The document discusses overcoming fear and doubt when facing a creative task or deadline. It argues that everyday activities require design and creativity, so people have creative capabilities. It also notes that creativity can strike unexpectedly and advises that borrowing ideas from many sources is a form of research, not plagiarism. The document lists principles of design such as balance, unity, rhythm, proportion, and emphasis.
Presented at Agile Australia 2016.
My team has spent 5 years figuring out how best to follow Agile methodologies and maximise the opportunities we have through design. This journey has had many ups and downs. Along the way we have tried many new methods, evaluated, twisted and turned to get where we are today. My guess (and hope) is that there will be many more twists and turns in the future.
One thing I have learned is that the ability to communicate the value of what we do and the way we do it is paramount to the continuous improvement in our practices.
In this presentation I will step through 5 diagrams I frequently draw on whiteboards that not merely explain the way we work as designers but help others to understand why we design. These will be our “designer mindset”.
Take away clear visualisations around experience, design thinking, process, expertise, collaboration and the effectiveness of design. Recreate and iterate these visualisations to enhance your own designer’s mindset.
In this presentation, I share my insights and lessons learned through 10 years of owning a business — including my own personal growth lessons and milestones. What were the things I wish I’d known? What is the advice I’m glad I took? And what am I still learning as we head into the next ten years?
Presented at Agile Australia 2016.
My team has spent 5 years figuring out how best to follow Agile methodologies and maximise the opportunities we have through design. This journey has had many ups and downs. Along the way we have tried many new methods, evaluated, twisted and turned to get where we are today. My guess (and hope) is that there will be many more twists and turns in the future.
One thing I have learned is that the ability to communicate the value of what we do and the way we do it is paramount to the continuous improvement in our practices.
In this presentation I will step through 5 diagrams I frequently draw on whiteboards that not merely explain the way we work as designers but help others to understand why we design. These will be our “designer mindset”.
Take away clear visualisations around experience, design thinking, process, expertise, collaboration and the effectiveness of design. Recreate and iterate these visualisations to enhance your own designer’s mindset.
In this presentation, I share my insights and lessons learned through 10 years of owning a business — including my own personal growth lessons and milestones. What were the things I wish I’d known? What is the advice I’m glad I took? And what am I still learning as we head into the next ten years?
User Experience (UX) has gained a lot of attention in the recent times because of its importance for product growth and development. But it is a problem area for many organizations wanting to set up a UX team. With so much buzz around UI, UX and Usability, questions like: what should your UX team comprise of, is it necessary to get a full force of researchers, information architects, interaction designers and visual designers, or can you do it all with a one-man UX Army, still remain unanswered.
In this webinar I did for Srijan Technologies, I have shared my experience and learnings on how a build a one-man UX team. This presentation also covers the qualities and responsibilities of a UX person and how you can facilitate a good UX culture within the organization.
Pattern Language 3.0 and Fundamental Behavioral Properties (Takashi Iba, PURP...Takashi Iba
KEYNOTE “Pattern Language 3.0 and Fundamental Behavioral Properties” (Takashi Iba) in the World Conference PURPLSOC (Pursuit of Pattern Languages for Societal Change), at Danube University Krems, Austria, July, 2015
http://www.purplsoc.org
Being creative in public relations is essential. This presentation from Now Go Create was used to get people thinking creatively. What tools can we use? Where can we draw inspiration from? Creativity is the use of imagination and ideas. In PR, being original and imaginative gets you everywhere.
Para mejorar la vida del ser humano, el disenador debe resolver problemas, encontrar nuevas ideas, a traves de ideas creativas. Todos podemos ser creativos!
The problem with unexpected consequences is that they are unexpected. The time of "move fast and break things" is over, as we have broken everything from hearts to democracy.
It's time for designers, along with their partners - engineers and business - to embrace a new long term approach to bringing change into the world, that focuses less on disruption and more on evolution. In this talk, Christina will explore various approaches to designing more robust and compassionate change.
10 Easy Ways to Irritate Your Design Team
Slides from the NUX7 talk by Jane Austin, Friday 19th October 2018.
2018.nuxconf.uk / nuxuk.org
Synopsis
How can good design be integrated into your business profitably? Jane will answer this question by considering the ‘anti-problem’. She will share 10 ways designers and business people can guarantee their behaviours and activities will ensure they never see eye-to-eye, their efforts will be wasted and everyone involved will know it is not their fault.
You will probably recognise most of these techniques in action in your own organisation. That is the anti-pattern.
If things are going to change for the better, do the opposite.
Lynn shares tips and tricks for successful job search strategies, teaching individuals how to become effective job seekers, utilize strengths and create demand for those talents. Leverage your understanding of the "Three Pillars of Society" and how to be an "Opportunity Maker."
In the course of her career working solo, in a duo, with agencies, with corporations, and with a startup, Meagan's learned a few valuable lessons (some the hard way) about how to grow as a designer. She'll talk about how she got started, as well as insights on collaborating, evolving your style, and getting things launched. You'll also hear about the design maxims she holds dear (and which ones she ignores), and the web development techniques that have strengthened her design skills. She hopes to leave you with some ideas for how to be a web design champion.
User Experience (UX) has gained a lot of attention in the recent times because of its importance for product growth and development. But it is a problem area for many organizations wanting to set up a UX team. With so much buzz around UI, UX and Usability, questions like: what should your UX team comprise of, is it necessary to get a full force of researchers, information architects, interaction designers and visual designers, or can you do it all with a one-man UX Army, still remain unanswered.
In this webinar I did for Srijan Technologies, I have shared my experience and learnings on how a build a one-man UX team. This presentation also covers the qualities and responsibilities of a UX person and how you can facilitate a good UX culture within the organization.
Pattern Language 3.0 and Fundamental Behavioral Properties (Takashi Iba, PURP...Takashi Iba
KEYNOTE “Pattern Language 3.0 and Fundamental Behavioral Properties” (Takashi Iba) in the World Conference PURPLSOC (Pursuit of Pattern Languages for Societal Change), at Danube University Krems, Austria, July, 2015
http://www.purplsoc.org
Being creative in public relations is essential. This presentation from Now Go Create was used to get people thinking creatively. What tools can we use? Where can we draw inspiration from? Creativity is the use of imagination and ideas. In PR, being original and imaginative gets you everywhere.
Para mejorar la vida del ser humano, el disenador debe resolver problemas, encontrar nuevas ideas, a traves de ideas creativas. Todos podemos ser creativos!
The problem with unexpected consequences is that they are unexpected. The time of "move fast and break things" is over, as we have broken everything from hearts to democracy.
It's time for designers, along with their partners - engineers and business - to embrace a new long term approach to bringing change into the world, that focuses less on disruption and more on evolution. In this talk, Christina will explore various approaches to designing more robust and compassionate change.
10 Easy Ways to Irritate Your Design Team
Slides from the NUX7 talk by Jane Austin, Friday 19th October 2018.
2018.nuxconf.uk / nuxuk.org
Synopsis
How can good design be integrated into your business profitably? Jane will answer this question by considering the ‘anti-problem’. She will share 10 ways designers and business people can guarantee their behaviours and activities will ensure they never see eye-to-eye, their efforts will be wasted and everyone involved will know it is not their fault.
You will probably recognise most of these techniques in action in your own organisation. That is the anti-pattern.
If things are going to change for the better, do the opposite.
Lynn shares tips and tricks for successful job search strategies, teaching individuals how to become effective job seekers, utilize strengths and create demand for those talents. Leverage your understanding of the "Three Pillars of Society" and how to be an "Opportunity Maker."
In the course of her career working solo, in a duo, with agencies, with corporations, and with a startup, Meagan's learned a few valuable lessons (some the hard way) about how to grow as a designer. She'll talk about how she got started, as well as insights on collaborating, evolving your style, and getting things launched. You'll also hear about the design maxims she holds dear (and which ones she ignores), and the web development techniques that have strengthened her design skills. She hopes to leave you with some ideas for how to be a web design champion.
Thinking of getting a dog? Be aware that breeds like Pit Bulls, Rottweilers, and German Shepherds can be loyal and dangerous. Proper training and socialization are crucial to preventing aggressive behaviors. Ensure safety by understanding their needs and always supervising interactions. Stay safe, and enjoy your furry friends!
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
MATATAG CURRICULUM: ASSESSING THE READINESS OF ELEM. PUBLIC SCHOOL TEACHERS I...NelTorrente
In this research, it concludes that while the readiness of teachers in Caloocan City to implement the MATATAG Curriculum is generally positive, targeted efforts in professional development, resource distribution, support networks, and comprehensive preparation can address the existing gaps and ensure successful curriculum implementation.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
You are not alone. This is a real fear and a pressure we place upon ourselves – fear of judgment by our peers, fear of failure, fear of vulnerability – just to name a few.
In getting from A to Z, or from concept to execution of calligraphic work, first, we need to trust that we have the innate gift of creativity that exists in all of us.
This is one of the pieces in a series that I started by taking out a lot of paper and writing A & Z large on each page without thought to what I’d do with them. Then designed each one differently.
This is a piece I did for the faculty exhibit at Letters California Style. I was teaching “Playful Letters: Dance of the Pen” and wanted the alphabet to dance.
So, what is this mysterious thing called creativity?
Studies have shown that creative individuals are spontaneous, expressive, and less controlled or inhibited. They also tend to trust their own judgment and ideas-- they are not afraid of trying something new.
If that’s not you yet, maybe it’s because you haven’t learned to trust yourself. The dictionary tells us that creativity is” to bring into being through thought or imagination” Sounds like scary territory you say - but we do it every day – all day long. We are constantly faced with problems which need solutions
Organizing your desk
Communicating with your computer
Daily meal planning
Putting together a fashion statement
Getting your kids to do what you want … well, maybe not. I haven’t figured that one out yet… and mine’s 36!
It’s been my experience that in the process of creating art, before perspiration must come inspiration. What is inspiration? The dictionary tells us it is a motive, stimulation – a muse. A muse? This gives it sort of a mystical quality – but it’s really not mystical. So where does it come from?
Is it a gift that drops from above when you look at a pastoral scene?
or look at a flower? David Howells work.
Or look up at a cloud formation in the sky? Maybe it is – but it really comes from the ability to see design in everything. Put a lot of good quality input into your computer. Start looking for design EVERYWHERE! – in magazines, newspapers, advertisements, flyers and posters. I’m a terror on the road because I see design in billboards and signs.
Some wise person once said, “borrowing an idea from one person is called plagiarism, but borrowing from everyone is called RESEARCH! So start collecting a “swipe file”. It is almost impossible to create in a vacuum, so your swipe file will be a source of inspiration for your own ideas. Then, besides seeing lots of things, you need to DO lots of things. When you’re in a workshop, it is important to do all of the exercises, even if you are not sure of the importance of those exercises at the time. Your mind is storing away information for use at a later time when you are ready for it.
Principles of design or principles of art - Refers to the different ways that the elements of art may be used to create a work of art. Artists “design” their works by controlling and putting into order the elements of art. Calligraphers use words in their art just as a painter uses a still life or a watercolorist uses a landscape to create their art. The principles are:
Balance – Unity – Rhythm – Proportion - Emphasis
Balance refers to the way the elements of art are arranged to create a feeling of stability in a work
Balance can be symmetrical, or formal. Symmetrical or formal balance is equal "weight" on both of a centrally placed axis, or centered.
When the elements are arranged equally on either side of a central fulcrum, the result is bilateral symmetry. This axis may be horizontal or vertical.
or it can be asymmetrical, or informal. Asymmetrical balance or informal balance, is more complex. It involves placement of objects in a way that will allow objects of varying visual weight to balance one another on an axis. This can be best imagined by envisioning a literal balance scale that represents the visual "weights" of the elements in a composition. For example, it is possible to balance a heavy weight with a cluster of lighter weights on equal sides of a fulcrum; in a picture, this might be a cluster of small objects balanced by a large object. You can balance objects of unequal weight by using different mass (such as a large mass of feathers balances a small mass of stones). Or you can shift the fulcrum to balance unequal weights.
It is a balance between harmony (things being the same) and variety (things being different). When there is too much harmony, it can be monotonous, but too much variety is disturbing.
This piece was inspired by a speech Alan Alda gave at his daughter’s graduation. The marks on the right were made by painting gouache onto eraser chunks and using them like a rubber stamp.
Sequence or rhythm is a designed path for the viewer’s eye to follow – an optical rhythm.
The eye usually travels from left to right and from top to bottom. So this piece gives the viewer an easy path to follow.
The presence of rhythm creates predictability and order in a composition.
This piece was done in Marsha Brady’s class at Cerritos College and won “Best in Show” at the college art exhibit for all media – oil painting, watercolor, pottery, jewelry, etc. It’s the first time a piece of calligraphy had ever won.
But you can design a path from a small element to a larger one or a dark image to a lighter one or vice-versa.
This piece was inspired by a life situation. I was in a year-long master art class and was lost. But I was beginning to see a doorway somewhere in the wilderness… if only I could find the key.
Proportion - refers to the harmonious relationship of one part of a design to another or to the whole with respect to size, quantity or degree of intensity.
So the large roman letters on the left, which leave a lot of light within and around them, balance the mass of small text on the right.
Here’s another example, where a large proportion of light weight elements can balance with a small proportion of heavy weight elements.
This piece inspired an experiment in new letterform creation that we will be doing in class.
Emphasis - is change to an element of the design that gives importance or dominance (weight)) to that element; something singled out, stressed, or drawn attention to by means of contrast for impact.
It is a break in the rhythm. The artist or designer uses emphasis to hold the viewers interest by providing visual "surprises."
This is a piece I did in a year-long class with Reggie Ezell. Without the break in rhythm from Roman caps to the loose Italic at the bottom, the piece would be stagnant and boring. The “Rose” gives it surprise.
Have you noticed that on a Nordstrom or Neiman-Marcus ad, they leave LOTS of white space. It speaks elegance, richness and serenity. The few elements stand out because of the open space around them. The more elements you have in a piece, the more active, dynamic and exciting.
Have you noticed that on a Nordstrom or Neiman-Marcus ad, they leave LOTS of white space. It speaks elegance, richness and serenity. The more elements you have in a piece, the more active, dynamic and exciting.
But beware – ALL emphasis is NO emphasis.
So now we have the creativity, the inspiration and the understanding of good design. The process in which we put all these elements to use depends upon a lot of things. We all have varied experience and background. Therefore, we draw from within ourselves that personal creativity that is different in all of us. That is why design is so exciting. It is a little piece of ourselves. Donald Jackson said, “Every mark we make is like a fingerprint in time”.
For many years, I needed a map to follow, a planned route to my result. I needed to have an idea and work at it until it came out on the paper. I was dragged kicking and screaming into the world of play. But that’s where the good stuff is.
Galileo said, “You cannot teach a man anything, you can only help him find it within himself.” I know you all have untapped creativity within you. You just need to find those people and teachers who can help you to free that untapped creative spring within you.
Learn to enjoy the unexpected. I’m not suggesting that you throw out your metal pens in favor of sticks and cardboard, but to know that they all have a purpose. And I’m not recommending giving up disciplined classes for full-time play – but if you could take the freedom and joy found in play and fuse it with discipline and hard work … that disciplined freedom is what creates beauty.
I’m going to end my lecture with a wonderful quote from Affirmations for Artists by Eric Maisel.
“ When an artist gathers herself up, brings her training and her entire being to the moment and, at the same time, holds a vast “don’t know” – ART GETS MADE. But if instead, she discovers that she can’t color outside the lines or begin a story until the plot is perfected, she is doomed to stall. An artist must risk making a mess and looking the fool. She must risk improvising. The wise artist knows that she must work “on the spot”, right where she finds herself, trusting her abilities and dropping her guard.” Now let’s go play!