The document discusses strategies for digitally preserving content with limited resources. It recommends using standard file formats like TIFF and WAV to mitigate obsolescence. Consistent workflows, file naming, and metadata practices are also advised. For storage, it suggests starting with CD-Rs or DVDs and upgrading to hard drives and tapes when possible. Regular verification of transferred files and creation of checksums are important preservation steps. The UW Digital Collections Center piloted digital preservation practices by establishing scanner performance baselines and custom workflows for preservation-level digitization.
Digitization Projects for Small Archives and MuseumsAnna Naruta-Moya
Training at New Mexico State Archives hosted by the New Mexico Historical Records Advisory Board. Request was for training in conducting digitization projects, with attention to the guidelines of the NM State Records Center and Archives and the guidelines of the Federal Agencies Digitization Guidelines Initiative, Still Images Working Group (FADGI guidelines).
Wednesday, December 10, 2014
NISO Two-Part Webinar: Sustainable Information
Part 1: Digital Preservation for Text
National Digital Stewardship Alliance (NDSA) Levels of Preservation
Trevor Owens, Digital Archivist, National Digital Information Infrastructure and Preservation Program (NDIIPP), Office of Strategic Initiatives, Library of Congress
Preserving the Law: Digital Curation in a Law Library Setting
Leah Prescott, Associate Law Librarian for Digital Initiatives and Special Collections, Georgetown University Law Library
Rosetta digital preservation system: Enabling institutions to preserve and provide access to their
digital collections
Edward M. Corrado, Director of Library Technology, Binghamton University Libraries
NISO Two-Part Webinar: Sustainable Information
Part 2: Digital Preservation of Audio-Visual Content
About the Webinar
Audio-visual resources in digital formats present even more challenges to preservation than do digital text resources. Reformatting information to a common file format can be difficult and may require specialists to ensure it is done with no loss in integrity. While digital text may still be usable if done imperfectly (e.g. skewed but still readable pages), even small errors in digital A/V files could render the material unusable.
This webinar will share the experiences of several projects that are working to ensure that A/V files can be preserved with their full integrity ensured.
Agenda
Introduction
Todd Carpenter, Executive Director, NISO
Planning for Video Preservation Services at Harvard
Andrea Goethals, Manager of Digital Preservation and Repository Services, Harvard University Library
David Ackerman, Head of Media Preservation, Harvard University Library
AXF: Finally a Storage and Preservation Standard for the Ages
Brian Campanotti, Chief Technical Officer, Front Porch Digital
An Open-Source Preservation Solution: Hydra/Blacklight
Tom Cramer, Chief Technology Strategist & Associate Director, Digital Library Systems & Services, Stanford University Libraries
NISO Two-Part Webinar: Sustainable Information
Part 2: Digital Preservation of Audio-Visual Content
December 17, 2014
AXF: Finally a Storage and Preservation Standard for the Ages
Brian Campanotti, Chief Technical Officer, Front Porch Digital
2010 AIRI Petabyte Challenge - View From The TrenchesGeorge Ang
This document provides an overview of trends in science-driven storage from the perspective of an independent consulting firm. It discusses how the needs of life science researchers are driving huge increases in data production and storage needs. It also describes some common problems encountered, such as enterprise storage solutions that don't meet research needs, do-it-yourself cluster configurations that are not optimized, and unchecked user requirements. The document concludes with some practical advice, such as the importance of a single namespace, user expectation management, and trends towards larger petabyte-scale storage deployments.
Navigating the Analog Waves: Digitizing Audio Cassettes for Your CollectionKay Gregg
The document outlines the goals and process of a project to digitize and provide online access to audio recordings from the archives of the Quest Club of Fort Wayne, a local lecture society. The project involved setting up a digitization station, creating metadata standards, digitizing the cassette tapes to an archival format, and making the collection available online through a content management system. Key lessons learned included the importance of project management and planning for sustainability beyond the initial project.
Cost, Risk, Loss and other fun things PrestoCentre
Presentation given by Matthew Addis (ITInnovation Centre) of the PrestoPRIME project at Screening the Future conference, March 14-15 at the Netherlands Institute for Sound and Vision in Hilversum
NCompass Live - Nov. 21, 2018
http://nlc.nebraska.gov/ncompasslive/
To enhance access to their diverse materials, libraries are digitizing those materials and making them freely available online as digital collections on digital platforms. These collections provide another way for libraries to re-envision their materials and make them relevant to their communities. This presentation will cover best practices for creating and preserving digital collections, including workflows, standards, and staffing. It will also discuss the policies which should be developed for building successful digital collections, as well as the privacy issues which should be considered. In this presentation, individual digital collections from the University of Nebraska at Omaha and Creighton University Law Library, including the Omaha Oral History Collection and the Delaney Tokyo Trial Papers, will be demonstrated.
Presenters: Corinne Jacox, Catalog/Reference Librarian, Creighton University Law Library & Yumi Ohira, Digital Initiatives Librarian, UNO Criss Library.
Digitization Projects for Small Archives and MuseumsAnna Naruta-Moya
Training at New Mexico State Archives hosted by the New Mexico Historical Records Advisory Board. Request was for training in conducting digitization projects, with attention to the guidelines of the NM State Records Center and Archives and the guidelines of the Federal Agencies Digitization Guidelines Initiative, Still Images Working Group (FADGI guidelines).
Wednesday, December 10, 2014
NISO Two-Part Webinar: Sustainable Information
Part 1: Digital Preservation for Text
National Digital Stewardship Alliance (NDSA) Levels of Preservation
Trevor Owens, Digital Archivist, National Digital Information Infrastructure and Preservation Program (NDIIPP), Office of Strategic Initiatives, Library of Congress
Preserving the Law: Digital Curation in a Law Library Setting
Leah Prescott, Associate Law Librarian for Digital Initiatives and Special Collections, Georgetown University Law Library
Rosetta digital preservation system: Enabling institutions to preserve and provide access to their
digital collections
Edward M. Corrado, Director of Library Technology, Binghamton University Libraries
NISO Two-Part Webinar: Sustainable Information
Part 2: Digital Preservation of Audio-Visual Content
About the Webinar
Audio-visual resources in digital formats present even more challenges to preservation than do digital text resources. Reformatting information to a common file format can be difficult and may require specialists to ensure it is done with no loss in integrity. While digital text may still be usable if done imperfectly (e.g. skewed but still readable pages), even small errors in digital A/V files could render the material unusable.
This webinar will share the experiences of several projects that are working to ensure that A/V files can be preserved with their full integrity ensured.
Agenda
Introduction
Todd Carpenter, Executive Director, NISO
Planning for Video Preservation Services at Harvard
Andrea Goethals, Manager of Digital Preservation and Repository Services, Harvard University Library
David Ackerman, Head of Media Preservation, Harvard University Library
AXF: Finally a Storage and Preservation Standard for the Ages
Brian Campanotti, Chief Technical Officer, Front Porch Digital
An Open-Source Preservation Solution: Hydra/Blacklight
Tom Cramer, Chief Technology Strategist & Associate Director, Digital Library Systems & Services, Stanford University Libraries
NISO Two-Part Webinar: Sustainable Information
Part 2: Digital Preservation of Audio-Visual Content
December 17, 2014
AXF: Finally a Storage and Preservation Standard for the Ages
Brian Campanotti, Chief Technical Officer, Front Porch Digital
2010 AIRI Petabyte Challenge - View From The TrenchesGeorge Ang
This document provides an overview of trends in science-driven storage from the perspective of an independent consulting firm. It discusses how the needs of life science researchers are driving huge increases in data production and storage needs. It also describes some common problems encountered, such as enterprise storage solutions that don't meet research needs, do-it-yourself cluster configurations that are not optimized, and unchecked user requirements. The document concludes with some practical advice, such as the importance of a single namespace, user expectation management, and trends towards larger petabyte-scale storage deployments.
Navigating the Analog Waves: Digitizing Audio Cassettes for Your CollectionKay Gregg
The document outlines the goals and process of a project to digitize and provide online access to audio recordings from the archives of the Quest Club of Fort Wayne, a local lecture society. The project involved setting up a digitization station, creating metadata standards, digitizing the cassette tapes to an archival format, and making the collection available online through a content management system. Key lessons learned included the importance of project management and planning for sustainability beyond the initial project.
Cost, Risk, Loss and other fun things PrestoCentre
Presentation given by Matthew Addis (ITInnovation Centre) of the PrestoPRIME project at Screening the Future conference, March 14-15 at the Netherlands Institute for Sound and Vision in Hilversum
NCompass Live - Nov. 21, 2018
http://nlc.nebraska.gov/ncompasslive/
To enhance access to their diverse materials, libraries are digitizing those materials and making them freely available online as digital collections on digital platforms. These collections provide another way for libraries to re-envision their materials and make them relevant to their communities. This presentation will cover best practices for creating and preserving digital collections, including workflows, standards, and staffing. It will also discuss the policies which should be developed for building successful digital collections, as well as the privacy issues which should be considered. In this presentation, individual digital collections from the University of Nebraska at Omaha and Creighton University Law Library, including the Omaha Oral History Collection and the Delaney Tokyo Trial Papers, will be demonstrated.
Presenters: Corinne Jacox, Catalog/Reference Librarian, Creighton University Law Library & Yumi Ohira, Digital Initiatives Librarian, UNO Criss Library.
Software's now-a-days became the life line of modern day organizations. Libraries also need software if they want to create a parallel digital library with features which we may not find in a traditional library.
A presentation on Digital Library Software by Rupesh Kumar A, Assistant Professor, Department of Studies and Research in Library and Information Science, Tumkur University, Tumakuru, Karnataka, India.
Moving an Archive from Tape to Disk: A Case-Study at ICPSRBryan Beecher
This document summarizes ICPSR's efforts to transition its archive from tape to disk storage between 2006-2008. It describes ICPSR's mission to collect and preserve social science data. In 2006, ICPSR digitally preserved objects on tape but lacked automation. A new plan automated processes, moved all digital content from tape to disk by 2007, and discarded unnecessary paper records. This transition reduced costs while improving access and preservation for ICPSR staff. While progress was made, further work is still needed on a proper digital preservation system and long-term storage of larger digital objects and restricted-access materials.
A safe storage of digital documents in a shared safe location: a holistic per...Tomislav Rozman
The document summarizes a study on the requirements and design of a shared, safe digital storage center for multiple organizations in Slovenia. The study analyzed requirements from 4 client organizations, designed the physical infrastructure and IT systems for the storage center following international standards, and evaluated 28 local IT companies as potential suppliers. The results showed that a shared storage center would be more cost-effective than each organization having its own, and provided recommendations for establishing such a center.
The document summarizes Archives Canada Digital Preservation Service (ACDPS), a new hosted digital preservation solution operated by Artefactual Systems Inc. ACDPS will allow participating Canadian institutions to preserve digital collections using open-source Archivematica and AtoM tools, with secure storage in geographically remote Canadian data centers. It offers three service tiers - Tier 1 provides the full Archivematica suite and storage, while Tiers 2 and 3 offer reduced services and storage capacities at lower annual costs.
The document summarizes an automated medical records disc publishing solution called DISCO. It automates the process of fulfilling medical record requests and audit requests by loading, burning, encrypting, and tracking patient records onto permanently labeled discs. Key benefits include dramatically streamlining the workflow, eliminating manual processes and human errors, providing centralized tracking for HIPAA compliance, and realizing significant cost savings through reduced supplies and staff time.
Kris Carpenter Negulescu Gordon Paynter Archiving the National Web of New Zea...Future Perfect 2012
This document summarizes lessons learned from archiving the New Zealand web domain. It discusses the legal requirements to archive internet documents, two approaches used - selective and domain harvesting. Challenges include defining a national domain, harvest scope and shape, policies, infrastructure needs, assessing quality, sustainability and being responsive. Final thoughts are on New Zealand facing similar challenges to peers and benefits of collaboration between institutions.
Building an Audio Preservation System at Indiana University Using Standards a...Jenn Riley
Casey, Michael, Jon Dunn, and Jenn Riley. “Building an Audio Preservation System at Indiana University Using Standards and Best Practices.” April 14, 2008.
Slides accompanying a presentation given by Dan Gillean of Artefactual Systems at the PERICLES/DPC joint conference and meeting, "Acting on Change: New Approaches and Future Practices in LTDP," held in London at the Wellcome Collection Conference Center, Nov 30 - Dec 2, 2016.
The talk examines the question of the Capacity Gap - why is it that we have so many tools, services, standards, models, and metrics to support digital preservation, but so many organizations feel they do not have the capacity or capability to begin tackling digital preservation within their institution?
The presentation offers a different take based on Dan's experience working as an analyst and consultant for a software development company engaging with many different types of organizations and individuals in the cultural heritage sector. While acknowledging that the under-resourced nature of cultural heritage work plays a key role, this presentation examines some oft-encountered perceptual or cognitive barriers to getting started with digital preservation. It then provides some suggestions on how to overcome these barriers, acknowledging that anything is better than nothing when it comes to DP, and that sometimes perfect can be the enemy of good.
This document provides an overview of building an institutional repository, including:
- Repository structure with communities, collections, and items
- Metadata standards like Dublin Core
- User roles and permissions
- Item submissions and workflows
- Copyright issues and embargoes
- Gathering usage statistics and registering the repository
- Ensuring quality control of metadata and submissions
From Network Revolutions and Trends in Information to a National Public Polic...WiLS
Marc Gartler, Manager, Madison Public Library – Sequoya & Alicia Ashman Libraries
A member of the advisory committee for ALA’s Policy Revolution! will facilitate a discussion about trends and challenges identified in research by the ALA Office of Information Technology Policy. These trends and their implications are guiding the formation of a national public policy agenda that will guide focused and energetic outreach to key decision makers and influencers.
Audiovisual Digitization and Quality Control: How do people really do this?WiLS
Charles Hosale, A/V Project Archivist, University of Wisconsin-Milwaukee Archives
Dana Gerber-Margie, Audio Archivist, Wisconsin Historical Society
Is your organization facing a collection of aging a/v formats that you wish to digitize for preservation or access, and you’re not sure how to proceed? UWM Archives A/V Project Archivist Charlies Hosale and WHS Audio Archivist Dana Gerber-Margie share their respective experiences with vendor based and in-house digitization of audio and visual materials such as VHS, 35mm film, audiocassettes, and vinyl. Dana will discuss the innovative in-house digitization initiatives at the Wisconsin Historical Society. Charles will present UWM’s quality control workflow for A/V materials that utilizes open source programs, such as Sonic Visualizer, QCTools, MediaInfo, and Fixity to ensure the fidelity of digitized records. Attendees will leave with an introduction to current A/V digitization and quality control topics and techniques, practical understanding of and exposure to relevant software and resources, an implementable A/V digitization workflow designed for use in small and middle-sized cultural heritage institutions, and the feeling that they too can tackle A/V materials without being format and digitization experts.
Melissa McLimans, Digital Services Librarian, UW Digital Collections Center
Emily Passey, Assistant Director, Shorewood Public Library
Vicki Tobias, Media Archivist, UW-Madison Archives
Do you “do social media” for your library, but want to know how to do it better? You have lots of great things to share, but how and to whom? And why? This workshop will help you create an engaging social media presence through activities to identify your audience and your community social media partners, develop a social media strategy, and craft interesting communications to draw in your library users and stakeholders.
Digitization Basics for Archives and Special Collections – Part 2: Store and ...WiLS
Jessica Williams, Library Director, Mount Horeb Public Library
This is the second part of a two-part, full-day workshop introducing the core elements of creating digital collections of historic photographs, documents and other archival materials. Part 2 focuses on sharing your digitized materials with the world and steps you can take to ensure that they’ll remain usable and accessible into the future. We’ll define metadata and why it’s important, and consider approaches to creating descriptive metadata for discovery of historical resources. We’ll examine the issue of digital preservation, including practical steps you can take to preserve your digital content with limited resources. And we’ll think about digitization as a path to community engagement, including reaching out to your community for content and promoting your digital collections to your users.
Virtual Worlds, Real Libraries: The Evolution of Gaming and Virtual Learning ...WiLS
So You're Thinking About Minecraft at Your Library
Janice Scurio, Teen Services Librarian, Madison Public Library
This presentation will look at the history of interactive learning and gaming in libraries and educational settings. Everyone wants to be able to offer their patrons the best resources for learning and entertainment. In a time of limited budgets, it will ask the question: when is the right time to consider investing in tech heavy programming considering such factors as cost, educational value and the fleeting popularity of technology over time?
In the presentation, we use the example of Second Life and Minecraft to advocate for an examination of the professional literature before investing heavily in a currently popular learning tool or game that may or may not be the right fit given your intended use and desired outcomes.
Rob Nunez, Head of Collection Services, Kenosha Public Library
Rebecca Hall, Web Development & Marketing Director & Instructor, UW-Milwaukee
Quality graphic and web design are crucial to promoting, branding, and raising awareness of your library and its valuable services, but it’s an expensive skill to hire out. Many libraries are taking on these challenges themselves, and assisted with a variety of free or cheap online design tools, are creating websites, logos, banners, and other graphic elements for their print or online resources. This session will help those involved in creating and maintaining these to understand the principles of making appealing and effective visual materials for their libraries and services.
Audiovisual Digitization and Quality Control: How do people really do this?WiLS
Charles Hosale, A/V Project Archivist, University of Wisconsin-Milwaukee Archives
Dana Gerber-Margie, Audio Archivist, Wisconsin Historical Society
Is your organization facing a collection of aging a/v formats that you wish to digitize for preservation or access, and you’re not sure how to proceed? UWM Archives A/V Project Archivist Charlies Hosale and WHS Audio Archivist Dana Gerber-Margie share their respective experiences with vendor based and in-house digitization of audio and visual materials such as VHS, 35mm film, audiocassettes, and vinyl. Dana will discuss the innovative in-house digitization initiatives at the Wisconsin Historical Society. Charles will present UWM’s quality control workflow for A/V materials that utilizes open source programs, such as Sonic Visualizer, QCTools, MediaInfo, and Fixity to ensure the fidelity of digitized records. Attendees will leave with an introduction to current A/V digitization and quality control topics and techniques, practical understanding of and exposure to relevant software and resources, an implementable A/V digitization workflow designed for use in small and middle-sized cultural heritage institutions, and the feeling that they too can tackle A/V materials without being format and digitization experts.
Digitization Basics for Archives and Special Collections – Part 2: Store and ...WiLS
Bradley Shipps, Continuing Education and Outreach Librarian, Outagamie Waupaca Library System
This is the second part of a two-part, full-day workshop introducing the core elements of creating digital collections of historic photographs, documents and other archival materials. Part 2 focuses on sharing your digitized materials with the world and steps you can take to ensure that they’ll remain usable and accessible into the future. We’ll define metadata and why it’s important, and consider approaches to creating descriptive metadata for discovery of historical resources. We’ll examine the issue of digital preservation, including practical steps you can take to preserve your digital content with limited resources. And we’ll think about digitization as a path to community engagement, including reaching out to your community for content and promoting your digital collections to your users.
Digitization Basics for Archives and Special Collections – Part 1: Select and...WiLS
Emily Pfotenhauer, Recollection Wisconsin Program Manager, WiLS
This is the first part of a two-part, full-day workshop introducing the core elements of creating digital collections of historic photographs, documents and other archival materials. Part 1 focuses on selecting materials to digitize and the basics of reformatting. We’ll start with some recommendations for planning a successful project and consider how your digital collections can fit into the statewide and national landscape of digital content. We’ll discuss copyright concerns in order to help you answer the question “CAN I put this online?” And we’ll explore the vocabulary of digital images, including pixels, resolution and bit depth as well as tools and best practices for scanning photographs and documents.
Carol Sabbar, Director of Library and Instructional Technology Services, Carthage College
LibGuides is an amazing tool to provide, present, and promote library research resources to your community. But it can also present other various tools outside of traditional bibliographic instruction. See how Carthage College has leveraged LibGuides to promote resources and tools for statistics, language learning, preparation for grad school exams and more. We have implemented this in our academic library, but we think our uses will inspire libraries of many types to use this powerful tool in new and creative ways.
Sharing the Love: Working with the Community to Create Engaging Social Media ...WiLS
Angela M. Vanden Elzen, Reference & Web Services Librarian, Lawrence University
Holly Roycraft, Library Secretary, Lawrence University
Many challenges arise when managing a library’s social media presence, though the biggest is often generating engaging and interesting content. At Lawrence University’s Mudd Library, we’ve begun the shift from trying to create content our target audience wants, to asking them to generate it for us. We’ll share how we have been able to work with other campus departments, students, alumni, and faculty to provide concrete examples of what the library can do for our patrons- and how we have been using social media to share these stories. Attendees will be highly encouraged to share their own social media stories.
Turning Numbers into Knowledge: A Statistics DashboardWiLS
Gus Falkenberg, Technology and Design Director, Indianhead Federated Library System
We are often swimming in data we collect about our patrons and their usage of our library resources, but how can we make sense of those numbers in a way that will help us improve or adjust our services? In this presentation, you’ll learn about a statistics dashboard created by the Indianhead Federated Library System for member libraries to see and interpret data collected from a variety of sources in order to get a fuller picture of library resource usage. This dashboard incorporates ILS data, e-materials information, and wireless and computer usage into visual data display to help libraries further understand how their resources are being used by their communities.
Software's now-a-days became the life line of modern day organizations. Libraries also need software if they want to create a parallel digital library with features which we may not find in a traditional library.
A presentation on Digital Library Software by Rupesh Kumar A, Assistant Professor, Department of Studies and Research in Library and Information Science, Tumkur University, Tumakuru, Karnataka, India.
Moving an Archive from Tape to Disk: A Case-Study at ICPSRBryan Beecher
This document summarizes ICPSR's efforts to transition its archive from tape to disk storage between 2006-2008. It describes ICPSR's mission to collect and preserve social science data. In 2006, ICPSR digitally preserved objects on tape but lacked automation. A new plan automated processes, moved all digital content from tape to disk by 2007, and discarded unnecessary paper records. This transition reduced costs while improving access and preservation for ICPSR staff. While progress was made, further work is still needed on a proper digital preservation system and long-term storage of larger digital objects and restricted-access materials.
A safe storage of digital documents in a shared safe location: a holistic per...Tomislav Rozman
The document summarizes a study on the requirements and design of a shared, safe digital storage center for multiple organizations in Slovenia. The study analyzed requirements from 4 client organizations, designed the physical infrastructure and IT systems for the storage center following international standards, and evaluated 28 local IT companies as potential suppliers. The results showed that a shared storage center would be more cost-effective than each organization having its own, and provided recommendations for establishing such a center.
The document summarizes Archives Canada Digital Preservation Service (ACDPS), a new hosted digital preservation solution operated by Artefactual Systems Inc. ACDPS will allow participating Canadian institutions to preserve digital collections using open-source Archivematica and AtoM tools, with secure storage in geographically remote Canadian data centers. It offers three service tiers - Tier 1 provides the full Archivematica suite and storage, while Tiers 2 and 3 offer reduced services and storage capacities at lower annual costs.
The document summarizes an automated medical records disc publishing solution called DISCO. It automates the process of fulfilling medical record requests and audit requests by loading, burning, encrypting, and tracking patient records onto permanently labeled discs. Key benefits include dramatically streamlining the workflow, eliminating manual processes and human errors, providing centralized tracking for HIPAA compliance, and realizing significant cost savings through reduced supplies and staff time.
Kris Carpenter Negulescu Gordon Paynter Archiving the National Web of New Zea...Future Perfect 2012
This document summarizes lessons learned from archiving the New Zealand web domain. It discusses the legal requirements to archive internet documents, two approaches used - selective and domain harvesting. Challenges include defining a national domain, harvest scope and shape, policies, infrastructure needs, assessing quality, sustainability and being responsive. Final thoughts are on New Zealand facing similar challenges to peers and benefits of collaboration between institutions.
Building an Audio Preservation System at Indiana University Using Standards a...Jenn Riley
Casey, Michael, Jon Dunn, and Jenn Riley. “Building an Audio Preservation System at Indiana University Using Standards and Best Practices.” April 14, 2008.
Slides accompanying a presentation given by Dan Gillean of Artefactual Systems at the PERICLES/DPC joint conference and meeting, "Acting on Change: New Approaches and Future Practices in LTDP," held in London at the Wellcome Collection Conference Center, Nov 30 - Dec 2, 2016.
The talk examines the question of the Capacity Gap - why is it that we have so many tools, services, standards, models, and metrics to support digital preservation, but so many organizations feel they do not have the capacity or capability to begin tackling digital preservation within their institution?
The presentation offers a different take based on Dan's experience working as an analyst and consultant for a software development company engaging with many different types of organizations and individuals in the cultural heritage sector. While acknowledging that the under-resourced nature of cultural heritage work plays a key role, this presentation examines some oft-encountered perceptual or cognitive barriers to getting started with digital preservation. It then provides some suggestions on how to overcome these barriers, acknowledging that anything is better than nothing when it comes to DP, and that sometimes perfect can be the enemy of good.
This document provides an overview of building an institutional repository, including:
- Repository structure with communities, collections, and items
- Metadata standards like Dublin Core
- User roles and permissions
- Item submissions and workflows
- Copyright issues and embargoes
- Gathering usage statistics and registering the repository
- Ensuring quality control of metadata and submissions
From Network Revolutions and Trends in Information to a National Public Polic...WiLS
Marc Gartler, Manager, Madison Public Library – Sequoya & Alicia Ashman Libraries
A member of the advisory committee for ALA’s Policy Revolution! will facilitate a discussion about trends and challenges identified in research by the ALA Office of Information Technology Policy. These trends and their implications are guiding the formation of a national public policy agenda that will guide focused and energetic outreach to key decision makers and influencers.
Audiovisual Digitization and Quality Control: How do people really do this?WiLS
Charles Hosale, A/V Project Archivist, University of Wisconsin-Milwaukee Archives
Dana Gerber-Margie, Audio Archivist, Wisconsin Historical Society
Is your organization facing a collection of aging a/v formats that you wish to digitize for preservation or access, and you’re not sure how to proceed? UWM Archives A/V Project Archivist Charlies Hosale and WHS Audio Archivist Dana Gerber-Margie share their respective experiences with vendor based and in-house digitization of audio and visual materials such as VHS, 35mm film, audiocassettes, and vinyl. Dana will discuss the innovative in-house digitization initiatives at the Wisconsin Historical Society. Charles will present UWM’s quality control workflow for A/V materials that utilizes open source programs, such as Sonic Visualizer, QCTools, MediaInfo, and Fixity to ensure the fidelity of digitized records. Attendees will leave with an introduction to current A/V digitization and quality control topics and techniques, practical understanding of and exposure to relevant software and resources, an implementable A/V digitization workflow designed for use in small and middle-sized cultural heritage institutions, and the feeling that they too can tackle A/V materials without being format and digitization experts.
Melissa McLimans, Digital Services Librarian, UW Digital Collections Center
Emily Passey, Assistant Director, Shorewood Public Library
Vicki Tobias, Media Archivist, UW-Madison Archives
Do you “do social media” for your library, but want to know how to do it better? You have lots of great things to share, but how and to whom? And why? This workshop will help you create an engaging social media presence through activities to identify your audience and your community social media partners, develop a social media strategy, and craft interesting communications to draw in your library users and stakeholders.
Digitization Basics for Archives and Special Collections – Part 2: Store and ...WiLS
Jessica Williams, Library Director, Mount Horeb Public Library
This is the second part of a two-part, full-day workshop introducing the core elements of creating digital collections of historic photographs, documents and other archival materials. Part 2 focuses on sharing your digitized materials with the world and steps you can take to ensure that they’ll remain usable and accessible into the future. We’ll define metadata and why it’s important, and consider approaches to creating descriptive metadata for discovery of historical resources. We’ll examine the issue of digital preservation, including practical steps you can take to preserve your digital content with limited resources. And we’ll think about digitization as a path to community engagement, including reaching out to your community for content and promoting your digital collections to your users.
Virtual Worlds, Real Libraries: The Evolution of Gaming and Virtual Learning ...WiLS
So You're Thinking About Minecraft at Your Library
Janice Scurio, Teen Services Librarian, Madison Public Library
This presentation will look at the history of interactive learning and gaming in libraries and educational settings. Everyone wants to be able to offer their patrons the best resources for learning and entertainment. In a time of limited budgets, it will ask the question: when is the right time to consider investing in tech heavy programming considering such factors as cost, educational value and the fleeting popularity of technology over time?
In the presentation, we use the example of Second Life and Minecraft to advocate for an examination of the professional literature before investing heavily in a currently popular learning tool or game that may or may not be the right fit given your intended use and desired outcomes.
Rob Nunez, Head of Collection Services, Kenosha Public Library
Rebecca Hall, Web Development & Marketing Director & Instructor, UW-Milwaukee
Quality graphic and web design are crucial to promoting, branding, and raising awareness of your library and its valuable services, but it’s an expensive skill to hire out. Many libraries are taking on these challenges themselves, and assisted with a variety of free or cheap online design tools, are creating websites, logos, banners, and other graphic elements for their print or online resources. This session will help those involved in creating and maintaining these to understand the principles of making appealing and effective visual materials for their libraries and services.
Audiovisual Digitization and Quality Control: How do people really do this?WiLS
Charles Hosale, A/V Project Archivist, University of Wisconsin-Milwaukee Archives
Dana Gerber-Margie, Audio Archivist, Wisconsin Historical Society
Is your organization facing a collection of aging a/v formats that you wish to digitize for preservation or access, and you’re not sure how to proceed? UWM Archives A/V Project Archivist Charlies Hosale and WHS Audio Archivist Dana Gerber-Margie share their respective experiences with vendor based and in-house digitization of audio and visual materials such as VHS, 35mm film, audiocassettes, and vinyl. Dana will discuss the innovative in-house digitization initiatives at the Wisconsin Historical Society. Charles will present UWM’s quality control workflow for A/V materials that utilizes open source programs, such as Sonic Visualizer, QCTools, MediaInfo, and Fixity to ensure the fidelity of digitized records. Attendees will leave with an introduction to current A/V digitization and quality control topics and techniques, practical understanding of and exposure to relevant software and resources, an implementable A/V digitization workflow designed for use in small and middle-sized cultural heritage institutions, and the feeling that they too can tackle A/V materials without being format and digitization experts.
Digitization Basics for Archives and Special Collections – Part 2: Store and ...WiLS
Bradley Shipps, Continuing Education and Outreach Librarian, Outagamie Waupaca Library System
This is the second part of a two-part, full-day workshop introducing the core elements of creating digital collections of historic photographs, documents and other archival materials. Part 2 focuses on sharing your digitized materials with the world and steps you can take to ensure that they’ll remain usable and accessible into the future. We’ll define metadata and why it’s important, and consider approaches to creating descriptive metadata for discovery of historical resources. We’ll examine the issue of digital preservation, including practical steps you can take to preserve your digital content with limited resources. And we’ll think about digitization as a path to community engagement, including reaching out to your community for content and promoting your digital collections to your users.
Digitization Basics for Archives and Special Collections – Part 1: Select and...WiLS
Emily Pfotenhauer, Recollection Wisconsin Program Manager, WiLS
This is the first part of a two-part, full-day workshop introducing the core elements of creating digital collections of historic photographs, documents and other archival materials. Part 1 focuses on selecting materials to digitize and the basics of reformatting. We’ll start with some recommendations for planning a successful project and consider how your digital collections can fit into the statewide and national landscape of digital content. We’ll discuss copyright concerns in order to help you answer the question “CAN I put this online?” And we’ll explore the vocabulary of digital images, including pixels, resolution and bit depth as well as tools and best practices for scanning photographs and documents.
Carol Sabbar, Director of Library and Instructional Technology Services, Carthage College
LibGuides is an amazing tool to provide, present, and promote library research resources to your community. But it can also present other various tools outside of traditional bibliographic instruction. See how Carthage College has leveraged LibGuides to promote resources and tools for statistics, language learning, preparation for grad school exams and more. We have implemented this in our academic library, but we think our uses will inspire libraries of many types to use this powerful tool in new and creative ways.
Sharing the Love: Working with the Community to Create Engaging Social Media ...WiLS
Angela M. Vanden Elzen, Reference & Web Services Librarian, Lawrence University
Holly Roycraft, Library Secretary, Lawrence University
Many challenges arise when managing a library’s social media presence, though the biggest is often generating engaging and interesting content. At Lawrence University’s Mudd Library, we’ve begun the shift from trying to create content our target audience wants, to asking them to generate it for us. We’ll share how we have been able to work with other campus departments, students, alumni, and faculty to provide concrete examples of what the library can do for our patrons- and how we have been using social media to share these stories. Attendees will be highly encouraged to share their own social media stories.
Turning Numbers into Knowledge: A Statistics DashboardWiLS
Gus Falkenberg, Technology and Design Director, Indianhead Federated Library System
We are often swimming in data we collect about our patrons and their usage of our library resources, but how can we make sense of those numbers in a way that will help us improve or adjust our services? In this presentation, you’ll learn about a statistics dashboard created by the Indianhead Federated Library System for member libraries to see and interpret data collected from a variety of sources in order to get a fuller picture of library resource usage. This dashboard incorporates ILS data, e-materials information, and wireless and computer usage into visual data display to help libraries further understand how their resources are being used by their communities.
Digitization Basics for Archives and Special Collections – Part 1: Select and...WiLS
This document discusses digital imaging concepts such as pixels, resolution, bit depth, and file size. It explains how these concepts relate to scanning quality and options for selecting a scanner. Flatbed and film scanners are described and compared based on their specifications. Guidelines for scanning, such as achieving certain levels on a gray scale, are provided. The document concludes with recommendations for image editing software and sources for further reading on digital imaging best practices.
Kelvin Watson, Vice President Digital Services & Strategy and Interim Vice President Information, Technology, and Development, Queens Public Library
Libraries invest with a variety of eResource providers to license a rich array of eResources for its patrons and are sometimes forced to rely on a complex set of proprietary interfaces to navigate and deliver them. Only the most savvy patrons are able to keep track of a large number of separate usernames and passwords and website URLs. Even when this barrier is crossed, accessing the eResource (or even finding out what is available) requires the user to follow links out of the library’s system and over to the eResource provider’s system. These systems are often “walled gardens,” where the eResource provider, not the library, controls the user’s experience, and it is difficult for the user to make their way back to the library site if they don’t find what they need on the vendor’s site. This complexity hinders the patron’s ability to easily discover, engage with, and consume the library’s valuable investments and instead often concludes in frustration and failure. The Queens Library has embarked on a project to radically improve the way library patrons discover and access eResources. Queens Library intends to create a Virtual Library System that will provide a best of breed solution for accessing eResources for all of Queens Library’s patrons. This System will eventually allow Queen’s patrons to have seamless access to digital materials all within Queens Library’s own web and mobile interfaces. This system will replace the unwieldy model that creates many barriers for users looking to access digital content, barriers that run the range from software that is too complicated for those with little digital experience to navigate, to the lack of access to devices on which content can be consumed. Libraries have to continue to reach beyond the confines of its physical locations and extend its presence into people’s homes by providing devices that will let patrons interact more deeply with the Library’s offerings. The Virtual Library System will keep Queen’s Library’s doors open twenty-four hours a day, seven days a week and shifts the balance of power from providers to libraries and patrons.
This document discusses addressing literacy "deserts" in communities through library outreach programs. It provides data showing poor students and those in high-poverty neighborhoods have lower graduation rates. The document outlines strategies libraries are using to reach these communities, such as book bikes, youth programming, and partnerships. Next steps discussed include staff training, providing programming experiences for all staff, and opportunities for other agencies to learn how libraries can support them.
The document discusses asset management and digital workflow best practices for photographers. It covers organizing digital files through proper naming conventions, file storage using external hard drives and cloud services, and establishing backup and archiving systems. The Universal Photographic Digital Imaging Guidelines (UPDIG) recommend a workflow process of planning shoots, capturing images, and ingesting files to ensure quality reproduction and efficiency. Proper asset management is important for organizing a growing portfolio and facilitating production.
This document provides practical steps organizations can take to preserve digital information without a digital archive. It discusses preserving the bitstream by ensuring backup and storage of files on multiple media types and locations. It also covers preserving accessibility by addressing software and format obsolescence through normalization to long-term preservation formats. Preserving context involves classifying records and capturing metadata to maintain understanding of records over time. The key recommendations are to survey digital holdings, ensure backup systems are effective, monitor file formats and choose preservation formats, and work towards systems to capture record context.
This document discusses best practices for data management for research. It covers topics such as file organization, documentation, storage, sharing and publishing data, and archiving. Good practices include using file naming conventions and open formats, documenting projects, processes, and data, making backups in multiple locations, and publishing and archiving data in repositories to enable access and preservation. Data management is important for research reproducibility, sharing, and complying with funder requirements.
This document provides an overview of practical steps organizations can take to preserve digital information without a full digital archive program. It discusses preserving the bitstream by ensuring proper storage on multiple media types and locations with backups. It also covers preserving accessibility by addressing issues of software and format obsolescence through normalization to long-term preservation formats. Finally, it addresses preserving context by implementing recordkeeping practices like classification systems and metadata capture to maintain authenticity and integrity of records over time. The key recommendations are to survey digital holdings, conduct risk assessments, choose preservation formats, and work towards systems to manage records and their context.
Snapshots have been a key feature of primary storage infrastructures that IT professionals have relied on for years. But storage systems have traditionally been able to support only a limited number of active snapshots. And snapshots, being pointers and not actual data, are also susceptible to a primary storage system failure. As a result, most IT professionals use snapshots sparingly for protecting data. In this webinar Storage Switzerland and Nexenta show you how primary storage can be architected so that snapshots are able to meet almost all of the data protection requirements an organization has.
Data Management for Undergraduate Researchers (updated - 02/2016)Rebekah Cummings
This document summarizes a seminar on data management for undergraduate researchers. It discusses what data is, why it needs to be managed, and key aspects of effective data management including data organization, metadata, storage and archiving. Specific topics covered include creating data management plans, file naming conventions, structuring folders, describing data through codebooks and documentation, backup strategies, and long-term archival options. The goal is to help researchers organize and document their data so it can be understood and preserved over time.
Most organizations making an investment in NetApp Filers count on the system to store user data and host virtual machine datastores from an environment like VMware. In addition these organizations want their NetApp systems to do more and be the repository for the next wave of unstructured data; data generated by machines. NetApp systems are busting at the seams, so these organizations are trying to decide what to do next.
The Oxford Common File Layout: A common approach to digital preservationSimeon Warner
The Oxford Common File Layout (OCFL) specification began as a discussion at a Fedora/Samvera Camp held at Oxford University in September of 2017. Since then, it has grown into a focused community effort to define an open and application-independent approach to the long-term preservation of digital objects. Developed for structured, transparent, and predictable storage, it is designed to promote sustainable long-term access and management of content within digital repositories. This presentation will focus on the motivations and vision for the OCFL, explain key choices for the specification, and describe the status of implementation efforts.
Basic principles of backup policies by Andrea Mauro, Backup AcademyVeeam Software
In this new Backup Academy video our new professor Andrea Mauro (vExpert) explains in details:
- What is a backup policy
- Design a backup plan
- What defines a backup policy
- Where do backups go
- How will backups be performed
For more sessions and certification exam please visit http://www.backupacademy.com
Analytics with unified file and object Sandeep Patil
Presentation takes you through on way to achive in-place hadoop based analytics for your file and object data. Also give you example of storage integration with cloud congnitive services
Webinar: The Four Requirements of a Cloud-Era File SystemStorage Switzerland
File systems are the heart of most organizations. They’re how critical unstructured data assets are stored, organized, and shared. But with files exploding in size and quantity as well as the cloud offering potentially cheaper and more scalable storage than traditional NAS, a new set of requirements is needed. Is your file system ready?
This document discusses disk deduplication, a new feature in Windows 8. Disk deduplication saves storage space by ensuring only one copy of identical data blocks are stored, even if they appear in multiple files. It works post-process in the background to deduplicate files. Reported savings can be 30-50% for documents, 70-80% for application libraries, and up to 95% for virtual hard disk libraries. Performance impacts are minimal at around 3% slower read speeds when data is not cached.
HKU Data Curation MLIM7350 Student Project: Data Curation Workshopl_ernest
HKU Data Curation course MLIM7350 student final project - a 30 minute data curation workshop for researchers. Topics covered concept of data curation, tools for data management and data repository options.
Join our guest, Vale Inco, worldwide leading producer of nickel, and Scalar for an informative session providing you insight on how to:
•Automate data management tasks to free up IT resources and eliminate downtime
•Get better utilization out of your storage resources
•Utilize storage policies to better manage and optimize use of storage devices
•Easily add and manage storage policies for all devices from a single management console
•Reduce overall storage costs by 50 to 80%
•Cut migration times by up to 90% with zero impact to users during migration
•Reduce backup times and costs by up to 90%
Data management for Quantitative Biology -Basics and challenges in biomedical...QBiC_Tue
This lecture was presented on April 23, 2015 as the second lecture within the the series "Data management for Quantitative Biology" at the University of Tübingen in Germany.
This document summarizes Brad Houston's presentation on building a simple electronic records workflow. It discusses the benefits of electronic records like improved access and context, but also challenges like volume and preservation. It proposes using a "mechanic metaphor" where individuals have enough knowledge to manage electronic records issues. The presentation outlines using free and open source tools to accession, arrange, describe, and preserve a collection of records from a university chancellor's office. It emphasizes the ongoing nature of digital preservation and provides resources for further information.
Hadoop is an open-source framework for distributed processing and storage of large datasets across clusters of computers. It addresses problems like large data files that do not fit into a single computer's storage or memory (terabytes or petabytes in size) and the need for parallel data access when working with big data. Hadoop uses HDFS for data storage and MapReduce as a programming model to process data in parallel on a distributed system. It allows scaling to thousands of commodity servers storing exabytes of data and processing petabytes of data per hour.
Similar to Digitization Basics for Archives and Special Collections – Part 2: Store and Share (20)
1:1 Community Interview Examples & Tips for LibrariesWiLS
Presented at WLA 2021 Annual Conference, November 19th, by Laura Damon-Moore, WiLS; Martín Alvarado, Madison Public Library; Jon Mark Bolthouse, Fond du Lac Public Library
In this session, attendees will hear about three different case studies for using 1:1 interviews as an information gathering method in a library or other municipal setting: 1) to learn how people currently use a city service and how that service might evolve to better suit community needs; 2) to learn about the wider community’s and individuals’ goals and aspirations, and challenges they see or experience in order to inform a library’s planning process; 3) to tell a more complete story of a community’s history through 1:1 interviews. Along with these case studies, session organizers will offer some best practices and practical tips for conducting 1:1 interviews to support these similar yet distinct information gathering efforts.
Presented for WLA 2021 Annual Conference, November 17th, by Melissa McLimans, WiLS and Kim Kiesewetter, WiLS
Surveys, focus groups, your annual report data: it’s all telling you a story about your library and your community. Join Melissa and Kim as they share ways in which libraries can use data to tell the story of both their communities and institutions. It will include an overview of different types of data that a library might use ranging from existing resources to inspiration for new research. To tie everything together, the session will conclude with ways to present selected data in a compelling, narrative format to tell a larger story to a variety of audiences.
he Past Through Tomorrow: Empowering Digital History at the LibraryWiLS
This document summarizes presentations from three organizations on empowering digital history projects. Kristen Whitson, Steven Rice and Beth Renstrom discussed Recollection Wisconsin's efforts to support local historical societies through a Digital Readiness Community of Practice. They provided examples of projects including the Door County Speaks oral history kit and efforts to capture agricultural demonstrations on video. The presentations emphasized starting projects even if not perfect, seeking partnerships and funding, and allowing room for unexpected outcomes.
Can Do! The WiLS Toolbox for Building a Culture of Shared WorkWiLS
At the 2021 WLA Support Staff and Circulation Services (SSCS) conference, held on May 27th, our WiLS Administrative Team presented, Can do!: The WiLS Toolbox for Building a Culture of Shared Work. Lisa Marten, Rebecca Rosenstiel, and Melody Clark shared their favorite tools and strategies for streamlining work in a way that honors individual accountability and contributions, ensures everyone supports one another, aims to continuously improve, and builds a strong culture of teamwork. These practices have helped everyone stay engaged and know what’s expected of them and their fellow team members - and most importantly, it creates an atmosphere of fun and cooperation in our remote office. Our entire WiLS staff and our members reap the benefits of this high-functioning team! Check out their presentation slides and feel free to contact us at information@wils.org if you have any questions.
This annual report summarizes WiLS' activities and accomplishments in 2020, a challenging year due to the COVID-19 pandemic. It discusses how WiLS supported members by transitioning services online, launching new digital resources, and awarding grants to promote innovative projects. It also outlines WiLS' strategic priorities for 2021, which include improving the member experience, highlighting its role as a connector, showcasing responsive services, and operationalizing its values around equity and inclusion.
Setting Your Library's Course with Community DemographicsWiLS
Demographic data provides valuable insights about a community’s past, current, and future needs and can help libraries make critical decisions related to resource allocation, service provision, and even library staffing. This presentation covers what demographics are, how you can find them about your community, and how you can use the information to make data informed decisions for your library.
Presented by Kim Kiesewetter and Melissa McLimans for the Wisconsin Library Association's 1-Day Virtual Conference on November 11, 2020.
Lead the Way 2020: Facilitation Tools, Techniques, and Tips WiLS
Placing the community at the center of how the library plans and operates is vital, whether it is engaging residents to learn about aspirations or developing a collaboration with community partners. To be most successful when engaging community members or partners, quality facilitation is required. In this program, we share facilitator techniques and tools, including best practices for running effective meetings and holding conversations, that you can use to constructively manage both the process and people in different facilitation situations. In addition, we share our on-the-ground facilitator tips developed from our organization’s experience providing facilitation for different needs and environments.
Presented by Andi Coffin and Melissa McLimans for UW-Madison's Lead the Way conference on November 17, 2020
This document summarizes the key points from a WiLS membership meeting:
1) The meeting included discussions on past conferences like the Games in Libraries Conference and OER Create Fest, as well as upcoming events and funding opportunities from the Ideas to Action Fund.
2) Members provided feedback on what they want to accomplish in the upcoming year and potential changes to WiLS's business model, like contracting and learning opportunities.
3) Upcoming cooperative purchasing promotions and digital projects funded by IMLS grants were highlighted, as well as an upcoming Taco Tuesday potluck focused on usage data.
Mukurtu Hubs & Spokes: A Sustainable Platform for Community Digital ArchivingWiLS
Mukurtu is a grassroots project that aims to empower indigenous communities to manage, share, and exchange their digital cultural heritage in culturally respectful ways. The project goals are to establish regional hubs to provide training and support for communities using the Mukurtu content management system, engage with tribal organizations, foster collaborations between communities and institutions, and expand the system's features. The mission is to maintain an open, community-driven approach to the platform's development and help build a system that fosters relationships of respect and trust.
Presented by Maria Dahman, User Experience Researcher, University of Wisconsin-Madison for WiLSWorld 2019 on July 24th in Madison, Wisconsin.
You’ve gathered website analytics, run surveys, and observed how people use your website and other digital resources– now what? Impressive user research doesn’t matter much if the research isn’t used. More than just communicating what we learned in our research, communicating what we recommend for website or application improvements and framing the recommendations to our audiences in meaningful ways is a skill of its own. In this workshop, we’ll look at findings from several types of research projects and work through positive and negative examples of how the findings are used to create recommendations. This is useful for both qualitative user experience research (interviews, usability testing) and quantitative research (page analytics, usability scales). Be a better advocate for your users. Make the hard work from your interviews and other user research count!
Presented by Vicki Tobias, Program Coordinator, Curating Community Digital Collection & Recollection Wisconsin for DPLAFest 2019 on Wednesday, April 17 in Chicago, IL.
Curating Community Digital Collections (CCDC), a two-year, IMLS grant-funded program managed by WiLS and Recollection Wisconsin, a DPLA Service Hub for Wisconsin cultural heritage organizations. Launched in December 2017, CCDC aims to 1) provide digital stewardship practicum experience for information school graduate students; 2) to help small or under-resourced institutions in Wisconsin develop and sustain a digital preservation program; and 3) to build community around digital preservation work within Wisconsin and beyond.
Building Belonging: Libraries and Social JusticeWiLS
This document discusses advancing social justice and equity in public libraries. It begins by framing the importance of social justice principles like belonging, opportunity, and abundance. It then outlines Madison's racial equity initiative and provides examples of libraries advancing equity through initiatives like empathy programs, embedded librarians, and read woke collections that promote representation and understanding across communities. The document advocates for universal design of services, active listening to marginalized groups, and collaboration over services to build relationships and advance equity.
This document discusses the importance of challenging the status quo and creating positive change in libraries. It argues that librarians should take ownership of problems, find like-minded colleagues, think creatively about solutions, and enact change without permission. Specific issues that need attention include the culture of librarian education, ongoing funding struggles, negotiating digital content costs, addressing climate change and attacks on democracy. The overall message is that librarians have a duty to improve libraries and pass them on in better condition than they found them.
Choosing Privacy: Raising Awareness and Engaging Patrons in Privacy IssuesWiLS
The document discusses the history and work of the American Library Association's (ALA) Privacy Subcommittee. It outlines the subcommittee's founding in the 1990s to coordinate Choose Privacy Week and its current 6 members. It then lists privacy resources the subcommittee has produced, including toolkits, interpretations of the Library Bill of Rights, and Q&As. The document also references Article VII of the Library Bill of Rights on privacy and confidentiality. It provides links to updated privacy toolkits, the Choose Privacy Every Day site, and cybersecurity training. It describes future field guides being developed and ways for librarians to get involved, such as events and testing field manuals.
The Library as Publisher: How Pressbooks Supports Knowledge SharingWiLS
Presented by Steel Wagstaff, Educational Client Manager, Pressbooks for WiLSWorld 2019 on July 23rd in Madison, Wisconsin.
Pressbooks is an open-source book publishing platform that makes it easy for authors to publish books on the web and produce clean, well-formatted exports in multiple formats, including ebooks, print-ready PDFs, and various XML flavors. In this presentation, Pressbooks’ educational client manager Steel Wagstaff will outline the values and principles that have motivated the development of this platform and share some of the ways that libraries (both academic and public) and other educational institutions are using Pressbooks to publish a wide variety of content, from openly licensed textbooks to self-authored novels and just about everything in between.
WiLSWorld 2019 Lightning Talks: Community Engagement ShowcaseWiLS
Presented by Jennifer Bernetzke, Schreiner Memorial Library;
Kristen Leffelman, Wisconsin Historical Society; Kristen Maples, UW-Madison iSchool; Tessa Michaelson Schmidt, Wisconsin Department of Public Instruction; Jane Roisum, Fox Valley Technical College; Tasha Saecker, Appleton Public Library; Kristen Whitson, UW-Madison iSchool for WiLSWorld 2019 on July 23rd in Madison, Wisconsin.
Wisconsin libraries are “turning outward” in all kinds of creative ways to cultivate positive change in their communities. Hear about a wide range of community engagement projects, including successes, challenges, and lessons learned.
Engaged and Thriving: Building Peer Support Systems for StaffWiLS
Delivered by Kim Boldt, Branch Manager, Milwaukee Public Library; Melody Clark, Community Liaison and Service Specialist, WiLS; Andi Coffin, Community Liaison and Service Specialist, WiLS; Nathan Dowd, Library Director, Edgewood College for WiLSWorld 2019 on July 23rd in Madison, Wisconsin.
According to a Gallup study, employees who are “engaged and thriving” are 59 percent less likely to look for a job with a different organization in the next 12 months. How do people stay “engaged and thriving?” One key component is feeling supported. The structure in organizations to support employees is more than just chance, and thoughtfully developing a structure for peers to support one another can be a valuable component in developing employee well-being.. In this program, presenters will share deliberately developed approaches to peer support in their institution.
Productivity Tools You Won't Believe You Lived Without!WiLS
Presented by Melody Clark, WiLS and Sara Gold, WiLS for Peer Council 2019 on June 3rd at Madison Public Library in Madison, WI
If you are like us, you are always on the lookout for technology that will help improve your productivity, make better use of your time, eliminate duplicate efforts, and simplify processes. As a virtual organization, WiLS relies heavily on tools to help manage tasks and groups, improve communication, and streamline workflows. This session will share information about tools WiLS uses in everyday life for project management (like Basecamp and something we call "Megasheets"), communication (like Slack and Front), and data management (like Airtable). Feel free to bring your own favorite tools that help you in your work to share with attendees!
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
2. SD
JH
CP
UW Digital Collections Center
Steven Dast
Digital Asset Librarian
Jesse Henderson
Digital Services Librarian
Cat Phan
Digital Services Librarian
5. “. . . including practical
steps you can take to
preserve your digital
content with limited
resources.”
6. Characteristics of digital information
Strengths
● Easy to make and transmit
perfect copies
● Machine readable content and
metadata facilitates automation
● Storage relatively inexpensive
and becoming more so
Challenges
● Fragile, easily malleable
● Storage media not durable
● High density of storage
● Requires technology to render
into human readable form
o Obsolescence
o Early signs of loss may not
be apparent
o Loss generally extensive
7. Two primary stages in digital lifecycle
Creation stage
● Intense, focused
action
● Maximize value of
digital material
● Risk of errors
Preservation stage
● Long-term,
sporadic action
● Minimize cost of
maintenance
● Risk of failures
8. Strategies for digital preservation
Take advantage of our strengths:
● Make lots of copies in different places
● Automate file handling and management
Take steps to minimize challenges...
9. Strategies for both phases
Use broadly supported standard file format that
store uncompressed data:
TIFF for images
WAV for audio
● mitigates obsolescence, data fragility
● facilitates future bulk processing
10. Strategies for both phases
Work as consistently as possible; keep good
records; document special cases
● Reduce cost of future preservation actions
11. Strategies for both phases
Use file naming system that is simple and
consistent, but flexible.
Remember: whatever system you choose is
(almost) entirely for your convenience—to the
computer they’re all just strings of characters.
Nevertheless, tool requirements (if and when
they exist) override any other factors.
12. Strategies — File naming
Avoid spaces and special characters (/ : * ? “)
Use letters and numbers, underscore ( _ ),
hyphen( - ).
Dot ( . ) is okay, but has a special function
For broadest compatibility, use 8.3 convention
Don’t use capitalization for meaningful
differences
13. Strategies — File naming
Effects and side effects of file names
● Identity
● Order / sequencing (0122.tif 0123.tif 0124.tif)
● Collocation / grouping
(ncb01.tif ncb02.tif ncb03.tif mca01.tif mca02.tif)
14. Strategies — File naming
Using meaningful file names can
● Facilitate error detection and recovery
o missing or misplaced files
● Aid ‘manual’ handling and checking of files
o Name order = natural order
o Name reflects content of file in some way
● Increase maintenance and correction costs
o Insertion or deletion of files in a sequence
15. Strategies — File naming
Also use directories to help organize files
● Same naming conventions apply (avoid . )
● Same naming benefits and cautions
● Nesting directories allows for richer
hierarchical relationships, but may foil some
automation options
● Limit to 500-1000 files when feasible
16. Strategies — File naming
UWDCC naming system for books:
One directory per volume, with flexible four-digit
sequential filenames. Directories may be
grouped for multi-volume monographs, by
series, by project, or several of the above
UWMad/Yearbooks/Yrbk1972/0001.tif
17. Strategies — File naming
UWDCC naming system for photographs:
Short alpha pre-fix with a flexible serial number,
ad hoc system of separation into directories,
usually based on serial number
UWArchives/uwar02/uwar02345.tif
18. Strategies — File naming
Bottom line:
If you have technical requirements for file
names, follow them.
Beyond that, choose a system that maximizes
human utility, keeping in mind the balance
between encoded meaning and requirements
for maintenance
19. Strategies for creation phase
Create high-quality digital surrogates sufficient
to meet current and anticipated needs
● Encourages future investment in the material
20. Strategies for creation phase
Create backups of current work and maintain
fall-back positions in case corrections are
needed
● Reduces cost of errors
● Mitigates fragility and malleability of data
21. Strategies for creation phase
Check your work at major transitions, not just
for quality issues, but also for completeness
and accuracy
● Increases value of the collection
● Facilitates future processing
22. Strategies for preservation phase
Choose storage media that best match your
resources and requirements.
● Make multiple copies so that you can react to failure
● If possible, mitigate technological risk by storing files on
different types of media
● Mitigate risk of physical disasters by storing media in
multiple locations
23. Strategies — Storage media
Technology Size Stability Cost
Flash storage 4 – 256 GB 5-20 years or less $0.50/GB
Hard drive
(magnetic disk)
1 TB – ? 25-30 years, prone to
mechanical failure
$0.05/GB +++
Magnetic tape 400 GB – 2.5 TB 25-30 years $0.01–0.50/GB
CD-R 630–700 MB 100–200 years for high-
quality media (MAM-A)
$2.50/disc =
$3.50/GB
DVD-R/+R 4.7 GB 100–200 years (?) for
high-quality media
$2.50–4.00/disc
= $0.50-0.85/GB
The Cloud 1 – 30 TB ? $0.002–0.10/GB
monthly!
24. Strategies — Storage media
Over its history, UWDCC has used
● JAZ disks
● Duplicate CD-R
● Duplicate data tapes
● Hard drives with duplicate data tapes
We currently have ~18 TB of archived data
25. Strategies — Storage media
Recommended options for getting started
● CD-R or DVD-R/+R
o Use the good stuff: MAM-A Gold Archive media
o Always make duplicates
o Consider supplementing with cloud storage
● Graduate to hard drives
o Active RAID-enabled disks much safer than stand-
alone hardware sitting on a shelf
● Add tape when technology staff can support
26. Strategies — Storage media
Avoid
● Flash drives — too unstable
● Reliance on the Cloud as your only archive
27. Strategies for preservation phase
Anytime you move data to a new medium or a
new physical device, verify!
(Now that you’re no longer actively working with
the files, it’s easy for a bad transfer to go
unnoticed.)
If the new media/device can be write-protected,
do so.
28. Strategies for preservation phase
Create checksums for each file that you archive
● Use now to verify files on transfer
● Use later to detect data degradation
● Also useful to determine whether files are
actually the same or not
29. Strategies for preservation phase
Keep track (metadata!) of where your files are
archived
● Material that can’t be located has not been
preserved
● Will help to prioritize future preservation
actions
30. UWDCC workflow
1. Metadata first: checklist for subsequent work
2-5. Working files organized under three
directories: original, inprocess, final
Initial scan to ‘original’ - never edited
Copy to ‘inprocess’ - cleaned up for access
Finished version to ‘final’ - metadata check
6. Distribution files created from ‘final’ masters
31. UWDCC workflow
7. ‘Click-through’ all images in test mode
7a. Once all is correct: public release!
8a. Recheck files against metadata
8b. Create checksums for local files
8c. Transfer files to archival media
8d. Verify checksums for transferred files
9. Now safe to delete working copies
32. UWDCC Tools
● Microsoft Excel or FileMaker Pro for metadata entry
(sometimes Access)
● Variety of scanners chosen to maximize flexibility
● Manufacturer’s software / VueScan
● GoldenThread (ISA) for evaluating scanner quality
● Adobe Photoshop for image editing
● AppleScript for custom automation of various workflow
tasks
● Built-in Unix functions for checksums, file-handling
45. Summary
Both Phases Creation Phase Preservation Phase
★ Use broadly supported
standard file formats
(tiff, wav)
★ Develop consistent
workflow, document
special cases
★ File naming - follow
technical rules; design it
for humans
○ Balance between
using filename for
meaning and
keeping it easy to
maintain
★ Start with high-quality
scans of source
documents
★ Make backups of
current work, maintain
fall-back positions
★ Check work at major
transitions
★ Storage media
○ Start: CD-R or DVD-
R/+R, maybe
supplement with Cloud
○ Step up: hard drives
○ Add tape if can support
(Avoid flash drives and Cloud
as sole archive)
★ Verify anytime you move
things
★ Write-protect if you can
★ Create checksums
★ Metadata:
Know what you have, where it
is, and what you can do with it
46. Selected references and reading
General DP
http://digitalpowrr.niu.edu/wp-content/uploads/2014/05/Overwhelmed-to-
action.rinehart_prudhomme_huot_2014.pdf
http://commons.lib.niu.edu/handle/10843/13610
http://files.eric.ed.gov/fulltext/ED426715.pdf
https://en.wikipedia.org/wiki/Digital_preservation
Filenaming
http://www.jiscdigitalmedia.ac.uk/guide/choosing-a-file-name
Storage media
http://www.nps.gov/museum/publications/conserveogram/22-05.pdf
49. UWDC & Digital as Preservation
The UWDCC recently launched a pilot project in collaboration with our Preservation Department
to develop standards and guidelines for utilizing digitization as a preservation medium at UW-Madison.
This presentation focuses primarily on workflow
and only on changes we can and have
implemented in our current environment for
preservation-level projects.
Detail from page 2 of ‘The modern priscilla’ Vol. XXXVI,
No. V (July, 1922). The Dovie Horvitz Collection.
50. UWDC & Digital as Preservation
Type Hardware Software
High Speed scanning Panasonic KV-S3065C High
Speed Color Scanner
Reliable Throughput
Image Viewer (RTIV)
Flatbed scanning Epson Expression 10000XL
(includes one with Epson A3
Transparency adapter)
Epson Expression 11000XL
Epson Scan Utility
Overhead Reprographic
scanning
BetterLight Super 6K-HS Digital
Scanning Back
ViewFinder camera
control software
Slide scanning Nikon Super COOLSCAN 5000
ED film scanner
VueScan scanner
software
Digital photography
Equipment
51. UWDC & Digital as Preservation
The basics:
● What is Preservation? - Extending the useful life of our stuff.
● Why do we do it? Protect, Represent, Transcend.
Do something with those berries before they spoil! Pickle something! In essence,
preservation is extending the useful life of our stuff.
Don’t let those veggies just turn into compost. Protect! Secure the value and usefulness of
our resources.
Taste the summer sunshine in your veggies when you eat them out of season.
Represent! We want our digital formats to be an authentic representation of the original.
Pickles and jam exist only when cucumbers and berries are transformed into something
new Transcend! Preserve originals to take advantage of and/or discover new uses.
52. UWDC & Digital as Preservation
Prep:
1. Identify
What do we have that needs preserving? Where did it come from?
2. Evaluate & Assess
Make sure our equipment and ingredients are up to the preservation process. Figure out how much we can handle at one time.
3. Select
Condition: Does one thing spoil faster than another? High use: Which items circulate the most? Scarcity: What are others not
preserving?
4. Review your recipe
Consult the cookbooks (in our case FADGI) and make sure you’ve read through your
recipe. Have everything you need before you start.
Steps 1 & 3 handled by our Preservation Department.
Steps 2 & 4 done by UWDCC.
53. UWDC & Digital as Preservation
What did this look like at UWDC?
● Researched current literature - focus on FADGI.
● Established baseline, optimum performance data for hardware -
GoldenThread
54. UWDC & Digital as Preservation
FADGI = whoa…Lots to digest! Our takeaways:
Evaluate and Assess our digitization environment & tweak our recipe
● Quantifying Scanner Performance
● Targets and software to use for this: GoldenThread
● Color Management
Appendix A: Digitizing for Preservation Reformatting of
Photographs
Compare characteristics of preservation vs.
production master files.
55. UWDC & Digital as Preservation
Using GoldenThread
● Flatbeds and Epson Scan software - customizing the color balance
settings per scanner
● BetterLights and ViewFinder software - custom tone curves per set-up,
per scanner
56. UWDC & Digital as Preservation
Using targets and software to determine
performance
3s: +/- 6 aim points
4s: +/- 3 aim points
57. UWDC & Digital as Preservation
Established baseline, optimum performance.
Establish maintenance schedule.
58. UWDC & Digital as Preservation
Monthly: Check BetterLight and Flatbed performance against baseline
performance with Golden Thread
Quarterly: Calibrate monitors on reformatting supervisors’ computers
Zig-Align BetterLights (or more frequently if needed)
Biannually: Calibrate scanning station monitors
Calibrate and characterize BetterLights
(create new baseline tone curves in the software)
Calibrate and characterize Flatbeds
(update histogram settings)
59. UWDC & Digital as Preservation
Access recipe:
● 300 dpi
● 24-bit color or (grayscale on our high speed scanner)
● Flatbed, BetterLight or high speed scanner
● Custom tone curves on BL software per set-up
● Custom histograms on Flatbeds
● Cropping borders based on project
● “Cooked” masters archived
Original object itself is the preservation master (you intend to hold onto it) and digital
surrogates are for access.
60. UWDC & Digital as Preservation
Preservation recipe:
● 400 dpi
● 24-bit color
● BetterLight only (for now)
● Custom tone curves per project/issue
● Object target captured per page/scan
● Device target per project/issue/day
● Always crop outside the pages
● “Raw” and “Cooked” masters archived
Digital version expected to be the preservation master in the absence of the original object,
therefore highest possible fidelity is desired.
Editor's Notes
Catch us online: uwdc.library.wisc.edu
Discussion: what do you mean by digital preservation? what are you hoping to learn? are you already engaged in digital preservation but trying to do it better? or just need to get started?
UWDCC actually thinks about digital preservation in two ways:
1) preservation of digital materials
2) preservation of analog materials by digital means
Photo credit: Indecision_SiaronJames, https://flic.kr/p/r4AkuU (CC BY-NC 2.0)
Today we’ll talk basics, practical steps
Descriptive metadata - make sure you have some. See notes from metadata session!
Not talking PREMIS or preservation metadata standards today but just some basic administrative metadata to aid in preservation efforts. Boils down to this, can you answer 3 questions:
1. What do you have
2. Where is it, and
3. What can you do with it? (What can your users do with it?)
Here are some of basic ways UWDCC is handling this.
Photo credit: twitpic (http://twitpic.com/6ry6ar) by @kissane of a slide by Jason Scott (https://twitter.com/textfiles/status/119403173436850176) of textfiles.com: “Metadata, you see, is really a love note – it might be to yourself, but in fact it’s a love note to the person after you, or the machine after you, where you’ve saved someone that amount of time to find something by telling them what this thing is.” (http://ascii.textfiles.com/archives/3181)
UWDCC is project based so most of our documentation is at the project level.
We created a database.
Our projects can be broken down into phases. Here’s one of our phase records.
If we zoom in on production items tab of phase record.
For this phase of this project, we know we have 846 images.
Then zoom in on media tracking tab.
We know where the images are locally
We’ve identified the file with the descriptive metadata for these images
We know these have been archived and know where that archive location is.
So all these bits of data help us answer what do we have and where is it.
To answer what can we do with it, we have to look at rights documentation.
We are retroactively cleaning up a lot of our copyright data now.
To do this we developed a copyright assessment form that will be filled out for at least each project
which will document justification of our rights to digitize and provide access to the content.
For example, if we zoom in on this particular project
We know that we came to the conclusion that all of these materials are public domain because they were published in the US before 1923.
This form helps us determine what we can do with our content and what our users can do.
The way you actually answer these 3 questions will be based on your resources, your needs, your business rules.
Q&A
Bonus slides! How UWDCC is handling preservation of analog materials via digital means.
Our equipment list
Researched current literature with focus on Federal Agencies Digitization Guidelines Initiative, which helped us determine the recipe we could execute. [Technical Guidelines for Digitizing Cultural Heritage Materials]
Established baseline, optimum performance data for each scanner using the Golden Thread image analysis system.
FADGI takeaways:
Digitization Environment - how we’re doing
Quantifying Scanner/Digital Camera Performance
Targets: Device-level and Object-level
The following topics are addressed in this document:
Digital image capture for still images – creation of master files, image parameters, digitization environment, color management, etc.
Color encoding accuracy – color space, color temperature for imaging and viewing, quality of linear vs. area arrays, and quality of different interpolation algorithms
Digital Image Performance – development of operational metrics and criteria for evaluating digital image characteristics for purposes of investigation or for quality control purposes, including metrics and criteria for resolution, noise, color encoding, misregistration, etc. of multi-bit images
Example workflow processes – includes guidelines for image processing, sharpening, etc.
Minimum metadata – we have included a discussion of metadata to ensure a minimum complement is
collected/created so master image files are renderable, findable, and useable
File formats – recommended formats, encodings of master files, etc.
Approaches to file naming
Basic storage recommendations
Quality management – quality assurance and quality control of images and metadata, image inspection, acceptance and rejection, and metrology (ensuring devices used to measure quality or performance are giving accurate and precise readings), among others.
We’re feeling pretty good about 3s, trying to close in on 4s.
Monthly we’re taking records, and if anything is measuring way off, we’d address it.
4x a year we want to calibrate the monitors of our reformatting supervisors and check the alignment on our overhead reprographic cameras
2x a year we calibrate the monitors on our scanning stations, calibrate all of our scanners, “characterize” each machine. For Flatbeds, adjust the customized histogram and for BLs it’s adjusting and testing customized tone curves established for each set-up.
Original object itself is the preservation master (you intend to hold onto it) and digital surrogates are for access.
Digital version expected to be the preservation master in the absence of the original object, therefore highest possible fidelity is desired.