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Contemporary
Philippine Arts from
the Regions
Quarter 4 – Module 2
National Artists of the
Philippines
SENIOR HIGH SCHOOL
Contemporary Philippine Arts from the Regions - Grade 12
2nd
Semester Quarter 4 – Module 2: National Artists of the Philippines
First Edition, 2021
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Published by the Department of Education
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Management Team:
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Learning Resources Management
Contemporary
Philippine Arts
From The
Regions
Quarter 4 – Module 2
National Artists of the
Philippines
SENIOR HIGH SCHOOL
ii
Introductory Message
This Self-Learning Module (SLM) is prepared so that you, our dear
learners, can continue your studies and learn while at home. Activities,
questions, directions, exercises, and discussions are carefully stated for you
to understand each lesson.
Each SLM is composed of different parts. Each part shall guide you
step-by-step as you discover and understand the lesson prepared for you.
Pre-tests are provided to measure your prior knowledge on lessons in
each SLM. This will tell you if you need to proceed on completing this
module or if you need to ask your facilitator or your teacher’s assistance for
better understanding of the lesson. At the end of each module, you need to
answer the post-test to self-check your learning. Answer keys are provided
for each activity and test. We trust that you will be honest in using these.
In addition to the material in the main text, Notes to the Teacher are
also provided to our facilitators and parents for strategies and reminders on
how they can best help you on your home-based learning.
Please use this module with care. Do not put unnecessary marks on
any part of this SLM. Use a separate sheet of paper in answering the
exercises and tests. And read the instructions carefully before performing
each task.
If you have any questions in using this SLM or any difficulty in
answering the tasks in this module, do not hesitate to consult your teacher
or facilitator.
Thank you.
Let Us Learn!
Many Excptional Filipino artists emerge as the arts in the
country progresses. This artists aid in promoting arts in and out of the
Philippines through their artworks and their contributions to their specific
fields. The government recognizes their remarkable inputs in the
development of the Philippine Art. Though the National Commission for
Culture and the Arts (NCAA) and the cultural Center of the Philippines
(CCP), it gives awards to those notable contemporary artists and the most
prestigious recognition of them is the order of the National Artists Award.
(Orden ng Pambansang Sining)
This lesson will let you know the individuals who made significant
contributions in the Philippine Arts.
At the end of this lesson, you will be able to Filipino artists’ roles and
identify their contribution to contemporary arts(CAR11/12CAP-0c-e-5).
Specifically you should be able to:
• Identifies the Filipino Artists of the contemporary arts
•Explains Filipino artists’ roles and identify their contribution to
contemporary art
•Gives importance on the contributions of the Filipino artists
Let Us Try!
Let us check your prior knowledge about this module’s coverage.
Direction: Read the statements carefully. Identify what is being described in
the statement. Write your answers on the space provided.
1. The first National Artist in the country.
a. Arturo Luz c. Fernando Amorsolo
b. Hernando R. Ocampo d. Vicente Manansala
2. He was known for using historical events as subject matter for his
murals.
a. Carlos “Botong” Francisco c. Victorio Edades
b. Cesar Legaspi d. Napoleon Abueva
3. He was recognized as the Father of Modern Philippine Painting and
was known for using dark somber colors in his paintings.
a. Bnedicto Cabrera c. Pablo S. Antonio
b. Victorio Edades d. Leandro V. Locsin
4. He was considered to be the Father of Modern Philippine Sculpture.
a. Napoleon V. Abueva c. Ildefonso P. Santos
b. Jose T. Joya d. Ang Kiukok
5. He was known for utilizing and refining cubism, a style involving
breaking parts into geometric shapes in his paintings.
a. Cesar Legaspi c. Fernando Amorsolo
b. Guillermo E. Tolentino d. Napoleon V. Abueva
6. He was known for his marches including the “Triumphal March,”
“History Fantasy,” “Echoes from the Philippines,” and “Ode to
Freedom.”
a. Cesar Legaspi c. Francisco Coching
b. Leandro V. Locsin d. Antonio Buenaventura
7. He was known for introducing the pentatonic scale, whole tone scale,
linear counterpoints and the use of dominant ninths and eleventh
chords in Philippine music.
a. Pablo S. Antonio c. Ildefonso P. Santos
b. Antonio J. Molina d. Abdulmari Asia Imao
8. He is more known as Fernando Poe, Jr. He is an icon in film industry
as an actor, director, writer and producer.
a. Francisco Coching c. Jose T. Joya
b. Ronald Allan K. Poe d. Federico Alcuaz
9. She was known as the Queen of Kundiman, and the first actress to
portray a 15-year-old in the very first Tagalog film.
a. Ildefonso P. Santos c. Arturo Luz
b. Guillermo E. Tolentino d. Honorata “Atang” dela Rama
10. She is a master weaver who makes “inabel”, an Ilokano handwoven
cloth and awarded for her wide array skills in texttile weaving.
a. Magdalena Gamayo c. Leandro V. Locsin
b. Pablo S. Antonio d. Benedicto Cabrera
Let Us Study
To be a National Artists is considered to be the highest
national recognition given to Filipino individuals who have made significant
contributions to the development of Philippine arts which is awarded by the
National Commission for Culture and the Arts together with Cultural Center
of the Philippines.
NATIONAL ARTIST FOR VISUAL ARTS:
Fernando Amorsolo (May 30, 1892 – April 24, 1972)
Amorsolo is the first National Artist in the country
and was known for using backlighting technique in
painting, making his creations bright and cheerful.
Carlos “Botong” Francisco (November 4, 1912 – March 31, 1969)
Francisco revived the art of mural and was
considered to be the most distinguished mural
painter for about three decades and was known
for using historical events as subject matter for
his murals.
Guillermo E. Tolentino (July 24, 1890 – July 12, 1976)
Honored as National Artist for Sculpture in
1973 and was known for designing the seal of
the Republic of the Philippines, and the gold
and bronze medals for the Ramon Magsaysay
Award. Tolentino’s works include the “UP
Oblation”.
Napoleon V. Abueva (January 26, 1930)
Abueva was considered to be the Father
of Modern Philippine Sculpture. He is skillful in
creating both representational and modern
National Artists of the Philippines
abstract sculptures using a wide variety of materials. He was also known for
creating “buoyant sculpture,” a type of sculpture to be viewed from the
surface of a pool.
Victorio C. Edades (December 23, 1895 – March 7, 1985)
Recognized as the Father of Modern Philippine Painting
and was known for using dark somber colors in his
paintings. His works focused on factory workers,
laborers or other simple townspeople.
Vicente Manansala (January 22, 1910 – August 22,
1981)
He was known for his paintings depicting realistic
themes using an abstract or a cubist style. He believed
that “the beauty of art is in the process, in the moment of.
doing a particular painting, closely associating it with the
act of making love.
Hernando R. Ocampo (April 28, 1911 – December 28, 1978)
Ocampo was largely known for his abstract paintings.
His works featured shapes bounded with curved lines
painted in intense colors. His masterpiece “Genesis”
was used as the basis of the design of the curtain of
the Cultural Center of the Philippines (CCP) Main
Theater.
Cesar Legaspi (April 2, 1917 – April 7, 1994)
Legaspi was known for utilizing and refining cubism,
a style involving breaking parts into geometric
shapes, in his paintings.
Elizalde Navarro (May 22, 1924 – June 10, 1999)
He was known for his hardwood masks reflecting the
human and the animal, abstract paintings in oil and
watercolor, and assemblages. He was also known for his fiction works for
This Week of the Manila Chronicle, and for his figurative drawings for Lydia
Arguilla’s Juan tamad.
Ang Kiukok (March 1, 1931 – May 9, 2005)
He was known for his paintings expressing
nationalism and sociological agenda during the 60’s
through vivid cubistic figures. His works include
“Geometric landscape,” “Pieta,” and the “Seated
Figure.”
Benedicto Cabrera (April 10, 1942)
Known as “Bencab,” Cabrera was noted as the
bestselling painter of his generation of Filipino artists
and also known for his sketches of a scavenger
named “Sabel, a symbol of dislocation, despair and
isolation-the personification of human dignity
threatened by life’s circumstance.”
Abdulmari Asia Imao (January 14, 1936 – December 16, 2014)
Imao was instrumental in popularizing the ukil,
sarimanok and naga motifs in the country as original
Filipino creations. He helped in developing trust and
confidence among cultural groups, which is needed in
building a more humane community and society.
Federico Aguilar Alcuaz (June 6, 1932 – February 2, 2011)
Alcuaz was mainly known for his oil and acrylic
paintings, and sketches in ink, pencil, and
watercolor.
Francisco Coching (January 29, 1919 – September 1, 1998)
Tagged as the “Dean of Filipino Illustrators,”
Coching is best known for his work on comics and
illustrations which lead to its recognition as popular
art. He has influenced cartoonists such as Larry Alcala, Ben Infante and
Nestor Redondo
Jose T. Joya (June 3, 1931 – 1995)
Joya is known for pioneering abstract expressionism
in the Philippines. His most notable work is the
Granadean Arabesque (1958). He also represented the
Philippines in the 1964 Venice Biennale.
NATIONAL ARTISTS FOR ARCHITECHTURE:
Pablo S. Antonio (January 25, 1902 – June 14, 1975)
He was considered a pioneer in modern Philippine
architecture. A prominent feature of his designs is
the use of natural light and cross ventilation.
According to Antonio, buildings should be planned
with austerity in mind and its stability forever as the
aim of true architecture; that buildings must be
progressive, simple in design but dignified, true to a
purpose without resorting to an applied set of
aesthetics and should eternally recreate truth.
Leandro V. Locsin (August 15, 1928 – November 15, 1994)
His designs usually features themes of floating
volume and a mix of both eastern and western
aesthetics.
Ildefonso P. Santos (September 5, 1929 – January 29, 2014)
Santos pioneered landscape architecture in the
Philippines. His work in the Makati Commercial
Center incorporated fountains, sculptures and
landscapes to a shopping area.
NATIONAL ARTISTS FOR LITERATURE:
Historical Literature
Carlos Quirino (November 4, 1910 – May 20, 1999)
He is the first and so far the only National Artist for Historical Literature and
was also known for writing “The Great Malayan,” which considered to be one
of theearliest biographies of Jose Rizal.
Literature
Francisco Arcellana (September 6, 1916 – August 1, 2002)
Arcellana is a writer, poet, essayist, critic, journalist
and teacher, who is recognized as one of the pioneers in
writing modern Filipino short stories in English. He also
originated the lyrical prose-poetic form in writing short
stories.
N.V.M Gonzales (September 8, 1915 – November 28, 1999)
Nestor Vicente Madali Gonzales is a fictionist,
essayist, poet and teacher. He earned numerous
recognitions including the First Commonwealth
Literary Contest in 1940, the Republic Cultural
Heritage Award in 1960 and the Gawad CCP Para sa
Sining in 1990.
Nick Joaquin (May 4, 1917 – April 29, 2004)
He is considered as the most distinguished Filipino
writer in English writing. His body of work extends
from short stories to poems to essays which includes
journalism and reportage. He used the name Guerre Quijano de Manila as
journalist.
Sionil Jose (December 3, 1924)
F.Sionil Jose is one of the most widely read Filipino
writers founded the Philippine chapter of the
international organization PEN.
Alejandro Roces (July 13, 1924 – May 23, 2011)
Roces is known for his comic short stories which
includes “My Brother’s Peculiar Chicken.” He also led
the campaign to change the country’s Independence
Day from July 4 to June 12.
Edith L. Tiempo (April 22, 1919 – August 21, 2011)
Tiempo is a poet, fictionist, teacher and literary critic who
founded the Siliman National Writers Workshop in Dumaguete
City with her late husband Edilberto K. Tiempo.
Virgilio S. Almario (March 9, 1944)
Also known as Rio Alma, who is among the notable
modernist poets. He reinvented the traditional Filipino
poetry forms.
Amado V. Hernandez (September 13, 1903 – May 24, 1970)
Hernandez is known for his contribution in the
development of the Tagalog prose through the use of
colloquial style.
Carlos P. Romulo (January 14, 1899 – December 15, 1985)
Romulo is noted as a diplomat and an awarded
journalist. He is the first Asian President of the United
Nations General Assembly, and the only Asian to win
the Pulitzer Prize in Journalism for his articles on the
World War II.
Bienvenido Lumbera (April 11, 1932)
Lumbera is a multi-awarded poet, critic and
librettist. His works includes Likhang Dila, Likhang
Diwa (poems in Filipino and English), 1993; Balaybay,
Mga Tulang Lunot at Manibalang, 2002; Sa Sariling
Bayan, Apat na Dulang May Musila, 2004; Tales of the
Manuvu and Rama Hari.
Cirilo F. Bautista (July 9, 1941)
Bautista is a poet, fictionist and essayist. He
founded Philippine Literary Arts Council in 1981, the
Iligan National Writers Workshop in 1993, and the
Baguio Writers Group.
Lazaro Francisco (February 22, 1898 – June 17, 1980)
Francisco is among the prominent writers in the
Tagalog language. He established the Kapatiran Ng
Mga Alagad Ng Wikang Pilipino (KAWIKA) in 1958 to
support Tagalog as national language.
Jose Garcia Villa (August 5, 1908 – July 7, 1997)
Villa is recognized as one of the best contemporary
poets. He is best known for introducing the reversed
consonance rhyme scheme and his use of punctuation,
especially commas.
NATIONAL ARTISTS FOR DANCE, MUSIC, FILM, AND THEATER:
Cinema/Film
Lamberto V. Avellana (February 12, 1915 – April 25, 1991)
Avellana was tagged as the “The Boy Wonder of
Philippine Movies” as early as 1939. Kalderong Pilak was
the first film by a Filipino filmmaker shown in Cannes
International Film Festival.
Manuel Conde (October 9, 1915 – August 11, 1985)
Conde is known for producing and directing films based on
old Filipino tales such as Siete Infantes de Lara (1950), Si
Juan Tamad (1974), Ang Ibong Adarna (1941). He also
brought to the silver screen stories from the other parts of the
worlds like Genghis Khan (1950).
Eddie S. Romero (July 7, 1924 – May 28, 2013)
He is a screenwriter, film director and producer who
is behind the Filipino classics such as “Ganito Kami
Noon...Paano Kayo Ngayon?”, “Banta ng Kahapon” and
“Aguila” as well as the 13-part series “Noli Me Tangere”.
Lino Brocka (April 3, 1939 – May 22, 1991)
Catalino “Lino” Ortiz Brocka is recognized for his
films which explores the lives of people in the
marginalized sectors. Brocka also directed for theater
organizations such as the Philippine Educational
Theater Association (PETA) and the Concerned Artists
of the Philippines (CAP).
Gerardo de Leon (September 12, 1913 – July 25, 1981)
De Leon is a prominent film maker
in the 50’s and 60’s producing classics
such as “Daigdig ng Mga Api,” “Noli Me
Tangere,” “El Filibusterismo,” “dyesebel”
and “Sisa.”
Ishmael Bernal (September 30, 1938 – June 2, 1996)
Bernal, who was hailed by the critics as “The
Genius of the Philippine Cinema,” is known for
directing films that projects the realities of the
Filipinos. He was hailed as Director of the Decade of
the 1970s by the Catholic Mass Media Awards; four-
time Best Director by the Urian Awards (1989, 1985,
1983 and 1977); and given the ASEAN Cultural Award
in Communication Arts in 1993.
Ronald Alan K. Poe (August 20, 1939 – December 14, 2004)
More known as Fernando Poe, Jr. He is an icon in film
industry as an actor, director, writer and producer. He
starred in films like “Mga Alabok sa Lupa” (1967), “Partida”.
(1985), “Ang Probinsyano” (1996), and among others.
Dance
Francisca Reyes Aquino (March 9, 1899 – November 21, 1983)
She was known for her research on Philippine folk dances,
which later resulted to a thesis entitled “Philippine Folk Dances
and Games.” It was distributed to public and private schools.
Leonor Orosa Goquingco (July 24, 1917 – July 15, 2005)
She was known as the “Mother of Philippine Theater Dance,” Goquingco
blended folkloric and Asian styles in ballet choreography. She was a
founding member of the Philippine Ballet Theater and the Honorary Chair of
the Association of Ballet Academies of the Philippines.
Ramon Obusan (June 16, 1938 – December 21, 2006)
A dancer, choreographer, artistic director, researcher, and documentary
filmmaker. He was able to promote Filipino culture in other countries using
the art of dance through the Ramon Obusan Folkloric Group.
Lucrecia Reyes – Urtula (June 29, 1929 – August 24, 1999)
Reyes-Urtula was the dance director of the Bayanihan Philippine Dance
Company, for which she choreographed different Philippine folk, ethnic
dances, pageants and festivals.
Alice Reyes (October 14, 1942)
Reyes is known in blending styles and movements from Philippine
indigenous dance, classical ballet, and modern dance in expressing Filipino
subject matters. This is said to be the “contemporary dance language that is
uniquely Filipino.”
Music
Antonino Buenaventura (May 4, 1904 – January 25, 1996)
He was known for his marches including the
“Triumphal March,” “History Fantasy,” “Echoes from
the Philippines,” and “Ode to Freedom.” He was a
conductor of.the Philippine Army Band. He wrote
compositions for solo instruments, symphonic and
orchestral works, which are based on Philippine
folksongs.
Ernani Cuenco (May 10, 1936 – June 11, 1988)
He was known for the following songs: “Bato sa Buhangin,” “Gaano Kita
Kamahal,” “Inang Bayan,” “Isang Dalangin,” “Kalesa,” and “Pilipinas.” These
works brought contemporary Filipino music to a higher level. The song,
“Gaano Kita Kamahal”, he added elements of Kundiman. He played with the
Filipino Youth Symphony Orchestra and the Manila Symphony Orchestra
from 1960 to 1968.
Francisco Feliciano (February 19, 1941 – September 19, 2014)
His major works include “Ashen Wings,” “Sikhay sa Kabila ng Paalam,”
and “Pamugun.” He was known for the use of modal scales in his operas
and orchestral works. He used indigenous music in his compositions.
Jovita Fuentes (February 15, 1895 – August 7, 1978)
She was best known for her portrayal of Cio-cio San in Giacamo Puccini’s
Madame Butterfly in Italy in April 1925. When she returned to the
Philippines, she established the Artists’ Guild of the Philippines in an effort
to instill love for opera in her countrymen.
Jose Maceda (January 31, 1917 – May 5, 2004)
He conducted researches and fieldwork to explore Filipino
traditional music further and to understand the nature of
Philippine ethnic and traditional music. His efforts gave
birth to a huge number of recorded Philippine ethnic and traditional music.
Lucio San Pedro (February 11, 1913 – March 31, 2002)
Best known for his compositions “Sa Ugoy ng Duyan,” “Sa Mahal Kong
Bayan,” “Dance of the Fairies,” “Triumphal March,” and “Lahing
Kayumanggi,” Lucio San Pedro was the conductor of the Peng Kong Grand
Mason Concert Band, the San Pedro Band of Angono, and the Benda Angono
Numero Uno. Working with these bands and other town bands helped in the
development of a civic culture among Filipino communities.
Levi Celerio (April 30, 1910 – April 2, 2002)
Celerio is most known for his recognition as the only man who could play
music with a leaf in the Guinness Book of World Records. He also earned
Lifetime Achievement Award of the Film Academy of the Philippines for
writing songs for local movies. He was also known as the dean of Filipino
lyricists.
Felipe Padilla de Leon (May 1, 1912 – December 5, 1992)
He was known for Filipinizing western music forms. His works, which
include “Mariang Maikling Overture,” “Maynila Overture,” “Payapang
Daigdig,” and “Ako’y Pilipino,” expressed sentiments and aspirations of the
Filipino in times of strife and peace.
Lucrecia R. Kasilag (August 31, 1918 – August 16, 2008)
She was known for fusing Filipino ethnic music with Western musical
influences. She was also known for incorporating Filipino indigenous
musical instruments in orchestral works.
Antonio J. Molina (December 16, 1894 – January 29, 1980)
Molina was known for introducing the pentatonic scale, whole tone scale,
linear counterpoints and the use of dominant ninths and eleventh chords in
Philippine music.
Ramon P. Santos (February 25, 1941)
Santos is a Filipino composer, musicologist and
ethnomusicologist who was made a Chevalier de I’Orde
des Arts et Lettres in 1987. He helped in advocating
modern Philippine music that is still based on early Asian
practices and way of life.
Andrea Veneracion (July 11, 1928 – July 9, 2013)
She was the founder of the world-renowned University of the Philippines
Madrigal Singers, or simply the Philippine Madrigal Singers, which is the
first choir in the world to win the European Grand Prix for Choral Singing
twice. Veneracion is also recognized as an important authority in the
development of Philippine choral music.
Theater
Daisy Avellana (January 26, 1917 – May 12, 2013)
She co-founded the Barangay Theatre Guild,
together with her husband, National Artist
Lamberto Avellana, in 1939. This move made
theatre and dramatic arts popular in the c
Honored as National Artist for Theater Design
in 2003, Bernal used local materials including
bamboo, abaca, hemp twine, and rattan in theater design for
local productions.
ountry. She was known as director of films “Diego Silang” (1968) and
“Walang Sugat” (1971).
Honorata “Atang” dela Rama (January 11, 1902 – July 11, 1991)
She was named National Artist for Theater and Music in 1987. She was
known as the Queen of Kundiman, and the first actress to portray a 15-
year-old in the very first Tagalog film, which was the film version of the
Sarsuela “Dalagang Bukid.”
Salvador F. Bernal (January 7, 1945 – October 26, 2011)
Wilfrido Ma. Guerrero (January 22, 1910 – May 1, 1995)
He served as the director of UP Dramatic Club for 16 years since
1947. He founded the UP Mobile Theater, which started the concept of
theater campus tour.
Severino Montano (January 3, 1915 – December 12, 1980)
He organized the Arena Theater Playwriting Contest which became the
initial ground for playwrights to showcase their talents in writing while
serving as Dean of Instruction of the Philippine Normal College.
GAWAD SA MANLILIKHA NG BAYAN (GAMABA):
Eduardo Mutuc (2005 awardee)
He dedicated his life in creating religious and secular art in silver,
bronze and wood. According to him, craftsmanship begins with respect
for one’s tools and the medium, and the only way to improve one’s skills
is to immerse oneself, learn the technique, and to practice.
Darhata Sawabi (2005 awardee)
She is a Tausug weaver of pis syabit – the traditional cloth tapestry
worn as a head cover. Women in Sulu province have grown up learning
in weaving the pis syabit and she is one of those who took the art of pis
syabit making to heart.
Haja Amina Appi (2005 awardee)
She is recognized as a master mat weaver among the Sama
indigenous community for her unique designs, straightness of her
edging (tabig), and fineness of her sasa and kima-kima.
Lang Dulay (1998 awardee)
She is a T’boli traditional weaver of “tinalak” or T’boli cloth made of
colorful abaca fabrics. She used abaca fibers as fine as hair which
speaks more eloquently than words can.
Salinta Monon (1998 awardee)
She is a Tagabanwa-Bagobo traditional weaver of distinct abaca
fabrics called inabal. She developed a keen eye for the traditional
designs and can identify the designs as well as the author of a woven
piece just by a glance.
Alonzo Saclag (2000 awardee)
He is a Kalinga master of dance and the performing arts who
mastered not only the Kalinga musical instruments but also the dance
patterns and movements associated with his people’s ritual.
Federico Caballero
He is a Sulod-Bukidnon epic chanter who works for the
documentation of the oral literature. He is considered as bantugan which
means a person who has attained distinction. He strikes to dispense
justice in the community through his work as a manughusay which is an
arbiter of conflicts.
Masino Intaray (1993 awardee)
He is a prolific and pre-eminent epic canter and story teller recognized
for his outstanding mastery of various traditional musical instruments of
the Palaw’an people, such as basal, kulilal and bagit. He is an
outstanding master of the basal, kulilal (musical ensemble) and bagit; a
gifted pot, bard artist, and musician.
Samon Sulaiman (1993 awardee)
He is Magindanaon, who is highly sophisticated in weaving, okir
designs, jewelry, metalwork and brassware which art is Southeast Asian
yet distinct in character.
Uwang Ahadas (2000 awardee)
His near-blindness eyesight made music his constant companion. He
is a Yakan, a people to whom instrumental music is of much significance,
connected as it is with both the agricultural cycle and the social realm.
Ginaw Bilog (1993 awardee)
He is a Hanunoo Mangyan who is considered as a master of the
ambahan poetry. He shares old and new ambahans with his fellow
Mangyans and promotes this poetic form in every occasion. A common
cultural aspect among cultural communities nationwide is the oral
tradition characterized by poetic verses which are either sung or chanted.
Magdalena Gamayo (2012 awardee)
She is a master weaver who makes “inabel”, an Ilokano handwoven cloth.
She was awarded for her wide array skills in textile weaving. Her handiworks
are finer than most abel. Her blankets have a very high thread count and
her deigns are the most intricate that sometimes take up to five colors.
Let Us Practice
Find and encircle the names of the National artist tackled in
this lesson.
X H P R M G S G K F D T B L K 9 G A Q V T
D D F S H K V R I P F W U L F G D G S D V
S F E D H J M X S G K L E V G J R C S G Y
C A R L O S B O T O N G F R A N C I S C O
A D N G D J L O N G D E J L U F H E G J R
R S A F Y B F H J L V G J L U S D T J I O
L E N A P O L E O N A B U E V A S R B J N
O G D M A N U E L C O N D E G L H O W G A
S A O T B K U B F H K P R D N V R H Y D L
Q D A G L H K L G T E J U U S A F H F M D
U A M D O R H U G E H K F A R D G H I F A
I S O F A G J J K O G D D R H O Y U G D L
R A R D N G J V F J K D H D J R D H I S A
I S S F T G J D G J L L D O S B D H J K N
N S O J O S E M A C E D A M F E G J L F P
O D L D N D F H K A D J S U H R G K S H O
D G O S I H K I S R T U P T D N G J O W E
A G D K O S U O M F H P W U C A H D J O W
Q T N I E U N T E P J F Y C N L E K P X E
Let Us Remember
Remember these key points:
➢ National artists for Visual Arts
o Fernando Amorsolo
o Carlos “Botong” Francisco
o Guillermo E. Tolentino
o Napoleon V. Abueva
o Victorio C. Edades
o Vicente Manansala
o Hernando Ocampo
o Cesar Legaspi
o Arturo Luz
o J. Elizalde Navarro
o Ang Kiukok
o Banedicto Cabrera
o Abdulmari Asia Imao
o Federico Aguilar Alcuaz
o Francisco Coching
o Jose T. Joya
➢ National artists for Architecture
o Pablo S. Antonio
o Leandro V. Locsin
o Ildefonso P. Santos
➢ National artist for Literature
o Carlos Quirino
o Francisco Arcellana
o NVM Gonzalez
o Nick Joaquin
o F. Sioneil Jose
o Alejandro Roces
o Edith L. Tiempo
o Virgilio S. Almario
o Amado V. Hernandez
o Carlos P. Romulo
o Bienvenido Lumbera
o Cirilo F. Bautista
o Lazaro Francisco
o Jose Garcia Villa
➢ National artists for Cinema/Film
o Lamberto V. Arellana
o Manuel Conde
o Eddie S. Romero
o Lino Brocka
o Gerardo de Leon
o Ishmael Bernal
o Ronald Alan K. Poe
➢ National artists for Dance
o Francisca Reyes Aquino
o Leonor Orosa Goquingco
o Ramon Obusan
o Lucresia Reyes-Urtula
o Alice Reyes
➢ National artists for Music
o Antonio Buenaventura
o Ernani Cuenco
o Francisco Feliciano
o Jovita Fuentes
o Jose Maceda
o Lucio San Pedro
o Levi Celerio
o Felipe Padilla de Leon
o Lucresia R. Kasilag
o Antonio J. Molina
o Ramon P. Santos
o Andrea Veneracion
➢ National artists for Theater
o Daisy Avellana
o Honorata “Atang” de la Rama
o Rolando S. Tinio
o Salvador F. Bernal
o Wilfredo Ma. Guerrero
o Severino Montana
➢ GAMABA awardees
o Eduardo Mutuc
o Lang Dulay
o Salinta Monon
o Alonzo Saclag
o Federico Caballero
o Masino Intaray
o Samon Sulaiman
o Uwang Ahadas
o Ginaw Bilog
Magdalena Gamay
Let us Enhance
In the left column are the list of artists,
write their areas of specialization in the second
column and cite the examples of his/her work
in the last column.
Artists Art form Cite example of his/her
work
Guillermo E. Tolention
Ildefonso P. Santos
Bienvenido Lumbera
Eddie S. Romero
Francisca Reyes Aquino
Lucio San Pedro
Daisy Avellana
Hernando Ocampo
Let Us Assess
Research on the artwork/masterpiece of Fernando
Amorsolo “Planting Rice” and give the
characteristics/description of it.
__________________________________________________
______________________________________________________
____________________________________________________
Let Us Reflect
Among the artists, whom do you admire most?
Manuel Conde
Ernani Cuenco
ANSWER KEY
Lesson 2
Let us try
1. B
2. C
3. D
4. B
5. A
6. A
7. C
8. B
9. A
10. A
References
DepEd Curriculum Guide
Luzviminda D. Sandagan, Ayesha H. Sayseng. Contemporary Philippine Arts
from the Regions, JFS Publishing Services, Manila Philippines 2016
Jayson L. Dedal. Contemporary Philippine Arts from the Regions, An
Appreciation Towards National Identity, First Edition, Cronica Bookhaus,
Philippines 2017
Wilson K. Panisan, Leslie B. Gazzingan, Gregorio L. Samar, Corie Chuza G.
Boongaling, Contemporary Philippine Arts from the Regions. Mutya
Publishing House, Inc. Malabon City 2016
Google images/photos
For inquiries or feedback, please write or call:
Department of Education – Division of Tagum City
Office Address: Energy Park, Apokon, Tagum City, 8100
Telefax: (084) 216-3504
E-mail Address: tagum.city@deped.gov.ph

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CPAR-Q4-MODULE-2 (1)-converted.pdf contemporary arts of various regions

  • 1. Contemporary Philippine Arts from the Regions Quarter 4 – Module 2 National Artists of the Philippines SENIOR HIGH SCHOOL
  • 2. Contemporary Philippine Arts from the Regions - Grade 12 2nd Semester Quarter 4 – Module 2: National Artists of the Philippines First Edition, 2021 Republic Act 8293, section 176 states that: No copyright shall subsist in any work of the Government of the Philippines. However, prior approval of the government agency or office wherein the work is created shall be necessary for exploitation of such work for profit. Such agency or office may, among other things, impose as a condition the payment of royalties. Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names, trademarks, etc.) included in this module are owned by their respective copyright holders. Every effort has been exerted to locate and seek permission to use these materials from their respective copyright owners. The publisher and authors do not represent nor claim ownership over them. Published by the Department of Education Printed in the Philippines by ___________________________________ Department of Education – Region XI Office Address: Energy Park, Apokon, Tagum City, 8100 Telefax: (084) 216-3504 E-mail Address: tagum.city@deped.gov.ph Development Team Writer: April Angelie T. Onlos Editor: Iren L. Billones Reviewer: Rina Joyce L. Ajos Illustrator: Leonardo P. Dahunog Layout Artist: Paul Karlo M. Diaz Management Team: Josephine L. Fadul – Schools Division Superintendent Melanie P. Estacio - Assistant Schools Division Superintendent Christine C. Bagacay – Chief – Curriculum Implementation Division Darwin F. Suyat – Education Program Supervisor – EPP/TLE Lorna C. Ragos - Education Program Supervisor Learning Resources Management
  • 3. Contemporary Philippine Arts From The Regions Quarter 4 – Module 2 National Artists of the Philippines SENIOR HIGH SCHOOL
  • 4. ii Introductory Message This Self-Learning Module (SLM) is prepared so that you, our dear learners, can continue your studies and learn while at home. Activities, questions, directions, exercises, and discussions are carefully stated for you to understand each lesson. Each SLM is composed of different parts. Each part shall guide you step-by-step as you discover and understand the lesson prepared for you. Pre-tests are provided to measure your prior knowledge on lessons in each SLM. This will tell you if you need to proceed on completing this module or if you need to ask your facilitator or your teacher’s assistance for better understanding of the lesson. At the end of each module, you need to answer the post-test to self-check your learning. Answer keys are provided for each activity and test. We trust that you will be honest in using these. In addition to the material in the main text, Notes to the Teacher are also provided to our facilitators and parents for strategies and reminders on how they can best help you on your home-based learning. Please use this module with care. Do not put unnecessary marks on any part of this SLM. Use a separate sheet of paper in answering the exercises and tests. And read the instructions carefully before performing each task. If you have any questions in using this SLM or any difficulty in answering the tasks in this module, do not hesitate to consult your teacher or facilitator. Thank you.
  • 5. Let Us Learn! Many Excptional Filipino artists emerge as the arts in the country progresses. This artists aid in promoting arts in and out of the Philippines through their artworks and their contributions to their specific fields. The government recognizes their remarkable inputs in the development of the Philippine Art. Though the National Commission for Culture and the Arts (NCAA) and the cultural Center of the Philippines (CCP), it gives awards to those notable contemporary artists and the most prestigious recognition of them is the order of the National Artists Award. (Orden ng Pambansang Sining) This lesson will let you know the individuals who made significant contributions in the Philippine Arts. At the end of this lesson, you will be able to Filipino artists’ roles and identify their contribution to contemporary arts(CAR11/12CAP-0c-e-5). Specifically you should be able to: • Identifies the Filipino Artists of the contemporary arts •Explains Filipino artists’ roles and identify their contribution to contemporary art •Gives importance on the contributions of the Filipino artists
  • 6. Let Us Try! Let us check your prior knowledge about this module’s coverage. Direction: Read the statements carefully. Identify what is being described in the statement. Write your answers on the space provided. 1. The first National Artist in the country. a. Arturo Luz c. Fernando Amorsolo b. Hernando R. Ocampo d. Vicente Manansala 2. He was known for using historical events as subject matter for his murals. a. Carlos “Botong” Francisco c. Victorio Edades b. Cesar Legaspi d. Napoleon Abueva 3. He was recognized as the Father of Modern Philippine Painting and was known for using dark somber colors in his paintings. a. Bnedicto Cabrera c. Pablo S. Antonio b. Victorio Edades d. Leandro V. Locsin 4. He was considered to be the Father of Modern Philippine Sculpture. a. Napoleon V. Abueva c. Ildefonso P. Santos b. Jose T. Joya d. Ang Kiukok 5. He was known for utilizing and refining cubism, a style involving breaking parts into geometric shapes in his paintings. a. Cesar Legaspi c. Fernando Amorsolo b. Guillermo E. Tolentino d. Napoleon V. Abueva 6. He was known for his marches including the “Triumphal March,” “History Fantasy,” “Echoes from the Philippines,” and “Ode to Freedom.” a. Cesar Legaspi c. Francisco Coching b. Leandro V. Locsin d. Antonio Buenaventura 7. He was known for introducing the pentatonic scale, whole tone scale, linear counterpoints and the use of dominant ninths and eleventh chords in Philippine music. a. Pablo S. Antonio c. Ildefonso P. Santos b. Antonio J. Molina d. Abdulmari Asia Imao 8. He is more known as Fernando Poe, Jr. He is an icon in film industry as an actor, director, writer and producer. a. Francisco Coching c. Jose T. Joya b. Ronald Allan K. Poe d. Federico Alcuaz 9. She was known as the Queen of Kundiman, and the first actress to portray a 15-year-old in the very first Tagalog film. a. Ildefonso P. Santos c. Arturo Luz b. Guillermo E. Tolentino d. Honorata “Atang” dela Rama 10. She is a master weaver who makes “inabel”, an Ilokano handwoven cloth and awarded for her wide array skills in texttile weaving. a. Magdalena Gamayo c. Leandro V. Locsin b. Pablo S. Antonio d. Benedicto Cabrera
  • 7. Let Us Study To be a National Artists is considered to be the highest national recognition given to Filipino individuals who have made significant contributions to the development of Philippine arts which is awarded by the National Commission for Culture and the Arts together with Cultural Center of the Philippines. NATIONAL ARTIST FOR VISUAL ARTS: Fernando Amorsolo (May 30, 1892 – April 24, 1972) Amorsolo is the first National Artist in the country and was known for using backlighting technique in painting, making his creations bright and cheerful. Carlos “Botong” Francisco (November 4, 1912 – March 31, 1969) Francisco revived the art of mural and was considered to be the most distinguished mural painter for about three decades and was known for using historical events as subject matter for his murals. Guillermo E. Tolentino (July 24, 1890 – July 12, 1976) Honored as National Artist for Sculpture in 1973 and was known for designing the seal of the Republic of the Philippines, and the gold and bronze medals for the Ramon Magsaysay Award. Tolentino’s works include the “UP Oblation”. Napoleon V. Abueva (January 26, 1930) Abueva was considered to be the Father of Modern Philippine Sculpture. He is skillful in creating both representational and modern National Artists of the Philippines
  • 8. abstract sculptures using a wide variety of materials. He was also known for creating “buoyant sculpture,” a type of sculpture to be viewed from the surface of a pool. Victorio C. Edades (December 23, 1895 – March 7, 1985) Recognized as the Father of Modern Philippine Painting and was known for using dark somber colors in his paintings. His works focused on factory workers, laborers or other simple townspeople. Vicente Manansala (January 22, 1910 – August 22, 1981) He was known for his paintings depicting realistic themes using an abstract or a cubist style. He believed that “the beauty of art is in the process, in the moment of. doing a particular painting, closely associating it with the act of making love. Hernando R. Ocampo (April 28, 1911 – December 28, 1978) Ocampo was largely known for his abstract paintings. His works featured shapes bounded with curved lines painted in intense colors. His masterpiece “Genesis” was used as the basis of the design of the curtain of the Cultural Center of the Philippines (CCP) Main Theater. Cesar Legaspi (April 2, 1917 – April 7, 1994) Legaspi was known for utilizing and refining cubism, a style involving breaking parts into geometric shapes, in his paintings. Elizalde Navarro (May 22, 1924 – June 10, 1999) He was known for his hardwood masks reflecting the human and the animal, abstract paintings in oil and
  • 9. watercolor, and assemblages. He was also known for his fiction works for This Week of the Manila Chronicle, and for his figurative drawings for Lydia Arguilla’s Juan tamad. Ang Kiukok (March 1, 1931 – May 9, 2005) He was known for his paintings expressing nationalism and sociological agenda during the 60’s through vivid cubistic figures. His works include “Geometric landscape,” “Pieta,” and the “Seated Figure.” Benedicto Cabrera (April 10, 1942) Known as “Bencab,” Cabrera was noted as the bestselling painter of his generation of Filipino artists and also known for his sketches of a scavenger named “Sabel, a symbol of dislocation, despair and isolation-the personification of human dignity threatened by life’s circumstance.” Abdulmari Asia Imao (January 14, 1936 – December 16, 2014) Imao was instrumental in popularizing the ukil, sarimanok and naga motifs in the country as original Filipino creations. He helped in developing trust and confidence among cultural groups, which is needed in building a more humane community and society. Federico Aguilar Alcuaz (June 6, 1932 – February 2, 2011) Alcuaz was mainly known for his oil and acrylic paintings, and sketches in ink, pencil, and watercolor. Francisco Coching (January 29, 1919 – September 1, 1998) Tagged as the “Dean of Filipino Illustrators,” Coching is best known for his work on comics and illustrations which lead to its recognition as popular
  • 10. art. He has influenced cartoonists such as Larry Alcala, Ben Infante and Nestor Redondo Jose T. Joya (June 3, 1931 – 1995) Joya is known for pioneering abstract expressionism in the Philippines. His most notable work is the Granadean Arabesque (1958). He also represented the Philippines in the 1964 Venice Biennale. NATIONAL ARTISTS FOR ARCHITECHTURE: Pablo S. Antonio (January 25, 1902 – June 14, 1975) He was considered a pioneer in modern Philippine architecture. A prominent feature of his designs is the use of natural light and cross ventilation. According to Antonio, buildings should be planned with austerity in mind and its stability forever as the aim of true architecture; that buildings must be progressive, simple in design but dignified, true to a purpose without resorting to an applied set of aesthetics and should eternally recreate truth. Leandro V. Locsin (August 15, 1928 – November 15, 1994) His designs usually features themes of floating volume and a mix of both eastern and western aesthetics. Ildefonso P. Santos (September 5, 1929 – January 29, 2014) Santos pioneered landscape architecture in the Philippines. His work in the Makati Commercial Center incorporated fountains, sculptures and landscapes to a shopping area. NATIONAL ARTISTS FOR LITERATURE: Historical Literature Carlos Quirino (November 4, 1910 – May 20, 1999)
  • 11. He is the first and so far the only National Artist for Historical Literature and was also known for writing “The Great Malayan,” which considered to be one of theearliest biographies of Jose Rizal. Literature Francisco Arcellana (September 6, 1916 – August 1, 2002) Arcellana is a writer, poet, essayist, critic, journalist and teacher, who is recognized as one of the pioneers in writing modern Filipino short stories in English. He also originated the lyrical prose-poetic form in writing short stories. N.V.M Gonzales (September 8, 1915 – November 28, 1999) Nestor Vicente Madali Gonzales is a fictionist, essayist, poet and teacher. He earned numerous recognitions including the First Commonwealth Literary Contest in 1940, the Republic Cultural Heritage Award in 1960 and the Gawad CCP Para sa Sining in 1990. Nick Joaquin (May 4, 1917 – April 29, 2004) He is considered as the most distinguished Filipino writer in English writing. His body of work extends from short stories to poems to essays which includes journalism and reportage. He used the name Guerre Quijano de Manila as journalist. Sionil Jose (December 3, 1924) F.Sionil Jose is one of the most widely read Filipino writers founded the Philippine chapter of the international organization PEN. Alejandro Roces (July 13, 1924 – May 23, 2011) Roces is known for his comic short stories which includes “My Brother’s Peculiar Chicken.” He also led the campaign to change the country’s Independence Day from July 4 to June 12. Edith L. Tiempo (April 22, 1919 – August 21, 2011)
  • 12. Tiempo is a poet, fictionist, teacher and literary critic who founded the Siliman National Writers Workshop in Dumaguete City with her late husband Edilberto K. Tiempo. Virgilio S. Almario (March 9, 1944) Also known as Rio Alma, who is among the notable modernist poets. He reinvented the traditional Filipino poetry forms. Amado V. Hernandez (September 13, 1903 – May 24, 1970) Hernandez is known for his contribution in the development of the Tagalog prose through the use of colloquial style. Carlos P. Romulo (January 14, 1899 – December 15, 1985) Romulo is noted as a diplomat and an awarded journalist. He is the first Asian President of the United Nations General Assembly, and the only Asian to win the Pulitzer Prize in Journalism for his articles on the World War II. Bienvenido Lumbera (April 11, 1932) Lumbera is a multi-awarded poet, critic and librettist. His works includes Likhang Dila, Likhang Diwa (poems in Filipino and English), 1993; Balaybay, Mga Tulang Lunot at Manibalang, 2002; Sa Sariling Bayan, Apat na Dulang May Musila, 2004; Tales of the Manuvu and Rama Hari. Cirilo F. Bautista (July 9, 1941) Bautista is a poet, fictionist and essayist. He founded Philippine Literary Arts Council in 1981, the Iligan National Writers Workshop in 1993, and the Baguio Writers Group. Lazaro Francisco (February 22, 1898 – June 17, 1980) Francisco is among the prominent writers in the Tagalog language. He established the Kapatiran Ng Mga Alagad Ng Wikang Pilipino (KAWIKA) in 1958 to support Tagalog as national language.
  • 13. Jose Garcia Villa (August 5, 1908 – July 7, 1997) Villa is recognized as one of the best contemporary poets. He is best known for introducing the reversed consonance rhyme scheme and his use of punctuation, especially commas. NATIONAL ARTISTS FOR DANCE, MUSIC, FILM, AND THEATER: Cinema/Film Lamberto V. Avellana (February 12, 1915 – April 25, 1991) Avellana was tagged as the “The Boy Wonder of Philippine Movies” as early as 1939. Kalderong Pilak was the first film by a Filipino filmmaker shown in Cannes International Film Festival. Manuel Conde (October 9, 1915 – August 11, 1985) Conde is known for producing and directing films based on old Filipino tales such as Siete Infantes de Lara (1950), Si Juan Tamad (1974), Ang Ibong Adarna (1941). He also brought to the silver screen stories from the other parts of the worlds like Genghis Khan (1950). Eddie S. Romero (July 7, 1924 – May 28, 2013) He is a screenwriter, film director and producer who is behind the Filipino classics such as “Ganito Kami Noon...Paano Kayo Ngayon?”, “Banta ng Kahapon” and “Aguila” as well as the 13-part series “Noli Me Tangere”. Lino Brocka (April 3, 1939 – May 22, 1991) Catalino “Lino” Ortiz Brocka is recognized for his films which explores the lives of people in the marginalized sectors. Brocka also directed for theater organizations such as the Philippine Educational Theater Association (PETA) and the Concerned Artists of the Philippines (CAP). Gerardo de Leon (September 12, 1913 – July 25, 1981) De Leon is a prominent film maker
  • 14. in the 50’s and 60’s producing classics such as “Daigdig ng Mga Api,” “Noli Me Tangere,” “El Filibusterismo,” “dyesebel” and “Sisa.” Ishmael Bernal (September 30, 1938 – June 2, 1996) Bernal, who was hailed by the critics as “The Genius of the Philippine Cinema,” is known for directing films that projects the realities of the Filipinos. He was hailed as Director of the Decade of the 1970s by the Catholic Mass Media Awards; four- time Best Director by the Urian Awards (1989, 1985, 1983 and 1977); and given the ASEAN Cultural Award in Communication Arts in 1993. Ronald Alan K. Poe (August 20, 1939 – December 14, 2004) More known as Fernando Poe, Jr. He is an icon in film industry as an actor, director, writer and producer. He starred in films like “Mga Alabok sa Lupa” (1967), “Partida”. (1985), “Ang Probinsyano” (1996), and among others. Dance Francisca Reyes Aquino (March 9, 1899 – November 21, 1983) She was known for her research on Philippine folk dances, which later resulted to a thesis entitled “Philippine Folk Dances and Games.” It was distributed to public and private schools. Leonor Orosa Goquingco (July 24, 1917 – July 15, 2005) She was known as the “Mother of Philippine Theater Dance,” Goquingco blended folkloric and Asian styles in ballet choreography. She was a founding member of the Philippine Ballet Theater and the Honorary Chair of the Association of Ballet Academies of the Philippines. Ramon Obusan (June 16, 1938 – December 21, 2006) A dancer, choreographer, artistic director, researcher, and documentary filmmaker. He was able to promote Filipino culture in other countries using the art of dance through the Ramon Obusan Folkloric Group.
  • 15. Lucrecia Reyes – Urtula (June 29, 1929 – August 24, 1999) Reyes-Urtula was the dance director of the Bayanihan Philippine Dance Company, for which she choreographed different Philippine folk, ethnic dances, pageants and festivals. Alice Reyes (October 14, 1942) Reyes is known in blending styles and movements from Philippine indigenous dance, classical ballet, and modern dance in expressing Filipino subject matters. This is said to be the “contemporary dance language that is uniquely Filipino.” Music Antonino Buenaventura (May 4, 1904 – January 25, 1996) He was known for his marches including the “Triumphal March,” “History Fantasy,” “Echoes from the Philippines,” and “Ode to Freedom.” He was a conductor of.the Philippine Army Band. He wrote compositions for solo instruments, symphonic and orchestral works, which are based on Philippine folksongs. Ernani Cuenco (May 10, 1936 – June 11, 1988) He was known for the following songs: “Bato sa Buhangin,” “Gaano Kita Kamahal,” “Inang Bayan,” “Isang Dalangin,” “Kalesa,” and “Pilipinas.” These works brought contemporary Filipino music to a higher level. The song, “Gaano Kita Kamahal”, he added elements of Kundiman. He played with the Filipino Youth Symphony Orchestra and the Manila Symphony Orchestra from 1960 to 1968. Francisco Feliciano (February 19, 1941 – September 19, 2014) His major works include “Ashen Wings,” “Sikhay sa Kabila ng Paalam,” and “Pamugun.” He was known for the use of modal scales in his operas and orchestral works. He used indigenous music in his compositions. Jovita Fuentes (February 15, 1895 – August 7, 1978) She was best known for her portrayal of Cio-cio San in Giacamo Puccini’s Madame Butterfly in Italy in April 1925. When she returned to the Philippines, she established the Artists’ Guild of the Philippines in an effort to instill love for opera in her countrymen. Jose Maceda (January 31, 1917 – May 5, 2004) He conducted researches and fieldwork to explore Filipino traditional music further and to understand the nature of Philippine ethnic and traditional music. His efforts gave
  • 16. birth to a huge number of recorded Philippine ethnic and traditional music. Lucio San Pedro (February 11, 1913 – March 31, 2002) Best known for his compositions “Sa Ugoy ng Duyan,” “Sa Mahal Kong Bayan,” “Dance of the Fairies,” “Triumphal March,” and “Lahing Kayumanggi,” Lucio San Pedro was the conductor of the Peng Kong Grand Mason Concert Band, the San Pedro Band of Angono, and the Benda Angono Numero Uno. Working with these bands and other town bands helped in the development of a civic culture among Filipino communities. Levi Celerio (April 30, 1910 – April 2, 2002) Celerio is most known for his recognition as the only man who could play music with a leaf in the Guinness Book of World Records. He also earned Lifetime Achievement Award of the Film Academy of the Philippines for writing songs for local movies. He was also known as the dean of Filipino lyricists. Felipe Padilla de Leon (May 1, 1912 – December 5, 1992) He was known for Filipinizing western music forms. His works, which include “Mariang Maikling Overture,” “Maynila Overture,” “Payapang Daigdig,” and “Ako’y Pilipino,” expressed sentiments and aspirations of the Filipino in times of strife and peace. Lucrecia R. Kasilag (August 31, 1918 – August 16, 2008) She was known for fusing Filipino ethnic music with Western musical influences. She was also known for incorporating Filipino indigenous musical instruments in orchestral works. Antonio J. Molina (December 16, 1894 – January 29, 1980) Molina was known for introducing the pentatonic scale, whole tone scale, linear counterpoints and the use of dominant ninths and eleventh chords in Philippine music. Ramon P. Santos (February 25, 1941) Santos is a Filipino composer, musicologist and ethnomusicologist who was made a Chevalier de I’Orde des Arts et Lettres in 1987. He helped in advocating modern Philippine music that is still based on early Asian practices and way of life. Andrea Veneracion (July 11, 1928 – July 9, 2013) She was the founder of the world-renowned University of the Philippines Madrigal Singers, or simply the Philippine Madrigal Singers, which is the first choir in the world to win the European Grand Prix for Choral Singing twice. Veneracion is also recognized as an important authority in the development of Philippine choral music.
  • 17. Theater Daisy Avellana (January 26, 1917 – May 12, 2013) She co-founded the Barangay Theatre Guild, together with her husband, National Artist Lamberto Avellana, in 1939. This move made theatre and dramatic arts popular in the c Honored as National Artist for Theater Design in 2003, Bernal used local materials including bamboo, abaca, hemp twine, and rattan in theater design for local productions. ountry. She was known as director of films “Diego Silang” (1968) and “Walang Sugat” (1971). Honorata “Atang” dela Rama (January 11, 1902 – July 11, 1991) She was named National Artist for Theater and Music in 1987. She was known as the Queen of Kundiman, and the first actress to portray a 15- year-old in the very first Tagalog film, which was the film version of the Sarsuela “Dalagang Bukid.” Salvador F. Bernal (January 7, 1945 – October 26, 2011) Wilfrido Ma. Guerrero (January 22, 1910 – May 1, 1995) He served as the director of UP Dramatic Club for 16 years since 1947. He founded the UP Mobile Theater, which started the concept of theater campus tour. Severino Montano (January 3, 1915 – December 12, 1980) He organized the Arena Theater Playwriting Contest which became the initial ground for playwrights to showcase their talents in writing while serving as Dean of Instruction of the Philippine Normal College. GAWAD SA MANLILIKHA NG BAYAN (GAMABA): Eduardo Mutuc (2005 awardee) He dedicated his life in creating religious and secular art in silver, bronze and wood. According to him, craftsmanship begins with respect for one’s tools and the medium, and the only way to improve one’s skills is to immerse oneself, learn the technique, and to practice. Darhata Sawabi (2005 awardee) She is a Tausug weaver of pis syabit – the traditional cloth tapestry worn as a head cover. Women in Sulu province have grown up learning in weaving the pis syabit and she is one of those who took the art of pis syabit making to heart.
  • 18. Haja Amina Appi (2005 awardee) She is recognized as a master mat weaver among the Sama indigenous community for her unique designs, straightness of her edging (tabig), and fineness of her sasa and kima-kima. Lang Dulay (1998 awardee) She is a T’boli traditional weaver of “tinalak” or T’boli cloth made of colorful abaca fabrics. She used abaca fibers as fine as hair which speaks more eloquently than words can. Salinta Monon (1998 awardee) She is a Tagabanwa-Bagobo traditional weaver of distinct abaca fabrics called inabal. She developed a keen eye for the traditional designs and can identify the designs as well as the author of a woven piece just by a glance. Alonzo Saclag (2000 awardee) He is a Kalinga master of dance and the performing arts who mastered not only the Kalinga musical instruments but also the dance patterns and movements associated with his people’s ritual. Federico Caballero He is a Sulod-Bukidnon epic chanter who works for the documentation of the oral literature. He is considered as bantugan which means a person who has attained distinction. He strikes to dispense justice in the community through his work as a manughusay which is an arbiter of conflicts. Masino Intaray (1993 awardee) He is a prolific and pre-eminent epic canter and story teller recognized for his outstanding mastery of various traditional musical instruments of the Palaw’an people, such as basal, kulilal and bagit. He is an outstanding master of the basal, kulilal (musical ensemble) and bagit; a gifted pot, bard artist, and musician. Samon Sulaiman (1993 awardee) He is Magindanaon, who is highly sophisticated in weaving, okir designs, jewelry, metalwork and brassware which art is Southeast Asian yet distinct in character. Uwang Ahadas (2000 awardee) His near-blindness eyesight made music his constant companion. He is a Yakan, a people to whom instrumental music is of much significance, connected as it is with both the agricultural cycle and the social realm. Ginaw Bilog (1993 awardee) He is a Hanunoo Mangyan who is considered as a master of the ambahan poetry. He shares old and new ambahans with his fellow Mangyans and promotes this poetic form in every occasion. A common
  • 19. cultural aspect among cultural communities nationwide is the oral tradition characterized by poetic verses which are either sung or chanted. Magdalena Gamayo (2012 awardee) She is a master weaver who makes “inabel”, an Ilokano handwoven cloth. She was awarded for her wide array skills in textile weaving. Her handiworks are finer than most abel. Her blankets have a very high thread count and her deigns are the most intricate that sometimes take up to five colors. Let Us Practice Find and encircle the names of the National artist tackled in this lesson. X H P R M G S G K F D T B L K 9 G A Q V T D D F S H K V R I P F W U L F G D G S D V S F E D H J M X S G K L E V G J R C S G Y C A R L O S B O T O N G F R A N C I S C O A D N G D J L O N G D E J L U F H E G J R R S A F Y B F H J L V G J L U S D T J I O L E N A P O L E O N A B U E V A S R B J N O G D M A N U E L C O N D E G L H O W G A S A O T B K U B F H K P R D N V R H Y D L Q D A G L H K L G T E J U U S A F H F M D U A M D O R H U G E H K F A R D G H I F A I S O F A G J J K O G D D R H O Y U G D L R A R D N G J V F J K D H D J R D H I S A I S S F T G J D G J L L D O S B D H J K N N S O J O S E M A C E D A M F E G J L F P O D L D N D F H K A D J S U H R G K S H O D G O S I H K I S R T U P T D N G J O W E A G D K O S U O M F H P W U C A H D J O W Q T N I E U N T E P J F Y C N L E K P X E Let Us Remember Remember these key points: ➢ National artists for Visual Arts o Fernando Amorsolo o Carlos “Botong” Francisco o Guillermo E. Tolentino o Napoleon V. Abueva o Victorio C. Edades o Vicente Manansala o Hernando Ocampo
  • 20. o Cesar Legaspi o Arturo Luz o J. Elizalde Navarro o Ang Kiukok o Banedicto Cabrera o Abdulmari Asia Imao o Federico Aguilar Alcuaz o Francisco Coching o Jose T. Joya ➢ National artists for Architecture o Pablo S. Antonio o Leandro V. Locsin o Ildefonso P. Santos ➢ National artist for Literature o Carlos Quirino o Francisco Arcellana o NVM Gonzalez o Nick Joaquin o F. Sioneil Jose o Alejandro Roces o Edith L. Tiempo o Virgilio S. Almario o Amado V. Hernandez o Carlos P. Romulo o Bienvenido Lumbera o Cirilo F. Bautista o Lazaro Francisco o Jose Garcia Villa ➢ National artists for Cinema/Film o Lamberto V. Arellana o Manuel Conde o Eddie S. Romero o Lino Brocka o Gerardo de Leon o Ishmael Bernal o Ronald Alan K. Poe ➢ National artists for Dance o Francisca Reyes Aquino o Leonor Orosa Goquingco o Ramon Obusan o Lucresia Reyes-Urtula o Alice Reyes ➢ National artists for Music o Antonio Buenaventura o Ernani Cuenco
  • 21. o Francisco Feliciano o Jovita Fuentes o Jose Maceda o Lucio San Pedro o Levi Celerio o Felipe Padilla de Leon o Lucresia R. Kasilag o Antonio J. Molina o Ramon P. Santos o Andrea Veneracion ➢ National artists for Theater o Daisy Avellana o Honorata “Atang” de la Rama o Rolando S. Tinio o Salvador F. Bernal o Wilfredo Ma. Guerrero o Severino Montana ➢ GAMABA awardees o Eduardo Mutuc o Lang Dulay o Salinta Monon o Alonzo Saclag o Federico Caballero o Masino Intaray o Samon Sulaiman o Uwang Ahadas o Ginaw Bilog Magdalena Gamay Let us Enhance In the left column are the list of artists, write their areas of specialization in the second column and cite the examples of his/her work in the last column. Artists Art form Cite example of his/her work Guillermo E. Tolention Ildefonso P. Santos Bienvenido Lumbera Eddie S. Romero Francisca Reyes Aquino Lucio San Pedro Daisy Avellana Hernando Ocampo
  • 22. Let Us Assess Research on the artwork/masterpiece of Fernando Amorsolo “Planting Rice” and give the characteristics/description of it. __________________________________________________ ______________________________________________________ ____________________________________________________ Let Us Reflect Among the artists, whom do you admire most? Manuel Conde Ernani Cuenco
  • 23. ANSWER KEY Lesson 2 Let us try 1. B 2. C 3. D 4. B 5. A 6. A 7. C 8. B 9. A 10. A
  • 24. References DepEd Curriculum Guide Luzviminda D. Sandagan, Ayesha H. Sayseng. Contemporary Philippine Arts from the Regions, JFS Publishing Services, Manila Philippines 2016 Jayson L. Dedal. Contemporary Philippine Arts from the Regions, An Appreciation Towards National Identity, First Edition, Cronica Bookhaus, Philippines 2017 Wilson K. Panisan, Leslie B. Gazzingan, Gregorio L. Samar, Corie Chuza G. Boongaling, Contemporary Philippine Arts from the Regions. Mutya Publishing House, Inc. Malabon City 2016 Google images/photos For inquiries or feedback, please write or call: Department of Education – Division of Tagum City Office Address: Energy Park, Apokon, Tagum City, 8100 Telefax: (084) 216-3504 E-mail Address: tagum.city@deped.gov.ph