- The document discusses a music magazine product the author created, evaluating how it uses and develops conventions from real music magazines.
- The author researched magazines like NME, Q, VIBE and Rolling Stone to inspire design elements like the masthead, layout, and photo styles.
- Feedback from a focus group of the target audience, ages 15-25, was positive and provided suggestions for improvement.
- The author learned skills with technologies like Photoshop, Microsoft Word, and Blogger through the process of researching, designing, and presenting their magazine product.
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
Guy Korland, CEO and Co-founder of FalkorDB, will review two articles on the integration of language models with knowledge graphs.
1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
State of ICS and IoT Cyber Threat Landscape Report 2024 previewPrayukth K V
The IoT and OT threat landscape report has been prepared by the Threat Research Team at Sectrio using data from Sectrio, cyber threat intelligence farming facilities spread across over 85 cities around the world. In addition, Sectrio also runs AI-based advanced threat and payload engagement facilities that serve as sinks to attract and engage sophisticated threat actors, and newer malware including new variants and latent threats that are at an earlier stage of development.
The latest edition of the OT/ICS and IoT security Threat Landscape Report 2024 also covers:
State of global ICS asset and network exposure
Sectoral targets and attacks as well as the cost of ransom
Global APT activity, AI usage, actor and tactic profiles, and implications
Rise in volumes of AI-powered cyberattacks
Major cyber events in 2024
Malware and malicious payload trends
Cyberattack types and targets
Vulnerability exploit attempts on CVEs
Attacks on counties – USA
Expansion of bot farms – how, where, and why
In-depth analysis of the cyber threat landscape across North America, South America, Europe, APAC, and the Middle East
Why are attacks on smart factories rising?
Cyber risk predictions
Axis of attacks – Europe
Systemic attacks in the Middle East
Download the full report from here:
https://sectrio.com/resources/ot-threat-landscape-reports/sectrio-releases-ot-ics-and-iot-security-threat-landscape-report-2024/
Transcript: Selling digital books in 2024: Insights from industry leaders - T...BookNet Canada
The publishing industry has been selling digital audiobooks and ebooks for over a decade and has found its groove. What’s changed? What has stayed the same? Where do we go from here? Join a group of leading sales peers from across the industry for a conversation about the lessons learned since the popularization of digital books, best practices, digital book supply chain management, and more.
Link to video recording: https://bnctechforum.ca/sessions/selling-digital-books-in-2024-insights-from-industry-leaders/
Presented by BookNet Canada on May 28, 2024, with support from the Department of Canadian Heritage.
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...Jeffrey Haguewood
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on the notifications, alerts, and approval requests using Slack for Bonterra Impact Management. The solutions covered in this webinar can also be deployed for Microsoft Teams.
Interested in deploying notification automations for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
UiPath Test Automation using UiPath Test Suite series, part 3DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 3. In this session, we will cover desktop automation along with UI automation.
Topics covered:
UI automation Introduction,
UI automation Sample
Desktop automation flow
Pradeep Chinnala, Senior Consultant Automation Developer @WonderBotz and UiPath MVP
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Key Trends Shaping the Future of Infrastructure.pdfCheryl Hung
Keynote at DIGIT West Expo, Glasgow on 29 May 2024.
Cheryl Hung, ochery.com
Sr Director, Infrastructure Ecosystem, Arm.
The key trends across hardware, cloud and open-source; exploring how these areas are likely to mature and develop over the short and long-term, and then considering how organisations can position themselves to adapt and thrive.
JMeter webinar - integration with InfluxDB and GrafanaRTTS
Watch this recorded webinar about real-time monitoring of application performance. See how to integrate Apache JMeter, the open-source leader in performance testing, with InfluxDB, the open-source time-series database, and Grafana, the open-source analytics and visualization application.
In this webinar, we will review the benefits of leveraging InfluxDB and Grafana when executing load tests and demonstrate how these tools are used to visualize performance metrics.
Length: 30 minutes
Session Overview
-------------------------------------------
During this webinar, we will cover the following topics while demonstrating the integrations of JMeter, InfluxDB and Grafana:
- What out-of-the-box solutions are available for real-time monitoring JMeter tests?
- What are the benefits of integrating InfluxDB and Grafana into the load testing stack?
- Which features are provided by Grafana?
- Demonstration of InfluxDB and Grafana using a practice web application
To view the webinar recording, go to:
https://www.rttsweb.com/jmeter-integration-webinar
"Impact of front-end architecture on development cost", Viktor TurskyiFwdays
I have heard many times that architecture is not important for the front-end. Also, many times I have seen how developers implement features on the front-end just following the standard rules for a framework and think that this is enough to successfully launch the project, and then the project fails. How to prevent this and what approach to choose? I have launched dozens of complex projects and during the talk we will analyze which approaches have worked for me and which have not.
Kubernetes & AI - Beauty and the Beast !?! @KCD Istanbul 2024Tobias Schneck
As AI technology is pushing into IT I was wondering myself, as an “infrastructure container kubernetes guy”, how get this fancy AI technology get managed from an infrastructure operational view? Is it possible to apply our lovely cloud native principals as well? What benefit’s both technologies could bring to each other?
Let me take this questions and provide you a short journey through existing deployment models and use cases for AI software. On practical examples, we discuss what cloud/on-premise strategy we may need for applying it to our own infrastructure to get it to work from an enterprise perspective. I want to give an overview about infrastructure requirements and technologies, what could be beneficial or limiting your AI use cases in an enterprise environment. An interactive Demo will give you some insides, what approaches I got already working for real.
Search and Society: Reimagining Information Access for Radical FuturesBhaskar Mitra
The field of Information retrieval (IR) is currently undergoing a transformative shift, at least partly due to the emerging applications of generative AI to information access. In this talk, we will deliberate on the sociotechnical implications of generative AI for information access. We will argue that there is both a critical necessity and an exciting opportunity for the IR community to re-center our research agendas on societal needs while dismantling the artificial separation between the work on fairness, accountability, transparency, and ethics in IR and the rest of IR research. Instead of adopting a reactionary strategy of trying to mitigate potential social harms from emerging technologies, the community should aim to proactively set the research agenda for the kinds of systems we should build inspired by diverse explicitly stated sociotechnical imaginaries. The sociotechnical imaginaries that underpin the design and development of information access technologies needs to be explicitly articulated, and we need to develop theories of change in context of these diverse perspectives. Our guiding future imaginaries must be informed by other academic fields, such as democratic theory and critical theory, and should be co-developed with social science scholars, legal scholars, civil rights and social justice activists, and artists, among others.
1. AS Media studies
Evaluation
Question 1– In what ways does your media product use, develop or challenge
forms of conventions of real media products?
The music magazine I have produced has been inspired by a range of different
music magazines which has helped when designing my product. The title of my
magazine is Rock’n’Roll. This masthead was designed on Photoshop which has
enabled me to give it a professional look. It is displayed in red font which
represents the genre that my magazine is targeted towards; this being both
men and women aging from 15-25. The representation of the colour portrayed
in the masthead is youth rebellion which is common in magazines such as NME
and VIBE. My masthead was inspired from magazines such as Rolling Stone for
the colour and NME for the block capital letters. My masthead is developed
from both of these magazine mastheads in the way they the shape of the text
and the shade of the red is different in the way I liked it to look.
Before making my product I researched different magazines to identify the
house style used and to see how well other magazines had used the
Guttenberg design principle. This then inspired me to make my magazines
house style consistent as does ‘Q’ magazine and the NME. I thought this
consistency of the pages made my magazine look professional and made the
pages flow nicely. Whilst researching magazine pages I discovered that all
magazines varied when using the Guttenberg design principle depending on
what the design of the page was. When designing my magazine I followed the
Guttenberg design principle that was used on a VIBE magazine I liked. My
cover didn’t entirely reflect the VIBE magazine as I designed it how I thought
looked best. The house style and colour scheme of my magazine was
determined by a survey I undertook which gave me the results of my target
audience and what colour scheme they would like to see in a new music
magazine. This colour scheme is consistent throughout the page which I have
produced which keeps the professionalism of the magazine. The font styles
and sizes I have used were similar to ones used on ‘Q’ and ‘VIBE’ magazines as I
they reflected the target audience well in the way they were designed and I
thought they were suitable for my magazine.
All the images displayed in my magazine have been photographed by myself
with the help of some friends who modelled for me. The front cover
photograph was inspired by many different magazines including ‘Q’ ‘NME’
‘VIBE’ and ‘Rolling Stone’ as they all at some point have used a full length shot
2. of a model for a magazine cover. I thought a photograph taken in this way
would work well on one of the first issues of a new music magazine as the
audience are familiar to covers with models looking this way which would
make them more likely to buy the product. The photograph used for the front
cover of my magazine is slightly off centre into the primary optical zone. This
applies with the Guttenberg design principle and keeps the professional look of
the magazine. The model is looking at the camera which gives direct address to
the audience which could in turn make them want to purchase the product.
Likewise the photograph used on my double page spread has been positioned
mainly on the right hand side of the pages and goes onto the left page slightly.
I thought this looked like professional music magazine such as a ‘VIBE’ double
page spread.
All images used in my magazine have been edited to enhance and manipulate
the colour and skin tone of the models to make them look more vibrant and
bring out the colours in their clothes and props used. All edges of images used
have been smoothed and taken away form the original background to make
them look the best they could on my magazine.
The article displayed in my double page spread has been constructed in a
traditional way of being split into three equal sized columns across the left
page. This has been done to fit around the image and is a traditional way
magazines display text. This can be seen throughout all magazines including
‘VIBE’ and ‘NME’.
Question 2– How does your media product represent particular social groups?
Social class is represented in my magazine through the use of the language in
my article. The language used represents working and middle class as it is
portrayed as quite formal with some informalities. This has been done to make
the article familiar with text that the targeted audience are familiar with
reading and that the text flows well.
The target audience for my magazine is both men and women from the age of
15-25. My magazine has been made suitable for the target audience. This age
and gender range has been portrayed though the colour scheme used in the
way that it uses a set colour scheme; explained in the previous question.
These colours entice the youthful audience, whereas if I was made for a target
audience of people 40+ then it may be back and white because they do not
need colours to necessarily be entertained.
3. Question 3 – What kind of media institution might distribute your media
product and why?
I think my magazine logo would be well suited being published by
www.ipcmedia.com as they publish a wide range of different styles of
magazine mastheads and logos. The mastheads displayed on this website show
a wide range of fonts, sizes and colours. I think my masthead would work well
by being published by this publishing house because the ones displayed are the
same kind of style to mine in the way that the colour has been used and the
size of the text. The target audience of the existing magazines that have been
published by this publishing house is similar to mine in being of the ages from
15- 25. Magazines published by this publishing house include NME, Soap Life
and The Shooing times. These magazine have a similar style to my mast head
therefore I would go with this publishing house to publish my product.
Whereas the types of logos that www.auermedia.co.k produce doesn’t really
suit my magazines style and house style. This is because they don’t suit what
my target audience were looking for in the colour and size of the font. This is
because they were all very big and too bold to suit my magazines design.
Question 4 – Who would be the audience for your media product?
The audience for my media product would be both me and women aging from
15- 25. The research I conducted helped me to come to this age range as many
similar magazines had a youthful feel to them, for example the colour scheme
was similar and the common informalities in the articles were similar to mine
which made the audience familiar with the magazine.
I made a focus group on Facebook which allowed me to get feedback from 5
friends who fit within the target audience of my magazine. I asked them to
comment on the content, genre, photographs, colours, fronts and overall
success of the magazine I have produced. Some of the comments I received
include:
“The contents in the double page spread are good. The article sounds realistic
and I think the interview style article works well for a music magazine.”
“I like the main image on the front cover of the magazine. It works well on the
white background and with the text surrounding it. If you were to do it again
you could maybe make the model look more like an artist, for example have
him holding an instrument, or maybe even photo-shoot multiple people so it
looks like they’re in a band together. That’d look cool.”
4. “I like the way the contents page looks. The contents on the right of the page
look professional. Although the images on the right of the age are good maybe
they’re could have been some larger text here. “
These comments from the focus group helped to understand how I could have
improved upon my magazine if I was to do it all again. The positive and
constructive feedback
Question 5 – How did you attract /address your audience?
The target audience for my new music magazine is both men and women aging
from 15- 25. This age range was a result of my market research as I found out
what young people want in a music magazine and what appeals to them.
I managed to do this by the use of colour and current content on the latest
artists and bands including a range of images and text. For example my
contents page includes many new and current artists so that the audience will
be interested in it because they’ll like to read about something current and
now. Therefore my magazine should successfully attract the positive attention
of my target audience. M magazine has been inspired b current music
magazines such as VIBE ad NME.
The model used on the front cove of my magazine directly addresses the
audience which may make them want to read the articles inside as they may
felt they are being draw into the magazine as the model is looking out at them.
The text and language used is suitable for my target audience because it talks
to tem in a way that they are use to be talked to and how they would talk. This
is done by the text in the main article including common informalities that are
used by the youthful audience on a daily basis.
Question 6 – What have you learn about technologies from the process of
constructing this product?
Microsoft word and PowerPoint allow documents to be written and presented
to be made in an easy way but at the same time look professional. This has
been a good tool for presenting my work because it keeps the professionalism
but at the same time doesn’t take too long to construct. I haven’t come across
any limitations with Microsoft word and PowerPoint as they are just so simple
to use and everything you need is clearly displayed.
5. Blogger is a great way of presenting all of my work electronically; which bodes
well with the media course as it is another form of media. Despite this great
way of laying out information and documents, blogger at first took some time
to get use to. This was frustrating when I needed to upload posts because I had
to find help either on the internet or from a tutor. This was soon resolved as I
became use to the application and was successfully uploading posts by myself
in no time.
Photoshop has also been a necessity throughout the course, enabling me to
create my magazine, edit it and enhancive photographs I have taken. It took
some getting use to begin with but now I feel confident with the software and
can use it well.
Technological convergence from the computers in class allowed me to
research magazines on the internet, make my product on Photoshop and
distribute the finished product on blogger and Facebook.
This shows that anyone can easily research, create and distribute projects all
on one device. It is now very easy to do things like this at home. It’s also a
much cheaper process then getting someone to design the product for you and
paying to have it published by a publishing house.
Question 7 –Looking back at your preliminary task, what do you feel you have
learnt from the progression from it to the full product?
I’ve learned many new camera techniques when taking photographs
throughout the course. I have learnt how to take more professional images
and now know how to use the camera in more depth and detail. For example
instead of just using auto mode I now use manual mode and change the
settings to take a higher quality image.
Even the computer filing system and sorting my work into files and folders has
improved over the course. The way I do this now is more structured ad
organised.
I am now confident with Photoshop and can manipulate images to make them
look of a better and higher quality standard. Also I now know how to use many
tools on Photoshop which have helped to construct my magazine.
Before I started the course I was a complete beginner and now a few months
later I feel confident with all aspects of the course and the technologies we
have used.