazz/soul genre conventions of the 1960s. For both, a simple white typography was used against backgrounds to look eye-catching but not complicated. Natural lighting and outfits were employed to seem realistic. Black and white was dominant with hints of color on album covers relating to an uplifting color scene at the video's end. Conventions from artists like John Coltrane informed the designs' old-fashioned aesthetic.
Combination of main product and ancillary
The document discusses the design elements used across a music video, magazine advertisement, and CD cover for a music artist. Black, gold, silver, and the 'Mishka' font were used consistently across all three pieces to create links between them. Heavy eye makeup and red lipstick were featured prominently in the images to establish the artist's style and genre characteristics of indie music. White space, bubbles, and glitter were the dominant design elements used in the layouts to reflect the type of music on the album.
EVALUATION QUESTION 1- DIGI-PAK
The digi-pack used conventions of music video layout and design through eye-catching colors and a 'comic book' style to portray the artist and promote their hit single from the album. White font was used for the artist name to draw attention and not contrast with the colored image. The artist was placed off-center to leave space around his image, representing the focus on the star image with nothing drawing attention away. The lack of other elements around the artist focuses attention on them and develops conventions of synthetic album covers with the artist as the main focus.
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Safiya created a music video, magazine advert, and CD digipak for a course assignment. She used consistent branding elements across the projects to tie them together, including the same font, color palette, and images of the artist. For the advert and digipak, Safiya used the font "Century Gothic" and the colors black, gold, and pink. She kept the front cover designs simple without much text. There is synergy between the projects as the music video and visuals for the advert and digipak feature close-up shots of the artist in a bedroom setting.
Q2
The document summarizes how the creator effectively combined their music video and print materials like the digipak and advertisement to create a cohesive brand for the artist Nabilla J. Key elements like the artist name, album name, font, color scheme, images, and location were kept consistent across materials. Feedback from the target audience of teenage girls and young adults was positive about the digipak's inspirational message and eye-catching design that connects fans to the artist. The music video, digipak, and advertisement will be promoted through various music and magazine channels to establish Nabilla J's brand and fanbase.
Digipack Construction
The document discusses images selected for a band's album packaging. The front cover image features a balloon with the band's song name showing their motif. It also shows the band is acoustic and indie genre through the guitar and costumes. An inner image was taken in a field with flowers and a friendly horse. Another inner image features the balloon and words repeated to familiarize the band name. A back cover image features the singer pointing at song names with landscape in focus rather than just her.
Digipak Development
Ciaran Emmett created a digipak for his album "Notion". For the front cover, he took a photo in Beechwood Park with his iPhone, added a black and white filter, and colored the subject's blue jacket to make him stand out. For the CD cover, he initially included cans of alcohol but changed it to a circular photo of Beechwood Park taken with his iPhone. For the inside covers, he included black and white photos from the park and music video, coloring some subjects' blue jackets to tie the images together visually and maintain a pop art theme throughout the digipak.
Saturnina cofreos tributes
Saturnina Cofreros was laid to rest at the Holy Gardens Oton Memorial Park. Her final farewell was marked by friends and family who gathered to remember her life and see her off. The memorial emphasized going with God as Saturnina embarked on her next journey.
Aurea o. olivares's last farewell at holy gardens oton memorial park
This document appears to be a memorial program for Aurea O. Olivares held at Holy Gardens Oton Memorial Park on April 15, 2012 at 3:00pm. It contains her name and the location and time of the memorial service. The bottom contains the message "Go with God Aurea".
Ernesto D. Valencia's Tribute
The document provides a date and time of November 26, 2011 at 2:00pm and location of Holy Gardens Oton Memorial Park. It appears to be noting a meeting or event scheduled to take place at the specified date, time, and location but does not provide any additional context or details.
Marilou L. Clavel Treasured Moments at Holy Gardens Oton Memorial Park
The document is a memorial notice announcing the death of Marilou L. Clavel at Holy Gardens Oton Memorial Park on January 06, 2012 at 3:00pm. Friends and family are invited to remember her life and say goodbye.
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What's hot
Clous
This document discusses the design choices for Amelia's new album digi-pack. The designers chose a gradient white-turquoise spine to attract consumers. A handwritten font was selected to make the album feel personal rather than synthetic. Song listings on the back also use the handwritten font for consistency. The front features a broken heart photo symbolizing Amelia's heartbreak, and the same font in white for contrast. A photo of Amelia emerging from a shed represents her debut, and a graffiti girl with skull hints at the album's sensitive themes.
Evaluation Question 2
1) The music video focuses on lights as its main theme by featuring the artist singing at night in front of the city lights of London.
2) For the digipak and advertisement, the creators originally planned to feature the artist in front of city lights at the same London location as the music video. However, they later decided on a close-up shot of the artist against a plain background with lights incorporated differently for a more creative and focused design.
3) To link the digipak and advertisement visually, the same font and color scheme of purple/pink were used, creating cohesion while still standing out. The artist also wears similar white clothing in all three products.
Case studies
The document discusses and analyzes the album covers of three artists:
1) Professor Green's album cover for "Alive till I'm Dead" features a close-up shot of him looking emotionless and angry, representing the album title. It is simple with just his image and tattoo visible.
2) Chris Brown's album cover for "X" is also simple, just showing him with an X over his face in black and white. This represents the album name and gives a vintage feel.
3) Emile Sande's cover for "Our Version of Events" is also simple and in black and white, representing her soul music genre. It is a mid-shot of her facing the camera to tell her
Question 2
The document discusses the creation of ancillary texts, including a digipak and poster, for a drum and bass music video. The digipak features manipulated graffiti imagery to relate to the urban feel of the music video. Additional features were kept minimal to avoid being too busy. Feedback confirmed the ancillary texts fit well with the drum and bass genre and complemented the music video as intended.
Untitled presentation
The document discusses ideas for designing a digipak for a song. It analyzes digipaks from various artists like Jamie T, Gorillaz, Eliza Doolittle, and Kate Nash. The author notes design elements like cartoon drawings, bright colors, and childlike themes that appeal to wide audiences. For their own digipak, the author considers incorporating a child's drawing, photos from filming, or creating original artwork in the style of Kate Nash to represent the song.
Evaluation post 2
I have created this powerpoint to explain my creation of my magazine poster, digipak and also my music video.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background to emphasize themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to promote the artist and album.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions with the artist's name in large white text on a black background.
Question 1 section 2
The document describes the layout and design conventions used in the digipak and other promotional materials for an album. A 4-panel digipak layout was used, with panel 1 featuring the artist's name in a sans-serif font along with natural imagery. Panels 2-3 used a single stretched image and the artist's name in the same font as the front cover. The CD features the same image as the poster to further reinforce the artist's brand. The back cover lists the tracks in a minimalist serif font with a black background emphasizing themes of emptiness. The poster/advertisement follows conventions of featuring the artist's name prominently to look professional and promote the artist and album.
Contact sheets
The document discusses choosing images for an album cover and disc. For the album cover, the selected image depicts a shadowy figure representing someone who wants to reconnect with an ex but is unable to due to their broken relationship. Black represents despair and invisibility. For the disc, a cropped image of a red flower is chosen to represent love rather than being the main focus. Color balancing and exposure adjustments are made to both images to achieve abstract, bright, and red-toned effects.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts (album covers, advertisements, etc). For both, a simple white typography was used to relate to the jazz/soul genre. Natural lighting and positioning the actress in the center were employed to represent the genre authentically. Black and white was largely used throughout to reflect mood, with hints of color on covers to connect to an uplifting final scene in the video. Conventions from real jazz/soul artists were considered to achieve the closest representation of the genre across all elements.
Ancillary
The document discusses the typography, mise-en-scene, and color choices for both a music video project and accompanying ancillary texts designed to resemble jazz/soul genre conventions of the 1960s. For both, a simple white typography was used against backgrounds to look eye-catching but not complicated. Natural lighting and outfits were employed to seem realistic. Black and white was dominant with hints of color on album covers relating to an uplifting color scene at the video's end. Conventions from artists like John Coltrane informed the designs' old-fashioned aesthetic.
Combination of main product and ancillary
The document discusses the design elements used across a music video, magazine advertisement, and CD cover for a music artist. Black, gold, silver, and the 'Mishka' font were used consistently across all three pieces to create links between them. Heavy eye makeup and red lipstick were featured prominently in the images to establish the artist's style and genre characteristics of indie music. White space, bubbles, and glitter were the dominant design elements used in the layouts to reflect the type of music on the album.
EVALUATION QUESTION 1- DIGI-PAK
The digi-pack used conventions of music video layout and design through eye-catching colors and a 'comic book' style to portray the artist and promote their hit single from the album. White font was used for the artist name to draw attention and not contrast with the colored image. The artist was placed off-center to leave space around his image, representing the focus on the star image with nothing drawing attention away. The lack of other elements around the artist focuses attention on them and develops conventions of synthetic album covers with the artist as the main focus.
|
Safiya created a music video, magazine advert, and CD digipak for a course assignment. She used consistent branding elements across the projects to tie them together, including the same font, color palette, and images of the artist. For the advert and digipak, Safiya used the font "Century Gothic" and the colors black, gold, and pink. She kept the front cover designs simple without much text. There is synergy between the projects as the music video and visuals for the advert and digipak feature close-up shots of the artist in a bedroom setting.
Q2
The document summarizes how the creator effectively combined their music video and print materials like the digipak and advertisement to create a cohesive brand for the artist Nabilla J. Key elements like the artist name, album name, font, color scheme, images, and location were kept consistent across materials. Feedback from the target audience of teenage girls and young adults was positive about the digipak's inspirational message and eye-catching design that connects fans to the artist. The music video, digipak, and advertisement will be promoted through various music and magazine channels to establish Nabilla J's brand and fanbase.
Digipack Construction
The document discusses images selected for a band's album packaging. The front cover image features a balloon with the band's song name showing their motif. It also shows the band is acoustic and indie genre through the guitar and costumes. An inner image was taken in a field with flowers and a friendly horse. Another inner image features the balloon and words repeated to familiarize the band name. A back cover image features the singer pointing at song names with landscape in focus rather than just her.
Digipak Development
Ciaran Emmett created a digipak for his album "Notion". For the front cover, he took a photo in Beechwood Park with his iPhone, added a black and white filter, and colored the subject's blue jacket to make him stand out. For the CD cover, he initially included cans of alcohol but changed it to a circular photo of Beechwood Park taken with his iPhone. For the inside covers, he included black and white photos from the park and music video, coloring some subjects' blue jackets to tie the images together visually and maintain a pop art theme throughout the digipak.
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Aurea o. olivares's last farewell at holy gardens oton memorial park
This document appears to be a memorial program for Aurea O. Olivares held at Holy Gardens Oton Memorial Park on April 15, 2012 at 3:00pm. It contains her name and the location and time of the memorial service. The bottom contains the message "Go with God Aurea".
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The document provides a date and time of November 26, 2011 at 2:00pm and location of Holy Gardens Oton Memorial Park. It appears to be noting a meeting or event scheduled to take place at the specified date, time, and location but does not provide any additional context or details.
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Ma. Fe R. Gonzales treasured moments at holy gardens oton memorial park
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Aurea o. olivares's last farewell at holy gardens oton memorial park
Aurea o. olivares's last farewell at holy gardens oton memorial park
Marilou L. Clavel Treasured Moments at Holy Gardens Oton Memorial Park
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Ma. Fe R. Gonzales treasured moments at holy gardens oton memorial park
Ma. Fe R. Gonzales treasured moments at holy gardens oton memorial park
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The document describes the process of developing print productions for an album. Key points:
- Images were edited to intensify colors and crop out distractions to create a cohesive color palette and professional look.
- A photo of the actress from the music video was incorporated on the front cover to create an artist identity.
- Geometric shapes and layers were experimented with to create a minimal, symmetrical design taking inspiration from other album covers.
- Continuity across the covers was maintained through similar editing of multiple beach images and use of a consistent color palette. Different designs and elements were used to differentiate the inside and back covers while relating them through common themes.
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This digipak design is for an unsigned artist named Carly Jones. The front cover features Carly's photo with the album title "Reason to Smile", which is also the title of one of her songs and the music video produced for her. The back contains the track list in black and white. Inside spreads contain additional photos of Carly to connect the viewer to the artist and music throughout opening the digipak. Colors and design elements were chosen to tie the front and back covers together cohesively.
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The document summarizes the design choices for a digipak album cover. For the front cover, the artist is featured prominently in the center wearing clothing representing the indie genre to attract the target audience. Research on other indie albums informed the use of the artist as the main focus. The inside cover features a close-up of the artist looking directly at the viewer to create a personal connection. The disc image also shows the artist to allow it to stand out without the case. The back cover includes the artist with a girl looking at him and the song titles to provide context for the album's focus on relationships. Cohesion across the design is created through consistent fonts and matching clothing elements in the images.
Evaluation Question One; front cover of digipak.
This document discusses the design choices made for the front cover of a fictional album. It begins by explaining that the cover image was chosen after experimenting with poses and lighting during a test shoot. It then analyzes the front covers of existing albums by Asgeir, Lana Del Rey, and Katy Perry that provided inspiration. Key elements like the artist name, album title, lighting, and borders are discussed. Controversial covers by Lady Gaga and Bat for Lashes are also examined. The document concludes by justifying the design choices made for the fictional cover, including using harsh lighting to represent a split personality and filling the frame to show confidence.
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Digi pack evaluation
The document describes the design choices for a digipak for an indie pop artist named Poppy. It discusses how the digipak conforms to conventions of the genre by having a simple, colorful retro design focused on the artist. The front cover features a large central image of Poppy filling the cover to emphasize that the music comes from her. Consistent fonts are used to create a recognizable brand. Bright, girly colors represent Poppy's image and appeal to her young female fans. Close-up images create a personal connection with audiences and show different sides of Poppy's personality and music. The overall design is minimalist but stylish in line with other elements promoting Poppy.
Media Question 2
This document discusses the creation of three promotional products - a music video, album advertisement, and digipack - for a new artist with the goal of continuity across the products.
The digipack incorporates similar imagery of red lips from the music video and album cover. Darker, "indie" imagery of the artist is used on the back and inside with lyrics.
The advertisement depicts the artist in a prom dress with an expressionless face, connoting feelings of being lost.
The music video uses contrasting lighting and body language to portray different characters - one openly singing and the other stiff with a pained expression. Props like a knife and tiara represent different themes. Shot changes vary
Question 2 media completed
My main product was two ancillary texts: a poster and album cover for a music video. To make the products effective, I linked their designs. The music video featured a girl running from her past emotions. The poster showed her looking distressed from the corner of her eye while grabbing her hair, reinforcing this theme. The album cover then showed her distressed form, continuing the theme. We used a black and white color scheme matching the upsetting lyrics. Repeating the artist's image multiple times and in dark tones made the designs appealing and linked to the theme of confusion. The inlay continued this color scheme and repetition to stay consistent with the overall branding.
Editing my album covers
The document discusses editing an album cover using the website Pik Monkey. It describes uploading a photo of the artist Temi and using various editing tools to enhance the image, such as whitening eyes, enhancing lip color, removing unwanted objects, and adding effects. It also discusses adding text including the album name "Stranger" and song titles, and formatting the layout across the front, back and inside covers. Feedback from others is incorporated into further edits to improve the overall design.
Research case studies - Album art work and inserts
The document analyzes conventions of album artwork by examining covers from artists Paloma Faith, Florence + the Machine, and Katy Perry. Some conventions discussed include: the artist's name being larger than the album title for branding purposes; continuity of imagery, fonts, and themes across the album packaging; inclusion of production details on the back cover; and connecting the visuals to the music's themes/genres. The analysis will inform the design of the student's own album packaging to follow conventions and effectively target their audience.
My creative decisions- images
The document discusses image choices for an album cover and magazine advertisement. The same image was used for the front of the album cover and magazine advert so that the audience would recognize it. For the back cover, a side image of the artist was used showing her face and figure after some Photoshop editing. The inside left cover features a different shot from the music video maintaining elements of the artist's perfect appearance while including props like lights and a mirror to portray maturity but retain youthfulness.
Evaluation task 1 – album artwork
The document discusses the album artwork created for a new artist. The front cover uses a black and white portrait of the artist with bold white text to draw attention. Nature imagery is featured on the back cover to reinforce the artist's organic theme. Comparisons are made to album covers by Florence and the Machine and Birdy, noting similarities like simplicity through black and white schemes, and differences like a close-up portrait versus showing the artist's attitude through positioning. Conventions of indie genres are both followed and broken from in the designs.
Evaluation task 1 – album artwork
The document discusses the album artwork created for a new artist. The front cover uses a black and white portrait of the artist with bold font to draw attention. The back cover features a nature image to reinforce the artist's organic theme. Comparisons are made to album covers by Florence and the Machine and Birdy, noting similarities like simplicity through black and white schemes, and differences like a close-up portrait versus showing attitude through posing. Conventions were followed and broken to make the new artist stand out.
Evaluation 2
The document discusses the design of various components of a digipak for a music album, including the front cover, inside cover, disc, and back cover. Research was conducted on conventions for indie/pop album packaging. Key conventions followed include featuring the artist prominently and using cohesive color schemes and fonts. Some conventions were challenged, such as including a personal photo on the inside cover and using bright colors. The overall design aims to effectively market an unsigned band and link the packaging to the music video's theme of a relationship.
Ideas for digipack
The document discusses ideas for designing a digipack for an album. It suggests using photos with natural backgrounds and out of focus elements that resemble album covers by Janet Devlin and Gabrielle Aplin. It also recommends using a consistent color scheme of white, black, red and green across the digipack and related materials to tie it to the music video. Additionally, it proposes using Ellie Goulding's track list and titling the album "In My City" to match the song in the music video and help promote both.
How effective is the combination of your product and ancillary texts?
1) The document discusses the creative choices made in designing the packaging, advertising, and visual components for a pop album by artist Madelyniris.
2) Key elements like outfits, locations, and color palettes were chosen to create continuity across the music video, album cover, and additional marketing materials.
3) Photographic styles ranging from close-ups to landscape shots were selected deliberately based on research of successful indie pop artists, with the goal of representing the artist and appealing to their target audience.
Q2 evaluation!!!
The document discusses the effectiveness of combining a music video with ancillary texts like a magazine advertisement and CD digipak. Key elements like color, costumes, fonts, and themes were carried over between the texts to create continuity. In the music video and print materials, the artist is portrayed as fun, bubbly and youthful through elements like balloons. Facial expressions, makeup, and lighting are also used consistently to keep the focus on the artist's image and personality across all the materials. Overall, the document argues that the combination of the music video and ancillary texts is very effective in promoting the artist's image through linked creative and design choices.
Q2 evaluation
The document discusses the effectiveness of combining a music video with ancillary texts like a magazine advertisement and CD digipak. Key elements like color, costumes, fonts, and themes were carried over between the texts to create continuity. In the music video and print materials, the artist is portrayed as fun, bubbly and youthful through elements like balloons. Facial expressions, makeup, and lighting are also used consistently to keep the focus on the artist's image and personality across all the materials. Overall, the document argues that the combination of the music video and ancillary texts is very effective in promoting the artist's image through linked creative and design choices.
Digipak research
The digipak uses seductive and eye-catching images of the artist to draw in audiences and sell the album. It depicts the artist's transformation from a teenage pop star into a darker, more mature musician. The pink and blue color scheme and girly themes throughout the digipak reflect this style. While the front cover image is bold, the back and discs are less attention-grabbing, but still cohesive with the overall theme of portraying the artist's new image and direction in her music.
Looking At Cd Package
This document discusses ideas for a CD package design that incorporates elements from Lily Allen's album artwork. It explores using human interaction, random colorful images, and text like Allen's albums. Bringing in influences from Allen's "Alright Still" and "It's Not Me It's You" album covers, the design may feature the artist's name in large letters and a simple solid color background. Multiple versions will be created and evaluated before finalizing the CD package design.
Similar to Evaluation (20)
Research case studies - Album art work and inserts
Research case studies - Album art work and inserts
How effective is the combination of your product and ancillary texts?
How effective is the combination of your product and ancillary texts?
Evaluation
- 2. How effective is the combination of your main products and ancillary texts?
- 4. Album artwork Because I find it easier to work on my album artwork at home rather than school I've made it on a program called picnik. Originally I'd hoped my album artwork could incorporate some of the artist's musicality but, as we couldn't bring a guitar out with us to shoot, I instead decided to focus on her rustic nature by boosting the colours in the background of the image to recreate what the artist is feeling in colour form. As you can see instead of using separate images for the backgrounds on the CD I've simply taken a landscape image and used it as a wrap around the entire CD. This keeps the look naturalistic which matches the forest centered theme. As Ellie is a new artist I've kept her name small on the album because it's not what she's known for yet. instead the focus is her as a character which includes her look and the way she presents herself. Whilst the artist name isn't the focus of the cover it is still a self titled album to show that the album is her in song form, the content of the album represents her as an artist and as a person. For the font on the back I've decided to go for a handwritten look, again to convey the idea that the songs and handwritten from the heart.
- 6. Advertisement For Ellie's tour date poster, again I've used the program picnik. first of all I toggled the saturation to make it a bit more vibrant, as is her character. Although on her album artwork I went for soft delicate fonts, here I've gone for a more edgy look so that the artist title stands out more and almost gives her live shows another persona, by bringing them to life a bit more it should convey the notion that the shows are also a bit edgy. I've then simply taken the album cover I already created and added it to the poster to advertise her on two levels in one medium. One thing I’m not keen on with my advertisement is that the writing covers her face, I tried to work around this but there was no way to avoid it without making the text too small. By using our time filming as a chance to take photos for the artwork both pieces of artwork heavily relate to the video. Whilst this usually wouldn’t work for a common artist, as a debut artist it increases the chances of the album cover and album being recognized.