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This document provides an overview of the history of art in Canada. It discusses that Canadian art began with the works of Indigenous peoples, including the First Nations and Inuit, who created portable art meant to be worn rather than architectural works. In the 19th-20th centuries, the Canadian government tried to ban traditional Indigenous arts and religion. However, in the 1950s-60s artists renewed interest in these works and reinvented some traditions. It then outlines different periods of Canadian art from early French colonial art influenced by the Catholic church to the English colonial period where officers sketched the land and people. In the early 20th century, the Group of Seven painted elaborate wilderness scenes and helped establish a distinct Canadian art style.
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The document summarizes key aspects of Canadian art history. It discusses the first national art organization that formed after Canada gained independence, and how artists had diverse backgrounds including many new immigrants. It profiles several influential Canadian artists such as Paul Kane who documented Indigenous peoples of the northwest, and Robert Bateman who specialized in wildlife painting and found inspiration from the Group of Seven. The document provides context on the development of Canadian art styles from Romanticism to Realism over time.
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This document provides an overview of the history of art in Canada from Indigenous art to the present day. It notes that Indigenous art was meant to be worn and portable. In the 19th-20th centuries, the government tried to ban traditional Indigenous art and culture. Artists like Mungo Martin and Bill Reid renewed these traditions in the 1950s-60s. It then discusses art during French colonial rule which was influenced by the Catholic Church. During English rule, officers would sketch the land and people. In the early 20th century, the Group of Seven painted elaborate pieces of the Canadian wilderness and helped establish a distinct Canadian art style.
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The document provides an overview of major art movements in the early 20th century. It discusses the rejection of naturalism and academic traditions with the birth of Modernism. Key movements discussed include Fauvism, Cubism, Futurism, Orphism, Rayonism, Constructivism, Dada, Bauhaus, Surrealism, and Neue Sachlichkeit. Specific artists and works are mentioned from Britain, the US, Vienna, Germany, and Paris. The text focuses on the experimentation with technique and questioning of the nature of art during this revolutionary period.
19th-Century African American Artists
An introduction to African American painters and sculptors working in the nineteenth century, including Joshua Johnson, Robert Duncanson, Grafton Tyler Brown, Edward Mitchell Bannister, Edmonia Lewis, and Henry Ossawa Tanner.
Abstract Express Intro New
This document provides an overview of Abstract Expressionism, a major American art movement that developed in New York City during the 1940s and 1950s. It notes that many European artists immigrated to New York during World War 2, influencing the development of innovative artworks through cross-pollination of ideas. Key Abstract Expressionist artists mentioned include Pollock, de Kooning, Rothko, and Kline. The movement is described as the first truly American school of art that was internationally influential until the rise of Pop Art in the 1960s.
Art Of The 1920’S
The document provides an overview of several art movements and prominent artists from the 1920s. Precisionism emerged after WWI and focused on industrial and modernized landscapes. Georgia O'Keeffe painted abstract floral works and landscapes. Edward Hopper depicted American modern life through paintings and etchings. American Scene Painting/Regionalism depicted rural scenes and simple people. Grant Wood, Thomas Hart Benton, and John Steuart Curry were influential regionalist artists. Man Ray and Ansel Adams were notable photographers from the 1920s. Abstract Expressionism emerged after WWII with bold, vibrant works by Jackson Pollock, Willem de Kooning, and others. Genre artists like George Luks and Charles Hawthorne
Visual arts in Cuba. People to People Program. Jorge G. Arocha
This document provides an overview of the visual arts in Cuba, including definitions, themes, and historical periods. It discusses genres such as portraits, landscapes, architecture, and more. Key points include the influence of European styles during colonial times; the development of religious painting in the 17th-18th centuries; and the changing focus of portraits from wealthy officials to heroes and ordinary people after the revolution. The document examines visual arts from colonial to contemporary eras.
Modernages 1
The Modern Ages document summarizes major events and developments between the 15th-18th centuries in Europe. Key events included the discovery of America in 1492, the Protestant Reformation starting in 1517, and the French Revolution in 1789. Some impacts were the development of trade between Spain and America, religious conflicts between Catholics and Protestants/Muslims, the growth of science and technology, and artistic styles like Renaissance, Baroque and Neoclassical periods. The document also profiles the Spanish Empire during this time under rulers like the Catholic Monarchs, Habsburg and Bourbon dynasties.
Art1204 neo classicism
Neo-Classicism was an artistic movement that began in the mid-18th century in Europe and North America as a reaction against Baroque and Rococo styles. It drew inspiration from classical antiquity, particularly the perceived ideals of 5th century BC Greece. Neo-Classical art emphasized simplicity, nobility, and universal ideals over ornamentation. It became the dominant style of the time due to its association with Western republican ideals emerging from the American and French Revolutions.
20s Realism
American art underwent important changes in the 1920s. As more Americans could afford to buy art, sixty new museums opened and Americans learned about serious art. Known as the Ashcan school, American Realist artists sought to portray everyday American life in a realistic style rather than idealized scenes. They depicted urban scenes and immigrants in New York City. A 1913 exhibition introduced modern European styles like Cubism to Americans, though they were initially controversial. American artists like Charles Demuth and Georgia O'Keeffe began producing works in these new styles.
Art of the late eighteenth & nineteenth centuries
This document summarizes art movements from the late 18th and 19th centuries including Neoclassicism, Romanticism, Realism, and Impressionism. Key points include Jacques-Louis David leading the Neoclassical movement focusing on noble causes, Thomas Jefferson designing the iconic home Monticello blending classical and modern styles, the Romantic movement flourishing in landscape paintings like The Oxbow, photography emerging as an art form through photographers like Watkins and Nadar, Realism depicting ordinary life in paintings such as The Horse Fair, and Impressionism beginning as artists like Monet and Degas sought to paint visual impressions rather than realistic scenes.
Art of the late eighteenth & nineteenth centuries
This document summarizes art movements from the late 18th and 19th centuries including Neoclassicism, Romanticism, Realism, and Impressionism. Key points include Jacques-Louis David leading the Neoclassical movement focusing on noble causes, Thomas Jefferson designing the iconic home Monticello blending classical and modern styles, the Romantic movement flourishing in landscape painting like Turner's "The Burning of the Houses of Lords and Commons", photography developing as an art form through artists like Carleton Watkins, Realism depicting ordinary life in paintings such as Rosa Bonheur's "The Horse Fair", and Impressionism emerging as artists like Monet and Degas sought to capture fleeting visual impressions rather than
Art of the late eighteenth & nineteenth centuries
This document summarizes art movements from the late 18th and 19th centuries including Neoclassicism, Romanticism, Realism, and Impressionism. Key points include Jacques-Louis David leading the Neoclassical movement focusing on noble causes, Thomas Jefferson designing the iconic home Monticello blending classical and modern styles, the Romantic movement flourishing in landscape paintings like The Oxbow, photography evolving from a threat to painting to new creative possibilities, Realism depicting ordinary life like Rosa Bonheur's The Horse Fair, and Impressionism beginning as brief "impressions" of light and color in paintings such as Monet's Impression: Sunrise.
Modern ages
The document summarizes key events and developments during the Modern Ages from the 15th to 18th centuries. Some of the major events included the discovery of America in 1492, the Protestant Reformation starting in 1517, and the French Revolution in 1789. During this period, there were developments in economics with new trade routes, exploration, and the rise of cities. Society evolved with the emergence of the middle class. Religions diversified and conflicts arose. Absolute monarchies consolidated power across Europe. Important scientific and artistic advances also took place during the Renaissance and Enlightenment.
unit5SOCIALSTUDEIES
The Modern Ages document summarizes the key events and developments between the 15th-18th centuries in Europe. Some of the major points covered include:
1) Major events that marked the beginning (Discovery of America in 1492, Protestant Reformation in 1517) and end (French Revolution in 1789) of the period.
2) Significant developments in economy, society, religion, politics, science, and art/culture during this time frame. Absolute monarchies rose to power and the Renaissance/Scientific Revolution began.
3) Key historical figures and artistic movements mentioned include Columbus, the Catholic Kings, the Habsburg and Bourbon dynasties of Spain, major scientific thinkers, and artistic
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- 1. Nation ReportPart 2Canada Josh Miranda Hist 141 Dr. Arguello W 11:00AM-12:00PM
- 2. Canadian art first began with the works of the Indigenous people The art made by the First Nations and Inuit weren’t architectural, they were meant to be worn and also were portable. In the 19th century and the first half of the 20th the Canadian government tried to ban such works of arts They banned traditional religion and governance In the 1950’s and 1960’s artists like Mungo Martin, Bill Reid and Norval publicly renewed these works of arts They also reinvented some of the Indigenous art traditions Art in Canada
- 3. Art of this time was done by many different explorers Samuel de Champlain drew many sketches of various sights as he explored the North American Territory It was mainly influenced by the Roman Catholic Church Artists such as Pommier and Claude Francois believed in the style of the High Renaissance Art Back then few artists signed their work so it’s hard to tell who had done which pieces Art of the French Colonial Period(1665-1759)
- 4. Art in the English Colonial Period(1759–1867) During the battle for Quebec many off-duty officers would sketch and paint the Canadian land and people They were required to do so because photography was not yet invented During the late 1700’s more artists came about due to more commissions from the public and construction of the church François Baillairgéwas one of the first of this generation’s artists Focused more on sculptures and the Neo-classicism style of art
- 5. Early 20th Century During this time period a group of artists called “The Group of Seven” wished to make Canada have it’s on distinct style of art They all focused on painting these very elaborate and brilliant pieces of the Canadian wilderness This group consisted of Franklin Carmichael, Lawren Harris, A. Y. Jackson, Frank Johnston, Arthur Lismer, J. E. H. MacDonald, and Frederick Varley. Tom Thomson and Emily Carr Over time this group of seven expanded to a group of 28 artists This association was called “The Canadian Group of Painters”
- 6. Sources Bradley, Jessica and Lesley Johnstone. Sightlines: Reading Contemporary Canadian Art. Montreal: Artexte Information Centre, 1994. ISBN 2980063290 Harper, Russell. Painting in Canada: A History 2nd ed. Toronto: University of Toronto Press, 1981. ISBN 0802063071 Nasgaard, Roald. Abstract Painting in Canada, Vancouver: Douglas and McIntyre, 2007. ISBN 9781553652267 Reid, Dennis A Concise History of Canadian Painting 2nd Edition. Toronto: Oxford University Press, 1988. ISBN 019540663X. Tippett, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women. Toronto: Penguin Books, 1993. ISBN 0140169555