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DIRECTORS STUDY – M.
NIGHT SHYAMALAN
By Louise Pitt
Manoj Shyamalan
6 August 1970
Mahé, india
Occupations:
Film director,
Screenwriter,
Producer,
Actor.
Years active:
1992- present
M. Night Shyamalan films:
DIRECTOR TRADEMARKS
M. Night Shyamalan is best known for the “twist” at the end of his
films. With his first few films, this “twist” wasn’t really expected.
Audiences and critics alike enjoyed the unpredictable but well-
though-out ways that Shyamalan contorted his stories to create a new
perspective and keep his audience on the edges of their seats.
However, as Shyamalan’s career went on, the idea that there would be
a confounding “twist” at the end of his films made them less impactful
and more predictable.
His style is heavily impacted by Stephan Spielberg. A skill that was
influenced by Spielberg is the use of a reflective surface to create a
unique camera perspective. Unlike Spielberg he usually isn’t using the
indirect camera angle to add artistic qualities or make the film more
interesting, the source of the reflection usually has extra meaning,
examples include the shattered mirror in Signs, the doorknob
reflections in The Sixth Sense,
He also uses great amounts of colour symbolism.

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Directors study

  • 1. DIRECTORS STUDY – M. NIGHT SHYAMALAN By Louise Pitt
  • 2. Manoj Shyamalan 6 August 1970 Mahé, india Occupations: Film director, Screenwriter, Producer, Actor. Years active: 1992- present
  • 4. DIRECTOR TRADEMARKS M. Night Shyamalan is best known for the “twist” at the end of his films. With his first few films, this “twist” wasn’t really expected. Audiences and critics alike enjoyed the unpredictable but well- though-out ways that Shyamalan contorted his stories to create a new perspective and keep his audience on the edges of their seats. However, as Shyamalan’s career went on, the idea that there would be a confounding “twist” at the end of his films made them less impactful and more predictable. His style is heavily impacted by Stephan Spielberg. A skill that was influenced by Spielberg is the use of a reflective surface to create a unique camera perspective. Unlike Spielberg he usually isn’t using the indirect camera angle to add artistic qualities or make the film more interesting, the source of the reflection usually has extra meaning, examples include the shattered mirror in Signs, the doorknob reflections in The Sixth Sense, He also uses great amounts of colour symbolism.