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The three end products that I have created share
  several of the codes and conventions that are
  used by other magazines, here’s a look at how
  my magazine follows these existing
  products, and in some ways goes against them.
FRONT COVER – SIMILARITIES
The magazine uses a
  plain white
  background, as seen
  on the majority of
  existing magazines.
The tagline is found at the
  very top of the
  page, near the title, to
  emphasise the content
  of the mag
The main masthead uses
  big, bold letters and is
  situated at the top of
  the page to grab the
  viewers attention.
The main image uses a
  mid shot, like most
  others, and takes up a
  large amount of the
  page. It also somewhat
  overlaps and obscures
  the title.
The page contains a main
  article headline
  accompanying the
  image, to stand as the
  main feature of the
  magazine. This is
  found in the centre of
  the page, and stands
  out from all other text
  through the use of the
  band logo.
Additional coverlines run
  down the sides of the
  page, advertising
  additional features.
  They consist of a sub
  heading, as well as a
  line of info to anchor
  its meaning further.
The barcode and pricing
  are found along the
  edge of the page, in
  order to not take away
  from any of the main
  page features.
CONTENTS – SIMILARITIES
The word “contents” has
  been placed in large
  letters across the top
  of the page, as with
  many other magazines
  seen during research.
The contents has been
  divided into smaller
  sub sections, to allow
  for easier location of
  articles. This was done
  to replicate what was
  seen in existing mags.
Each article has been
  given a sub
  heading, along with a
  short section to sum
  up what it contains.
Articles were given
  corresponding page
  numbers, found
  adjacent to each
  feature title.
All written information
  was kept down one
  side of the page, whilst
  accompanying images
  filled the other.
Each image contained a
  page number, to allow
  the audience to relate it
  to a particular feature,
  as seen in several
  music magazines.
DOUBLE PAGE SPREAD
The two pages are equally split between picture and
  feature, this technique being seen on numerous
  cases from the research.
The first page primarily consists of an image of the
  feature’s subjects. Along with a very brief intro to the
  article which followed.
The interview text is split into columns, which is the
  norm for any large quantities of text of this type.
Questions within the interview have been highlighted in
  some way to distinguish them from the rest of the
  text.
A quote has been extracted from the interview itself and
  highlighted on the page, which is a common feature
  of other interviews found in magazines.
CHALLENGING CONVENTIONS
On a couple of occasions, I decided on style
  features that were perhaps not considered the
  norm of other established magazines of the
  same nature. For instance:
Firstly the main front cover image depicts a two
   shot over the typical solo shot as favoured by
   other conventional covers. It is also located
   slightly to the side of the page, again
   challenging the conventional “middle of the
   page” approach. This was done due to the
   nature of the image, which was chosen as it
   showed potential to stand out as a professional
   leading image for the front cover. It also allowed
   for an interesting and unique page layout
   regarding the article titles/”plus section” etc.
The contents differs from convention as it
  includes a far greater amount of images that
  typically seen on standard contents pages of a
  similar nature. I felt this would give the readers
  a greater insight into the included articles from
  the off, as well as create the sense that the
  magazine was bursting with features.
Finally, to the double page spread .The language
  used in the interview goes someway in differing
  from that typically regarded as the norm for
  music based interviews. The style in which it
  has been transcribed allows for more of a
  personal feeling and connection between reader
  and interviewees, who in this case answered in
  a jokey, casual fashion. This was chosen over
  the more generally accepted formal approach to
  further appeal to the youthful audience.

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eval q.

  • 1.
  • 2. The three end products that I have created share several of the codes and conventions that are used by other magazines, here’s a look at how my magazine follows these existing products, and in some ways goes against them.
  • 3. FRONT COVER – SIMILARITIES
  • 4. The magazine uses a plain white background, as seen on the majority of existing magazines.
  • 5. The tagline is found at the very top of the page, near the title, to emphasise the content of the mag
  • 6. The main masthead uses big, bold letters and is situated at the top of the page to grab the viewers attention.
  • 7. The main image uses a mid shot, like most others, and takes up a large amount of the page. It also somewhat overlaps and obscures the title.
  • 8. The page contains a main article headline accompanying the image, to stand as the main feature of the magazine. This is found in the centre of the page, and stands out from all other text through the use of the band logo.
  • 9. Additional coverlines run down the sides of the page, advertising additional features. They consist of a sub heading, as well as a line of info to anchor its meaning further.
  • 10. The barcode and pricing are found along the edge of the page, in order to not take away from any of the main page features.
  • 12. The word “contents” has been placed in large letters across the top of the page, as with many other magazines seen during research.
  • 13. The contents has been divided into smaller sub sections, to allow for easier location of articles. This was done to replicate what was seen in existing mags.
  • 14. Each article has been given a sub heading, along with a short section to sum up what it contains.
  • 15. Articles were given corresponding page numbers, found adjacent to each feature title.
  • 16. All written information was kept down one side of the page, whilst accompanying images filled the other.
  • 17. Each image contained a page number, to allow the audience to relate it to a particular feature, as seen in several music magazines.
  • 19. The two pages are equally split between picture and feature, this technique being seen on numerous cases from the research.
  • 20. The first page primarily consists of an image of the feature’s subjects. Along with a very brief intro to the article which followed.
  • 21. The interview text is split into columns, which is the norm for any large quantities of text of this type.
  • 22. Questions within the interview have been highlighted in some way to distinguish them from the rest of the text.
  • 23. A quote has been extracted from the interview itself and highlighted on the page, which is a common feature of other interviews found in magazines.
  • 24. CHALLENGING CONVENTIONS On a couple of occasions, I decided on style features that were perhaps not considered the norm of other established magazines of the same nature. For instance:
  • 25. Firstly the main front cover image depicts a two shot over the typical solo shot as favoured by other conventional covers. It is also located slightly to the side of the page, again challenging the conventional “middle of the page” approach. This was done due to the nature of the image, which was chosen as it showed potential to stand out as a professional leading image for the front cover. It also allowed for an interesting and unique page layout regarding the article titles/”plus section” etc.
  • 26. The contents differs from convention as it includes a far greater amount of images that typically seen on standard contents pages of a similar nature. I felt this would give the readers a greater insight into the included articles from the off, as well as create the sense that the magazine was bursting with features.
  • 27. Finally, to the double page spread .The language used in the interview goes someway in differing from that typically regarded as the norm for music based interviews. The style in which it has been transcribed allows for more of a personal feeling and connection between reader and interviewees, who in this case answered in a jokey, casual fashion. This was chosen over the more generally accepted formal approach to further appeal to the youthful audience.