Distribution
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The document discusses potential online streaming distributors for a film. It analyzes Netflix as an option, noting that Netflix has over 75 million subscribers and distributes both blockbuster and independent films at a lower cost than physical distribution. Releasing the film on Netflix would allow it to be accessed through gaming consoles in addition to computers and mobile devices. YouTube Red is also discussed as a distribution option, as it provides access to films and shows across many platforms for its paying subscribers, potentially widening the film's audience through mobile viewing.
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Social TV Update #1
This document discusses several updates in social TV and streaming media:
1) HBO GO will be available on Roku devices, allowing subscribers to access HBO content through their pay TV provider on additional devices.
2) Apple is expected to launch a new cloud-based movie streaming service on iTunes to compete with services like Netflix and UltraViolet.
3) Time Warner Cable has struck deals to offer video on demand rentals of new movies the same day as their theatrical release, following a similar move by Comcast, potentially threatening theater chains.
Question 3
My thriller film product would likely be distributed by major media institutions like multiplex cinemas and online streaming sites. It would first screen in cinemas for 4-5 weeks, then be released on DVD and streaming services like Netflix, Amazon Prime, and cable on-demand. As a teen thriller, it would appeal to a wide audience best reached through mainstream multiplex theaters and subscription streaming websites globally. These institutions attract young people through large-scale experiences, extras like surround sound, and convenience of on-demand viewing respectively.
Question 3 - Danny McGinn
This document discusses the differences between distributing a media project with a large mainstream company like Warner Bros versus a smaller independent company like Warp. Key differences include budget limitations, style changes due to cultural differences, product availability depending on budget, and differences in project content due to varying age ratings and cultural references between British and American companies and audiences. After considering these factors, the group decided to distribute their project with Dimension Extreme, a US-based but UK-expanding independent distributor focused on their genre of horror.
Q3
Candi Studios would be an appropriate distribution company for the media product because they are an independent studio experienced working with low budget films. As an independent studio, they would know how to advertise the low budget film using social media rather than expensive billboards or television ads. The film would likely only be released in a limited number of local, independent cinemas due to the low budget.
Q3
Candi Studios would be an appropriate distribution company for the media product because they are an independent studio experienced working with low budget films. As an independent studio, they would know how to advertise the low budget film using social media rather than expensive billboards or television ads. The film would likely only be released in a limited number of local, independent cinemas due to the low budget.
Q3
This document considers potential film distribution partners for the student filmmakers' thriller "Torpidity". Two main options are discussed: Film4 and Picturehouse Entertainment.
Film4 is renowned for distributing small, independent, low-budget British films through television and theaters, creating synergy between the two. They would be a good fit because they specialize in the type of niche, non-mainstream British film "Torpidity" is.
Picturehouse Entertainment also specializes in distributing small, independent films targeted at niche markets with small budgets. They own CinemaCity in Norwich, close to where the film was produced, making them a local option. However, distributing to their multiplexes risks empty theaters due
Q3 evaluation
The document discusses distributing a media production called "Joel Beckford: On The Run" through a major distributor in order to maximize profits. It recommends distributing the film through 20th Century Fox because they do not have a spy franchise and this would give the production opportunity. Major distributors contribute to 95% of films shown and help independent films find global success. The document also recommends promoting the film through social media, releasing it worldwide simultaneously to reduce piracy, releasing the DVD later to drive people to theaters, showing it in IMAX, and releasing it on streaming services like Netflix after the theatrical run.
Film Distribution
The document discusses film distribution and provides examples of both successful and unsuccessful distribution strategies. It explains that distribution is key to a film's success and involves negotiating deals with agencies to show the film in cinemas and on home video. A success story describes how Lionsgate's distribution of The Hunger Games propelled it to major studio status. A failure story outlines how a last-minute change to a one-day cinema release for Iron Sky hurt its earnings potential.
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Social TV Update #1
This document discusses several updates in social TV and streaming media:
1) HBO GO will be available on Roku devices, allowing subscribers to access HBO content through their pay TV provider on additional devices.
2) Apple is expected to launch a new cloud-based movie streaming service on iTunes to compete with services like Netflix and UltraViolet.
3) Time Warner Cable has struck deals to offer video on demand rentals of new movies the same day as their theatrical release, following a similar move by Comcast, potentially threatening theater chains.
Question 3
My thriller film product would likely be distributed by major media institutions like multiplex cinemas and online streaming sites. It would first screen in cinemas for 4-5 weeks, then be released on DVD and streaming services like Netflix, Amazon Prime, and cable on-demand. As a teen thriller, it would appeal to a wide audience best reached through mainstream multiplex theaters and subscription streaming websites globally. These institutions attract young people through large-scale experiences, extras like surround sound, and convenience of on-demand viewing respectively.
Question 3 - Danny McGinn
This document discusses the differences between distributing a media project with a large mainstream company like Warner Bros versus a smaller independent company like Warp. Key differences include budget limitations, style changes due to cultural differences, product availability depending on budget, and differences in project content due to varying age ratings and cultural references between British and American companies and audiences. After considering these factors, the group decided to distribute their project with Dimension Extreme, a US-based but UK-expanding independent distributor focused on their genre of horror.
Q3
Candi Studios would be an appropriate distribution company for the media product because they are an independent studio experienced working with low budget films. As an independent studio, they would know how to advertise the low budget film using social media rather than expensive billboards or television ads. The film would likely only be released in a limited number of local, independent cinemas due to the low budget.
Q3
Candi Studios would be an appropriate distribution company for the media product because they are an independent studio experienced working with low budget films. As an independent studio, they would know how to advertise the low budget film using social media rather than expensive billboards or television ads. The film would likely only be released in a limited number of local, independent cinemas due to the low budget.
Q3
This document considers potential film distribution partners for the student filmmakers' thriller "Torpidity". Two main options are discussed: Film4 and Picturehouse Entertainment.
Film4 is renowned for distributing small, independent, low-budget British films through television and theaters, creating synergy between the two. They would be a good fit because they specialize in the type of niche, non-mainstream British film "Torpidity" is.
Picturehouse Entertainment also specializes in distributing small, independent films targeted at niche markets with small budgets. They own CinemaCity in Norwich, close to where the film was produced, making them a local option. However, distributing to their multiplexes risks empty theaters due
Q3 evaluation
The document discusses distributing a media production called "Joel Beckford: On The Run" through a major distributor in order to maximize profits. It recommends distributing the film through 20th Century Fox because they do not have a spy franchise and this would give the production opportunity. Major distributors contribute to 95% of films shown and help independent films find global success. The document also recommends promoting the film through social media, releasing it worldwide simultaneously to reduce piracy, releasing the DVD later to drive people to theaters, showing it in IMAX, and releasing it on streaming services like Netflix after the theatrical run.
Film Distribution
The document discusses film distribution and provides examples of both successful and unsuccessful distribution strategies. It explains that distribution is key to a film's success and involves negotiating deals with agencies to show the film in cinemas and on home video. A success story describes how Lionsgate's distribution of The Hunger Games propelled it to major studio status. A failure story outlines how a last-minute change to a one-day cinema release for Iron Sky hurt its earnings potential.
Warner bros. ownership lesson
Warner Bros is owned by the conglomerate Time Warner which owns various media companies. This cross-media ownership allows Warner Bros to earn billions annually which provides large budgets for film production and distribution. As Warner Bros owns DC Entertainment, it can make films using the thousands of DC comic characters which have built-in fan bases. For example, The Dark Knight Rises characters are all from DC comics. Warner Bros was able to invest $250 million in production which funded special effects and A-list stars, and distribute the film widely on its owned platforms like HBO.
Raj
Momentum Pictures is identified as a potential UK-based distributor for the film. As a lower-budget company that also distributes larger films, they could realistically handle distribution. The film has potential for international audiences beyond the UK as it involves detectives, a universally recognizable concept. If distribution is pursued, a company could handle promotions like billboards, TV, radio, and other ads. Self-promotion is also an option with a limited budget, using social media ads, word-of-mouth, business cards, leaflets, and posters.
Institutional decisions
Our production company is called Clockwork Productions. We chose this name because it sounds established like other major studios while also being short and catchy. For our logo, we designed a stylized image of clockwork in an old-fashioned style to represent our company's focus on quality work.
We will distribute our film The Dare Game through Revolver, a British distributor that has successfully released other thriller films targeting our intended audience.
The primary source of funding for The Dare Game will be a grant from the British film industry lottery fund, which supports new filmmakers. This funding source is the most suitable and ensures our film can be produced and distributed as planned.
Distribution
This document discusses film distribution strategies, focusing on independent films. It explains that distribution involves releasing films in the marketplace and marketing them locally. For independent films, producers typically do not have long-term ties to distributors. The document recommends Momentum Pictures as a potential UK distributor and discusses simultaneous streaming/cinema releases as an option. It also explores releasing the film on streaming services like Netflix or television channels like Sky Movies.
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Evaluating question 3
3. What kind of media institution might distribute your media product and why?
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Film Exhibition and Consumption
This document discusses various aspects of film exhibition and consumption, including:
1) Traditional theatrical exhibition in cinemas is the main distribution model, but new technologies like home cinema and digital media are providing alternative models of consumption.
2) Multiplex cinemas with multiple screens are now common and can accommodate large audiences, while independent theaters face challenges in marketing themselves and competing.
3) Factors like the growth of home entertainment options on disc and digital formats are changing audience viewing habits and posing challenges for theatrical exhibition. Exhibitors are trying different strategies to adapt to these trends.
Tim the tiny horse
ChannelFlip is a UK-based company that specializes in producing and distributing online video content. They have in-house production studios and facilities. ChannelFlip produces various types of video content for brands and distributes it through their network of popular UK websites and platforms, guaranteeing millions of targeted views. They provide a full package production and distribution solution for a branded animated series based on the book character Tim the Tiny Horse, including 50 animated episodes, branding, distribution to online channels, mobile apps, and analytics for £230k. ChannelFlip was founded in 2007 and employs 25 people, having produced over 2500 videos with over 50 million views. They work with top celebrities and are leaders in developing and distributing branded video content.
What kind of media institution might distribute your
The UK Film Council would likely have distributed the filmmaker's zombie film. As a now-defunct organization, the UK Film Council backed over 900 films, including features and shorts from upcoming directors. They produced 28 Days Later, a similar zombie apocalypse film. While BBC Films and Big Talk Productions make films, they likely would not have selected a low-budget zombie horror. Film 4 produces challenging lower-budget British films but their horror selections do not relate closely to the filmmaker's concept. The UK Film Council would help address any budget issues.
Evaluation question 3
This document discusses what type of media institution might distribute a film product and why. It suggests that a major film distributor would be best suited to distribute the film, which is an action genre film about a girl kidnapped by a drug organization. Major distributors like 20th Century Fox would be most appropriate as they have experience distributing similar action films. Distributors are responsible for cinema release, marketing, release dates, and making films available on various platforms. They are important for a film's success and ability to reach its target audience. As the film has elements like special effects that require a larger budget, a major distributor would be needed to fund distribution and wide-reaching marketing campaigns.
Media evaluation question 3
Film4 Productions would likely distribute our independent film. As an independent film, it would not receive the wide theatrical release of a major Hollywood film. Film4 Productions specializes in distributing independent films through their TV channel and other avenues. They would provide a way for consumers to watch our film for a small fee. A simple title card at the beginning of our film would inform viewers that it is distributed by Film4 Productions.
Question 3
Fox Searchlight Pictures would be a good distributor for the low-budget film "Sub-Surface" as they specialize in similar films and have connections to further distribute the film. Film 4 and BBC Three are also known for backing and distributing low-budget films to a large audience in the UK. "Sub-Surface" focuses on the 2005 London bombings, a niche topic that has not been addressed but would appeal to a wide audience, especially since recent coverage of trials. Viral advertisements would be posted on Fox Searchlight's Facebook page of over 200,000 fans to advertise in a cost-effective way and generate buzz among their target audience.
What kind of media institution might distribute your media product and why?
This document discusses potential media institutions that could distribute a low-budget independent UK film called "The Echoing." It analyzes several options, including independent UK distributors like Optimum Releasing and Revolver Entertainment, as well as larger studios. It determines that Optimum Releasing or Revolver Entertainment would be the most suitable choices, as they specialize in independent films and UK-only distribution, which matches the film's limited scope and budget. Bigger studios aiming for worldwide tentpole releases are deemed unsuitable due to their higher costs and ambitions beyond the film's means.
Institutions
The document compares the low-budget film Paranormal Activity and the high-budget film Avatar in terms of their production companies, budgets, box office earnings, and the success of their production companies' other films. Paranormal Activity was produced by lesser-known Solana Films on a $15,000 budget, while Avatar was produced by major studio Twentieth Century Fox on a $237,000,000 budget. Both films earned much more than their budgets but Avatar earned over $760 million worldwide compared to Paranormal Activity's $107 million. Twentieth Century Fox is a more established and successful production company compared to Solana Films.
Film exhibition
This document provides information about three different cinema options in the UK:
Cineworld Milton Keynes, The BFI Southbank, and The Rex Cinema in Berkhamsted. It summarizes the facilities, types of films shown, audiences catered to, locations, and some potential issues for each: multiplex cinemas like Cineworld versus independent cinemas like The BFI and The Rex. The document also discusses how the internet has changed film exhibition by allowing audiences to watch films online through services like Netflix and Amazon, as well as helping film companies market to wider audiences.
distribution
The film is a low-budget British film that will be digitally distributed by Altitude, an independent British film distribution company, because they have experience distributing similar films. Distribution of British films is difficult compared to Hollywood films due to Hollywood's larger budgets and fame. The film will be distributed online through Netflix, Amazon Prime, and video on demand to reach a worldwide audience and make money without a cinema release, as advertising will be done through social media pages.
Question 3
A small, British production company would be best suited to distribute an independent film with a low budget, as the large "Big Six" studios would not take on the financial risk. Releasing the film directly to DVD and online would allow it to reach the widest audience while minimizing costs. Limited theatrical release in art house cinemas in diverse areas like London could help attract viewers before making the film available on DVD at a higher price and through television channels that feature independent movies. Ultimately, internet distribution would allow the broadest reach at no cost.
Sis sat 1000 lori weiman
The document discusses the past and future of entertainment, focusing on how technology has reinvented and will continue to reinvent how people access content. It describes how in the 1990s, full service networks experimented with interactive TV, video on demand, and voice commands but faced obstacles around content licensing, distribution models, and technology adoption timelines. New devices like smart TVs, tablets, and streaming services are now driving faster evolution by enabling access to content anywhere on any device. The document predicts the future will include searchable universal libraries, social viewing experiences, and convergence of TV and gaming. Marketers will be able to better target ads using content preferences and integrate online and offline marketing teams.
Evaluation question 5
Revolver Entertainment was chosen as the film's distribution company. Originally, Universal Distribution was considered but it does not distribute films in the genre of social realism. Revolver Entertainment represents films like "Kidulthood" and "Offender" that are also in the genre of social realism. Research showed that Revolver Entertainment, an independent UK company, has successfully distributed similar independent UK films and would be best suited to distribute a film in the social realism genre.
Question 3
The document discusses potential media institutions to distribute a new British thriller film. It suggests distributing through a British company like Entertainment Film Distributors, the largest UK distributor known for films like The Lord of the Rings trilogy. Working Title Films, a British production company, could help finance the film. For a small independent British thriller, Metrodome Distribution may distribute it through their microwave scheme that funds low-budget UK films. The film could be viewed digitally or online, and viral marketing through social media and emails would help promote the small-scale film in a cost-effective way.
Question 3 (completed)
Brink Vision would be a suitable distributor for the film Psychosis. As the last major independent film distributor, Brink Vision releases more disturbing and unconventional films that larger conglomerates would not distribute, including films about mental illness or that have disturbing content. Distributing Psychosis through Brink Vision would allow the film to reach audiences interested in independent and unique films that provide thought-provoking perspectives. Brink Vision has previously distributed similar films about characters dealing with mental health issues or psychological horror, such as "Shadow Zombie" and "Stress Position", showing they would be open to distributing a film like Psychosis.
Question 2 (completed)
The document discusses the representation of social groups in the media product Psychosis. The main character Jennifer is a 17-year-old girl who appears typical on the outside but struggles with mental health issues. Her sister Amanda wears white and takes on a motherly role in caring for Jennifer. Women in the film fit stereotypes of being vulnerable while the male character has power, shown through camera angles. However, the film breaks from patriarchal norms by having a female as the central character.
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Warner bros. ownership lesson
Warner Bros is owned by the conglomerate Time Warner which owns various media companies. This cross-media ownership allows Warner Bros to earn billions annually which provides large budgets for film production and distribution. As Warner Bros owns DC Entertainment, it can make films using the thousands of DC comic characters which have built-in fan bases. For example, The Dark Knight Rises characters are all from DC comics. Warner Bros was able to invest $250 million in production which funded special effects and A-list stars, and distribute the film widely on its owned platforms like HBO.
Raj
Momentum Pictures is identified as a potential UK-based distributor for the film. As a lower-budget company that also distributes larger films, they could realistically handle distribution. The film has potential for international audiences beyond the UK as it involves detectives, a universally recognizable concept. If distribution is pursued, a company could handle promotions like billboards, TV, radio, and other ads. Self-promotion is also an option with a limited budget, using social media ads, word-of-mouth, business cards, leaflets, and posters.
Institutional decisions
Our production company is called Clockwork Productions. We chose this name because it sounds established like other major studios while also being short and catchy. For our logo, we designed a stylized image of clockwork in an old-fashioned style to represent our company's focus on quality work.
We will distribute our film The Dare Game through Revolver, a British distributor that has successfully released other thriller films targeting our intended audience.
The primary source of funding for The Dare Game will be a grant from the British film industry lottery fund, which supports new filmmakers. This funding source is the most suitable and ensures our film can be produced and distributed as planned.
Distribution
This document discusses film distribution strategies, focusing on independent films. It explains that distribution involves releasing films in the marketplace and marketing them locally. For independent films, producers typically do not have long-term ties to distributors. The document recommends Momentum Pictures as a potential UK distributor and discusses simultaneous streaming/cinema releases as an option. It also explores releasing the film on streaming services like Netflix or television channels like Sky Movies.
400+ Channels & Nothing to Watch
This document discusses alternatives to cable TV, including the equipment and internet access needed for streaming services, popular streaming devices, and a review of various streaming services like Netflix, Hulu, Amazon Prime Video, Britbox, and Sling TV that provide live TV and on-demand content for lower monthly fees than cable. It provides information on costs and included channels for different plans from each service.
Evaluating question 3
3. What kind of media institution might distribute your media product and why?
Now with more spinning.
Film Exhibition and Consumption
This document discusses various aspects of film exhibition and consumption, including:
1) Traditional theatrical exhibition in cinemas is the main distribution model, but new technologies like home cinema and digital media are providing alternative models of consumption.
2) Multiplex cinemas with multiple screens are now common and can accommodate large audiences, while independent theaters face challenges in marketing themselves and competing.
3) Factors like the growth of home entertainment options on disc and digital formats are changing audience viewing habits and posing challenges for theatrical exhibition. Exhibitors are trying different strategies to adapt to these trends.
Tim the tiny horse
ChannelFlip is a UK-based company that specializes in producing and distributing online video content. They have in-house production studios and facilities. ChannelFlip produces various types of video content for brands and distributes it through their network of popular UK websites and platforms, guaranteeing millions of targeted views. They provide a full package production and distribution solution for a branded animated series based on the book character Tim the Tiny Horse, including 50 animated episodes, branding, distribution to online channels, mobile apps, and analytics for £230k. ChannelFlip was founded in 2007 and employs 25 people, having produced over 2500 videos with over 50 million views. They work with top celebrities and are leaders in developing and distributing branded video content.
What kind of media institution might distribute your
The UK Film Council would likely have distributed the filmmaker's zombie film. As a now-defunct organization, the UK Film Council backed over 900 films, including features and shorts from upcoming directors. They produced 28 Days Later, a similar zombie apocalypse film. While BBC Films and Big Talk Productions make films, they likely would not have selected a low-budget zombie horror. Film 4 produces challenging lower-budget British films but their horror selections do not relate closely to the filmmaker's concept. The UK Film Council would help address any budget issues.
Evaluation question 3
This document discusses what type of media institution might distribute a film product and why. It suggests that a major film distributor would be best suited to distribute the film, which is an action genre film about a girl kidnapped by a drug organization. Major distributors like 20th Century Fox would be most appropriate as they have experience distributing similar action films. Distributors are responsible for cinema release, marketing, release dates, and making films available on various platforms. They are important for a film's success and ability to reach its target audience. As the film has elements like special effects that require a larger budget, a major distributor would be needed to fund distribution and wide-reaching marketing campaigns.
Media evaluation question 3
Film4 Productions would likely distribute our independent film. As an independent film, it would not receive the wide theatrical release of a major Hollywood film. Film4 Productions specializes in distributing independent films through their TV channel and other avenues. They would provide a way for consumers to watch our film for a small fee. A simple title card at the beginning of our film would inform viewers that it is distributed by Film4 Productions.
Question 3
Fox Searchlight Pictures would be a good distributor for the low-budget film "Sub-Surface" as they specialize in similar films and have connections to further distribute the film. Film 4 and BBC Three are also known for backing and distributing low-budget films to a large audience in the UK. "Sub-Surface" focuses on the 2005 London bombings, a niche topic that has not been addressed but would appeal to a wide audience, especially since recent coverage of trials. Viral advertisements would be posted on Fox Searchlight's Facebook page of over 200,000 fans to advertise in a cost-effective way and generate buzz among their target audience.
What kind of media institution might distribute your media product and why?
This document discusses potential media institutions that could distribute a low-budget independent UK film called "The Echoing." It analyzes several options, including independent UK distributors like Optimum Releasing and Revolver Entertainment, as well as larger studios. It determines that Optimum Releasing or Revolver Entertainment would be the most suitable choices, as they specialize in independent films and UK-only distribution, which matches the film's limited scope and budget. Bigger studios aiming for worldwide tentpole releases are deemed unsuitable due to their higher costs and ambitions beyond the film's means.
Institutions
The document compares the low-budget film Paranormal Activity and the high-budget film Avatar in terms of their production companies, budgets, box office earnings, and the success of their production companies' other films. Paranormal Activity was produced by lesser-known Solana Films on a $15,000 budget, while Avatar was produced by major studio Twentieth Century Fox on a $237,000,000 budget. Both films earned much more than their budgets but Avatar earned over $760 million worldwide compared to Paranormal Activity's $107 million. Twentieth Century Fox is a more established and successful production company compared to Solana Films.
Film exhibition
This document provides information about three different cinema options in the UK:
Cineworld Milton Keynes, The BFI Southbank, and The Rex Cinema in Berkhamsted. It summarizes the facilities, types of films shown, audiences catered to, locations, and some potential issues for each: multiplex cinemas like Cineworld versus independent cinemas like The BFI and The Rex. The document also discusses how the internet has changed film exhibition by allowing audiences to watch films online through services like Netflix and Amazon, as well as helping film companies market to wider audiences.
distribution
The film is a low-budget British film that will be digitally distributed by Altitude, an independent British film distribution company, because they have experience distributing similar films. Distribution of British films is difficult compared to Hollywood films due to Hollywood's larger budgets and fame. The film will be distributed online through Netflix, Amazon Prime, and video on demand to reach a worldwide audience and make money without a cinema release, as advertising will be done through social media pages.
Question 3
A small, British production company would be best suited to distribute an independent film with a low budget, as the large "Big Six" studios would not take on the financial risk. Releasing the film directly to DVD and online would allow it to reach the widest audience while minimizing costs. Limited theatrical release in art house cinemas in diverse areas like London could help attract viewers before making the film available on DVD at a higher price and through television channels that feature independent movies. Ultimately, internet distribution would allow the broadest reach at no cost.
Sis sat 1000 lori weiman
The document discusses the past and future of entertainment, focusing on how technology has reinvented and will continue to reinvent how people access content. It describes how in the 1990s, full service networks experimented with interactive TV, video on demand, and voice commands but faced obstacles around content licensing, distribution models, and technology adoption timelines. New devices like smart TVs, tablets, and streaming services are now driving faster evolution by enabling access to content anywhere on any device. The document predicts the future will include searchable universal libraries, social viewing experiences, and convergence of TV and gaming. Marketers will be able to better target ads using content preferences and integrate online and offline marketing teams.
Evaluation question 5
Revolver Entertainment was chosen as the film's distribution company. Originally, Universal Distribution was considered but it does not distribute films in the genre of social realism. Revolver Entertainment represents films like "Kidulthood" and "Offender" that are also in the genre of social realism. Research showed that Revolver Entertainment, an independent UK company, has successfully distributed similar independent UK films and would be best suited to distribute a film in the social realism genre.
Question 3
The document discusses potential media institutions to distribute a new British thriller film. It suggests distributing through a British company like Entertainment Film Distributors, the largest UK distributor known for films like The Lord of the Rings trilogy. Working Title Films, a British production company, could help finance the film. For a small independent British thriller, Metrodome Distribution may distribute it through their microwave scheme that funds low-budget UK films. The film could be viewed digitally or online, and viral marketing through social media and emails would help promote the small-scale film in a cost-effective way.
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What kind of media institution might distribute your
What kind of media institution might distribute your
What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?
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Question 3 (completed)
Brink Vision would be a suitable distributor for the film Psychosis. As the last major independent film distributor, Brink Vision releases more disturbing and unconventional films that larger conglomerates would not distribute, including films about mental illness or that have disturbing content. Distributing Psychosis through Brink Vision would allow the film to reach audiences interested in independent and unique films that provide thought-provoking perspectives. Brink Vision has previously distributed similar films about characters dealing with mental health issues or psychological horror, such as "Shadow Zombie" and "Stress Position", showing they would be open to distributing a film like Psychosis.
Question 2 (completed)
The document discusses the representation of social groups in the media product Psychosis. The main character Jennifer is a 17-year-old girl who appears typical on the outside but struggles with mental health issues. Her sister Amanda wears white and takes on a motherly role in caring for Jennifer. Women in the film fit stereotypes of being vulnerable while the male character has power, shown through camera angles. However, the film breaks from patriarchal norms by having a female as the central character.
Props
The document outlines the props needed for a film including a USB memory stick that is stolen by the main characters. A computer is also required to show one character changing data on the memory stick using a fake programming website. Costume details are provided for the three main characters - Henry wears all black to look sly while stealing the memory stick, while Ronnie and Nathan wear casual clothes to blend into the college environment as lookouts.
Question 5
The document discusses shot types and framing choices used in a student film to effectively address the audience. It describes using a medium long shot to show characters were students in a college setting, a close up of a character pressing a lift button so the audience understands the action, and a bird's eye view of a planning scene so the viewer can see the character and their actions. It also mentions using a long shot to show characters coming together from different directions and establishing the college environment, and a medium shot to show a character's eye line and what they were looking at to aid audience understanding.
6) What have you learnt about technologies from the process of constructing t...
The document discusses technologies used at different stages of a film production project. In pre-production, blogger was used to document progress and upload files like photos and PowerPoints, while Google was used for genre research. PowerPoint and SlideShare helped upload presentations to blogger. In production, a Panasonic camera recorded high quality footage, and a fake programming website simulated hacking. In post-production, Adobe Premiere Pro edited footage, while Hercules added sound effects and music.
Cold awakening shotlist
The document provides recommendations for shot types and camera movements to use in filming a scene. It suggests starting with long shots to establish the environment and character, then switching to handheld shots for a more amateur look. When the character begins to run, to keep them in handheld shots. Dialogue scenes should use over-the-shoulder and close-up shots to emphasize facial expressions, ending with a long shot and fade to black.
Section 3
Vertigo Films is a UK film distribution company founded in 2002 that has produced and distributed several psychological horror films, including The Children, and could potentially distribute the filmmakers' psychological horror film. The filmmakers argue that partnering with a company like Vertigo Films, which has successfully distributed several films, would provide a higher budget that could improve filming equipment, editing software, props, locations, and cast.
Section 6
This document summarizes the preproduction, production, and postproduction stages of a student psychological horror film. In preproduction, they researched similar films and determined their target audience was 15+. In production, they used a Panasonic camera and props like fake blood. In postproduction, they edited the film using Adobe Premiere Pro to add visual effects, sound editing, and connect clips together. Technologies used included YouTube, Google, Celtexts for scriptwriting, and Adobe Premiere Pro for editing. The camera had focusing issues and picked up background noise. Lessons learned included using Blogger, filming with the Panasonic camera, editing in Premiere Pro, and scriptwriting in Celtexts.
Preliminary task and progress
The document discusses improvements made and skills learned between a preliminary task and final film project. It covers using improved editing techniques like graphic matches and color adjustments. Continuity elements like shot reverse shot were practiced in both the preliminary task and final film. The 180 degree rule and match on action techniques were also applied in both projects. A graphic match was used between a blood covered hand and the hand on a laptop. The color of blood washing off hands was edited for realism.
Question 1
The document discusses a psychological horror film called Psychosis. It uses common horror conventions like settings and editing techniques to develop tension and immerse the audience in the main character's paranoia. The film features two main settings - a suburban house and woods - that contrast safe versus dangerous spaces. Fast pacing and unsettling sounds are used in editing to suggest the character lacks control. Costuming also provides contrasts to attract or avoid attention from different characters. Overall, the film challenges conventions by exploring the mind of a person suffering from paranoia through conventional horror elements.
Evaluation question 3
Studio Canal would be the best distributor for the film because they have experience distributing similar horror and thriller genres. They understand the format of a psychological horror film, which would make the distribution process simpler since it matches the style of films they've handled before. A larger distributor like Sony Pictures could alter the film through demands for a bigger budget or length changes due to their larger scale, whereas Studio Canal's focus on similar genres would guide the film through distribution as intended.
Psychological thriller poster
The document discusses conventions used in psychological thriller film posters. It provides two examples: the poster for Black Swan and the poster for Orphan. For both posters:
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- Dark colors and low lighting create an unsettling atmosphere.
- Reviews, actor/director names, and release dates are included for marketing.
- Imagery and text are purposefully designed to intrigue audiences and hint at themes in the films around ambiguity and good vs evil.
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NETFLIX SITUATION ANALYSIS
Netflix was founded in 1997 as a DVD rental company and later expanded into streaming services. It is now a multi-billion dollar company and the leading subscription video on demand service, though it faces competition from Amazon Prime Video, Hulu, HBO Now, cable and satellite providers, DVDs, YouTube, movie theaters, and other streaming options. The video streaming market has low barriers to entry but high competitive intensity as customers are not strongly brand loyal and easily switch between similar services.
LO4 - Task 4 - Developing Technologies
The document discusses various technologies related to television, including satellite and cable television, major television providers, the history of the BBC, how television viewing has changed from analogue to digital, and the rise of internet streaming services. It also covers technologies like HD, 3D, pay-per-view, video on demand, digital video recorders, and the factors that enabled online streaming to become practical for consumers.
Netflix International Business Strategy Plan
Netflix is expanding internationally and has identified South Korea as its next target market for expansion into Asia. South Korea was chosen over China and Japan due to its high broadband penetration, American cultural influence, and lower piracy rates compared to China. Netflix plans to use its experience expanding into Europe to continue its international growth strategy of entering new countries before competitors gain ground. The document provides a strategic analysis of Netflix's business and opportunities for further international expansion.
Shaun of the dead distribution
The document discusses the distribution of the film Shaun of the Dead. It was produced by Working Title Films along with other companies but distributed by Universal Pictures, as Working Title is owned by Universal. It describes how rental services like Netflix and Blockbuster helped sales by streaming the movie. It also discusses pay-per-view options on services like cable TV. However, piracy hurt sales by allowing free illegal streaming. Legal downloads from stores and iTunes were also effective distribution methods.
What kind of media institution might distribute your media product and why?
1) The document discusses choosing a film distributor and settling on Lionsgate. It analyzes genres like teen drama that Lionsgate has successfully distributed.
2) Research on similar teen films' budgets showed ranges from $7-70 million, so the proposed budget was estimated at £20 million.
3) Lionsgate was selected as the distributor because they have experience with the teen drama genre and could provide large financial backing for production and global release of the film across cinemas, television, and streaming platforms like Netflix.
Developing technology in film and television
This document discusses how consumer technology has enabled the creation and consumption of content through affordable devices. It provides the example of Arsenal Fan TV, a YouTube channel created using common cameras and editing software, and consumed on laptops and televisions. The document argues that consumer technology has lowered barriers to creating high quality content that can challenge professional TV and film.
Accessibility features on money heist
How did we end up with Money Heist? How has Netflix made this series accessible worldwide?
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What kind of media institution might distribute your media product and why?
1) The document discusses choosing a film distributor and settling on Lionsgate. It analyzes the film's genre as a teen drama and estimates a budget of £20 million based on similar films.
2) Lionsgate is selected as the distributor because it has successfully distributed similar teen drama genres and could provide large financial backing for production and marketing.
3) Distributing through Lionsgate would allow the film to reach a global cinema audience and later television and digital platforms like Netflix, expanding its potential audience.
What kind of media institution might distribute your media product and why?
1) The document discusses choosing a film distributor and settling on Lionsgate. It analyzes genres like teen drama and researches budgets of comparable films.
2) Lionsgate is selected as the distributor because it has experience with similar genres and can provide large financial backing for production and marketing.
3) Distributing the film globally through cinemas, television channels like Sky Movies, and streaming platforms like Netflix will help the film reach large audiences internationally.
Online film & tv
Netflix began in 1997 as a DVD rental service and pioneered online streaming. By 2011, Netflix had over 26 million subscribers generating over $1.5 billion in revenue as people increasingly watched movies and TV online. While iTunes launched an online music store in 2003 and TV/movies in 2005/2006, Netflix was earlier to the subscription model that allowed unlimited streaming. Online streaming services like Netflix, iTunes, 4oD and BBC iPlayer now offer instant, on-demand access across devices, replacing the need to purchase physical copies of DVDs and Blu-Rays.
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Showbox Alternatives – Best 15 Apps For Streaming Like Showbox
Showbox is one of the leading and most popular streaming services for fulfilment cinematic cravings. Its compatible with all major platforms that support streaming – Windows and Mac for computers, Android and iOS for smartphones or tablets, and also Amazon’s Fire TV Stick.
ISOM 310 Netflix CaseNetflix 2013 Case Online Video Matures.docx
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Netflix 2013 Case: Online Video Matures
In the 1980s and 1990s, people joked about how difficult it was to program a VCR to record a television program. Products like TiVo and other DVRs (digital video recorders) made it easy for consumers to record broadcasted shows and movies. Today, consumers have a wide variety of options in satisfying their desire to watch movies and TV shows. They can rent DVDs and video games from traditional brick and mortar video stores, such as Blockbuster. Cable TV and Satellite TV companies offer premium subscription channels (such as HBO) for a monthly fee, as well as, video-on-demand services. There are other options for those with broadband Internet connections, such as programs that store entertainment and redirection devices (like Slingboxes
). Consumers also can rent or purchase DVDs, Blu-ray discs, and video games at video rental stores, vending machines (like Redbox
), and also can purchase them at electronic stores (such as Best Buy), discount stores (such as Target), or on the Internet (Amazon and Apple, plus many others). In addition, there still is much illegal file sharing of copyrighted digital content. Today, when consumers want to watch a particular movie at any particular time, they have many options.
The U.S. movie "rental" industry has changed. Direct online distribution of content (whether by real-time streaming or downloading for playback) has replaced physical media as the normal method
. Even traditional DVD retail companies like Wal-mart and Target are getting into the digital streaming business
. In addition, many laptops and almost all netbooks and ultrabooks today are being shipped without an optical playback device (i.e., one that can play a CD, DVD and/or Blu-Ray). Obviously, the same is true for smartphones and iPods. In addition to those mentioned above, there also are additional options for receiving digital streaming entertainment, including Internet-enabled TVs, set-top boxes (like Boxee
), game consoles, computers, and readers like the Kindle or Nook. Nonetheless, as of 2010, eighty percent (92 million) of all U.S. households still had at least one DVD or Blu-ray player, leading many to believe the DVD business will retain demand and some profitability for several years to come.
New Competitors and Content
Numerous companies now compete in the shrinking DVD and video game rental industry. Dish Network purchased Blockbuster out of bankruptcy and, in early 2012, has closed 500 of the 1500 remaining stores. Blockbuster, the largest video rental chain in the United States, has launched a variety of initiatives to provide online DVD and game rentals. Dish Network limited the customer base of the current streaming service to pre-acquisition customers and Dish Network subscribers. Recently, Samsung announced (February 20, 2012) a deal with Blockbuster to stream thousands movies to the company's smartphones, tablets, ultrabooks, laptops, smart T ...
What is ott (over the top) understanding the video streaming app development
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Evaluation question 7
OpenRoad Films has distributed several successful films since 2011, including "The Grey" and "End of Watch", which were profitable despite mixed critical reviews. They primarily distribute films in the US and other countries like Canada, France, UK, and Australia. Their films are typically shown in multiplex theaters owned by AMC Theatres and Regal Entertainment, their parent companies. The document analyzes why partnering with OpenRoad could benefit distribution of the film "Final Status", as OpenRoad is engaged with online distribution platforms like Netflix and the target audience of 16-35 year olds consumes much of their media online.
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Page 1 of 5
Strategy in Practice Assignment #2
Chapter 4
EVALUATING A COMPANY’S RESOURCES,
CAPABILITIES, AND COMPETITIVENESS
Please read these excerpts derived from the Netflix corporate Web site; then, fully respond to the questions that follow.
Netflix is the world’s leading Internet television network with over 53 million members in nearly 50 countries enjoying more than two billion hours of TV shows and movies per month, including original series, documentaries and feature films. Members can watch as much as they want, anytime, anywhere, on nearly any Internet-connected screen. Members can play, pause, and resume watching, all without commercials or commitments.
Netflix’s Long Term View:
Internet TV is replacing linear TV, Apps are replacing channels, and screens are proliferating.
As Internet TV grows from millions to billions, Netflix is leading the way around the world.
Linear TV is popular, but ripe for replacement.
People love TV content and still watch over a billion hours a day of linear TV.
But people don’t love the linear TV experience, where channels present programs at particular times on non-portable screens with complicated remote controls. Consumers have to navigate through a grid, or use DVRs which add an on-demand layer at the cost of storage and complexity. Finding good things to watch isn't easy or enjoyable. While hugely popular, the linear TV channel model is ripe for replacement.
The evolution to Internet TV apps has begun.
The world’s leading linear TV networks, such as HBO and ESPN, are moving into Internet TV. The ESPN app runs on many Internet platforms and is specifically designed to showcase sports, both real-time and catch up. HBO’s app makes its films and series more accessible than on HBO’s linear channel. The other major linear networks are not far behind.
Internet TV is better than linear TV in ways consumers care about. While Internet TV is only a small percentage of video viewing today, it will grow to replace linear TV because:
1. The Internet is getting faster, more reliable and more available;
2. Smart TV sales are increasing and eventually every TV will have Wi-Fi and apps;
3. Smart TV adapters are getting better and cheaper;
4. Tablet and smartphone viewing is increasing;
5. Internet TV apps get frequent improvement updates;
6. Streaming is the leading source for Ultra HD 4k video;
7. TV Everywhere provides an economic transition for existing networks; and
8. New entrants like Netflix are innovating rapidly and driving improvements.
Eventually, as linear TV is viewed less, the spectrum it now uses on cable, fiber, and over-the-air will be reallocated to expand Internet data transmission. Satellite TV subscribers will be fewer and more rural. The value of high-speed Internet will increase.
This transformation is occurring at different speeds in different nations. In the UK, for example, the BBC is already programming for its iPlayer app as well as its linear channels, .
Developing technology in film and television powepoint
This document discusses various technologies related to developing technology in film and television. It covers consumer products that allow both content creation and consumption with affordable equipment. It provides examples of how YouTube content is created by Arsenal Fan TV and consumed by individuals using devices like laptops and televisions. The document also summarizes different distribution technologies for television content like satellite TV, cable TV, and digital/analogue broadcasting as well as trends in high definition, 3D, streaming, and on-demand viewing options.
Understand developing technologies
The document discusses various technologies used in the television and film industries for producing and distributing media content. It covers consumer products like cameras and editing software, methods of transmission like satellite and cable, standards like analog and digital signals, platforms for consumption like broadcast, internet and on-demand streaming, and technologies like high-definition, 3D, pay-per-view and digital recording. Recent trends include higher resolutions, online streaming and on-demand viewing allowing consumers more control over what and when they watch.
The Diverse Universe of Entertainment Exploring Onionplay.pdf
Onionplay.com stands out as a versatile platform that caters to the diverse tastes of entertainment enthusiasts. Its vast library, user-friendly interface, frequent updates, and community engagement make it an appealing choice for those seeking an extensive selection of free streaming content.
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Distribution
- 1. Distribution
- 2. Netflix A possible distributor of our film could be Netflix, Netflix is a big online streaming company with over 75 million people being subscribed to the provider. Although they show blockbuster films, they also show independent TV dramas and films, such as “take this Waltz” voted one of the best independent films on Netflix. I think Netflix would be a good idea because it would be cheaper then disturbing via DVDs or cinema release. This is because we don’t have to pay for the actual disk or have to pay for a company to physically distribute it. Also to add, people who have consoles such as xbox’s or PlayStation, they can also gain access to Netflix and potentially watch our film.
- 3. Youtube Red Youtube Red is part of the video website called youtube, Youtube red is an extra users can subscribe to, to gain access to hundreds of films and TV shows. Like Netflix, Youtube red has a millions of paying customers. Like Netflix, youtube red can be available on many platforms such as, on games console, computers, tablets smartphones, etc. Due to the proliferation of Mobile phones and tablets, people have been able to watch films etc, on the go. Putting our film on this site would benefit us because it would widen the demographic due to people using the devices more.