This document discusses lighting design for haunted attractions. It covers stage lighting principles like visibility, mood, and composition. It also discusses show control options ranging from basic preset patterns to advanced DMX control. Additionally, it promotes LED lighting systems for their compact size, safety, and flexibility. Examples of successfully lit haunted attractions are provided. The presentation concludes with a Q&A session.
New 2-hour Version: Use What You Have and (Still) Produce Great Video to Incr...Donald Schwartz
1. Learn the importance of understanding differences between what video makers can see with their eyes and what their camera can capture.
2. Learn low cost methods to improve your story-telling by improving the quality of your image and sound capture regardless of what camera you use.
The document outlines the lighting design for various areas of the Delavan Public Library including the stacks areas, task locations, circulation pathways, children's areas, entryway, and bathroom with recommendations for luminaire types, lighting layers, color temperature, CRI, and illumination levels to provide optimal task lighting, ambient lighting, and visual interest throughout the library spaces.
Here is a data sheet on the Dukane 8420 DLP ( Digital Light Processor) Projector from Dukane.
Bill McIntosh
School Vision Inc ( my consulting company)
Authorized Dukane Consultant
Phone :843-442-8888
Email :WKMcIntosh@Comcast.net
Twitter : @OtisTMcIntosh
SchoolVision Website on Facebook: https://www.facebook.com/WKMIII
You can find information on all of Dukane products here
http://www.slideshare.net/WKMcIntoshIII/documents
http://www.slideshare.net/WKMcIntoshIII/presentations
http://www.slideshare.net/WKMcIntoshIII/videos.
Here is the main the main Dukane website
www.dukane.com/av
Here is a data sheet on the Dukane 8421 DLP ( Digital Light Processor) projector from Dukane.
Bill McIntosh
School Vision Inc ( my consulting company)
Authorized Dukane Consultant
Phone :843-442-8888
Email :WKMcIntosh@Comcast.net
Twitter : @OtisTMcIntosh
SchoolVision Website on Facebook: https://www.facebook.com/WKMIII
You can find information on all of Dukane products here
http://www.slideshare.net/WKMcIntoshIII/documents
http://www.slideshare.net/WKMcIntoshIII/presentations
http://www.slideshare.net/WKMcIntoshIII/videos.
Here is the main the main Dukane website
www.dukane.com/av
This document summarizes and provides examples of different types of portable lighting equipment used in media productions. It discusses redheads and blondes, which are portable key and flood lights that produce hard shadows and are commonly used for lighting large areas. It also covers practicals, which are any light sources that are part of the scene, reflector boards for bouncing and controlling light, and scrims/diffusers for softening light. Additionally, it provides information on spotlighting, floods, gobos, LED lights, hard and soft lighting techniques, and lighting set-ups involving key, fill, and back lights. Throughout it provides example uses and price ranges for different pieces of equipment.
Redheads are lightweight, multi-purpose lights ideal for TV news coverage, commercials, and films. They produce around 800W of light but are not powerful enough to be a main light source. Blondes are larger lights that produce between 1000-2000W, making them extremely powerful for flooding large areas. Practical lights are lights that are visible in the frame of a shot, like lamps or streetlights, and help make scenes look more realistic. Reflector boards bounce light to control shadows and highlights. There are white, silver, gold, and black reflector boards that each impact the light and colors differently.
The document discusses lighting instruments used for energy audits. It covers key concepts in lighting including illuminance, luminance, lighting quantity units (watts, lumens, foot-candles), efficacy, IES recommended light levels, and aspects of lighting quality such as uniformity, glare, color rendering index, and coordinated color temperature. Good lighting design aims to provide the right quantity and quality of light to suit the visual task and create the desired mood or atmosphere in a space. Lighting quality factors like uniformity and minimizing glare are important for occupant comfort and productivity.
Selecting A Projector For Classroom UseChuck Jones
This document provides guidance on selecting a projector for classroom use. It discusses key considerations like lumens, resolution, aspect ratio, projector types, weight, connectivity, and more. Projector brightness needs to accommodate ambient light levels, with 2000-2500 lumens recommended for rooms with bright lighting. Resolution should match what is being displayed. The document aims to help schools identify important features rather than recommend specific brands or models.
New 2-hour Version: Use What You Have and (Still) Produce Great Video to Incr...Donald Schwartz
1. Learn the importance of understanding differences between what video makers can see with their eyes and what their camera can capture.
2. Learn low cost methods to improve your story-telling by improving the quality of your image and sound capture regardless of what camera you use.
The document outlines the lighting design for various areas of the Delavan Public Library including the stacks areas, task locations, circulation pathways, children's areas, entryway, and bathroom with recommendations for luminaire types, lighting layers, color temperature, CRI, and illumination levels to provide optimal task lighting, ambient lighting, and visual interest throughout the library spaces.
Here is a data sheet on the Dukane 8420 DLP ( Digital Light Processor) Projector from Dukane.
Bill McIntosh
School Vision Inc ( my consulting company)
Authorized Dukane Consultant
Phone :843-442-8888
Email :WKMcIntosh@Comcast.net
Twitter : @OtisTMcIntosh
SchoolVision Website on Facebook: https://www.facebook.com/WKMIII
You can find information on all of Dukane products here
http://www.slideshare.net/WKMcIntoshIII/documents
http://www.slideshare.net/WKMcIntoshIII/presentations
http://www.slideshare.net/WKMcIntoshIII/videos.
Here is the main the main Dukane website
www.dukane.com/av
Here is a data sheet on the Dukane 8421 DLP ( Digital Light Processor) projector from Dukane.
Bill McIntosh
School Vision Inc ( my consulting company)
Authorized Dukane Consultant
Phone :843-442-8888
Email :WKMcIntosh@Comcast.net
Twitter : @OtisTMcIntosh
SchoolVision Website on Facebook: https://www.facebook.com/WKMIII
You can find information on all of Dukane products here
http://www.slideshare.net/WKMcIntoshIII/documents
http://www.slideshare.net/WKMcIntoshIII/presentations
http://www.slideshare.net/WKMcIntoshIII/videos.
Here is the main the main Dukane website
www.dukane.com/av
This document summarizes and provides examples of different types of portable lighting equipment used in media productions. It discusses redheads and blondes, which are portable key and flood lights that produce hard shadows and are commonly used for lighting large areas. It also covers practicals, which are any light sources that are part of the scene, reflector boards for bouncing and controlling light, and scrims/diffusers for softening light. Additionally, it provides information on spotlighting, floods, gobos, LED lights, hard and soft lighting techniques, and lighting set-ups involving key, fill, and back lights. Throughout it provides example uses and price ranges for different pieces of equipment.
Redheads are lightweight, multi-purpose lights ideal for TV news coverage, commercials, and films. They produce around 800W of light but are not powerful enough to be a main light source. Blondes are larger lights that produce between 1000-2000W, making them extremely powerful for flooding large areas. Practical lights are lights that are visible in the frame of a shot, like lamps or streetlights, and help make scenes look more realistic. Reflector boards bounce light to control shadows and highlights. There are white, silver, gold, and black reflector boards that each impact the light and colors differently.
The document discusses lighting instruments used for energy audits. It covers key concepts in lighting including illuminance, luminance, lighting quantity units (watts, lumens, foot-candles), efficacy, IES recommended light levels, and aspects of lighting quality such as uniformity, glare, color rendering index, and coordinated color temperature. Good lighting design aims to provide the right quantity and quality of light to suit the visual task and create the desired mood or atmosphere in a space. Lighting quality factors like uniformity and minimizing glare are important for occupant comfort and productivity.
Selecting A Projector For Classroom UseChuck Jones
This document provides guidance on selecting a projector for classroom use. It discusses key considerations like lumens, resolution, aspect ratio, projector types, weight, connectivity, and more. Projector brightness needs to accommodate ambient light levels, with 2000-2500 lumens recommended for rooms with bright lighting. Resolution should match what is being displayed. The document aims to help schools identify important features rather than recommend specific brands or models.
This project report summarizes Yash Agarwal's lighting design project for Dezyne E'cole College in Ajmer, India. It discusses the psychological effects of lighting and the use of lighting to establish mood. It covers color temperature, bulb types, lighting distributions, and the use of lighting for ambient, task, and accent purposes. The report aims to demonstrate Yash's learning around lighting design and its application to commercial spaces.
The Litepanels 1x1 is a versatile LED production light that is highly portable, lightweight, and energy efficient. It produces soft, directional lighting while drawing only 40 Watts of power. It can be used individually or combined into larger lighting panels. The 1x1 comes in different color temperature options and has a dimmer knob allowing precise lighting control. It runs on AC power or batteries, making it suitable for both studio and location work.
Manual Super Narrow Bezel Diplay 55WV70. Para más información de este y otros productos de línea empresas LG Electronics, visita http://www.lgempresas.cl
Investigating and explaining of different lighting equipmentwilliamlow22
1. Redheads operate between 650-1000W and are commonly used at 800W. They provide lighting for large areas and as fills or backlights, but are difficult to control.
2. Blondes operate at 2000W and produce a lot of light but can overheat actors. They are also hard to shape lighting exactly.
3. Reflector boards come in white, silver, and gold and are used to bounce and control light, helping create natural fill lighting effects.
Investigating and explaining of different lighting equipmentwilliamlow22
This document discusses different types of portable lighting equipment used in film and video production, including their power output, costs, advantages, and disadvantages. It covers redheads (650-1000W), blondes (2000W), practical lights, reflector boards, scrims/diffusers, spotlights (1600-3000W), floods, gobos, tungsten/halogen lights, Dedolights, and LED lights. It also discusses hard vs. soft lighting, key lighting, fill lighting, back lighting, and color temperature measured in Kelvin.
The document provides information about various types of lighting used in video production. It defines key lighting terms like hard light, soft light, back light, fill light, etc. and describes the purpose and use of different lighting accessories or tools including barn doors, gels, diffusers, reflectors, etc. It also explains color temperature and measurement units used in lighting like lumens, kelvin, kilowatts.
Assignment #14 (p1): Photography Research And Precticemedia_jojo
The document provides information about various photography basics including lighting techniques, composition rules, and camera settings. It discusses topics such as exposure, diffusing light, rule of thirds, shutter speed, depth of focus, and transferring photos. Examples and illustrations are provided for many of the techniques. The document appears to be materials for a presentation on fundamental photography concepts and best practices.
Assignment 14 photography research and practiceksumbland
This document provides an assignment outline and instructions for a group photography project. It lists the names of four students - Kaya, Rahel, Joanne, and Gledis - and assigns each one a part of the presentation to cover, including different aspects of lighting, shutter speed, composition techniques, and photo editing basics like cropping and color adjustment. An accompanying table outlines the specific topics each student will discuss.
This document discusses different lighting techniques including Rembrandt lighting, basic lighting, surround lighting, shell lighting, surrounding lighting for horror effects, partial lighting, and using multiple shadow layers. It focuses on how light and shadows can be manipulated for different aesthetic and mood purposes.
- Regent Lighting is headquartered in Basel, Switzerland with offices globally including in India. It employs around 500 people total with 80 in R&D.
- Regent Lighting Asia is its 100% subsidiary in India located in Noida, Delhi. It provides lighting solutions for major corporate clients across India.
- Regent is a pioneer in lighting technologies like MDT, Senso Dim, and PAL and has won numerous design awards for its products. It provides architectural, office, retail, and custom lighting solutions globally.
The document provides information on various photography basics including lighting techniques like exposure, diffusing, high key and low key lighting; composition rules like the rule of thirds; and shutter speed. It also discusses topics such as transferring photos to a computer, changing angles for composition, and using reflectors to bounce light onto subjects. Examples and illustrations are provided for many of the techniques discussed.
The document discusses lighting considerations for bathrooms. It divides bathrooms into zones based on proximity to water and risk of electric shock. Lights suitable for each zone are identified based on their Ingress Protection (IP) rating. Zone 0 includes interior surfaces of bathtubs and showers, while Zone 1 is the area up to 2.25m from water outlets. Lights must have an IP rating of at least IPX4 for Zones 0 and 1. General lighting and outlets suitable for Zone 2 require a minimum IPX1 rating. Product examples from Delta Light that meet these requirements are provided.
The document proposes three concepts for LED lighting solutions in Russia:
1. A ceiling and wall light panel system with adjustable LED modules and remote control that allows creation of different lighting patterns.
2. A hanging lamp with adjustable LED modules on flexible arms that can provide both exhibition and office lighting.
3. A spiral-shaped LED light system that can be installed on ceilings or walls, using different LED types to provide main or decorative lighting for long spaces.
USITT 2012 session - Work & Task LightingErich Friend
The presentation discussed proper lighting for various work areas in a theatre setting. It emphasized the importance of sufficient, glare-free lighting to minimize safety hazards. Specific lighting recommendations were provided for backstage areas, the forestage, catwalks, shops and stages, and dressing rooms. The presentation stressed using lighting that provides accurate color rendition, high brightness levels, low glare, energy efficiency and low maintenance.
Last February 17, 2012, the 2nd IIEE-CRCSA Technical Seminar kicked off with a good response from the members and non-members with the participation of more than 100 who showed-up at the White Palace Hotel, Riyadh, Saudi Arabia. Seminar title was “Basics of Indoor Lighting using DIALux”. The seminar was conducted by Engr. Michael T. Santiago, a Lighting Application & Design Engineer from Saudi Lighting Company. The participants were awed by his DIALux 4.10 software demonstration specially when he imported a room layout from AutoCad drawing and applied the lighting calculation on it which later provided a very nice colored 3-D drawing of the room. A continuation of this seminar which is “Basics of Outdoor Lighting” will be presented on the incoming 14th Midyear Convention.
SOURCE: http://iiee-crcsa.org/index.php/9-news-articles/90-iiee-crcsa-second-technical-seminar-kicked-off
Sound and light by Muhammad Fahad Ansari 12IEEM14fahadansari131
This document provides an overview of sound and light as topics in an environmental physics lecture. It discusses waves, the electromagnetic spectrum, properties of light like reflection and refraction, how the eye sees color, and uses of light like in optical instruments. Examples of concepts covered include transverse waves, primary and complementary colors, reflection and refraction vocabulary, ray tracing through lenses, diffraction gratings, and state science standards.
The document discusses the techniques of 3 point lighting, including how to use a key light, fill light, hair light, and edge light individually and together to properly light a subject. It provides examples of lighting setups using different types of lights and their placement to achieve different moods and minimize shadows. Proper lighting of the background is also covered, along with optional techniques like adding edge lights, background lights, or color gels.
The VPL-DX10 is a compact and portable projector that weighs 2.1kg and has a footprint smaller than an A4 sheet of paper, making it easy to carry between meetings. It produces 2500 lumens and has XGA resolution. Key features include its small size and light weight, an easy-to-use control panel, and the ability to quickly restart presentations within 5 seconds of turning off. It is designed for use in small to medium rooms.
BH Event Space: Use What You Have Video Prod w/Color Balance (2 Hour …Donald Schwartz
Please hold the scrim material up to demonstrate.
• Barn doors: Control spill and shape light. Suggestions: Matthews B-Stoppers
• Gels: Change color of light. Suggestions: Rosco Cinegel, Lee Filters
• Reflectors: Bounce light. Suggestions: Chimera, Westcott, Lastolite
• Flags: Block light. Suggestions: Cinefoil, Blackwrap, Blackwrap Pro
• Grids: Narrow beam angle. Suggestions: Chimera, Matthews, Lowel Pro Grids
• Softboxes: Diffuse and spread light. Suggestions: Westcott, Chimera,
An LED is a semiconductor device that emits light when activated by electricity. Blue LEDs were first developed in 1972 but were not bright. The first high-brightness blue LED was created by Nakamura in 1994, paving the way for white LEDs through phosphor coatings. White LEDs are now commonly used and offer advantages over traditional lighting like higher efficiency, longer lifetime, and ability to emit specific colors. However, LEDs also have some disadvantages such as higher initial cost and temperature/voltage sensitivity.
This document provides an introduction to lighting design concepts. It discusses why lighting is an important design element and how light impacts perception. It introduces key terminology like lumens, illuminance, and luminance used to describe light. It also covers the physics of light, how the eye works, and factors that influence vision. Color science concepts like color rendering index and correlated color temperature are defined. The document emphasizes that lighting design is about controlling the intensity, color, and texture of light to elicit specific behavioral and emotional responses from people in designed environments. A few well-placed lights can be more effective than applying even light levels throughout a space.
This document provides an overview of LED technology, including its history, types, and benefits. It discusses the development of LEDs from red lights in the 1960s to modern high-brightness blue and white LEDs. Key developments include the invention of high-brightness blue LEDs in the 1990s, which enabled the production of white LEDs through phosphor coating and advanced lighting applications. The document also describes the inner workings of LEDs, comparing their efficiency and lifetime to other light sources, and provides details on connecting, soldering and testing LED circuits.
This project report summarizes Yash Agarwal's lighting design project for Dezyne E'cole College in Ajmer, India. It discusses the psychological effects of lighting and the use of lighting to establish mood. It covers color temperature, bulb types, lighting distributions, and the use of lighting for ambient, task, and accent purposes. The report aims to demonstrate Yash's learning around lighting design and its application to commercial spaces.
The Litepanels 1x1 is a versatile LED production light that is highly portable, lightweight, and energy efficient. It produces soft, directional lighting while drawing only 40 Watts of power. It can be used individually or combined into larger lighting panels. The 1x1 comes in different color temperature options and has a dimmer knob allowing precise lighting control. It runs on AC power or batteries, making it suitable for both studio and location work.
Manual Super Narrow Bezel Diplay 55WV70. Para más información de este y otros productos de línea empresas LG Electronics, visita http://www.lgempresas.cl
Investigating and explaining of different lighting equipmentwilliamlow22
1. Redheads operate between 650-1000W and are commonly used at 800W. They provide lighting for large areas and as fills or backlights, but are difficult to control.
2. Blondes operate at 2000W and produce a lot of light but can overheat actors. They are also hard to shape lighting exactly.
3. Reflector boards come in white, silver, and gold and are used to bounce and control light, helping create natural fill lighting effects.
Investigating and explaining of different lighting equipmentwilliamlow22
This document discusses different types of portable lighting equipment used in film and video production, including their power output, costs, advantages, and disadvantages. It covers redheads (650-1000W), blondes (2000W), practical lights, reflector boards, scrims/diffusers, spotlights (1600-3000W), floods, gobos, tungsten/halogen lights, Dedolights, and LED lights. It also discusses hard vs. soft lighting, key lighting, fill lighting, back lighting, and color temperature measured in Kelvin.
The document provides information about various types of lighting used in video production. It defines key lighting terms like hard light, soft light, back light, fill light, etc. and describes the purpose and use of different lighting accessories or tools including barn doors, gels, diffusers, reflectors, etc. It also explains color temperature and measurement units used in lighting like lumens, kelvin, kilowatts.
Assignment #14 (p1): Photography Research And Precticemedia_jojo
The document provides information about various photography basics including lighting techniques, composition rules, and camera settings. It discusses topics such as exposure, diffusing light, rule of thirds, shutter speed, depth of focus, and transferring photos. Examples and illustrations are provided for many of the techniques. The document appears to be materials for a presentation on fundamental photography concepts and best practices.
Assignment 14 photography research and practiceksumbland
This document provides an assignment outline and instructions for a group photography project. It lists the names of four students - Kaya, Rahel, Joanne, and Gledis - and assigns each one a part of the presentation to cover, including different aspects of lighting, shutter speed, composition techniques, and photo editing basics like cropping and color adjustment. An accompanying table outlines the specific topics each student will discuss.
This document discusses different lighting techniques including Rembrandt lighting, basic lighting, surround lighting, shell lighting, surrounding lighting for horror effects, partial lighting, and using multiple shadow layers. It focuses on how light and shadows can be manipulated for different aesthetic and mood purposes.
- Regent Lighting is headquartered in Basel, Switzerland with offices globally including in India. It employs around 500 people total with 80 in R&D.
- Regent Lighting Asia is its 100% subsidiary in India located in Noida, Delhi. It provides lighting solutions for major corporate clients across India.
- Regent is a pioneer in lighting technologies like MDT, Senso Dim, and PAL and has won numerous design awards for its products. It provides architectural, office, retail, and custom lighting solutions globally.
The document provides information on various photography basics including lighting techniques like exposure, diffusing, high key and low key lighting; composition rules like the rule of thirds; and shutter speed. It also discusses topics such as transferring photos to a computer, changing angles for composition, and using reflectors to bounce light onto subjects. Examples and illustrations are provided for many of the techniques discussed.
The document discusses lighting considerations for bathrooms. It divides bathrooms into zones based on proximity to water and risk of electric shock. Lights suitable for each zone are identified based on their Ingress Protection (IP) rating. Zone 0 includes interior surfaces of bathtubs and showers, while Zone 1 is the area up to 2.25m from water outlets. Lights must have an IP rating of at least IPX4 for Zones 0 and 1. General lighting and outlets suitable for Zone 2 require a minimum IPX1 rating. Product examples from Delta Light that meet these requirements are provided.
The document proposes three concepts for LED lighting solutions in Russia:
1. A ceiling and wall light panel system with adjustable LED modules and remote control that allows creation of different lighting patterns.
2. A hanging lamp with adjustable LED modules on flexible arms that can provide both exhibition and office lighting.
3. A spiral-shaped LED light system that can be installed on ceilings or walls, using different LED types to provide main or decorative lighting for long spaces.
USITT 2012 session - Work & Task LightingErich Friend
The presentation discussed proper lighting for various work areas in a theatre setting. It emphasized the importance of sufficient, glare-free lighting to minimize safety hazards. Specific lighting recommendations were provided for backstage areas, the forestage, catwalks, shops and stages, and dressing rooms. The presentation stressed using lighting that provides accurate color rendition, high brightness levels, low glare, energy efficiency and low maintenance.
Last February 17, 2012, the 2nd IIEE-CRCSA Technical Seminar kicked off with a good response from the members and non-members with the participation of more than 100 who showed-up at the White Palace Hotel, Riyadh, Saudi Arabia. Seminar title was “Basics of Indoor Lighting using DIALux”. The seminar was conducted by Engr. Michael T. Santiago, a Lighting Application & Design Engineer from Saudi Lighting Company. The participants were awed by his DIALux 4.10 software demonstration specially when he imported a room layout from AutoCad drawing and applied the lighting calculation on it which later provided a very nice colored 3-D drawing of the room. A continuation of this seminar which is “Basics of Outdoor Lighting” will be presented on the incoming 14th Midyear Convention.
SOURCE: http://iiee-crcsa.org/index.php/9-news-articles/90-iiee-crcsa-second-technical-seminar-kicked-off
Sound and light by Muhammad Fahad Ansari 12IEEM14fahadansari131
This document provides an overview of sound and light as topics in an environmental physics lecture. It discusses waves, the electromagnetic spectrum, properties of light like reflection and refraction, how the eye sees color, and uses of light like in optical instruments. Examples of concepts covered include transverse waves, primary and complementary colors, reflection and refraction vocabulary, ray tracing through lenses, diffraction gratings, and state science standards.
The document discusses the techniques of 3 point lighting, including how to use a key light, fill light, hair light, and edge light individually and together to properly light a subject. It provides examples of lighting setups using different types of lights and their placement to achieve different moods and minimize shadows. Proper lighting of the background is also covered, along with optional techniques like adding edge lights, background lights, or color gels.
The VPL-DX10 is a compact and portable projector that weighs 2.1kg and has a footprint smaller than an A4 sheet of paper, making it easy to carry between meetings. It produces 2500 lumens and has XGA resolution. Key features include its small size and light weight, an easy-to-use control panel, and the ability to quickly restart presentations within 5 seconds of turning off. It is designed for use in small to medium rooms.
BH Event Space: Use What You Have Video Prod w/Color Balance (2 Hour …Donald Schwartz
Please hold the scrim material up to demonstrate.
• Barn doors: Control spill and shape light. Suggestions: Matthews B-Stoppers
• Gels: Change color of light. Suggestions: Rosco Cinegel, Lee Filters
• Reflectors: Bounce light. Suggestions: Chimera, Westcott, Lastolite
• Flags: Block light. Suggestions: Cinefoil, Blackwrap, Blackwrap Pro
• Grids: Narrow beam angle. Suggestions: Chimera, Matthews, Lowel Pro Grids
• Softboxes: Diffuse and spread light. Suggestions: Westcott, Chimera,
An LED is a semiconductor device that emits light when activated by electricity. Blue LEDs were first developed in 1972 but were not bright. The first high-brightness blue LED was created by Nakamura in 1994, paving the way for white LEDs through phosphor coatings. White LEDs are now commonly used and offer advantages over traditional lighting like higher efficiency, longer lifetime, and ability to emit specific colors. However, LEDs also have some disadvantages such as higher initial cost and temperature/voltage sensitivity.
This document provides an introduction to lighting design concepts. It discusses why lighting is an important design element and how light impacts perception. It introduces key terminology like lumens, illuminance, and luminance used to describe light. It also covers the physics of light, how the eye works, and factors that influence vision. Color science concepts like color rendering index and correlated color temperature are defined. The document emphasizes that lighting design is about controlling the intensity, color, and texture of light to elicit specific behavioral and emotional responses from people in designed environments. A few well-placed lights can be more effective than applying even light levels throughout a space.
This document provides an overview of LED technology, including its history, types, and benefits. It discusses the development of LEDs from red lights in the 1960s to modern high-brightness blue and white LEDs. Key developments include the invention of high-brightness blue LEDs in the 1990s, which enabled the production of white LEDs through phosphor coating and advanced lighting applications. The document also describes the inner workings of LEDs, comparing their efficiency and lifetime to other light sources, and provides details on connecting, soldering and testing LED circuits.
Numerous LED products are currently ready for prime and are better than incumbent technologies for interior applications. But there are also many LED products that are not yet nearly as cost effective as high performance fluorescent, halogen infrared, MH, etc.
This seminar will discuss reach-in frig/freezers, decorative lights, accent lighting, recessed cans, linear replacement lamps, troffers and other applications. A 0.4 - 0.6 watts per square foot with good lighting quality is attainable with highperformance task ambient lighting, without the need for expensive, more complex
systems. Long-term life cycle costs will be included. (High bay lighting is not included, because there is another workshop dedicated to the subject.)
1) Task lighting that provides the right amount of light without shadows is key to significant energy savings and user acceptance compared to current high ambient lighting practices.
2) A new LED-based personal lighting system was developed with undercabinet, desk, and adjustable task lights that provide balanced lighting across work surfaces while using 45% less energy than required by codes.
3) Proper task lighting makes low ambient lighting sufficient, improving affordability and payback within 5 years for new construction and 2.5 years for retrofits compared to current high ambient lighting designs.
This document discusses light and color science, including color perception, light sources, objects, and visual color management. It covers key topics such as how color is influenced by the light source, object, and observer. Common light sources like daylight, incandescent, fluorescent, and their color temperatures are examined. Visual color evaluation limitations are reviewed and proper evaluation techniques are outlined. Color models and spectral reflectance curves are also introduced.
This document discusses light and color science, including color perception, light sources, objects, and visual color management. It covers key topics such as how color is influenced by the light source, object, and observer. Common light sources like daylight, incandescent, fluorescent, and their properties are described. Visual color evaluation limitations and the importance of standardized viewing conditions are also summarized. Instrumental color measurement is introduced as more accurate than visual assessment.
This document summarizes the development of a lighting technology startup. It began investigating high-brightness LED linear bulbs but pivoted to focus on color-tunable lighting after determining commercial customers prioritized dimming over brightness. The startup then explored museum and horticulture lighting markets where color control is important, with the potential to target the $500 million museum PAR38 bulb market with an integrated, color-tunable solution.
The document provides an overview of lighting systems and energy conservation measures related to lighting. It discusses the types of lamps commonly used in commercial lighting, including incandescent, fluorescent, high intensity discharge, and LED lamps. It also covers lighting fundamentals such as lumens, illuminance, efficacy, color rendering index, and color temperature. Key energy conservation measures for lighting systems include installing more efficient lamps and using lighting controls.
This document summarizes LED (light-emitting diode) technology. It begins with an introduction to LEDs as p-n junction diodes made of semiconductors that emit light when forward biased. The working principle is then explained as current flowing through the diode, causing electrons and holes to move and releasing energy in the form of photons when electrons fall to lower energy levels. Types of LEDs are listed based on the materials used like gallium arsenide. Uses include LED light bulbs, vehicle lights, phone flashes, and traffic lights. Advantages are high efficiency and ability to emit specific colors, while disadvantages include higher initial costs and temperature dependence.
This document summarizes LED (light-emitting diode) technology. It begins with an introduction defining an LED as a specially doped semiconductor p-n junction diode that emits light when forward biased. The working principle is then explained as current flowing across the diode, causing negative electrons and positive holes to move in opposite directions. When an electron falls to a lower energy level, it releases energy in the form of a photon, producing light. Different semiconductor materials produce different colors of light. Common uses of LEDs include lights, displays, traffic signals and electronics. Advantages are high efficiency and small size, while disadvantages include higher initial costs and temperature dependence.
This document provides guidance on videography techniques for documentary videos. It discusses basic composition principles like rule of thirds and paying attention to the point of interest and lighting. It also covers equipment like DSLR cameras, tripods, and sound recorders. Elements of documentary videos are explained as main narrations/interviews, and filler scenes of situations and acting. Interview techniques like tight frames and steady shots are suggested. Situations are described as wide shots to fill between segments. The document concludes with suggestions to include more filler, interview angles, and explore different situation frames and angles.
This document provides guidance on videography techniques for documentary videos. It discusses basic composition principles like rule of thirds and paying attention to the point of interest and lighting. It also covers equipment like DSLR cameras, tripods, and sound recorders. Elements of documentary videos are explained as main narrations/interviews, and filler situations and acting scenes. Interview techniques like tight frames and steady shots are suggested. Situations are described as wide shots to fill between segments. The document concludes with suggestions to include more filler, interview angles, and explore different situation frames and angles.
Darkfield (dark ground) microscopy is a simple and popular method for making unstained transparent specimens clearly visible. Such objects often have refractive indices very close in value to that of their surroundings and are difficult to image in conventional brightfield microscopy. For example, many small aquatic organisms have a refractive index ranging from 1.2 to 1.4, resulting in a negligible optical difference from the surrounding aqueous medium. These are ideal candidates for darkfield illumination.
This document discusses digital photography concepts related to color management from camera to print. It covers RAW files and their benefits over JPEGs in retaining greater dynamic range and flexibility for editing. It also discusses white balance, color temperature, calibration and profiling needed to accurately translate colors between devices like cameras, monitors and printers. Histograms and using them to analyze image tones and for quality control during editing are also covered.
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4. Topic : Stage Lighting Principles
Visibility
• Light provides audience understanding of the object
being illuminated. Selectively show audience the
scene so scare can be hidden.
4
7. Topic : Stage Lighting Principles
Mood
• lighting can make the audience FEEL the scene - reds feel hot,
blues feel cold, greens feel creepy or mysterious.
7
8. Topic : Stage Lighting Principles
Qualities of Light
Intensity
Movement Form
Direction Color
8
9. Topic : Stage Lighting Principles
Intensity (1)
• Bright attract attention - used for distraction.
• Dark conceals - used for scare element.
• Darker = SLOWER throughput, more scary.
• Brighter = FASTER throughput, less scary.
• Beware of sunlight spill during early season. Customers will
see more of scenery as eyes get adjusted to darkness.
• Vary the intensity from room to room to keep guests on
edge.
9
11. Topic : Stage Lighting Principles
Form
• Shape of light/shadows can enhance realism or add
cool effects
– Blackwrap taped directly onto mini LED fixtures.
– Gobos, stained glass, reflected water
11
12. Topic : Stage Lighting Principles
Color (1)
• Primary:
Red, Green, Blue
• Secondary:
Yellow, Magenta, Cyan
12
13. Topic : Stage Lighting Principles
Color (2)
• Colored LEDs
– Narrow band
– Saturated color: surreal look
• Filtered White LEDs
– Wider band
– Softer color: more natural color
13
13
14. Topic : Stage Lighting Principles
Direction
• Hide your light source unless it's
meant to be seen.
• Generally, point light in
direction of travel.
• Overhead downward light for
natural effects, low upward
lighting for dramatic effects
• LED fixtures can easily be
mounted to any flat surface and
pointed in desired direction.
14
15. Topic : Stage Lighting Principles
Movement
• Any change in the above 4 qualities
(intensity, color, form, direction)
• Show control
15
16. Topics
• Stage Lighting Principles
• Show Control
• LED Systems
• Examples & Tips
• Q&A Session
16
17. Topic : Show Control
Basic: Preset Patterns
• Good for most haunt scenes –
continuous play, no reset.
• DarkBox Flicker Module
– Flicker, blink, strobe, fade, dimming
– Set & forget
– Multiple lights can connect to one module DarkBox Flicker
17
18. Topic : Show Control
Medium: Switches or Relays
• On/Off control of light
• Manually triggered by actor
– Vampire example: UV/red spotlight switch
• Prop controllers with relays
– User can record sequences for lights to blink
18
19. Topic : Show Control
Advanced: DMX Control
• “Performance” type show sequences
• Triggered actions
• Requires reset – suitable for preshow
– Worthwhile for longer sequences
DarkBox DMX
19
20. Topic : Show Control
DMX Overview (1)
• One master device and up to 32 daisy chained slave devices
– Slave devices: dimmers, intelligent lights, fog machines, lasers, etc.
• Master device controls up to 512 channels
– Each channel has value 0-255, slave device interprets meaning of value
• All slave devices listen to same signal
• Slave devices are differentiated by their “start address”
• Identical slave devices with same address will behave the same
20
21. Topic : Show Control
DMX Overview (2)
• Various masters available
– Basic: 6 channel manual control board,
completely manual controls
– Medium: 128 channel control board with
memory, can build different “looks” and cycle
through them automatically
– Advanced: dedicated devices, computers,
requires tech to program the show, virtually
boundless creativity allowed – actions can be
triggered
21
22. Topics
• Stage Lighting Principles
• Show Control
• LED Systems
• Examples & Tips
• Q&A Session
22
23. Topic : LED Systems
Lamps Nightlights Flashlights Fluorescent
Standard
lighting fixtures
Décor lighting
Christmas lights Neon Black light
Theatrical lighting
PAR lights Strip Floodlight Spotlight
24. Topic : LED Systems
Design Constraints of Haunts
Why LEDs are Perfect for Haunts
• Small spaces
Compact: ¼” to ½” bulbs, multi-LED fixtures comparable to standard lights
• Flammable surrounding
Low heat: Low voltage, low current, low power: safe!
• Close contact with customers
Durable: Doesn’t shatter, impact resistant, lifetime > 10 years!
• Modularity
Portable & Flexible: With right system, plug and play, all colors
• Predominantly dark
Lights up small areas: Suitable for dark environments, directional
• Cost
Competitive cost: low cost of energy and maintenance
24
25. Topic : LED Systems
LED 101 (1)
• LED = Light Emitting Diode
• Electrical one-way valve:
polarity matters
• Anode (+): long leg,
Cathode (-): short leg
• Direct Current (DC)
1.7V to 3.7V to turn on
25
26. Topic : LED Systems
LED 101 (2)
• Point light source
• Some typical LEDs:
– 3.4V
– 20mA
• Single LED may not be enough
• AC/DC adapters & resistors used 20mA:70mW
for compatibility
– 120V AC (transformer steps down to 12V)
– 12V, use resistors to limit current,
provides 3.7V to each LED
350mA: 1W
26
27. Topic : LED Systems
How to Light an LED
Basic LED Circuit
27
28. Topic : LED Systems
How to Light an LED
• Select DC source (12V)
• Determine LED specs from datasheet
– Voltage drop (3.7V)
– Maximum continuous current (20mA)
• Determine resistor needed
– Voltage = 12V – 1.7V = 10.3V
– Resistance = Voltage / Current (Ohm’s Law)
Simple LED Circuit
– Resistance = 10.3V/0.02A = 515Ω
– Pick larger common value: 560Ω
28
29. Topic : LED Systems
Flashing & Dimming
• LEDs can flash ON/OFF very quickly
– Animatronics controllers (relays) will work
• LEDs need special dimmers
– Dimming = flashing VERY fast
Pulse Width Modulation
(100s-1000s Hz)
• Brighter: more ON time than OFF time
• Darker: more OFF time than ON time 29
30. Topic : LED Systems
Types of LED lighting
• Traditional Light Replacements
– LED PAR-Can, LED light bulbs, LED stage lights…
– Connects directly to 120V AC
– Pro: bulbs are safe, low heat
– Con: bulky, cables are still 120V AC, reliable
equipment can be expensive, not water resistant
• Low Voltage Systems
– LED spotlights
– Pro: entire system is safe, low heat, water
resistant, low voltage, easier setup
– Con: Not designed for all applications
30
31. Topic : LED Systems
20 LEDs @ 20mA/LED= 400mA = 0.4A
12V Power Supply > 0.4A current output OK
31
33. Topic : LED Systems
Wiring Notes for Typical LED Systems
• Make sure Power Supply is adequate
– Calculate LED total current
– If PS not enough, use more and spread load
• Long cable has resistance (reduces brightness)
– 22AWG, < 800ft: negligible
– Long distances: go use thicker cable, reduce distance to PS
– Shorter distances: telephone cable is great
• Polarity matters: red to red, black to black
• Use stranded cable if possible: more flexible
33
34. Topic : LED Systems
Darklight makes it simple
• Polarity doesn’t matter for our LEDs Precision X
• High power LEDs have internal drivers
– Constant brightness even with voltage sag over
long wire
• Plug & play for easy reconfiguration
Precision Y
– Tool-less swapping of LED fixtures
• Water resistant
• Built to handle tough environments
– Rated for 50,000 hours
Precision Z
34
35. Topics
• Stage Lighting Principles
• Show Control
• LED Systems
• Examples & Tips
• Q&A Session
35
36. Topic : Examples & Tips
Winchester Mystery House
San Jose, CA
36
39. Topic : Examples & Tips
Tips
• Work with set lighting
• Detailed haunts should use more natural
colors: white + gel filter
• Use battery pack with LED lights to check your
work as you go
• Don’t wait until last minute! Lighting is
IMPORTANT!
39
40. Topics
• Stage Lighting Principles
• Show Control
• LED Systems
• Examples & Tips
• Q&A Session
40