Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
Hello everyone! I am thrilled to present my latest portfolio on LinkedIn, marking the culmination of my architectural journey thus far. Over the span of five years, I've been fortunate to acquire a wealth of knowledge under the guidance of esteemed professors and industry mentors. From rigorous academic pursuits to practical engagements, each experience has contributed to my growth and refinement as an architecture student. This portfolio not only showcases my projects but also underscores my attention to detail and to innovative architecture as a profession.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Expert Accessory Dwelling Unit (ADU) Drafting ServicesResDraft
Whether you’re looking to create a guest house, a rental unit, or a private retreat, our experienced team will design a space that complements your existing home and maximizes your investment. We provide personalized, comprehensive expert accessory dwelling unit (ADU)drafting solutions tailored to your needs, ensuring a seamless process from concept to completion.
3. Width: 28.5 cm
Height: 12.5 cm
Spine width: 0.5cm
One side of the Digipak cover:
Width: 13.5cm
Height: 12.5cm
I looked at a physical digipak and
measured the conventional height
and width of the typical digipak.
in addition, I also did some research
online to find out the typical digipak
scale dimensions and both the
physical digipak and research gave
me the same results.
4. Track list
Copyrights and
credits
Barcode
Production logo
There is a limited colour palette.
For this case it is a two-tone
palette
The last 7 digits of the
barcode.
Artistic input. could be a drawing or
a photo of the artist.
The name of the artist
is bigger than the
album title.
There is
always space
in the
photograph to
put the text
5. Artistic input. could be a
drawing or a photo of the
artist.
There is
always space
in the
photograph to
put the text
There is a limited colour palette.
For this case it is a two-tone
palette
The name of the artist
is bigger than the
album title.
Track list
Copyrights and
credits
Barcode
Production
name or logo
6. There is
always space
in the
photograph to
put the text
There is a limited colour palette.
For this case the colours have
been desaturated.
The name of the artist
is bigger than the
album title.
Artistic input. could be a drawing or
a photo of the artist.
Track list
Production
name or logo
Copyrights
and credits
Barcode
The last 7 digits of the
barcode.
7. Credits and roles in
making the album.
‘Thanks to’ messege
to make it more
personal between the
artist and the
consumer.
CD Tray
8. Track list
CD Tray
Credits and roles in
making the album.
9. ‘Thanks to’ messege to make it
more personal between the artist
and the consumer.
Credits and roles in
making the album.
CD Tray
10. Artistic input. A physical
feature that the artist have
that will be memorable to the
audience.
The artist name is prominent
and dominating the album.
Its also bigger than the album
title.
The last 7 digits
of the barcode.
Copyrights and where it was
produced.
11. The artist name is prominent
and dominating the album.
Its also bigger than the album
title.
Limited palette.
Usually one plain
colour.
Copyrights and where it was
produced.
12. Limited palette.
Usually one plain
colour.
The artist name is prominent
and dominating the album.
Its also bigger than the album
title.
The last 7 digits
of the barcode.
Copyrights and where it was
produced.
