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Da Vinci’s Genius – 
and That Face 
By Gina Baxter
What is it about a face that 
draws ones attention?
Is it Icelandic 
cheekbones?
A Jimmy Durante nose? Bette Davis eyes?
What is it about a 
certain face that has 
kept millions looking 
in her direction for 
centuries?
6
Leonardo da Vinci was 
an artist, inventor and 
scientist.
As well as a man often 
maddened by his own genius.
Among his works is the most 
recognizable face in the world…
…a wizardry known as the Mona Lisa
She lives at the Louvre Museum, 
behind high security and bulletproof 
glass in her own climate controlled room.
She was painted during the Renaissance 
era in 1507. During this time, portraits 
were considered status symbols for the 
upper class. 
She is sitting in a marble chair on a 
concrete balcony.
During this period, painting anatomically correct features was still be 
perfected. Many artist painted their subjects in profile view and used a 
flat paint.
Da Vinci not only used oil to 
paint Mona Lisa, but she is 
facing her viewer. Her hands 
are clearly portrayed, and the 
delicate embroidery 
of her clothing can be seen in 
extreme detail.
Although the mystery behind her 
smile is legendary, for many the 
background da Vinci painted is 
where her mystery truly begins.
Behind the model is a surreal 
looking world. Some have 
compared it to another planet 
with its skillfully placed 
mountains, rocks, water and 
road.
Da Vinci was also a master of a 
technique known as sfumato, an Italian 
word that means vanished as if up in 
smoke. 
His perfection of this technique makes 
brush strokes on Mona Lisa invisible to 
the naked eye.
First art historians were so struck by the realism they 
pointed out her lips that smiled and her eyes that shined.
19 
Her lack of brushstrokes still intrigues 
researchers to this day. In 2004, art 
researcher Bruno Mottin was among a 
group allowed to study the painting 
using infrared lasers and 3-D scanners. 
The images were so detailed they had 
to be viewed on special monitors.
20 
The computer-generated map proved the 
effect had been created by using extremely 
thin layers of paint. 
However, most scholars assumed da Vinci 
executed the light portions first then built up 
to dark. When in fact the images showed the 
dark areas around her mouth and eyes have 
the thickest layers of paint, while other dark 
areas are comparatively thin.
21 
In other words, they’re 
still unsure how he did 
it.
22 
For millions, she’s a fascination. 
For some, she’s an outright obsession.
Da Vinci was so protective of her; she was 
a painting he wouldn’t sell, and kept her 
with him until his death.
When Napoleon did his conquering, she 
was one of the objects he took. 
He hung her in his bedroom.
In 1911 an Italian handyman working at the 
Louvre stole her in order to take her back 
to her homeland. 
Sixty detectives were assigned to find her, 
and her disappearance made headlines 
around the world. 
Once caught, it’s rumored the handyman 
confessed to being in love with her.
Then, there’s the mystery of the unknown model. 
Some believe its da Vinci’s self portrait, and how he 
saw himself in feminine form. 
However, the most popular belief is that 
the face of Mona Lisa belonged to a woman 
named Lisa Gherardini. The wife of a wealthy 
silkmerchant.
One archeologist, Silvano Vinceti, is so obsessed with finding her identity, 
in 2011 he began an archeological dig under an abandoned Florentine convent, 
where it’s believed Lisa Gherardini is buried. 
He’s certain a facial reconstruction will prove she is the face of Mona Lisa. 
As of this writing, he’s excavated at least four female skeletons and has yet to find her.
Approximately 9 million people a year walk 
through the Louvre to look at her, and the 
museum receives thousands of love letters 
and poems written to her.
Her dull color is due to centuries of aged varnish that 
no one dares to clean because she cannot be insured. 
She is literally priceless.
Bibliography 
• Austen, I. (2006). New Look at Mona Lisa Yields Some New Secrets. 
• The New York Times- web publication, 
• http://www.nytimes.com/2006/09/27/arts/design/27mona.html?ref=leonardodavinci&_r=o 
• Vasari, G. (n.d.). Lives of the Painters.

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Da vinci’s genius

  • 1. Da Vinci’s Genius – and That Face By Gina Baxter
  • 2. What is it about a face that draws ones attention?
  • 3. Is it Icelandic cheekbones?
  • 4. A Jimmy Durante nose? Bette Davis eyes?
  • 5. What is it about a certain face that has kept millions looking in her direction for centuries?
  • 6. 6
  • 7. Leonardo da Vinci was an artist, inventor and scientist.
  • 8. As well as a man often maddened by his own genius.
  • 9. Among his works is the most recognizable face in the world…
  • 10. …a wizardry known as the Mona Lisa
  • 11. She lives at the Louvre Museum, behind high security and bulletproof glass in her own climate controlled room.
  • 12. She was painted during the Renaissance era in 1507. During this time, portraits were considered status symbols for the upper class. She is sitting in a marble chair on a concrete balcony.
  • 13. During this period, painting anatomically correct features was still be perfected. Many artist painted their subjects in profile view and used a flat paint.
  • 14. Da Vinci not only used oil to paint Mona Lisa, but she is facing her viewer. Her hands are clearly portrayed, and the delicate embroidery of her clothing can be seen in extreme detail.
  • 15. Although the mystery behind her smile is legendary, for many the background da Vinci painted is where her mystery truly begins.
  • 16. Behind the model is a surreal looking world. Some have compared it to another planet with its skillfully placed mountains, rocks, water and road.
  • 17. Da Vinci was also a master of a technique known as sfumato, an Italian word that means vanished as if up in smoke. His perfection of this technique makes brush strokes on Mona Lisa invisible to the naked eye.
  • 18. First art historians were so struck by the realism they pointed out her lips that smiled and her eyes that shined.
  • 19. 19 Her lack of brushstrokes still intrigues researchers to this day. In 2004, art researcher Bruno Mottin was among a group allowed to study the painting using infrared lasers and 3-D scanners. The images were so detailed they had to be viewed on special monitors.
  • 20. 20 The computer-generated map proved the effect had been created by using extremely thin layers of paint. However, most scholars assumed da Vinci executed the light portions first then built up to dark. When in fact the images showed the dark areas around her mouth and eyes have the thickest layers of paint, while other dark areas are comparatively thin.
  • 21. 21 In other words, they’re still unsure how he did it.
  • 22. 22 For millions, she’s a fascination. For some, she’s an outright obsession.
  • 23. Da Vinci was so protective of her; she was a painting he wouldn’t sell, and kept her with him until his death.
  • 24. When Napoleon did his conquering, she was one of the objects he took. He hung her in his bedroom.
  • 25. In 1911 an Italian handyman working at the Louvre stole her in order to take her back to her homeland. Sixty detectives were assigned to find her, and her disappearance made headlines around the world. Once caught, it’s rumored the handyman confessed to being in love with her.
  • 26. Then, there’s the mystery of the unknown model. Some believe its da Vinci’s self portrait, and how he saw himself in feminine form. However, the most popular belief is that the face of Mona Lisa belonged to a woman named Lisa Gherardini. The wife of a wealthy silkmerchant.
  • 27. One archeologist, Silvano Vinceti, is so obsessed with finding her identity, in 2011 he began an archeological dig under an abandoned Florentine convent, where it’s believed Lisa Gherardini is buried. He’s certain a facial reconstruction will prove she is the face of Mona Lisa. As of this writing, he’s excavated at least four female skeletons and has yet to find her.
  • 28. Approximately 9 million people a year walk through the Louvre to look at her, and the museum receives thousands of love letters and poems written to her.
  • 29. Her dull color is due to centuries of aged varnish that no one dares to clean because she cannot be insured. She is literally priceless.
  • 30. Bibliography • Austen, I. (2006). New Look at Mona Lisa Yields Some New Secrets. • The New York Times- web publication, • http://www.nytimes.com/2006/09/27/arts/design/27mona.html?ref=leonardodavinci&_r=o • Vasari, G. (n.d.). Lives of the Painters.