Digipak
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The document summarizes the plans for a digipak for a girl band. It was originally designed with red colors but was changed to beige to better represent the feminine style of the group. The front cover will feature close-up shots of the girls in black and beige to contrast their tough and soft sides. The inside front will show the girls in an urban-style formation and the back will portray them in a different pose to display both aspects of their style. Track listings and band biographies are planned for the inner pages.
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Digi
The document discusses plans for a digipak design for a girl band. It was originally going to use a different design for advertising but that design was repurposed for the front cover instead. The colors were also changed from red to beige to better represent the feminine style of the girls. The front cover will have close-up photos of the three girls in black panels with bold red text. The inside front will show the girls in formation to represent their urban style. The back will also feature the girls in a different formation, in a medium-long shot to show their feminine side.
Dig1i
The document discusses the design plans for a digipak for a girl band. The original design was changed to better represent the girls. The front cover will feature close-up shots of the band members in black and beige to represent their tough and feminine sides. The inside front will show the girls in formation to depict their style. The back will also include a group shot in a different formation highlighting their feminine side. Track listings will be on the inside back with band biographies and the CD on following pages.
Digipakd
The document discusses plans for a digipak for a girl group. It was originally designed with red colors but was changed to beige to better represent the girls' femininity. The front cover features close-up shots of the girls in black panels against a black background. This contrasts the tough exterior with their softness. The inside front cover shows the girls in formation, representing their urban style through poses and background. The layout includes the front and back covers along with interior pages for a photo, tracks, biographies, and the CD.
Digipak Research
The document discusses how genre, attitude, and artists are expressed through digipack album artwork. It notes that digipacks typically feature conceptual front artwork and band pictures inside. The alternative genre is often conveyed through such conceptual designs that have deeper meanings than just looking good. Artists' attitudes towards topics like youth, society, and drugs may also be expressed. Each artist needs to be represented differently through the digipack for their work to be distinguishable.
Digipak analyse
A digipak is an alternative CD or DVD packaging to a standard jewel case. Digipaks commonly use a gatefold or book-style design made from paperboard or card to protect the disc inside. Positive aspects of digipaks include being eye-catching to promote sales, being more durable than jewel cases, and allowing for more creative artistic expression. However, digipaks can be more expensive and have declined as people download music online. The document analyzes examples of digipaks from different genres, noting how they use color, images, layout, and design elements to represent the artist and music style.
Digipak analysis - beyonce
The digipak for Beyonce's album contains photos that portray her as both a dominant female through powerful poses alongside more delicate, feminine images. This suggests she can adapt from a strong woman to a gentle lady and appeals to both male and female audiences. The packaging also uses dark colors and vintage record designs to represent Beyonce's broad appeal across generations while maintaining her R&B and feminine personality.
Digipak analysis beyonce
The digipak for Beyonce's album contains photos that portray her as both a dominant female through powerful poses alongside more delicate, feminine images. This suggests she can adapt from a strong woman to a gentle lady and appeals to both male and female audiences. The packaging also uses dark colors and vintage record designs to represent Beyonce's broad appeal across generations while maintaining her R&B and feminine personality.
The Wytches Digipak and Poster Deconstruction
The album cover features a psychedelic tin foil head design, which is typical of the indie music genre's ties to 1960s-1970s alternative and psychedelic "hippie" music. The simple design also allowed it to be produced inexpensively, important for indie bands working with small budgets. The interior of the digipak continues the abstract, psychedelic imagery and includes multiple instances of the tin foil head. While displaying the album name, the band's name is absent, suggesting they prioritize the music over their image. The poster depicts the three band members in a black-and-white photographed outdoor setting, following indie conventions of using a low-budget production in plain clothing to focus on the music.
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Digi
The document discusses plans for a digipak design for a girl band. It was originally going to use a different design for advertising but that design was repurposed for the front cover instead. The colors were also changed from red to beige to better represent the feminine style of the girls. The front cover will have close-up photos of the three girls in black panels with bold red text. The inside front will show the girls in formation to represent their urban style. The back will also feature the girls in a different formation, in a medium-long shot to show their feminine side.
Dig1i
The document discusses the design plans for a digipak for a girl band. The original design was changed to better represent the girls. The front cover will feature close-up shots of the band members in black and beige to represent their tough and feminine sides. The inside front will show the girls in formation to depict their style. The back will also include a group shot in a different formation highlighting their feminine side. Track listings will be on the inside back with band biographies and the CD on following pages.
Digipakd
The document discusses plans for a digipak for a girl group. It was originally designed with red colors but was changed to beige to better represent the girls' femininity. The front cover features close-up shots of the girls in black panels against a black background. This contrasts the tough exterior with their softness. The inside front cover shows the girls in formation, representing their urban style through poses and background. The layout includes the front and back covers along with interior pages for a photo, tracks, biographies, and the CD.
Digipak Research
The document discusses how genre, attitude, and artists are expressed through digipack album artwork. It notes that digipacks typically feature conceptual front artwork and band pictures inside. The alternative genre is often conveyed through such conceptual designs that have deeper meanings than just looking good. Artists' attitudes towards topics like youth, society, and drugs may also be expressed. Each artist needs to be represented differently through the digipack for their work to be distinguishable.
Digipak analyse
A digipak is an alternative CD or DVD packaging to a standard jewel case. Digipaks commonly use a gatefold or book-style design made from paperboard or card to protect the disc inside. Positive aspects of digipaks include being eye-catching to promote sales, being more durable than jewel cases, and allowing for more creative artistic expression. However, digipaks can be more expensive and have declined as people download music online. The document analyzes examples of digipaks from different genres, noting how they use color, images, layout, and design elements to represent the artist and music style.
Digipak analysis - beyonce
The digipak for Beyonce's album contains photos that portray her as both a dominant female through powerful poses alongside more delicate, feminine images. This suggests she can adapt from a strong woman to a gentle lady and appeals to both male and female audiences. The packaging also uses dark colors and vintage record designs to represent Beyonce's broad appeal across generations while maintaining her R&B and feminine personality.
Digipak analysis beyonce
The digipak for Beyonce's album contains photos that portray her as both a dominant female through powerful poses alongside more delicate, feminine images. This suggests she can adapt from a strong woman to a gentle lady and appeals to both male and female audiences. The packaging also uses dark colors and vintage record designs to represent Beyonce's broad appeal across generations while maintaining her R&B and feminine personality.
The Wytches Digipak and Poster Deconstruction
The album cover features a psychedelic tin foil head design, which is typical of the indie music genre's ties to 1960s-1970s alternative and psychedelic "hippie" music. The simple design also allowed it to be produced inexpensively, important for indie bands working with small budgets. The interior of the digipak continues the abstract, psychedelic imagery and includes multiple instances of the tin foil head. While displaying the album name, the band's name is absent, suggesting they prioritize the music over their image. The poster depicts the three band members in a black-and-white photographed outdoor setting, following indie conventions of using a low-budget production in plain clothing to focus on the music.
Pitch- Intial research/ideas
The document discusses plans for a music video to interpret Ed Sheeran's song "A Team". It will target viewers aged 14-22 and feature one main character portrayed in various locations like parks, streets, and bathrooms filmed using a cam recorder with black and white effects between early morning and evening in September. Different camera angles and shots will be used along with specific clothing and accessories to recreate the song's events.
Drenge Digipak and Poster Deconstruction
This document summarizes and analyzes the packaging of an indie rock album called "Undertow". It notes that the album cover does not include the band or album name, focusing instead on the mysterious image and music. Additionally, the front cover features an abandoned car in a dark forest. The back cover includes the necessary band and album information. Interior artwork continues the mysterious forest theme. Lyrics are included in the booklet, oriented around the music. A poster for a band gig also features a simple yet mysterious black and white image of a graveyard and car scrapyard, conforming to conventions of the indie genre.
Fidlar Digipak and Poster Deconstruction
This document analyzes the album cover and poster for the indie rock band FIDLAR. It notes that the album cover features the band's name in a punk style font, reflecting punk influences in their music. The simple black and white design with no images focuses on the music rather than the band's image, in line with indie conventions. Inside the digipak is a photo of a mixing board, representing their use of real instruments, and a sign, fitting with punk's rebellious attitude. The included poster has handwritten lyrics on one side and unposed band photos on the other, highlighting the DIY aesthetic and focus on music common to both indie and punk genres.
Ellie digi
The digipak uses close-up and mid-shot images to appeal to both male and female audiences. Close-ups showcase the singer's beauty to attract men, while mid-shots in open, natural settings portray her as genuine and passionate about music. Washed out pinks, whites and greens present the indie pop artist as naturally beautiful. Darker colors draw attention to her face on the front cover, aiming to make her attractive and appealing to viewers. Feminine, long-handed font gives the packaging an elegant, gentle feel, with white text clearly identifying the artist.
Dizzie Rascal Digipak Analysis (Boy In Da Corner)
Dizzie Rascal was one of the first well known grime artists who produced an album called "Boy in da Corner" at just 17 years old, winning the Mercury Prize Award. The album cover shows a smaller figure of Dizzie Rascal with spread arms, potentially representing how his music has affected his lifestyle. Throughout the album, Dizzie Rascal maintains consistency with color schemes and fonts to represent his identity and the simplistic nature of his music.
Final design powerpoint_fox
The document describes the designs created by the author to introduce second grade students to Salvador Dali and surrealism. It outlines four designs, changing elements in each like the images, text style, colors, and layout to make the designs more interesting and impactful at depicting Dali's surrealist style. The goal was to spark students' curiosity about Dali and surrealism.
My pitch
Ella Potton proposes an alternative/indie genre music video for her song "Gold" by Jaws. Her target audience is 16-24 year olds interested in the arts. The narrative music video would follow a character and have multiple scenes and locations. It would juxtapose real and fake elements and use lighting, shots, and editing to convey mood. Costumes and settings would be casual with suburban locations. The video would end with a sudden cut or fade to black. Ancillary ideas include edited photos, digital art mixed with photography, a digipak, and a magazine ad that breaks conventions.
My Music Video Plan
This music video plan summarizes the key details for a video to Beyonce's song "Disappear":
1) The song tells the narrative of two young couples dealing with relationship obstacles due to distance or work obligations.
2) The plan focuses on creative editing and storytelling to portray the emotional lyrics and themes of the song.
3) Main characters Rusne and Louisa will be portrayed as 17-year-old adults experiencing relatable relationship challenges through locations like a town, park, or house.
music video deconstruction
The video for Nina Nesbitt's song "The Hardest Part" is a simple, unconventional indie music video that focuses on conveying the artist's emotions. It opens with a close-up shot of Nesbitt looking away from the camera while deep in thought. She is then seen playing guitar to illustrate her passion for making her own music. The black and white footage and lack of locations contribute to the video's straightforward, low-key style.
Logo and quote
Riley Haub-McElreath designed a logo and poster to represent their interests in skiing, mountains, and jazz music. Their logo features gray and blue colors which are neutral and represent tranquility, and the mountain shape depicts their enjoyment of skiing. Their poster includes a Charles Mingus quote about simplicity in music and life, with the red font standing out against a black and white background.
Digipak pres
The document provides an analysis of different album digipaks, including those by Kanye West, Rihanna, Florence and the Machine, Gorillaz, and Take That. Some key points summarized:
- Kanye West's Graduation digipak uses cartoon images that tell a story throughout, with the bear image printed on the CD. West is not pictured, showing his music is prioritized over his image.
- Rihanna's Talk That Talk digipak has a newspaper theme in black and white, with Rihanna pictured on almost every page, showing her look is important for selling the album.
- Florence and the Machine's digipak consistently features images of her, showing
Diversifying Bicycle and Pedestrian Planning
This presentation was given by Tiffany Robinson, The RBA Group, at the 2010 APA-NJ Planning Conference on November 5, 2010. It is the overview for the conference session titled "Dipping Your Bicycle Wheel into the Melting Pot." The session was one of a series of sessions put together by the APA-NJ's Ethnic and Cultural Diversity Committee (ECDC) in an effort to highlight the need for more diversity in the field of Planning.
Digipak Inspiration and Ideas
This document discusses the design elements of a digipak album cover. It notes that the cover features a minimal black, white, and red color scheme that stands out while maintaining a clean style. Most of the cover is taken up by bold imagery that focuses on conveying the band's style rather than showing the band itself. The design fits genre conventions to appeal to fans while also emphasizing the band's individual style. Overall, the document analyzes how the cover's use of contrasting colors, bold imagery, and emphasis on the band's style effectively convey the album's themes and appeal to the target audience.
Digipak ideas
The document discusses plans for designing a digipak for a single song rather than an entire album. It will use binary opposition between lighter colors representing the protagonist Alicia and darker colors representing antagonists Sophie and James. Functionally, the digipak will have only two folds to hold one CD. Photos will be taken during filming to feature on the inside cover and promote the narrative of the song.
Inspirational texts
The document summarizes and compares the visual styles across albums, websites, and music videos by Ariana Grande, Shawn Mendes, and Dua Lipa. For each artist, the color schemes, fonts, and graphics are consistent across their album artwork, websites, and music videos. Location and costume changes are also described for some of the music videos. Overall, the document shows how each artist maintains a cohesive and linked visual identity across different media.
Analysis of album advertisements pp
This document analyzes advertisements for three album releases:
1) Kings of Leon's "Only by the Night" conveys darkness through dull colors and images that emphasize the band members' scruffy and edgy appearance.
2) Nelly's "Nellyville" shows his stylish and athletic persona through his close-up stare and plain black outfit that hints at his strong personality.
3) Green Day's "21st Century Breakdown" captures young audiences with bright colors, a warm grungy vibe from an image of a young couple, and edgy graffiti-style font design that builds excitement for the long-awaited album.
Acillary prod research 2
The document discusses using Drake's album cover as inspiration for a music video cover. It notes that Drake faces away from the camera, creating mystery and intrigue. While Drake uses a dark color scheme fitting for R&B, the document proposes using varied colors that juxtapose the song's theme. Costume-wise, Drake wears a hoodie representing typical R&B street style, which the cover also aims to feature.
Ancillary prod research
The document discusses design elements of Nicki Minaj's "Starships" album cover that the author wants to emulate for their own artist's album cover. These include having few characters beyond the artist and album name to avoid overload; a simplistic, monochromatic background with a mid-shot of the artist as the focus; and a bold, simple font for the artist's name that allows for immediate recognition.
Inspirational texts
The three Ariana Grande products share a similar black and white color scheme and bold "Dangerous Women" font. The album artwork, website, and "Into You" music video all tie together the theme of power and danger through these visual elements.
The Shawn Mendes products use green and blue colors and a simple, subtle font to hint at themes of loneliness and vulnerability. These colors and fonts connect the Illuminate album, website, and "Treat You Better" music video.
Dua Lipa's bright colors, simple title font, and unusual graphics and designs link her self-titled album, website/social media, and "Be The One" music video under a cohesive
Pitch
The music video tells a love story from childhood to adulthood, depicting the woman's mental health issues. Near the end, it shows scenes of suicide to illustrate the song's title. The genre is a mixture of indie rock and folk, appealing to younger and older audiences. The setting is a forest and house, with low lighting to represent typical indie aesthetics. The artist appears throughout, singing about his own experiences to create a personal connection for the audience.
Technologies evaluation question
The document discusses how various media technologies were used at different stages of a project. During research, internet services like Google and Unsigned.com were used to find music and contact artists. YouTube, blogs, and social media helped with additional research. Planning utilized PowerPoint, Word, Facebook, and Slideshare to create presentations and share information. A camera, mobile phones, and iMovie were used to film screen tests and footage for the construction stage. Kizoa helped turn snapshots into a slideshow to document creating a digipak.
Music video analysis 5
TLC was an American girl group known for R&B, hip hop, soul, funk and new jack swing music that appealed to teens and young adults. Their "Waterfalls" music video tells a narrative about societal pressures on women's appearances. It features the band members sitting as they sing, contradicting conventions of R&B girl bands that emphasized dance routines. The upbeat music and nature imagery in the video relate to the song's theme of finding inner rather than outer beauty. The video aims to empower teenagers dealing with insecurity by illustrating the song's lyrics about not feeling "unpretty" or insecure.
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Pitch- Intial research/ideas
The document discusses plans for a music video to interpret Ed Sheeran's song "A Team". It will target viewers aged 14-22 and feature one main character portrayed in various locations like parks, streets, and bathrooms filmed using a cam recorder with black and white effects between early morning and evening in September. Different camera angles and shots will be used along with specific clothing and accessories to recreate the song's events.
Drenge Digipak and Poster Deconstruction
This document summarizes and analyzes the packaging of an indie rock album called "Undertow". It notes that the album cover does not include the band or album name, focusing instead on the mysterious image and music. Additionally, the front cover features an abandoned car in a dark forest. The back cover includes the necessary band and album information. Interior artwork continues the mysterious forest theme. Lyrics are included in the booklet, oriented around the music. A poster for a band gig also features a simple yet mysterious black and white image of a graveyard and car scrapyard, conforming to conventions of the indie genre.
Fidlar Digipak and Poster Deconstruction
This document analyzes the album cover and poster for the indie rock band FIDLAR. It notes that the album cover features the band's name in a punk style font, reflecting punk influences in their music. The simple black and white design with no images focuses on the music rather than the band's image, in line with indie conventions. Inside the digipak is a photo of a mixing board, representing their use of real instruments, and a sign, fitting with punk's rebellious attitude. The included poster has handwritten lyrics on one side and unposed band photos on the other, highlighting the DIY aesthetic and focus on music common to both indie and punk genres.
Ellie digi
The digipak uses close-up and mid-shot images to appeal to both male and female audiences. Close-ups showcase the singer's beauty to attract men, while mid-shots in open, natural settings portray her as genuine and passionate about music. Washed out pinks, whites and greens present the indie pop artist as naturally beautiful. Darker colors draw attention to her face on the front cover, aiming to make her attractive and appealing to viewers. Feminine, long-handed font gives the packaging an elegant, gentle feel, with white text clearly identifying the artist.
Dizzie Rascal Digipak Analysis (Boy In Da Corner)
Dizzie Rascal was one of the first well known grime artists who produced an album called "Boy in da Corner" at just 17 years old, winning the Mercury Prize Award. The album cover shows a smaller figure of Dizzie Rascal with spread arms, potentially representing how his music has affected his lifestyle. Throughout the album, Dizzie Rascal maintains consistency with color schemes and fonts to represent his identity and the simplistic nature of his music.
Final design powerpoint_fox
The document describes the designs created by the author to introduce second grade students to Salvador Dali and surrealism. It outlines four designs, changing elements in each like the images, text style, colors, and layout to make the designs more interesting and impactful at depicting Dali's surrealist style. The goal was to spark students' curiosity about Dali and surrealism.
My pitch
Ella Potton proposes an alternative/indie genre music video for her song "Gold" by Jaws. Her target audience is 16-24 year olds interested in the arts. The narrative music video would follow a character and have multiple scenes and locations. It would juxtapose real and fake elements and use lighting, shots, and editing to convey mood. Costumes and settings would be casual with suburban locations. The video would end with a sudden cut or fade to black. Ancillary ideas include edited photos, digital art mixed with photography, a digipak, and a magazine ad that breaks conventions.
My Music Video Plan
This music video plan summarizes the key details for a video to Beyonce's song "Disappear":
1) The song tells the narrative of two young couples dealing with relationship obstacles due to distance or work obligations.
2) The plan focuses on creative editing and storytelling to portray the emotional lyrics and themes of the song.
3) Main characters Rusne and Louisa will be portrayed as 17-year-old adults experiencing relatable relationship challenges through locations like a town, park, or house.
music video deconstruction
The video for Nina Nesbitt's song "The Hardest Part" is a simple, unconventional indie music video that focuses on conveying the artist's emotions. It opens with a close-up shot of Nesbitt looking away from the camera while deep in thought. She is then seen playing guitar to illustrate her passion for making her own music. The black and white footage and lack of locations contribute to the video's straightforward, low-key style.
Logo and quote
Riley Haub-McElreath designed a logo and poster to represent their interests in skiing, mountains, and jazz music. Their logo features gray and blue colors which are neutral and represent tranquility, and the mountain shape depicts their enjoyment of skiing. Their poster includes a Charles Mingus quote about simplicity in music and life, with the red font standing out against a black and white background.
Digipak pres
The document provides an analysis of different album digipaks, including those by Kanye West, Rihanna, Florence and the Machine, Gorillaz, and Take That. Some key points summarized:
- Kanye West's Graduation digipak uses cartoon images that tell a story throughout, with the bear image printed on the CD. West is not pictured, showing his music is prioritized over his image.
- Rihanna's Talk That Talk digipak has a newspaper theme in black and white, with Rihanna pictured on almost every page, showing her look is important for selling the album.
- Florence and the Machine's digipak consistently features images of her, showing
Diversifying Bicycle and Pedestrian Planning
This presentation was given by Tiffany Robinson, The RBA Group, at the 2010 APA-NJ Planning Conference on November 5, 2010. It is the overview for the conference session titled "Dipping Your Bicycle Wheel into the Melting Pot." The session was one of a series of sessions put together by the APA-NJ's Ethnic and Cultural Diversity Committee (ECDC) in an effort to highlight the need for more diversity in the field of Planning.
Digipak Inspiration and Ideas
This document discusses the design elements of a digipak album cover. It notes that the cover features a minimal black, white, and red color scheme that stands out while maintaining a clean style. Most of the cover is taken up by bold imagery that focuses on conveying the band's style rather than showing the band itself. The design fits genre conventions to appeal to fans while also emphasizing the band's individual style. Overall, the document analyzes how the cover's use of contrasting colors, bold imagery, and emphasis on the band's style effectively convey the album's themes and appeal to the target audience.
Digipak ideas
The document discusses plans for designing a digipak for a single song rather than an entire album. It will use binary opposition between lighter colors representing the protagonist Alicia and darker colors representing antagonists Sophie and James. Functionally, the digipak will have only two folds to hold one CD. Photos will be taken during filming to feature on the inside cover and promote the narrative of the song.
Inspirational texts
The document summarizes and compares the visual styles across albums, websites, and music videos by Ariana Grande, Shawn Mendes, and Dua Lipa. For each artist, the color schemes, fonts, and graphics are consistent across their album artwork, websites, and music videos. Location and costume changes are also described for some of the music videos. Overall, the document shows how each artist maintains a cohesive and linked visual identity across different media.
Analysis of album advertisements pp
This document analyzes advertisements for three album releases:
1) Kings of Leon's "Only by the Night" conveys darkness through dull colors and images that emphasize the band members' scruffy and edgy appearance.
2) Nelly's "Nellyville" shows his stylish and athletic persona through his close-up stare and plain black outfit that hints at his strong personality.
3) Green Day's "21st Century Breakdown" captures young audiences with bright colors, a warm grungy vibe from an image of a young couple, and edgy graffiti-style font design that builds excitement for the long-awaited album.
Acillary prod research 2
The document discusses using Drake's album cover as inspiration for a music video cover. It notes that Drake faces away from the camera, creating mystery and intrigue. While Drake uses a dark color scheme fitting for R&B, the document proposes using varied colors that juxtapose the song's theme. Costume-wise, Drake wears a hoodie representing typical R&B street style, which the cover also aims to feature.
Ancillary prod research
The document discusses design elements of Nicki Minaj's "Starships" album cover that the author wants to emulate for their own artist's album cover. These include having few characters beyond the artist and album name to avoid overload; a simplistic, monochromatic background with a mid-shot of the artist as the focus; and a bold, simple font for the artist's name that allows for immediate recognition.
Inspirational texts
The three Ariana Grande products share a similar black and white color scheme and bold "Dangerous Women" font. The album artwork, website, and "Into You" music video all tie together the theme of power and danger through these visual elements.
The Shawn Mendes products use green and blue colors and a simple, subtle font to hint at themes of loneliness and vulnerability. These colors and fonts connect the Illuminate album, website, and "Treat You Better" music video.
Dua Lipa's bright colors, simple title font, and unusual graphics and designs link her self-titled album, website/social media, and "Be The One" music video under a cohesive
Pitch
The music video tells a love story from childhood to adulthood, depicting the woman's mental health issues. Near the end, it shows scenes of suicide to illustrate the song's title. The genre is a mixture of indie rock and folk, appealing to younger and older audiences. The setting is a forest and house, with low lighting to represent typical indie aesthetics. The artist appears throughout, singing about his own experiences to create a personal connection for the audience.
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Technologies evaluation question
The document discusses how various media technologies were used at different stages of a project. During research, internet services like Google and Unsigned.com were used to find music and contact artists. YouTube, blogs, and social media helped with additional research. Planning utilized PowerPoint, Word, Facebook, and Slideshare to create presentations and share information. A camera, mobile phones, and iMovie were used to film screen tests and footage for the construction stage. Kizoa helped turn snapshots into a slideshow to document creating a digipak.
Music video analysis 5
TLC was an American girl group known for R&B, hip hop, soul, funk and new jack swing music that appealed to teens and young adults. Their "Waterfalls" music video tells a narrative about societal pressures on women's appearances. It features the band members sitting as they sing, contradicting conventions of R&B girl bands that emphasized dance routines. The upbeat music and nature imagery in the video relate to the song's theme of finding inner rather than outer beauty. The video aims to empower teenagers dealing with insecurity by illustrating the song's lyrics about not feeling "unpretty" or insecure.
Digipack
The document outlines a plan for a 6-panel digipak, with the first panel featuring a photo of a band with their album name, and the next three panels containing biographies of each band member. The fifth panel would hold the CD, and the final panel would include lyrics from the band's single that had a music video. Examples of design elements are also referenced.
Evaluation question how did you use technologies
The document discusses the various media technologies used at different stages of a project. During research, internet services like Google and Unsigned.com were used to find information on R&B artists. Social media sites like Twitter and YouTube were also utilized. Planning involved using presentation tools like PowerPoint and SlideShare as well as Facebook. Construction incorporated a camera, mobile phone, and video editing software to capture footage and images of the music video production.
Digipak planning and designs
The document outlines plans for a 6-panel digipak. The first panel will feature a photo of the band with the album name. The second, third and fourth panels will each feature a biography of one band member. The fifth panel will contain the CD. The final panel will include lyrics from the album's single. Examples of digipak templates are provided, including a 6-panel template that could be adapted for the project.
Music videoanalysis2
Destiny's Child formed in 1997 with four members but later dropped to three - Beyonce Knowles, Kelly Rowland, and Michelle Williams - after some band problems. The music video for their song "Lose My Breath" focuses on their live performance, using visuals that connect to the song's lyrics in order to amplify the theme, as proposed by music video theory. The video appeals to Destiny's Child's target audience of young-to-mid teens through dance and lyrics about dancing that are similar to themes in the author's own music video.
Music video analysis 1 misteeq
This music video analysis summarizes Mis-teeq's 2004 hit single "Scandalous". The band consisted of three female members who appealed to both young and older teens. The music video followed conventions of an R&B girl band with dance scenes and costumes. It depicted scenes in a club and abandoned garage to illustrate the lyrics about a love interest. Camera angles and lighting were used to advertise the band members' appearance in a voyeuristic way, treating their bodies as objects to appeal to audiences.
Heavy metal2
Heavy metal developed in the late 1960s and early 1970s, originating from blues rock. By the early 1990s, many heavy metal bands had evolved into other rock genres like hard rock and gothic rock. Key events in heavy metal's history included the 1968 release of "Born to be Wild", considered the first heavy metal song, and the 1983 Monsters of Rock festival. Heavy metal's target audience is typically teenagers and young adults. Bands like Led Zeppelin and Black Sabbath were pioneers of the genre.
Muvideoanalysis5
TLC's "Unpretty" music video challenges conventions of R&B girl bands. Typically, such bands have strict dance routines and formations, but TLC sits while performing. The video uses lyrics and visuals about societal pressures to be attractive, showing people forcing appearances and wanting to look like others. Butterflies and flowers in the video relate the upbeat music to themes of natural beauty and hope. The video effectively reaches its target audience of insecure teens through its message of self-acceptance.
Muvideoanalysis5
TLC's "Unpretty" music video challenges conventions of R&B girl bands. Typically, such bands have strict dance routines and formations, but TLC sits while performing. The video uses lyrics and visuals about societal pressures to be attractive, showing people forcing appearances and wanting to look like others. Butterflies and flowers in the video relate the upbeat music to themes of natural beauty and hope. The video effectively reaches its target audience of insecure teens through its message of self-acceptance.
Goodwins theories
Andrew Goodwin proposed theories about how music videos use motifs, camera angles, relationships between music and visuals, and portrayal of gender. The document examines examples of music videos that illustrate Goodwin's theories, such as the use of motifs to enhance lyrics in Cheryl Cole's "Fight for This Love" and camera close-ups highlighting lyrics in Beyoncé's "Single Ladies". Overall, the examples demonstrate how Goodwin's theories can be applied across music genres in the industry.
Music video analysis 5
TLC was an American girl group known for R&B, hip hop, soul, funk and new jack swing music that appealed to teens and young adults. Their "Waterfalls" music video tells a narrative about societal pressures on women's appearances. It features the band members sitting as they sing, contradicting conventions of R&B girl bands that emphasized dance routines. The upbeat music and hopeful lyrics are reinforced by visuals of butterflies and flowers, representing natural beauty. The video aims to empower teens who feel insecure by illustrating its message of finding confidence within.
Goodwins theory
Andrew Goodwin proposed theories about how music videos use motifs, camera angles, relationships between music and visuals, and portrayal of gender. The document examines examples of music videos that illustrate Goodwin's theories, such as the use of motifs to enhance lyrics in Cheryl Cole's "Fight for This Love" and camera close-ups highlighting lyrics in Beyoncé's "Single Ladies". Overall, the examples demonstrate how Goodwin's theories can be applied across music genres in the industry.
How did you use media technologies evaluation question 3
The document discusses how various media technologies were used at different stages of creating a media product. Research was conducted online using Google, Unsigned.com, YouTube, Blogger, and Twitter. Planning utilized PowerPoint, Word, Facebook, Slideshare, and YouTube to develop designs, scripts, schedules, and gather information. Construction involved photographing and filming the production process using cameras, phones, iMovie, and Apple Mac computers. Evaluation used the built-in Mac camera to film audience feedback and upload it directly to YouTube.
Music video analysis
This document provides an analysis of the 2004 music video for the song "Scandalous" by the girl band Mis-teeq. It summarizes the band members, describes the video as featuring club and garage scenes relating to the song's lyrics about a love interest. The target audience is identified as 12-17 year olds, particularly females, due to the fashionable but innocent costumes. Conventions of R&B girl band videos like choreography formations and colorful lighting are discussed. The lyrics and music are found to both amplify and illustrate the visuals through scenes, cuts on drum beats, and camera angles treating the female bodies voyeuristically.
Music video analysis andrew goodwins theories
Andrew Goodwin proposed theories about how music videos use motifs, camera angles, and the relationship between music and visuals to convey meaning. Motifs are repeated visual elements that can enhance lyrics or create themes. Camera angles establish location and draw attention through close-ups. Music can either contradict or illustrate the visuals. Goodwin's theories appear applicable across genres and help analyze how music videos portray gender.
Six thriller openings
The document discusses conventions, titles/timings, mise-en-scene, sound, and camera techniques used in horror and thriller movies. It provides examples of how these elements set the tone and build suspense, such as using string instruments and dark colors in the score, having the male character wear dark clothing, showing clocks at night to suggest mystery, and employing jump cuts and zooms between characters and locations. The document analyzes how these techniques are employed in the openings of movies to immerse viewers and establish the psychological nature of the films.
Heavy metal research
Heavy metal developed in the late 1960s and early 1970s out of genres like blues rock. By the early 1990s, many heavy metal bands had evolved into other rock genres. Some important events in heavy metal history include the 1968 release of "Born to be Wild," considered the first heavy metal song, and British metal band Iron Maiden's 1980 self-titled album. Heavy metal is traditionally characterized by loud, distorted guitars and wild hairstyles. Bands like Metallica sometimes challenge conventions with more subdued appearances. The target audience for heavy metal is typically teenagers and young adults aged 13 to 30 who are attracted to the genre's adrenaline-fueled sound.
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How did you use media technologies evaluation question 3
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Similar to Digipak
Dig2
The document outlines the plan for a digipak album cover for a girl band. The front cover will feature close-up shots of the three girls in black and beige to represent their tough and feminine sides. The inside front will show the girls in an urban style formation. The back will show the girls in a different formation to highlight their feminine side. The inside back will list the 11 tracks on the album. The inside pages will include band biographies and the CD. The design aims to represent the band's style and appeal to their target audience.
The digipack
The document outlines the plan for a digipak album cover for a girl band. The front cover will feature close-up shots of the three girls in black and beige to represent their tough and feminine sides. The inside front will show the girls in an urban style formation. The back will show the girls in a different formation to highlight their feminine side. The inside back will list the 11 tracks on the album. The inside pages will include band biographies and the CD. The design aims to represent the band's style and appeal to their target audience.
Digipak analysis
This document summarizes and analyzes the packaging designs, themes, and target audiences of three different album digipaks:
1) Alt-J's "Matilda" digipak uses a space theme with black, purple and yellow colors and their triangle logo. It includes the song list and a band quote to tie the theme together.
2) Marina and the Diamonds' "The Family Jewels" digipak features animated images of the artist with a less consistent color scheme. The images are more seductive to attract different audiences.
3) The 1975's digipak has an eye-catching black and white front cover with their name in lights. It maintains the theme inside while including
Digipak analysis 10
The document analyzes the front and back covers as well as the four inside pages of a digipak for the band The Fayre 'Rose Queen'. Each section describes the images and tries to interpret their meanings and symbolism. Overall, the images portray an abandoned London underground area and feature band members, suggesting themes of time passing and belonging to the indie and chill music genres of the late 1990s.
A Level Digipak Research
A detailed insight into music artist's digipaks and an analysis of how I may utilise some of these ideas as inspiration for my own A Level piece of digipak artwork. This presentation focuses on the conventions of the reggae genre because the music video I am basing my product on is from this genre.
Auxillary products. Evaluation Question 2
The document summarizes the effectiveness of various promotional materials for a band's new album. It discusses how the magazine ad uses imagery and styling consistent with the music video to attract the target audience. The digipack cover features the lead singer in black and white against a colored background to emphasize emotion and establish the "male gaze." Inside panels show the full band and their silhouettes, hinting at different sides. Throughout, a consistent font and themes of light, emotion and individual interpretation are used to intrigue listeners and establish the indie genre.
Digipak analysis
This document discusses and analyzes different types of digipaks. It begins by defining a digipak as an alternative CD or DVD packaging, usually in a gatefold or book-style format made of paperboard or card. Positive aspects of digipaks include being eye-catching to promote sales, being more durable than jewel cases, and allowing creative expression from artists. Negatives include declining popularity with online music and potential lack of success turning buyers away from an album. Examples of digipaks from different genres are shown and analyzed for their use of color, style, focus on the artist, and effectiveness in promotion.
Cd cover analysis
The CD cover features an image of the artist from the side, with her hair styled up and a revealing top. Typical of R&B covers, the image is meant to attract either a male or female audience. Two fonts are used - a fancy one for the artist's name and a simpler one for the album title. The artist's name is in large pink text, while the album title is in smaller white text. The cover represents the artist as attractive, mysterious, and fashionable based on her pose and attire. The intended audience is likely young teenagers and adults.
Digipak analysis
This digipak for the album "Sinner's Never Sleep" by the band You Me at Six has a punk style that continues the criminal theme from their "Loverboy" music video. The cover features a mugshot-style photo holding an ID board with the title. Interior panels include fingerprints of band members, photos set in abandoned buildings, and mugshot-style photos of each band member paired with inaccurate photofits on the back. While continuing the criminal theme throughout, many elements are quite predictable for a rock album.
Digipak analysis
This digipak for the album "Sinner's Never Sleep" by the band You Me at Six has a punk style that continues the criminal theme from their "Loverboy" music video. The cover features a mugshot-style photo holding an ID board with the title. Interior panels include fingerprints of band members, photos set in abandoned buildings, and mugshots/photofits of each band member, continuing the criminal motif. While following typical album packaging conventions, the gritty black and white aesthetic and inclusion of personalized photos relates to the band's audience.
2. research(3)
The document provides an analysis of existing magazine covers featuring artist Sabrina Carpenter. It notes common features across the covers like similar lighting and the inclusion of shadows and colors. The analysis states aspects that will be included in the author's own work, such as shadows and font colors. An audience profile is then presented, identifying the target demographic as those ages 10+ who listen to this type of music, of both genders, and who are socially conscious type B personalities interested in learning more about their favorite artists.
I feel love - Digipak construction
The document describes the design elements of a Digipak album cover for the album "I Feel Love" by TGFA. It discusses the use of Coral Draw to design the front cover displaying the artist image and album title. The inside panels feature images of red and blue roses representing themes of love from the music. The back cover lists the seven songs and includes a barcode to allow the Digipak to be sold in stores.
Analysis of digipaks
This document analyzes and compares the layout, design, and artistic choices made in two different album digipaks: Biffy Clyro's "Puzzle" and Kate Nash's "Made of Bricks." For Biffy Clyro, an established band, the front cover omits band information and features ambiguous puzzle piece imagery. Inside pages pair lyrics with meaningful photos instead of band images. Dark colors and a simple bold font are used. In contrast, Kate Nash's digipak emphasizes femininity through handwritten font, images of Nash in stereotypical feminine settings, and bright colorful designs and photos. Gender expectations seem to have influenced the different artistic choices in layout and design between the two albums.
Evaluation question 2
The document discusses the effectiveness of combining a music video with ancillary texts like a poster and digipack. It describes how the group ensured consistency between the color scheme, themes, and storytelling elements across all elements. Fonts, costumes, and imagery were also kept consistent to clearly link the products and represent the pop genre and love story theme. The digipack and poster complement each other through similar background imagery and shots that reflect the mixed emotions of the artists and narrative.
Digipak stages
Michelle Richards drafted several versions of a digipak for an album called "All of The Troubles". Draft versions tested different color schemes, layouts, and images. Feedback was gathered from group members. The final digipak features a front cover with flowers in turquoise blue and white colors, intended to stand out from typical singer-songwriter designs which often use black and white. Influences included designs by Adele, Emeli Sande, Beyoncé, Sam Smith and Lana Del Ray. The park imagery ties into themes in the accompanying music video.
Evaluation question 5.
The magazine uses conventions from other music magazines like a masthead and images to attract audiences to its focus on reggae music. It uses colors associated with reggae like yellow, green, and blue to create a vibrant, summer vibe. Fonts and locations in photos were chosen to have a Jamaican and Caribbean feel. Models wear costumes in diverse colors representing peace and unity in Rastafarian culture. Feedback praised the genre indication on the cover but noted the smaller image in the double page spread was blurry and fonts were inconsistently sized. The creator responded they aimed to match the color scheme and genres while including different black female models, and could improve by standardizing paragraph lengths and a clearer secondary image in spreads.
Evaluation question 5.
The magazine uses conventions from other music magazines like a masthead and images to attract audiences to its focus on reggae music. It uses colors associated with reggae like yellow, green, and blue to create a vibrant, summer vibe. Fonts and locations in photos were chosen to have a Jamaican and Caribbean feel. Models wear costumes in diverse colors representing peace and unity in Rastafarian culture. Feedback praised the genre indication on the cover but noted the smaller image in the double page spread was blurry and fonts were inconsistently sized. The creator aims to match the magazine to the reggae genre and represent black female artists, and notes the double page spread could be improved by evening paragraph lengths and positioning a clearer smaller
Unit 14
The document outlines the production process for a print-based music magazine. It includes details on mood boards, mind maps, font and graphic layout choices, photography plans, equipment costs, personnel costs, production plans, and considerations around legal and ethical issues like copyright. Rough drafts and final drafts are presented for the front cover, double page spreads, and sample articles. The magazine aims to cover indie rock music and target an audience interested in that genre.
Unit 14
The document outlines the production process for a print-based music magazine. It includes details on mood boards, mind maps, font and graphic layout choices, photography plans, equipment costs, personnel costs, production plans, and considerations around legal and ethical issues like copyright. Rough drafts and final drafts are presented for the front cover, double page spreads, and sample articles. The magazine aims to cover indie rock music and target an audience interested in that genre.
A case study
Country Weekly is a weekly magazine owned by American Media Inc that has been covering country music news since 1994. It has a readership of 505,000 adults aged around 45 on average. The magazine is available both in print and online, with the print version reaching 505,000 readers and the website receiving 479,000 monthly visitors. Country Weekly provides articles on the latest country music artists and songs, interviews, photos, reviews, and competitions to engage its audience of country music fans.
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Digipak construction
The document describes the steps taken to construct a digipak. First, the author created four panel boxes in PowerPoint to serve as frames since PowerPoint allows for easy box creation and the author is familiar with the program. Next, the author placed earlier photos created in Paint into the boxes. Then, the author labeled the pictures and added biographies. Finally, the author ensured all images linked to the advertisement idea and video by using consistent motifs like white.
Creating the advertisement
The document describes the process of creating an advertisement. It discusses researching and grouping ideas into five small ones to use. The first attempt at creating the advertisement had difficulties using Photoshop on Mac computers, so paint was used instead. Problems encountered included being unable to retrieve deleted photos, fully use Photoshop's abilities, and save the Photoshop file. The issues were overcome by using another program that worked well.
Steve neale tiakellyhunnigale
Steve Neale argues that film genres go through a cycle of changes throughout their lifespan. His theoretical cycle includes four stages: (1) form finding itself with groundbreaking films that begin a new genre, (2) classic films that establish codes and conventions, (3) films that push boundaries by tweaking elements or going further, and (4) homage films that reference other famous genre films as a mark of respect. The genre then enters the parody stage that mocks commonly repeated elements before repeating the cycle. The document provides examples for each stage from the slasher genre and the evolution of reggae music to illustrate Neale's theory.
Creation of lyrics sheet
The document summarizes the process of creating a background and graffiti text for an album cover. Key points:
1) A brick wall photo was selected as the background to match the urban style of the band.
2) Graffiti text spelling "Alrite still" was created on a graffiti website and placed on the wall to look like spray paint.
3) Extra white space around the graffiti was cropped out in Photoshop to isolate the text on a clear background.
4) Texture was added to the graffiti layer to better integrate it onto the brick wall texture in the final result.
Creation of lyrics sheet
The document summarizes the process of creating a background and graffiti text for an album cover. Key points:
1) A brick wall photo was selected as the background to match the urban style of the band.
2) Graffiti text spelling "Alrite still" was created on a graffiti website and placed on the wall to look like spray paint.
3) Extra white space around the graffiti was cropped out in Photoshop to isolate the text on a clear background.
4) Texture was added to the graffiti layer to better integrate it onto the brick wall texture in the final result.
Locations street and alley
This document provides location shots for filming a music video. It describes shots in an alleyway, including the entrance, an intersection in the middle, and areas that provide varied scenery. It also describes street locations where the girls will walk and speak, including a street with surrounding houses that was chosen to make it appear the girls were leaving a home. Key shots include the girls walking from an alleyway intersection onto the street and up the road where they will introduce the song's title.
Creation of our digipak
The document summarizes the inspirations, colors, fonts, and imagery used in the design of a digipak for a girl band. The designers were inspired by the colorful styles of bands like TLC and Cleopatra. They used bold colors like pink, blue, and red to represent the band's playful personality. Two fonts were chosen - graffiti to represent the band's urban style and a large colorful font for the logo. Images of the girls standing together in formations and individually were used to show the togetherness and personalities of the band members.
Technologies evaluation question
The document discusses the various media technologies used at each stage of creating a media product. Research was conducted online using Google, Unsigned.com, YouTube, and blogs. Planning utilized PowerPoint, Word, Facebook, and Slideshare to document and share work. Construction captured footage and images using cameras, phones, and iMovie. Evaluation featured Apple Mac computers to film feedback and the presentation platform Prezi. Overall, online access facilitated documentation, uploading, and sharing of work.
Technologies evaluation question 3
The student used a variety of media technologies throughout their project, including internet research, PowerPoint, Word, cameras, phones, and Prezi. Google was helpful for initial research but less reliable than more specific sites. Presentations and images were largely created and shared using computer programs, allowing the work to be easily documented, uploaded, and presented publicly.
Media technologies evaluation question 3
The student used a variety of media technologies throughout their project, including internet research, PowerPoint, Word, cameras, phones, and Prezi. Google was helpful for initial research but less reliable than more specific sites. Presentations and images were largely created and shared using computer programs, allowing the work to be easily documented, uploaded, and presented publicly.
How did you use media technologies evaluation question
The document discusses how various media technologies were used at different stages of creating a media product. In the research stage, internet tools like Google, Unsigned.com, YouTube, Blogger, and Twitter were used to find source material and share findings. Planning utilized PowerPoint, Word, Facebook, Slideshare, and YouTube to develop and share plans. Construction involved photographing the process using cameras and mobile phones. Evaluation used Apple Mac computers to film audience feedback for assessment. A range of digital tools facilitated online research, documentation, communication and presentation throughout the project.
Advertisement research
The document summarizes research on advertising posters for music groups. It analyzes a poster for a girl band called "Booty Camp" to identify the key design elements that grab attention and effectively promote the group. These include positioning the band members in a formation that shows both unity and individuality, displaying the group name in large, bold colors, choosing costumes and background colors that complement each other, and including a brief caption that captures the group's style. The long shot of the band in the poster allows viewers to see these design elements that communicate the group's brand and will attract their target audience.
Our advertisement ideas
The document proposes advertisement ideas for a girl band, including placing the band's name and album/single title prominently to attract attention. It recommends centering the image around a photo of the band members, ensuring they are the focus point and displaying their different personalities to appeal to audiences. A few additional unnamed ideas are listed but not described.
Digipak planning and designs
The document outlines plans for a 6-panel digipak. The first panel will feature a photo of the band with the album name. The second, third and fourth panels will each feature a biography of one band member. The fifth panel will contain the CD. The final panel will include lyrics from the album's single. Examples of digipak templates are provided, including a 6-panel template that could be adapted for the project.
Our digipack cover ideas
The document discusses design ideas for a girl band's digipak cover. It proposes using 6 images on the front showing objects that define the band alongside some lyrics. It considers using bold colors and fonts that attract audiences while representing the band's femininity and style. Different name designs and colors are suggested that appeal to target audiences and define the band's image to market their R&B music successfully.
Advertisements 2
This advertisement features a girl band posed in formation to grab the reader's attention. Each member has a unique pose that establishes their personality. The costumes prominently display the band's name in bold colors and the slogan "Burning up the charts, Burning down the house". The long shot establishes the girls as a band and shows their full costumes, which are typical for R&B bands. The caption sums up the group's style in a way that makes the audience feel like they personally know the band.
Advertisements 2
This advertisement features a girl band posed in formation to grab the reader's attention. Each member has a unique pose that establishes their personality. The costumes prominently display the band's name in bold colors and the slogan "Burning up the charts, Burning down the house". The long shot establishes the girls as a band and shows their full costumes, which are typical for R&B bands. The caption sums up the group's style in a way that makes the audience feel like they personally know the band.
Advertisements
This advertisement features a group photo with each band member striking a unique pose to showcase their individual personalities. The band's name is prominently displayed in the center in bold, colorful text to immediately grab readers' attention. The costumes promote the band's slogan of "Burning up the charts, Burning down the house".
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How did you use media technologies evaluation question
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Digipak
- 1. OUR DIGIPAK Alrite Still
- 2. Changes • We originally chose another design for our digipak however we thought that this design would work better on the front of our digipak rather than for our advertisement so we used this design. We also changed the colours because the red didn’t represent the girls well sp we changed it to beige because this showed their femininity well.
- 3. Plan for each panel • The Front cover shows 3 medium close ups of the girls in3 different panels. The background is black and works well with the blood red writing. The colours we chose makes the digipak cover stand out and also represents the style of the girls. The black shows the tough exterior of the girls and the beige represents the softness and femininity of the girl group. The font is bold and will attract our target audience. • The inside front cover features the girls standing in formation representing their urban style in the way they are dressed. The background of the photo also shows their style based on the font of the writing and the image. • The back cover will be a picture of the girls in a different formation and in medium long shot showing their feminine side to show both styles of the girlband • The inside back cover will be a list of the tracks on the album • Page 2 of the digipak will be biography of the band and Page 3 of the digipack will be the CD itself with writing across the back cover and CD
- 4. CD
- 5. Front Back
- 6. Inside Front : Photo Inside Back : Tracks Inside page 2: Biographies Inside page 3 : CD