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Editing
- Editingtraditionallyisall aboutcontinuityediting.
- Sole aimisto keepthe storymoving
The purpose isoftenfor:
- Identificationof characters
- Conflict
- Intensification.
- The functionof thissystemisto make the action as fluidaspossible, sothatwe are not
aware of the constructionprocess
EditingPace
- Thisis the speedandtempoof the cuts – slow can suggestemotionandfastcan suggest
tension,actionoruncontrollableevents.
- The firstmost obviousthingtolookforas it givesaninsightintothe tempoandfeel of the
sequence.
Editingworksbecause it’sajuxtaposition,it’sacontrastof differentshotsandthrough this
juxtapositionwe create ameaning.
Cut
- The most commoneditingtechnique isacut. Fromone sot to another.
- Trimminga bitof footage.
- What to showand whentoshow it
- Hopingto create a beginning,middle andendtocreate a meaningfulstory.
- Alwaysareason for a cut
Match onaction
- A cut that has beenmaskedshowingaseamlessscene.The twocutsboth have a fluid
movementin-betweenwhichhelpsdisguise the cut.
- The editorcreatesa visual bridge
Jumpcut
- An abruptswitchfromone shot to another.
- It ismeantto be noticed
- To showa passage of time maybe
Crosscut
- From one scene toanotherbut are both happeningatthe same time.
- Both scenesare indifferent
Cut away
- From tworelatedscenes.Forexampleamanturning(cut) to what he islookingat.
Reactioncut
- The cut isa reactionof somethingthathappened.
- Opposite toa cut awayas itstarts withwhathe islookingat,andthenhis reaction.
Match Cut
- A cut betweentwoobjects
- Theygraphicallymatchthe object
- Thiscut oftenhelpsestablishabond betweenthe twoscenes
- Ve3rysimilartomatch on action
Fade
- A transitionfromablankscreento the shot (visaversa)
Dissolve
- Two imagesmerge together
Wipe
- An optical effectinwhichone shotwipesanotheroff the screenfordramaticeffect.
Superimposition
- Two or more imagesplaceddirectlyontopof each other
Montage
- A seriesof shots thatare connectedtogetherto reinforce meaning.
Slowmotion
- The action literallyslows down withtext–thisconnotesseriousnessora pastevent.
Long take
- The shots doesnotcut away butlingersonone piece of the action
SplitScreen
- Divisionof screeninordertoshow two or more linesof actionsimultaneously –referredto
as parallel action

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Editing

  • 1. Editing - Editingtraditionallyisall aboutcontinuityediting. - Sole aimisto keepthe storymoving The purpose isoftenfor: - Identificationof characters - Conflict - Intensification. - The functionof thissystemisto make the action as fluidaspossible, sothatwe are not aware of the constructionprocess EditingPace - Thisis the speedandtempoof the cuts – slow can suggestemotionandfastcan suggest tension,actionoruncontrollableevents. - The firstmost obviousthingtolookforas it givesaninsightintothe tempoandfeel of the sequence. Editingworksbecause it’sajuxtaposition,it’sacontrastof differentshotsandthrough this juxtapositionwe create ameaning. Cut - The most commoneditingtechnique isacut. Fromone sot to another. - Trimminga bitof footage. - What to showand whentoshow it - Hopingto create a beginning,middle andendtocreate a meaningfulstory. - Alwaysareason for a cut Match onaction - A cut that has beenmaskedshowingaseamlessscene.The twocutsboth have a fluid movementin-betweenwhichhelpsdisguise the cut. - The editorcreatesa visual bridge Jumpcut - An abruptswitchfromone shot to another. - It ismeantto be noticed - To showa passage of time maybe Crosscut - From one scene toanotherbut are both happeningatthe same time.
  • 2. - Both scenesare indifferent Cut away - From tworelatedscenes.Forexampleamanturning(cut) to what he islookingat. Reactioncut - The cut isa reactionof somethingthathappened. - Opposite toa cut awayas itstarts withwhathe islookingat,andthenhis reaction. Match Cut - A cut betweentwoobjects - Theygraphicallymatchthe object - Thiscut oftenhelpsestablishabond betweenthe twoscenes - Ve3rysimilartomatch on action Fade - A transitionfromablankscreento the shot (visaversa) Dissolve - Two imagesmerge together Wipe - An optical effectinwhichone shotwipesanotheroff the screenfordramaticeffect. Superimposition - Two or more imagesplaceddirectlyontopof each other Montage - A seriesof shots thatare connectedtogetherto reinforce meaning. Slowmotion - The action literallyslows down withtext–thisconnotesseriousnessora pastevent. Long take - The shots doesnotcut away butlingersonone piece of the action SplitScreen - Divisionof screeninordertoshow two or more linesof actionsimultaneously –referredto as parallel action