SlideShare a Scribd company logo
3D Design
Quiz:  Write about this doorway.  How does it relate to the reading?
What is a relief? A relief is a 3-dimensional form that holds a middle ground between 2-dimensional images and fully 3-dimensional objects
Ancient Chinese Relief in Bone
Relief Sculptures In Sita Caves Ellora Caves, India
Neutrality Reliefs are viewed frontally similarly to paintings Paintings are spatially neutral Reliefs become active in the physical space St George and the Dragon 1508 Marble, 128 x 182 cm Musée du Louvre, Paris Raphael, St. George Fighting the Dragon, 1505; Oil on wood, 12×10 1/4 in (30×26 cm); Musée du Louvre, Paris
Nativity, Annunication , the Annunciation to the Shepherds and Washing of the Infant Jesus, pulpit, Pisa Baptistery, Nicola Pisano
Death of the Virgin, Strasbourg Cathedral
What is Convex vs. Concave? Convex:  Areas of the relief surface that push into space Concave:  Space pushes back as concave areas.
The Feast of Herod, Donatello
Sacrifice of Isaac By Ghiberti Sacrifice of Isaac By Brunelleschi
What was the original purpose of relief? To adorn architecture Modulate the sun’s light and shadow  Help to elaborate the beliefs embodied by the building
Notre Dame de Paris
Bas-Relief Low form of relief Ancient Egyptian Bas-Relief
Catacombs of Kom el-Shuqafa, the "Mound of Shards,” Egypt
Rockefeller Center New York, NY
The Great Stupa at Sanchi India
What are Chiaroscuro & Modeling? Chiaroscuro creates distinct contrasts between light and dark Smooth, gradual transitions from shadowed to light areas characterize a modeled surface.
Lorenzo Ghiberti (Italian, 1378-1380–1455) Jacob and Esau relief, Gates of Paradise, 1425–52, from the east portal of the Baptistery of San Giovanni, Florence
Gates of Paradise Baptistry Doors, Florence Ghiberti
Rodin’s Gates of Hell “La Porte de l’Enfer” 1880-1917
ZonaArqueológica de Uxmal, Muna, Yucatán, México
The Resurrection Cathedral of Florence Luca dellaRobbia
Jean Goujon Fontaine des Innocents, 1547-49
Petra 6th Century BC Modern-day Jordan
'The Meeting of Leo I and Attila', by Alessandro Algardi, 1646-53, Basilica di San Pietro, Vatican
Trumpet Players Detail from Cantoria Luca dellaRobbia marble, originally in Florence Cathedral 1431-38
AugustePréault (1809-79) : Tuerie.
Continuous vs. Discontinuous A continuous surface is flowing and gradually changing A discontinuous surface is constructed from flat, planar segments. Joseph Havel Curtains, 1999 KallmannMcKinnell & Knowles, 1968
Discontinuous Surface  What are the flat segments of a discontinuous surface called? Surface planes Facets Faces
Geodesic Dome House
Discontinuous Surface What is the name of the relative direction at which the faces meet? Face angle
Walter Netsch
Continuous vs. Discontinuous Continuous Organic Degree of Curvature Discontinuous Geometric Face Angles
Antoni Gaudi's La Pedrera
Peabody Terrace Josep Luis Sert (1964) Cambridge, MA
Museum of Art & Design (pre-renovation) New York, New York
St. Patrick’s Cathedral New York, New York
Greg Taylor - Partner at Studio Formwork Research: Tectonic Architecture
Kit Assemblage Develop a three-dimensional design for a structure or device made up of ten or more individual parts.  These should be simple geometric elements making up a more complex design form.  The Assemblage should be developed in four stages: Stage 1 – Design Proposal – single paragraph proposal with concept sketches of design and individual elements  Stage 2 – Digital parts list – digital renderings of the kit parts of your design labeled and organized. Stage 3 – Orthographic views of kit parts and final construct Stage 4 – Digital information board of the kit
Extra Credit Assignment Build your 3D object Requirements: Choose a material suitable to your 3D object (foam core, cardboard, plastic, wood, etc) Schedule a meeting with me to discuss Construct your 10 pieces to form your 3D object Document your full process with photo/video/text Present with your final Kit on April 7 (after Spring Break)
Your Design Process Make sure to document the ENTIRE design process Identify the Problem Generate Ideas Sketches & Notes Refine & Analyze Create the Prototype Decide on Prototype Implement (Sell/Exhibit/Produce) All Stages of design process should be presented at Step 4
Homework – DUE APRIL 7 Stage 4 – Digital information board of the kit Use Illustrator to lay out the items Uselabels for each section (based on the stages of the assignment) Professional Look Name your Object Be creative SIZE:  TABLOID Export as PDF so that we can view in detail or zoomed out Include all stages of kit assemblage
JUST AN EXAMPLE

More Related Content

Similar to Dd205 Spring2010 Class07

Formal analysis tutorial 3 d
Formal analysis tutorial 3 dFormal analysis tutorial 3 d
Formal analysis tutorial 3 dnichsara
 
Sayre woa ch04_lecture-243767
Sayre woa ch04_lecture-243767Sayre woa ch04_lecture-243767
3 d design elements
3 d design elements3 d design elements
3 d design elements
profmedina
 
Renaissance Art
Renaissance ArtRenaissance Art
Renaissance Art
ICCD 150 Art History
 
3 d chapter 3 3d design elements
3 d chapter 3 3d design elements3 d chapter 3 3d design elements
3 d chapter 3 3d design elements
Tracie King
 
Gr10 u4 printmaking
Gr10 u4 printmakingGr10 u4 printmaking
Gr10 u4 printmaking
Mrs. Magdolene Dykstra
 
Elements of Art
Elements of ArtElements of Art
Elements of Art
ICCU202 / MUIC
 
Gr10 u4 printmaking
Gr10 u4 printmakingGr10 u4 printmaking
Gr10 u4 printmaking
Mrs. Magdolene Dykstra
 
Collaborative – Information Fluency
Collaborative – Information FluencyCollaborative – Information Fluency
Collaborative – Information FluencyMs. Beka
 
Form
FormForm
AT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptxAT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptx
ChristosA1
 
AT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptxAT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptx
ChristosA1
 
Italian Renaissance Art
Italian Renaissance ArtItalian Renaissance Art
Italian Renaissance Art
h8h8rr
 
Italian Renaissance
Italian RenaissanceItalian Renaissance
Italian Renaissancebhellwege
 
14thcenteuropresentation
14thcenteuropresentation14thcenteuropresentation
14thcenteuropresentation
Andrea Fuentes
 
KVB127 07 Belief Systems 2021
KVB127 07 Belief Systems 2021KVB127 07 Belief Systems 2021
KVB127 07 Belief Systems 2021
charlesrobb
 
Visual Elements
Visual ElementsVisual Elements
Visual Elements
Professor Bauer
 
Europe, 1400 - 1500
Europe, 1400 - 1500Europe, 1400 - 1500
Europe, 1400 - 1500Laura Smith
 

Similar to Dd205 Spring2010 Class07 (20)

Formal analysis tutorial 3 d
Formal analysis tutorial 3 dFormal analysis tutorial 3 d
Formal analysis tutorial 3 d
 
Sayre woa ch04_lecture-243767
Sayre woa ch04_lecture-243767Sayre woa ch04_lecture-243767
Sayre woa ch04_lecture-243767
 
3 d design elements
3 d design elements3 d design elements
3 d design elements
 
Renaissance Art
Renaissance ArtRenaissance Art
Renaissance Art
 
3 d chapter 3 3d design elements
3 d chapter 3 3d design elements3 d chapter 3 3d design elements
3 d chapter 3 3d design elements
 
Gr10 u4 printmaking
Gr10 u4 printmakingGr10 u4 printmaking
Gr10 u4 printmaking
 
Elements of visual arts
Elements of visual artsElements of visual arts
Elements of visual arts
 
Elements of Art
Elements of ArtElements of Art
Elements of Art
 
Gr10 u4 printmaking
Gr10 u4 printmakingGr10 u4 printmaking
Gr10 u4 printmaking
 
Art2bseminar
Art2bseminarArt2bseminar
Art2bseminar
 
Collaborative – Information Fluency
Collaborative – Information FluencyCollaborative – Information Fluency
Collaborative – Information Fluency
 
Form
FormForm
Form
 
AT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptxAT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptx
 
AT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptxAT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptx
 
Italian Renaissance Art
Italian Renaissance ArtItalian Renaissance Art
Italian Renaissance Art
 
Italian Renaissance
Italian RenaissanceItalian Renaissance
Italian Renaissance
 
14thcenteuropresentation
14thcenteuropresentation14thcenteuropresentation
14thcenteuropresentation
 
KVB127 07 Belief Systems 2021
KVB127 07 Belief Systems 2021KVB127 07 Belief Systems 2021
KVB127 07 Belief Systems 2021
 
Visual Elements
Visual ElementsVisual Elements
Visual Elements
 
Europe, 1400 - 1500
Europe, 1400 - 1500Europe, 1400 - 1500
Europe, 1400 - 1500
 

More from catherine lewis

MDP | Storyboard to Filming
MDP | Storyboard to FilmingMDP | Storyboard to Filming
MDP | Storyboard to Filming
catherine lewis
 
MDP | Script to Storyboard
MDP | Script to StoryboardMDP | Script to Storyboard
MDP | Script to Storyboard
catherine lewis
 
MDP | Framework to Script
MDP | Framework to Script MDP | Framework to Script
MDP | Framework to Script
catherine lewis
 
DD114 WPA Poster Art
DD114 WPA Poster ArtDD114 WPA Poster Art
DD114 WPA Poster Art
catherine lewis
 
Image Manipulation Inspiration
Image Manipulation InspirationImage Manipulation Inspiration
Image Manipulation Inspiration
catherine lewis
 
VPA114 Analyzing a Painting
VPA114 Analyzing a PaintingVPA114 Analyzing a Painting
VPA114 Analyzing a Paintingcatherine lewis
 
Dd205 Spring2010 Class08
Dd205 Spring2010 Class08Dd205 Spring2010 Class08
Dd205 Spring2010 Class08
catherine lewis
 
Dd114 Spring2010 Class08
Dd114 Spring2010 Class08Dd114 Spring2010 Class08
Dd114 Spring2010 Class08
catherine lewis
 
DD114 :: Arts & Crafts Era Book Illustration
DD114 :: Arts & Crafts Era Book IllustrationDD114 :: Arts & Crafts Era Book Illustration
DD114 :: Arts & Crafts Era Book Illustrationcatherine lewis
 
Dd114 spring2010 class06
Dd114 spring2010 class06Dd114 spring2010 class06
Dd114 spring2010 class06catherine lewis
 
DD112 Spring2010 Class07
DD112  Spring2010 Class07DD112  Spring2010 Class07
DD112 Spring2010 Class07catherine lewis
 
Storyboards For The Matrix
Storyboards For The MatrixStoryboards For The Matrix
Storyboards For The Matrixcatherine lewis
 

More from catherine lewis (17)

MDP | Storyboard to Filming
MDP | Storyboard to FilmingMDP | Storyboard to Filming
MDP | Storyboard to Filming
 
MDP | Script to Storyboard
MDP | Script to StoryboardMDP | Script to Storyboard
MDP | Script to Storyboard
 
MDP | Framework to Script
MDP | Framework to Script MDP | Framework to Script
MDP | Framework to Script
 
DD101 Storyboards
DD101 StoryboardsDD101 Storyboards
DD101 Storyboards
 
DD114 WPA Poster Art
DD114 WPA Poster ArtDD114 WPA Poster Art
DD114 WPA Poster Art
 
Image Manipulation Inspiration
Image Manipulation InspirationImage Manipulation Inspiration
Image Manipulation Inspiration
 
VPA114 Analyzing a Painting
VPA114 Analyzing a PaintingVPA114 Analyzing a Painting
VPA114 Analyzing a Painting
 
Dd205 Spring2010 Class08
Dd205 Spring2010 Class08Dd205 Spring2010 Class08
Dd205 Spring2010 Class08
 
Dd114 Spring2010 Class08
Dd114 Spring2010 Class08Dd114 Spring2010 Class08
Dd114 Spring2010 Class08
 
DD114 :: Arts & Crafts Era Book Illustration
DD114 :: Arts & Crafts Era Book IllustrationDD114 :: Arts & Crafts Era Book Illustration
DD114 :: Arts & Crafts Era Book Illustration
 
Dd114 spring2010 class06
Dd114 spring2010 class06Dd114 spring2010 class06
Dd114 spring2010 class06
 
DD112 Spring2010 Class07
DD112  Spring2010 Class07DD112  Spring2010 Class07
DD112 Spring2010 Class07
 
Final Cut Lecture
Final Cut LectureFinal Cut Lecture
Final Cut Lecture
 
Storyboards For The Matrix
Storyboards For The MatrixStoryboards For The Matrix
Storyboards For The Matrix
 
Week 2 Presentation
Week 2  PresentationWeek 2  Presentation
Week 2 Presentation
 
Design & Education
Design & EducationDesign & Education
Design & Education
 
Green Architecture
Green ArchitectureGreen Architecture
Green Architecture
 

Recently uploaded

Design Thinking Design thinking Design thinking
Design Thinking Design thinking Design thinkingDesign Thinking Design thinking Design thinking
Design Thinking Design thinking Design thinking
cy0krjxt
 
一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理
一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理
一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理
7sd8fier
 
RTUYUIJKLDSADAGHBDJNKSMAL,D
RTUYUIJKLDSADAGHBDJNKSMAL,DRTUYUIJKLDSADAGHBDJNKSMAL,D
RTUYUIJKLDSADAGHBDJNKSMAL,D
cy0krjxt
 
一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理
一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理
一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理
smpc3nvg
 
一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理
一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理
一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理
9a93xvy
 
一比一原版(BU毕业证)波士顿大学毕业证如何办理
一比一原版(BU毕业证)波士顿大学毕业证如何办理一比一原版(BU毕业证)波士顿大学毕业证如何办理
一比一原版(BU毕业证)波士顿大学毕业证如何办理
peuce
 
一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理
一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理
一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理
h7j5io0
 
Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...
Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...
Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...
ameli25062005
 
Moldes de letra 3D Alfabeto completo esp
Moldes de letra 3D Alfabeto completo espMoldes de letra 3D Alfabeto completo esp
Moldes de letra 3D Alfabeto completo esp
Hess9
 
Top Interior Designers in Bangalore.pdf1
Top Interior Designers in Bangalore.pdf1Top Interior Designers in Bangalore.pdf1
Top Interior Designers in Bangalore.pdf1
Decomart Studio
 
一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理
一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理
一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理
n0tivyq
 
Can AI do good? at 'offtheCanvas' India HCI prelude
Can AI do good? at 'offtheCanvas' India HCI preludeCan AI do good? at 'offtheCanvas' India HCI prelude
Can AI do good? at 'offtheCanvas' India HCI prelude
Alan Dix
 
Borys Sutkowski portfolio interior design
Borys Sutkowski portfolio interior designBorys Sutkowski portfolio interior design
Borys Sutkowski portfolio interior design
boryssutkowski
 
Research 20 slides Amelia gavryliuks.pdf
Research 20 slides Amelia gavryliuks.pdfResearch 20 slides Amelia gavryliuks.pdf
Research 20 slides Amelia gavryliuks.pdf
ameli25062005
 
UNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptx
UNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptxUNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptx
UNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptx
GOWSIKRAJA PALANISAMY
 
一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理
一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理
一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理
smpc3nvg
 
一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理
一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理
一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理
h7j5io0
 
PDF SubmissionDigital Marketing Institute in Noida
PDF SubmissionDigital Marketing Institute in NoidaPDF SubmissionDigital Marketing Institute in Noida
PDF SubmissionDigital Marketing Institute in Noida
PoojaSaini954651
 
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptxUNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
GOWSIKRAJA PALANISAMY
 
Storytelling For The Web: Integrate Storytelling in your Design Process
Storytelling For The Web: Integrate Storytelling in your Design ProcessStorytelling For The Web: Integrate Storytelling in your Design Process
Storytelling For The Web: Integrate Storytelling in your Design Process
Chiara Aliotta
 

Recently uploaded (20)

Design Thinking Design thinking Design thinking
Design Thinking Design thinking Design thinkingDesign Thinking Design thinking Design thinking
Design Thinking Design thinking Design thinking
 
一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理
一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理
一比一原版(UNUK毕业证书)诺丁汉大学毕业证如何办理
 
RTUYUIJKLDSADAGHBDJNKSMAL,D
RTUYUIJKLDSADAGHBDJNKSMAL,DRTUYUIJKLDSADAGHBDJNKSMAL,D
RTUYUIJKLDSADAGHBDJNKSMAL,D
 
一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理
一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理
一比一原版(Bristol毕业证书)布里斯托大学毕业证成绩单如何办理
 
一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理
一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理
一比一原版(CITY毕业证书)谢菲尔德哈勒姆大学毕业证如何办理
 
一比一原版(BU毕业证)波士顿大学毕业证如何办理
一比一原版(BU毕业证)波士顿大学毕业证如何办理一比一原版(BU毕业证)波士顿大学毕业证如何办理
一比一原版(BU毕业证)波士顿大学毕业证如何办理
 
一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理
一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理
一比一原版(UCB毕业证书)伯明翰大学学院毕业证成绩单如何办理
 
Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...
Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...
Коричневый и Кремовый Деликатный Органический Копирайтер Фрилансер Марке...
 
Moldes de letra 3D Alfabeto completo esp
Moldes de letra 3D Alfabeto completo espMoldes de letra 3D Alfabeto completo esp
Moldes de letra 3D Alfabeto completo esp
 
Top Interior Designers in Bangalore.pdf1
Top Interior Designers in Bangalore.pdf1Top Interior Designers in Bangalore.pdf1
Top Interior Designers in Bangalore.pdf1
 
一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理
一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理
一比一原版(Glasgow毕业证书)格拉斯哥大学毕业证成绩单如何办理
 
Can AI do good? at 'offtheCanvas' India HCI prelude
Can AI do good? at 'offtheCanvas' India HCI preludeCan AI do good? at 'offtheCanvas' India HCI prelude
Can AI do good? at 'offtheCanvas' India HCI prelude
 
Borys Sutkowski portfolio interior design
Borys Sutkowski portfolio interior designBorys Sutkowski portfolio interior design
Borys Sutkowski portfolio interior design
 
Research 20 slides Amelia gavryliuks.pdf
Research 20 slides Amelia gavryliuks.pdfResearch 20 slides Amelia gavryliuks.pdf
Research 20 slides Amelia gavryliuks.pdf
 
UNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptx
UNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptxUNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptx
UNIT IV-VISUAL STYLE AND MOBILE INTERFACES.pptx
 
一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理
一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理
一比一原版(Brunel毕业证书)布鲁内尔大学毕业证成绩单如何办理
 
一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理
一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理
一比一原版(Bolton毕业证书)博尔顿大学毕业证成绩单如何办理
 
PDF SubmissionDigital Marketing Institute in Noida
PDF SubmissionDigital Marketing Institute in NoidaPDF SubmissionDigital Marketing Institute in Noida
PDF SubmissionDigital Marketing Institute in Noida
 
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptxUNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
UNIT V ACTIONS AND COMMANDS, FORMS AND CONTROLS.pptx
 
Storytelling For The Web: Integrate Storytelling in your Design Process
Storytelling For The Web: Integrate Storytelling in your Design ProcessStorytelling For The Web: Integrate Storytelling in your Design Process
Storytelling For The Web: Integrate Storytelling in your Design Process
 

Dd205 Spring2010 Class07

  • 2. Quiz: Write about this doorway. How does it relate to the reading?
  • 3. What is a relief? A relief is a 3-dimensional form that holds a middle ground between 2-dimensional images and fully 3-dimensional objects
  • 5. Relief Sculptures In Sita Caves Ellora Caves, India
  • 6. Neutrality Reliefs are viewed frontally similarly to paintings Paintings are spatially neutral Reliefs become active in the physical space St George and the Dragon 1508 Marble, 128 x 182 cm Musée du Louvre, Paris Raphael, St. George Fighting the Dragon, 1505; Oil on wood, 12×10 1/4 in (30×26 cm); Musée du Louvre, Paris
  • 7. Nativity, Annunication , the Annunciation to the Shepherds and Washing of the Infant Jesus, pulpit, Pisa Baptistery, Nicola Pisano
  • 8. Death of the Virgin, Strasbourg Cathedral
  • 9. What is Convex vs. Concave? Convex: Areas of the relief surface that push into space Concave: Space pushes back as concave areas.
  • 10. The Feast of Herod, Donatello
  • 11. Sacrifice of Isaac By Ghiberti Sacrifice of Isaac By Brunelleschi
  • 12. What was the original purpose of relief? To adorn architecture Modulate the sun’s light and shadow Help to elaborate the beliefs embodied by the building
  • 13. Notre Dame de Paris
  • 14. Bas-Relief Low form of relief Ancient Egyptian Bas-Relief
  • 15. Catacombs of Kom el-Shuqafa, the "Mound of Shards,” Egypt
  • 17. The Great Stupa at Sanchi India
  • 18. What are Chiaroscuro & Modeling? Chiaroscuro creates distinct contrasts between light and dark Smooth, gradual transitions from shadowed to light areas characterize a modeled surface.
  • 19. Lorenzo Ghiberti (Italian, 1378-1380–1455) Jacob and Esau relief, Gates of Paradise, 1425–52, from the east portal of the Baptistery of San Giovanni, Florence
  • 20. Gates of Paradise Baptistry Doors, Florence Ghiberti
  • 21. Rodin’s Gates of Hell “La Porte de l’Enfer” 1880-1917
  • 22. ZonaArqueológica de Uxmal, Muna, Yucatán, México
  • 23. The Resurrection Cathedral of Florence Luca dellaRobbia
  • 24. Jean Goujon Fontaine des Innocents, 1547-49
  • 25. Petra 6th Century BC Modern-day Jordan
  • 26. 'The Meeting of Leo I and Attila', by Alessandro Algardi, 1646-53, Basilica di San Pietro, Vatican
  • 27. Trumpet Players Detail from Cantoria Luca dellaRobbia marble, originally in Florence Cathedral 1431-38
  • 29. Continuous vs. Discontinuous A continuous surface is flowing and gradually changing A discontinuous surface is constructed from flat, planar segments. Joseph Havel Curtains, 1999 KallmannMcKinnell & Knowles, 1968
  • 30. Discontinuous Surface What are the flat segments of a discontinuous surface called? Surface planes Facets Faces
  • 32. Discontinuous Surface What is the name of the relative direction at which the faces meet? Face angle
  • 34. Continuous vs. Discontinuous Continuous Organic Degree of Curvature Discontinuous Geometric Face Angles
  • 35. Antoni Gaudi's La Pedrera
  • 36. Peabody Terrace Josep Luis Sert (1964) Cambridge, MA
  • 37. Museum of Art & Design (pre-renovation) New York, New York
  • 38. St. Patrick’s Cathedral New York, New York
  • 39. Greg Taylor - Partner at Studio Formwork Research: Tectonic Architecture
  • 40. Kit Assemblage Develop a three-dimensional design for a structure or device made up of ten or more individual parts. These should be simple geometric elements making up a more complex design form. The Assemblage should be developed in four stages: Stage 1 – Design Proposal – single paragraph proposal with concept sketches of design and individual elements Stage 2 – Digital parts list – digital renderings of the kit parts of your design labeled and organized. Stage 3 – Orthographic views of kit parts and final construct Stage 4 – Digital information board of the kit
  • 41. Extra Credit Assignment Build your 3D object Requirements: Choose a material suitable to your 3D object (foam core, cardboard, plastic, wood, etc) Schedule a meeting with me to discuss Construct your 10 pieces to form your 3D object Document your full process with photo/video/text Present with your final Kit on April 7 (after Spring Break)
  • 42. Your Design Process Make sure to document the ENTIRE design process Identify the Problem Generate Ideas Sketches & Notes Refine & Analyze Create the Prototype Decide on Prototype Implement (Sell/Exhibit/Produce) All Stages of design process should be presented at Step 4
  • 43. Homework – DUE APRIL 7 Stage 4 – Digital information board of the kit Use Illustrator to lay out the items Uselabels for each section (based on the stages of the assignment) Professional Look Name your Object Be creative SIZE: TABLOID Export as PDF so that we can view in detail or zoomed out Include all stages of kit assemblage
  • 44.
  • 45.
  • 46.

Editor's Notes

  1. Bridges the 2 & 3 dimensional
  2. Not far from The Thinker stands Rodin's monumental masterpiece, The Gates of Hell, installed in the garden of the Museum in 1937. By a decree of 16 August 1880, Rodin received a commission from the Directorate of Fine Arts for a monumental door which was to be decorated with low reliefs inspired by The Divine Comedy of Dante. This door was intended for the planned Museum of Decorative Arts in Paris to be built on the site of the Cour des Comptes, demolished in 1871 (this site is now occupied by the Musée d'Orsay). The subject was probably suggested by Rodin for it is known that he admired Dante and used to keep a copy of his book in his pocket. He started to work feverishly in a studio specially allocated to him for the purpose at the Dépôt des Marbres in Rue de l'Université. His initial idea was a composition in panels similar to the Door of Paradise in the Baptistery of Florence by Ghiberti (1425-1452). However, he soon changed his mind about dividing the door into sections, preferring the example of Michelangelo's Last Judgement in the Sistine Chapel. The third maquette (exhibited in room 10) shows that already in 1880 its composition was close to the one finally adopted.