The document explains the 5 most important synthesis modules: oscillator, filter, amplifier, envelope, and LFO. It describes how the oscillator generates the basic audio signal through different waveforms. The filter is used to alter this signal by removing certain frequencies. The amplifier controls volume over time using an envelope generator that determines the attack, decay, sustain, and release of a sound. The LFO produces low frequency signals that can be used to modulate other modules for effects like vibrato. Understanding these core synthesis modules is crucial for working with subtractive synthesis in a digital audio workstation.
This document provides instructions for using various features of the Reason music production software. It includes the following steps:
1) How to open Reason and ensure work is saved properly
2) How to access the mixer window to adjust equalization, volumes, and other sound properties
3) How to access drum machines like Redrum and use their pattern sequencers and channel settings
4) How to use samplers like NN-XT and access their advanced sampling and sound design functions
5) How to create and use synth tracks, including adjusting oscillator waveforms and other synthesis parameters
6) How to create and use loops in your music
This document provides an overview of different types of sound synthesis including subtractive synthesis using waveforms like sine, square, sawtooth and triangle waves. It discusses Fourier analysis and how complex sounds can be broken down into harmonic components. It also covers percussion synthesis using noise generators, as well as modifiers like envelopes and low frequency oscillators. The document explains filters and phase relationships, resonance, envelopes, voltage controlled amplifiers, and modulation techniques in sound synthesis.
Explain the usage of the 5 most important synthesis modules: Oscillator, F…M GM
This document provides an overview of the main components and functions of a synthesizer: oscillator, filter, amplifier, envelope, and LFO. It explains that the oscillator generates the basic waveform, the filter shapes the sound by removing frequencies, the amplifier controls volume over time using the envelope, and the LFO modulates other components for effects like vibrato. The document aims to clearly present the key concepts of sound synthesis for educational purposes.
This document discusses frequency and its applications in equalization (EQ) and sound synthesis. It defines frequency as the number of cycles per second and describes how frequency is perceived as pitch. It discusses units of measurement like Hertz and how humans can typically hear frequencies between 20-20,000 Hz. It then covers topics like the frequency ranges of instruments, EQ, octaves, EQ bands, different types of EQ like parametric EQ, shelf EQ, and notch filters. It includes assignments to experiment with EQ in iTunes and record vocals to sound like they are coming from a telephone.
This document discusses basic concepts in music technology including sound, pitch, frequency, harmonics, equalization (EQ), oscillators, synthesis, filters, and sound design. It explains that sound is created by pressure disturbances propagating through air. Pitch is defined by the repetition rate of a sound, while frequency refers specifically to the repetition rate of a simple oscillator. Harmonics are the multiple frequencies present in all oscillations that give a sound its tone. EQ is used to boost or cut certain frequency ranges to enhance or modify tones. Synthesis uses oscillators, envelopes, filters, and other tools to design and manipulate sounds from scratch.
Mixers are electronic devices used to combine audio signals by routing and changing their level, tone, and dynamics. They allow adjustment of levels, equalization, effects, monitoring, and recording. Mixers come in various sizes from small portable units to large studio consoles. While intimidating for beginners due to many controls, mixers essentially have duplicated channel strips that make them easier to understand once you know how each channel works. Each channel strip contains gain, EQ, auxiliary sends, panning, and a level fader to control the signal flow and mix.
The document explains the 5 most important synthesis modules: oscillator, filter, amplifier, envelope, and LFO. It describes how the oscillator generates the basic audio signal through different waveforms. The filter is used to alter this signal by removing certain frequencies. The amplifier controls volume over time using an envelope generator that determines the attack, decay, sustain, and release of a sound. The LFO produces low frequency signals that can be used to modulate other modules for effects like vibrato. Understanding these core synthesis modules is crucial for working with subtractive synthesis in a digital audio workstation.
This document provides instructions for using various features of the Reason music production software. It includes the following steps:
1) How to open Reason and ensure work is saved properly
2) How to access the mixer window to adjust equalization, volumes, and other sound properties
3) How to access drum machines like Redrum and use their pattern sequencers and channel settings
4) How to use samplers like NN-XT and access their advanced sampling and sound design functions
5) How to create and use synth tracks, including adjusting oscillator waveforms and other synthesis parameters
6) How to create and use loops in your music
This document provides an overview of different types of sound synthesis including subtractive synthesis using waveforms like sine, square, sawtooth and triangle waves. It discusses Fourier analysis and how complex sounds can be broken down into harmonic components. It also covers percussion synthesis using noise generators, as well as modifiers like envelopes and low frequency oscillators. The document explains filters and phase relationships, resonance, envelopes, voltage controlled amplifiers, and modulation techniques in sound synthesis.
Explain the usage of the 5 most important synthesis modules: Oscillator, F…M GM
This document provides an overview of the main components and functions of a synthesizer: oscillator, filter, amplifier, envelope, and LFO. It explains that the oscillator generates the basic waveform, the filter shapes the sound by removing frequencies, the amplifier controls volume over time using the envelope, and the LFO modulates other components for effects like vibrato. The document aims to clearly present the key concepts of sound synthesis for educational purposes.
This document discusses frequency and its applications in equalization (EQ) and sound synthesis. It defines frequency as the number of cycles per second and describes how frequency is perceived as pitch. It discusses units of measurement like Hertz and how humans can typically hear frequencies between 20-20,000 Hz. It then covers topics like the frequency ranges of instruments, EQ, octaves, EQ bands, different types of EQ like parametric EQ, shelf EQ, and notch filters. It includes assignments to experiment with EQ in iTunes and record vocals to sound like they are coming from a telephone.
This document discusses basic concepts in music technology including sound, pitch, frequency, harmonics, equalization (EQ), oscillators, synthesis, filters, and sound design. It explains that sound is created by pressure disturbances propagating through air. Pitch is defined by the repetition rate of a sound, while frequency refers specifically to the repetition rate of a simple oscillator. Harmonics are the multiple frequencies present in all oscillations that give a sound its tone. EQ is used to boost or cut certain frequency ranges to enhance or modify tones. Synthesis uses oscillators, envelopes, filters, and other tools to design and manipulate sounds from scratch.
Mixers are electronic devices used to combine audio signals by routing and changing their level, tone, and dynamics. They allow adjustment of levels, equalization, effects, monitoring, and recording. Mixers come in various sizes from small portable units to large studio consoles. While intimidating for beginners due to many controls, mixers essentially have duplicated channel strips that make them easier to understand once you know how each channel works. Each channel strip contains gain, EQ, auxiliary sends, panning, and a level fader to control the signal flow and mix.
Phasewaver is a phase distortion synthesizer with a vast array of composite waveshaping and amplitude modulation to generate a complex frequency spectrum. Essentially, the harmonic content of a carrier waveform dynamically change by influence of another modulator waveform, which can be used to create synth pads, keys, leads, basses, atmospheric textures, ambient soundscapes and sound effects.
Features a collection of 40 presets suitable for many genres and styles of music and flexibility to custom design over a wide sonic spectrum. Available as plugin in VST and VST3 64 bit versions for Windows, as well as in Audio Unit for macOS.
Introduction to Music Production week 6 assignmentSDrennan19
This powerpoint presentation introduces the key components of a synthesizer. It describes the oscillator, filter, amplifier, envelope, and LFO (low frequency oscillator) as the five most important synthesis modules. The oscillator generates the basic waveform, the filter shapes the sound, the amplifier controls volume over time, the envelope modulates intensity of parameters over time, and the LFO modifies tones and rates of change. The presentation was created by Sean Drennan, a student pursuing a career in music production.
the usage of the 5 most important synthesis modules: Oscillator, Filter, Ampl...Darshil1234
The document explains the 5 most important synthesis modules: oscillator, filter, amplifier, envelope, and LFO. It describes the function of each module. The oscillator generates the raw waveform. The filter shapes the sound by removing frequencies. The amplifier controls volume over time using the envelope. The envelope controls the amplitude over time with attack, decay, sustain, and release parameters. The LFO modulates other modules like the oscillator or amplifier to add vibrato or tremolo effects.
- The document is a beginner's guide to mixing that introduces key concepts like channels, sends, returns, and digital mixer benefits.
- A mixer receives audio from external sources, allows you to adjust its volume, tone, effects, etc. and then sends the audio to other devices. Combining multiple audio streams creates a "mix."
- A mixer's channels each control a single audio signal, allowing you to shape its sound. Signals can be sent from channels to effects processors and returned to the mixer for inclusion in the mix. Digital mixers offer superior sound quality and control over analog mixers.
Hi I Ezequiel Barros from Brazil. This lesson is for week 3 of Introduction To Music Production at Coursera.org and I will talk about categories of effects.
This document discusses different ways of visualizing sound, including the oscilloscope, spectrum analyzer, and sonogram. The oscilloscope shows amplitude over time in 2D and is useful for viewing waveforms but not frequency analysis. The spectrum analyzer shows frequency on the x-axis and amplitude on the y-axis, allowing analysis of harmonics, bandwidth, and other spectral components. The sonogram shows frequency on the y-axis, time on the x-axis, and amplitude with color, visualizing how a sound evolves over time. Examples of software for each visualization method are provided.
Unity supports mono, stereo, and multichannel audio. An AudioSource plays audio clips and an AudioListener receives the audio. Audio can be imported with options like normalization and compression format. Properties of an AudioSource control volume, pitch, 3D positioning. An AudioMixer applies effects and groups audio. ReverbZones gradually apply reverb effects within a radius.
This powerpoint presentation summarizes the five most important synthesis modules on a synthesizer: oscillator, filter, amplifier, envelope, and LFO. The oscillator generates the basic waveform. The filter passes certain frequencies of the waveform. The amplifier controls signal level over time using an envelope. The envelope modulates the intensity of parameters like volume over time. The LFO modifies tones by controlling modulation rate and amount.
Synthractive is a stereo subtractive synthesizer. Tones are created by subtracting unwanted frequencies, usually harmonics, attenuated by a filter to alter the timbre of the sound. Dialing in a combination of parameters from the oscillators, LFOs, amplitude and filter envelopes, will determine the tone and shape of the sound, which allows to sculpt a wide range of sonic texture.
It can be used to create spacey pads, synth leads, keys, basses, sequences, atmospheric textures, ambient soundscapes and sound effects. Features a collection of 40 presets suitable for many genres and styles of music and flexibility to custom design over a diverse sonic palette. Available as plugin in VST and VST3 64 bit versions for Windows, as well as in Audio Unit for macOS.
Features 40 Presets:
01. LEAD Fuzz Lead
02. LEAD Gravitational Energy
03. LEAD Gritty Lead
04. LEAD Saw Lead
05. LEAD Thick Waves
06. LEAD Wavy Pulse
07. PAD Borealis Basin
08. PAD Cinematic Synth
09. PAD Crystal Reverie
10. PAD Deep Ambient
11. PAD Glassy Vision
12. PAD Soundscape Texture
13. PAD Spacey Organ
14. BASS Acid Bassline
15. BASS Chameleon Bassline
16. BASS Fat Bass
17. BASS Pedal Synthesizer
18. BASS ResoMoog
19. BASS Resonance Bass
20. KEY Electric Piano
21. KEY Marimbaphone
22. KEY Organ Flute
23. KEY Poly Brass
24. KEY Sine Wave Organ
25. SEQ Asteroids
26. SEQ Asynchronous World
27. SEQ Automated Ravens
28. SEQ Kaleidoscope
29. SEQ Liquid Pattern
30. SEQ Rhythmic Magma
31. ATMO Cosmic Wind
32. ATMO Extrasensory Waves
33. ATMO Oneiric Chamber
34. ATMO Serial Madness
35. ATMO Sinusoidal Dream
36. ATMO Spectral Ghosts
37. SFX Ascending Brain
38. SFX Birds Murmuration
39. SFX Effervescent Laser
40. SFX Subtractive Alien
This document provides instructions for using various features in Propellerhead Reason 7, including how to:
- Open Reason and create a mixer to control track volumes
- Add drum and synth tracks that are automatically connected to the mixer
- Draw notes using the pencil tool to create beats on the drum track or melodies on the synth track
- Adjust parameters like volume, panning, EQ, and pitch to mix and edit tracks
The document summarizes the signal flow through a typical analog mixing board channel strip. It begins with the input sources of microphones and line levels. It then describes the path the signal takes through a preamp, inserts, equalization, auxiliary sends, volume faders, panpots, and mute/solo switches before reaching the mix. The goal is to provide a basic overview of how sound is processed within a single channel of an analog mixing board.
Introduction to Music Production- Synthesis Modules- CourseraAspa Papadimitriou
The document discusses the five most important synthesis modules in electronic music production: oscillator, filter, amplifier, envelope, and LFO. It describes the function of each module. The oscillator generates the base sound waveform, such as sine, saw, square waves. The filter removes unwanted frequencies. The amplifier controls volume. The envelope determines how volume changes over time, such as attack, decay, sustain, and release. The LFO is a low frequency oscillator that creates modulation effects like vibrato below the range of human hearing. It outlines what each module does and how they interact together in a synthesizer.
Echo Chamber is a stereo reverb and delay plug-in effect, used to create psychoacoustic models to simulate sounds reflecting from surfaces in a room or space. Optionally a delay can be added to yield a spacious and open sound of a repeating, decaying echo to complete a sense of space and depth to a 'dry' input signal.
A highly tweakable, versatile, and inspiring solution for ambience effects, that produces a natural sounding room reverberation and delay effect giving a true room perception, from small rooms to large caverns as well as generates a doubling echo, slapback echo, ping-pong delay and analog tape delay. Offers multiple controls for modifying one or both channels to produce a rich array of time-based effects.
Available as plugin in VST and VST3 64 bit versions for Windows as well as in Audio Unit for macOS. These plug-ins are perfectly suited for any type of audio production when acoustic space simulation is needed from recording to post production in 64 bit platforms. Small rooms have a high percentage of early reflections (the first feedback from the closest objects) that can give more body to tracks. It is also good with acoustic guitars and voices. Larger rooms presets are better with strings, or wind instruments and synthesizer pads.
Features:
• Reverb and delay algorithms that delivers a rich reverberation and echoes by providing a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings in an acoustically reflective environment.
• Flexibility to control Left and Right channels separately in Reverb and Delay units as well as in 'dry' signal output.
• Reverb unit works as a Stereo enhancer and mono-to-stereo creator, to produce a wide stereo image or stereoize a mono sound source. In Delay unit, improves the stereo image by adding a slight delay to one of the channels.
• Delay Time manual or synced to host (Tempo Sync BPM).
• 30 predefined space types, giving a virtually infinite number of possible shapes and sizes.
Preset Effects List:
01 • DEL - Analog Tape Delay
02 • DEL - Bucket Brigade Delay
03 • DEL - Crypt Echoes
04 • DEL - Doubling Echo
05 • DEL - Infinite Delay Machine
06 • DEL - Ping-Pong Delay
07 • DEL - Slapback Echo
08 • DEL - Sync Tube Tape Delay
09 • DEL - Tempo-Sync Delay
10 • DEL - Tube Driven Tape Echo
11 • REV - Amphitheater Reverb
12 • REV - Auditorium Reverb
13 • REV - Cathedral Reverb
14 • REV - Chamber Reverb
15 • REV - Hall Reverb
16 • REV - Opera Reverb
17 • REV - Plate Reverb
18 • REV - Room Reverb
19 • REV - Spring Reverb
20 • REV - Theater Reverb
21 • REV+DEL Ambience Reverb
22 • REV+DEL Arena Reverb
23 • REV+DEL Canyon Acoustics
24 • REV+DEL Catacomb Reverb
25 • REV+DEL Cave Reverb
26 • REV+DEL Church Reverb
27 • REV+DEL Cosmos Echo Panning
28 • REV+DEL Spatial Reverb
29 • REV+DEL Stadium Reverb
30 • REV+DEL Sync Bounced Delay
This document defines and provides examples of various audio effects used in production including reverberation, distortion, talk box, pitch bending, delay, chorus, autotune, tremolo, vibrato, gating, limiting, surround sound, mono, and stereo effects. It explains what each effect is and how it modifies or processes sound. Examples are given to demonstrate how each effect is applied.
Sound is a form of energy that is created by vibrations and travels in waves. It can be heard when these vibrations reach our ears. The document defines sound and explains that louder sounds have higher amplitudes in their waves while softer sounds have lower amplitudes. It also describes that pitch is determined by the speed of the vibrations, with faster vibrations creating higher pitches and slower vibrations making lower pitches. Volume and pitch are the main characteristics used to describe different sounds.
This document discusses concepts related to music technology including sound, pitch, frequency, harmonics, equalization (EQ), synthesis, oscillators, sound envelopes, and filters. It explains that sound is pressure disturbances propagating through a medium, usually air, while pitch is the repetition rate of a sound determined by its fundamental frequency. It describes how EQ is used to boost or cut certain frequencies to alter tonal qualities. Synthesis and sound design are also covered, noting how oscillators, envelopes, and filters can be used to manipulate raw waveforms and create customized sounds.
This document categorizes and describes common types of audio effects. There are three main categories: dynamic effects which affect amplitude, delay effects which affect sound propagation, and filter effects which affect timbre. Dynamic effects include compressors, limiters, expanders, and noise gates. Delay effects include reverb, delay, chorus, phaser, and flanger. Filter effects include high pass filters, low pass filters, band pass filters, parametric EQs, and graphic EQs. The document encourages experimenting with effects to better understand how they work.
The document discusses key concepts about light and sound including:
1. Light and sound travel as waves and have properties of wavelength, frequency, and speed. Light sources include the sun, stars, and artificial sources while sound is produced by vibration.
2. Light can be reflected, refracted, and absorbed differently by transparent, translucent, and opaque materials. It travels in straight lines and causes shadows. Reflection and refraction follow predictable angle relationships.
3. The human senses of vision and hearing perceive light and sound waves through the eye and ear, which have specific functional parts and ranges of detection. Various optical devices like lenses and mirrors manipulate light in practical applications.
Rosman,F.C. - A Histologia Clássica. Sua História. Os Primórdios (ed.rev.2014)fcrosman
Trata-se de uma compilação sobre a história da histologia clássica, iniciando-se com Jean François Fernel (1542), quando surge a ideia da fibra, até Pío Del Rio Hortega (1920), com o aprimoramento dos estudos histológicos do sistema nervoso. Citam-se os principais pioneiros nos estudos em anatomia macroscópica, que levaram ao estudo em microscopia, humana, em animais e em plantas, os quais, no conjunto, promoveram o surgimento da Citologia e da Histologia como disciplinas. Ao final são citadas todas as referências consultadas e as fontes das inúmeras imagens obtidas na internet.
Survey of Cervical Screening in the South of LebanonMazen Fakih
The survey of 500 women in southern Lebanon found that 57% had never had a cervical smear test. There was no correlation between occupation and having a smear, but older women were less likely to have one than younger women. Most women who had been screened only had one smear. The study recommends an awareness campaign targeting both women and doctors through community presentations, posters, and information leaflets to increase screening rates.
Phasewaver is a phase distortion synthesizer with a vast array of composite waveshaping and amplitude modulation to generate a complex frequency spectrum. Essentially, the harmonic content of a carrier waveform dynamically change by influence of another modulator waveform, which can be used to create synth pads, keys, leads, basses, atmospheric textures, ambient soundscapes and sound effects.
Features a collection of 40 presets suitable for many genres and styles of music and flexibility to custom design over a wide sonic spectrum. Available as plugin in VST and VST3 64 bit versions for Windows, as well as in Audio Unit for macOS.
Introduction to Music Production week 6 assignmentSDrennan19
This powerpoint presentation introduces the key components of a synthesizer. It describes the oscillator, filter, amplifier, envelope, and LFO (low frequency oscillator) as the five most important synthesis modules. The oscillator generates the basic waveform, the filter shapes the sound, the amplifier controls volume over time, the envelope modulates intensity of parameters over time, and the LFO modifies tones and rates of change. The presentation was created by Sean Drennan, a student pursuing a career in music production.
the usage of the 5 most important synthesis modules: Oscillator, Filter, Ampl...Darshil1234
The document explains the 5 most important synthesis modules: oscillator, filter, amplifier, envelope, and LFO. It describes the function of each module. The oscillator generates the raw waveform. The filter shapes the sound by removing frequencies. The amplifier controls volume over time using the envelope. The envelope controls the amplitude over time with attack, decay, sustain, and release parameters. The LFO modulates other modules like the oscillator or amplifier to add vibrato or tremolo effects.
- The document is a beginner's guide to mixing that introduces key concepts like channels, sends, returns, and digital mixer benefits.
- A mixer receives audio from external sources, allows you to adjust its volume, tone, effects, etc. and then sends the audio to other devices. Combining multiple audio streams creates a "mix."
- A mixer's channels each control a single audio signal, allowing you to shape its sound. Signals can be sent from channels to effects processors and returned to the mixer for inclusion in the mix. Digital mixers offer superior sound quality and control over analog mixers.
Hi I Ezequiel Barros from Brazil. This lesson is for week 3 of Introduction To Music Production at Coursera.org and I will talk about categories of effects.
This document discusses different ways of visualizing sound, including the oscilloscope, spectrum analyzer, and sonogram. The oscilloscope shows amplitude over time in 2D and is useful for viewing waveforms but not frequency analysis. The spectrum analyzer shows frequency on the x-axis and amplitude on the y-axis, allowing analysis of harmonics, bandwidth, and other spectral components. The sonogram shows frequency on the y-axis, time on the x-axis, and amplitude with color, visualizing how a sound evolves over time. Examples of software for each visualization method are provided.
Unity supports mono, stereo, and multichannel audio. An AudioSource plays audio clips and an AudioListener receives the audio. Audio can be imported with options like normalization and compression format. Properties of an AudioSource control volume, pitch, 3D positioning. An AudioMixer applies effects and groups audio. ReverbZones gradually apply reverb effects within a radius.
This powerpoint presentation summarizes the five most important synthesis modules on a synthesizer: oscillator, filter, amplifier, envelope, and LFO. The oscillator generates the basic waveform. The filter passes certain frequencies of the waveform. The amplifier controls signal level over time using an envelope. The envelope modulates the intensity of parameters like volume over time. The LFO modifies tones by controlling modulation rate and amount.
Synthractive is a stereo subtractive synthesizer. Tones are created by subtracting unwanted frequencies, usually harmonics, attenuated by a filter to alter the timbre of the sound. Dialing in a combination of parameters from the oscillators, LFOs, amplitude and filter envelopes, will determine the tone and shape of the sound, which allows to sculpt a wide range of sonic texture.
It can be used to create spacey pads, synth leads, keys, basses, sequences, atmospheric textures, ambient soundscapes and sound effects. Features a collection of 40 presets suitable for many genres and styles of music and flexibility to custom design over a diverse sonic palette. Available as plugin in VST and VST3 64 bit versions for Windows, as well as in Audio Unit for macOS.
Features 40 Presets:
01. LEAD Fuzz Lead
02. LEAD Gravitational Energy
03. LEAD Gritty Lead
04. LEAD Saw Lead
05. LEAD Thick Waves
06. LEAD Wavy Pulse
07. PAD Borealis Basin
08. PAD Cinematic Synth
09. PAD Crystal Reverie
10. PAD Deep Ambient
11. PAD Glassy Vision
12. PAD Soundscape Texture
13. PAD Spacey Organ
14. BASS Acid Bassline
15. BASS Chameleon Bassline
16. BASS Fat Bass
17. BASS Pedal Synthesizer
18. BASS ResoMoog
19. BASS Resonance Bass
20. KEY Electric Piano
21. KEY Marimbaphone
22. KEY Organ Flute
23. KEY Poly Brass
24. KEY Sine Wave Organ
25. SEQ Asteroids
26. SEQ Asynchronous World
27. SEQ Automated Ravens
28. SEQ Kaleidoscope
29. SEQ Liquid Pattern
30. SEQ Rhythmic Magma
31. ATMO Cosmic Wind
32. ATMO Extrasensory Waves
33. ATMO Oneiric Chamber
34. ATMO Serial Madness
35. ATMO Sinusoidal Dream
36. ATMO Spectral Ghosts
37. SFX Ascending Brain
38. SFX Birds Murmuration
39. SFX Effervescent Laser
40. SFX Subtractive Alien
This document provides instructions for using various features in Propellerhead Reason 7, including how to:
- Open Reason and create a mixer to control track volumes
- Add drum and synth tracks that are automatically connected to the mixer
- Draw notes using the pencil tool to create beats on the drum track or melodies on the synth track
- Adjust parameters like volume, panning, EQ, and pitch to mix and edit tracks
The document summarizes the signal flow through a typical analog mixing board channel strip. It begins with the input sources of microphones and line levels. It then describes the path the signal takes through a preamp, inserts, equalization, auxiliary sends, volume faders, panpots, and mute/solo switches before reaching the mix. The goal is to provide a basic overview of how sound is processed within a single channel of an analog mixing board.
Introduction to Music Production- Synthesis Modules- CourseraAspa Papadimitriou
The document discusses the five most important synthesis modules in electronic music production: oscillator, filter, amplifier, envelope, and LFO. It describes the function of each module. The oscillator generates the base sound waveform, such as sine, saw, square waves. The filter removes unwanted frequencies. The amplifier controls volume. The envelope determines how volume changes over time, such as attack, decay, sustain, and release. The LFO is a low frequency oscillator that creates modulation effects like vibrato below the range of human hearing. It outlines what each module does and how they interact together in a synthesizer.
Echo Chamber is a stereo reverb and delay plug-in effect, used to create psychoacoustic models to simulate sounds reflecting from surfaces in a room or space. Optionally a delay can be added to yield a spacious and open sound of a repeating, decaying echo to complete a sense of space and depth to a 'dry' input signal.
A highly tweakable, versatile, and inspiring solution for ambience effects, that produces a natural sounding room reverberation and delay effect giving a true room perception, from small rooms to large caverns as well as generates a doubling echo, slapback echo, ping-pong delay and analog tape delay. Offers multiple controls for modifying one or both channels to produce a rich array of time-based effects.
Available as plugin in VST and VST3 64 bit versions for Windows as well as in Audio Unit for macOS. These plug-ins are perfectly suited for any type of audio production when acoustic space simulation is needed from recording to post production in 64 bit platforms. Small rooms have a high percentage of early reflections (the first feedback from the closest objects) that can give more body to tracks. It is also good with acoustic guitars and voices. Larger rooms presets are better with strings, or wind instruments and synthesizer pads.
Features:
• Reverb and delay algorithms that delivers a rich reverberation and echoes by providing a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings in an acoustically reflective environment.
• Flexibility to control Left and Right channels separately in Reverb and Delay units as well as in 'dry' signal output.
• Reverb unit works as a Stereo enhancer and mono-to-stereo creator, to produce a wide stereo image or stereoize a mono sound source. In Delay unit, improves the stereo image by adding a slight delay to one of the channels.
• Delay Time manual or synced to host (Tempo Sync BPM).
• 30 predefined space types, giving a virtually infinite number of possible shapes and sizes.
Preset Effects List:
01 • DEL - Analog Tape Delay
02 • DEL - Bucket Brigade Delay
03 • DEL - Crypt Echoes
04 • DEL - Doubling Echo
05 • DEL - Infinite Delay Machine
06 • DEL - Ping-Pong Delay
07 • DEL - Slapback Echo
08 • DEL - Sync Tube Tape Delay
09 • DEL - Tempo-Sync Delay
10 • DEL - Tube Driven Tape Echo
11 • REV - Amphitheater Reverb
12 • REV - Auditorium Reverb
13 • REV - Cathedral Reverb
14 • REV - Chamber Reverb
15 • REV - Hall Reverb
16 • REV - Opera Reverb
17 • REV - Plate Reverb
18 • REV - Room Reverb
19 • REV - Spring Reverb
20 • REV - Theater Reverb
21 • REV+DEL Ambience Reverb
22 • REV+DEL Arena Reverb
23 • REV+DEL Canyon Acoustics
24 • REV+DEL Catacomb Reverb
25 • REV+DEL Cave Reverb
26 • REV+DEL Church Reverb
27 • REV+DEL Cosmos Echo Panning
28 • REV+DEL Spatial Reverb
29 • REV+DEL Stadium Reverb
30 • REV+DEL Sync Bounced Delay
This document defines and provides examples of various audio effects used in production including reverberation, distortion, talk box, pitch bending, delay, chorus, autotune, tremolo, vibrato, gating, limiting, surround sound, mono, and stereo effects. It explains what each effect is and how it modifies or processes sound. Examples are given to demonstrate how each effect is applied.
Sound is a form of energy that is created by vibrations and travels in waves. It can be heard when these vibrations reach our ears. The document defines sound and explains that louder sounds have higher amplitudes in their waves while softer sounds have lower amplitudes. It also describes that pitch is determined by the speed of the vibrations, with faster vibrations creating higher pitches and slower vibrations making lower pitches. Volume and pitch are the main characteristics used to describe different sounds.
This document discusses concepts related to music technology including sound, pitch, frequency, harmonics, equalization (EQ), synthesis, oscillators, sound envelopes, and filters. It explains that sound is pressure disturbances propagating through a medium, usually air, while pitch is the repetition rate of a sound determined by its fundamental frequency. It describes how EQ is used to boost or cut certain frequencies to alter tonal qualities. Synthesis and sound design are also covered, noting how oscillators, envelopes, and filters can be used to manipulate raw waveforms and create customized sounds.
This document categorizes and describes common types of audio effects. There are three main categories: dynamic effects which affect amplitude, delay effects which affect sound propagation, and filter effects which affect timbre. Dynamic effects include compressors, limiters, expanders, and noise gates. Delay effects include reverb, delay, chorus, phaser, and flanger. Filter effects include high pass filters, low pass filters, band pass filters, parametric EQs, and graphic EQs. The document encourages experimenting with effects to better understand how they work.
The document discusses key concepts about light and sound including:
1. Light and sound travel as waves and have properties of wavelength, frequency, and speed. Light sources include the sun, stars, and artificial sources while sound is produced by vibration.
2. Light can be reflected, refracted, and absorbed differently by transparent, translucent, and opaque materials. It travels in straight lines and causes shadows. Reflection and refraction follow predictable angle relationships.
3. The human senses of vision and hearing perceive light and sound waves through the eye and ear, which have specific functional parts and ranges of detection. Various optical devices like lenses and mirrors manipulate light in practical applications.
Rosman,F.C. - A Histologia Clássica. Sua História. Os Primórdios (ed.rev.2014)fcrosman
Trata-se de uma compilação sobre a história da histologia clássica, iniciando-se com Jean François Fernel (1542), quando surge a ideia da fibra, até Pío Del Rio Hortega (1920), com o aprimoramento dos estudos histológicos do sistema nervoso. Citam-se os principais pioneiros nos estudos em anatomia macroscópica, que levaram ao estudo em microscopia, humana, em animais e em plantas, os quais, no conjunto, promoveram o surgimento da Citologia e da Histologia como disciplinas. Ao final são citadas todas as referências consultadas e as fontes das inúmeras imagens obtidas na internet.
Survey of Cervical Screening in the South of LebanonMazen Fakih
The survey of 500 women in southern Lebanon found that 57% had never had a cervical smear test. There was no correlation between occupation and having a smear, but older women were less likely to have one than younger women. Most women who had been screened only had one smear. The study recommends an awareness campaign targeting both women and doctors through community presentations, posters, and information leaflets to increase screening rates.
Este documento proporciona información sobre las características de un centro educativo público en España. El centro tiene aproximadamente 315 estudiantes de educación infantil y primaria. Ofrece un programa bilingüe en inglés y español, comedor escolar, actividades extracurriculares y programas de educación ambiental y absentismo. El documento también describe el personal del centro, horarios, instalaciones y proceso de admisión.
This document discusses both the positives and challenges of freelancing. It acknowledges that while freelancing provides independence and flexibility, it can also lead to imposter syndrome, depression, and financial instability if not properly managed. The document provides advice on how to build a support network, value one's time, set boundaries with clients, always use contracts that specify payment terms, and pursue clients that respect one's authority and pay bills on time. Overall, the document aims to help freelancers navigate both the benefits and difficulties of being an independent professional.
Este documento resume los conceptos clave de la inteligencia artificial. Define la inteligencia artificial como el estudio de cómo crear sistemas capaces de resolver problemas utilizando la inteligencia humana como paradigma. Explica que existen dos escuelas de pensamiento en IA: la inteligencia artificial convencional y la inteligencia computacional. También describe los cuatro pilares básicos de la IA según Nilsson y diferentes aplicaciones de la inteligencia artificial.
Shanghai Tower is a 121-floor, 2,073-foot tall skyscraper in Shanghai, China that is one of the tallest and most sustainable buildings in the world. It is located in the Lujiazui area, Shanghai's financial district, and its unique twisting design helps reduce wind loads and energy consumption. The building incorporates numerous sustainable features like rainwater harvesting, blackwater treatment, wind turbines, and a double-skin curtain wall to reduce its environmental impact and achieve LEED Gold and China Green Building certifications.
- India's stock market benchmark NIFTY delivered negative returns of -3.86% in 2015, breaking the streak of positive returns since 2012. This was due to lower corporate earnings growth, higher debt levels, and a weakening global economy.
- Key factors negatively impacting the Indian market were a slowdown in the Chinese economy, falling commodity prices, and troubled European economies. Domestic factors included deteriorating corporate sales and profitability in subsequent quarters of 2015.
- However, India remained the fastest growing major economy in 2015. The medium to long term outlook for India remains positive due to ongoing economic reforms, making it an attractive investment destination despite short term challenges.
Este documento proporciona información sobre Internet. Explica qué es Internet, su historia, cómo funciona, sus características, quién crea la información en Internet, los servicios y aplicaciones disponibles como buscar información, consultar servicios públicos, acceder a bases de datos y leer periódicos. También define términos como protocolo, acceso a Internet y explica lo necesario para conectarse a Internet como un terminal, conexión y módem.
Alzheimeir's Association FINAL PRESENTATION Amy Walker
The Greater Pennsylvania Chapter of the Alzheimer's Association serves 59 counties in western, central, and northeastern Pennsylvania. Its mission is to eliminate Alzheimer's disease through research, care/support, and promoting brain health. The chapter uses 76% of funds raised for programs, services, and research. Goals for social media include enhancing Facebook and Twitter presence, analyzing/improving the website, and increasing awareness for upcoming events. A SWOT analysis found opportunities to partner with other groups but also threats from competing causes for volunteers and donations. Suggested content focuses on facts, resources, and changing statistics on Alzheimer's prevalence. A website audit provided feedback on both positive and negative aspects. Outreach ideas were presented for The Longest Day
Pricipal of management full report about pepsicoSudipta Saha
PepsiCo's main strengths are its strong brand portfolio, high customer loyalty, and extensive experience with mergers and acquisitions. Its main weaknesses are a high dependence on large retailers like Walmart and an overreliance on the US domestic market. Opportunities for PepsiCo include expanding into emerging markets like China and India, while threats include new competitors from those emerging economies. The report analyzes PepsiCo's products using the BCG matrix and examines its competitive environment using Porter's five forces model. Recommendations include leveraging strengths to pursue opportunities, overcoming weaknesses, and guarding against threats.
Sweet Heat Gourmet is a locally owned business that makes hot sauces using ingredients from local farmers. The owner, Shellie Mierwald, wants to increase her social media presence and find more places to sell her sauces. The team created a media kit and press release to promote a charity hot sauce made with the Future Farmers of America. They researched over 50 potential partners and heard back from Spoon University, who wrote an article promoting a tasting event for the charity sauce.
There are several options for replacing the screen on an iPhone 6s, each with pros and cons:
1. Getting it done by Apple directly is the most reliable but most expensive option, costing $129-$149 depending on warranty or AppleCare+ coverage.
2. Using a third-party technician is cheaper but may void the warranty and quality can vary.
3. Replacing the screen yourself using kits costing $10-$150 is the cheapest but risks damaging the phone and voids the warranty.
4. Living with a cracked screen provides full phone functionality if the cracks are minor but looks ugly and parts of the screen may not work.
Ableton bass sound design tutorial - How To Make Your Bass Move!BASSGORILLA
The document provides tips for adding movement to bass sounds in electronic dance music by controlling five domains: height, width, depth, color, and texture. It focuses on height, explaining how to use low frequency oscillators, envelopes, compressors, limiters, gates and filters to control the dynamic range and level of the bass over time for a more dynamic sound. Specific examples are given using Native Instruments Massive and Max for Live plugins in Ableton Live.
Explain the usage of the 5 most important synthesis modulesSebastián La Rocca
The document summarizes the 5 most important synthesis modules used in modular synthesis: oscillator, filter, amplifier, envelope, and LFO. It provides details on the function of each module. The oscillator generates the base sound waveform. The filter removes unwanted frequencies to shape the sound. The amplifier controls the volume over time based on the envelope. The envelope and LFO are algorithmic modulators that create changes in parameters like volume, pitch or filter cutoff over time to manipulate the sound. Understanding these core modules is essential for music production using modular synthesis.
This document provides an overview of the key components of a synthesizer:
- Oscillators generate basic waveforms that are the raw material for sound creation. Common waveforms include sine, sawtooth, triangle, and square waves which have different harmonic content.
- Filters pass certain frequencies of the basic waveform to sculpt and soften the sound. Filters are usually low pass, high pass, band pass, or band stop and determine a synthesizer's characteristic tone.
- Envelopes control signal levels over time, modulating parameters like oscillator volume and filter cutoff frequency. Envelopes shape the attack, decay, and release of a sound.
The document provides an overview of the key synthesis modules used in music production: oscillator, filter, amplifier, envelope, and LFO. It explains the functions of each module, including that the oscillator generates sound waves, the filter shapes and removes high frequencies, the amplifier controls volume over time as directed by the envelope, the envelope determines volume changes when keys are pressed, and the LFO modulates other parameters like the oscillator in a cyclic low frequency pattern. The document seeks feedback on if it accurately covered the essential functions of these important synthesis modules.
Demonstrate two of the three types of modulated short delay effectsSebastián La Rocca
This document discusses three types of modulated short delay effects: flanger, phaser, and chorus. It describes how they function and what they are best used for. Key terms are defined, including delay time, low frequency oscillator (LFO), feedback, and dry/wet. Flanger uses a comb filter with a slight delay put into motion by an LFO, often differing between left and right channels. Phaser also uses comb filtering but with a series of notches moving between channels. Chorus creates multiple detuned copies of the signal by varying the delay time with an LFO, changing pitches between left and right to sound like multiple performers.
This document provides an overview of the graphical interfaces of 4 different synthesizers - ES1, ES2, ESP, and ESE. It describes the key sections and parameters of each synthesizer interface, including the oscillator, filter, amplifier, LFO, envelope, and other sections. It also reflects on learning about synthesizer interfaces from scratch and welcomes feedback to improve.
Taken from a white paper called, ‘Logic Pro X, Elemental Morphing in Alchemy’. Located at, https://fdocuments.in/reader/full/logic-pro-x-elemental-morphing-in-logic-pro-x-elemental-morphing-n-alchemy-morphing.html. August 2015
This document provides information about podcasting in schools including what podcasting is, the necessary software and hardware, how to structure podcasts, possible uses of educational podcasting, and step-by-step instructions for recording, editing, adding effects, and uploading podcasts. Podcasting allows teachers and students to record audio lessons and projects and make them available via a school portal for listening on MP3 players. Key pieces of equipment include Audacity recording software, a computer or laptop, microphone, and MP3 player.
This document provides an overview of basic sound principles that are important in the audio industry. It covers topics such as acoustics, frequency, wavelength, reflection, sound quality, fidelity, analogue and digital audio, sampling, digital processing, distortion, resonance, phase, signal-to-noise ratio, balanced input systems, polarity, earth loops, and balanced and unbalanced systems. The key concepts discussed include how sound waves propagate through a medium, the difference between analogue and digital audio, different types of distortion, and principles of balanced audio systems.
This document provides information about the Syntheway Virtual Musical Instrument called Astra Turbo Quasar. It is a dual phase distortion synthesizer plugin available in VST, VST3, and Audio Unit formats for Windows and macOS. The plugin has 30 preset sounds and features like two phase distortion oscillators, an ADSR envelope generator, filter, low frequency oscillator, effects, and a preset manager. Installation instructions and system requirements are provided for the different plugin formats and operating systems.
Introduction to music production categories of effectssaij07
This lesson discusses the different categories of audio effects used in music production. There are three main categories: dynamic effects, delay effects, and filter effects. Dynamic effects act on amplitude and the dynamic range, and include compressors, limiters, gates, and expanders. Delay effects apply to propagation by delaying the audio signal and include delays, reverbs, phasers, and flangers. Filter effects apply to timbre by allowing certain frequencies to pass through while blocking others, including low-pass, high-pass, and band-pass filters. Each effect category was explained in more detail along with common controller parameters.
Demonstrate two of the three types of modulated short delay effects (flanger, chorus). Chorus is created by delaying the input signal by 15 milliseconds and mixing it with the original while slightly detuning the pitch of the delayed signal using modulation rate and depth controls. Flanging is similar but uses a small and gradually changing time delay between identical signals, producing a swept "comb filter" effect.
This document provides instructions for navigating and using various features of the Propellerhead Reason music production software. It explains how to open Reason, access the mixer, find drums and synth tracks, create a sampler, loop patterns, and use step time entry. Key features of the equalizer, Redrum drum machine, sampler, oscillator, and step time are briefly outlined.
this is based on JNVU jodhpur for BCA student
prepared by :
Assistant Professor
Gajendra Jinagr
for more update connected with me 9166304153(whatsapp+)
http://syntheway.com/Echo-Chamber-Reverb-Delay.htm - Echo Chamber is a stereo Reverb and Delay plug-in effect, used to create psychoacoustic models to simulate sounds reflecting from surfaces in a room or space. Optionally a delay can be added to yield a spacious and open sound of a repeating, decaying echo to complete a sense of space and depth to a 'dry' input signal.
A highly tweakable, versatile, and inspiring solution for ambience effects, that produces a natural sounding room reverberation and delay effect giving a true room perception, from small rooms to large caverns as well as generates a doubling echo, slapback echo, ping-pong delay and analog tape delay. Offers multiple controls for modifying one or both channels to produce a rich array of time-based effects.
These VST and VST3 plug-ins are perfectly suited for any type of audio production when acoustic space simulation is needed from recording to post production in 64 bit platforms. Small rooms have a high percentage of early reflections (the first feedback from the closest objects) that can give more body to tracks. It is also good with acoustic guitars and voices. Larger rooms presets are better with strings, or wind instruments and synthesizer pads.
Features:
- Reverb and delay algorithms that delivers a rich reverberation and echoes by providing a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings in an acoustically reflective environment.
- Flexibility to control Left and Right channels separately in Reverb and Delay units as well as in 'dry' signal output.
- Reverb unit works as a Stereo enhancer and mono-to-stereo creator, to produce a wide stereo image or stereoize a mono sound source. In Delay unit, improves the stereo image by adding a slight delay to one of the channels.
- Delay Time manual or synced to host (Tempo Sync BPM).
- 12 Reverb Presets: Predefined space types, giving a virtually infinite number of possible shapes and sizes. These presets consist of some parameters to determine apparent room size, reverberation time, distance from you to the performer, etc.
- 4 Delay Presets: Doubling Echo, Slapback Echo, Ping-Pong Delay and Analog Tape Delay.
Preset Effects List:
01 • Room Reverb
02 • Hall Reverb
03 • Chamber Reverb
04 • Plate Reverb
05 • Spring Reverb
06 • Ambience Reverb
07 • Church Reverb
08 • Arena Reverb
09 • Opera Reverb
10 • Theater Reverb
11 • Cathedral Reverb
12 • Cave Reverb
13 • Doubling Echo
14 • Slapback Echo
15 • Ping-Pong Delay
16 • Analog Tape Delay
What Is a Subwoofer Work Purpose and UsageDarylMitchell9
generally uses a woofer in addition to the built-in amplifier that provides clear and deep bass. Powered subwoofers are also available in the market which means they need their power supply to give power to the amplifier inside.
The document provides an overview of loudspeakers, including their history, basic design, acoustic wave propagation, impedance, power, sensitivity, distortion, frequency response, speaker positioning, and some studio classics. It discusses how a loudspeaker works based on the voice coil and magnet creating a magnetic field. Impedance is described as the opposition to electric current flow and how manufacturers specify nominal impedance. Crossovers are explained as either passive or active systems to separate signal frequencies sent to individual drivers. Common studio monitors are also highlighted.
Week 6 introduction to music production important synth modulessaij07
This document discusses the important modules of a synthesizer. It introduces the oscillator, filter, amplifier, envelope, and LFO as the five main modules. The oscillator generates the sound waves, the filter selects frequencies to reduce or amplify, the amplifier controls volume, the envelope determines attack/decay/sustain/release, and the LFO modulates the oscillator for effects like vibrato. In conclusion, the author recommends experimenting with these modules in a DAW to better understand synthesizer operation.
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1. Hello guys. My name’s Jose Oyarzun. This presentation has been made as a part of
assignment for Loudon Stearns' "Introduction to Music Production" class on Coursera.org.
One of the first things you may notice is just how well laid out this synth is. Let’s
take a closer look.
As you can see the layout shows clearly how the signal can be manipulated and in
what order. First you create the sound with the Oscillator, then you select how you want to
mix it, and what modulation you wish to add. After this you apply a filter, set amp level
and envelope settings and finally some effects to enhance your sound. I think I lucked out
as I am a beginner and this course coupled with the layout of this synth has really helped
me get so much more out of it.
I will discuss this topic under the following headings:
Oscillator
Filter
Amp
Envelope
LFO
OSCILLATOR
In synthesis the oscillator is slightly different from those used in other applications such
as mixing boards. They are sometimes called “Voltage Controlled Oscillators” and are
designed to move over time. We see that this synth has two Oscillators, which isn’t really
important for this assignment but it is cool to play around with them. The Oscillator creates
2. the sound based on a geometric waveform. We can see in the wave section on this synth
are as follows
Sawtooth
Square
Pulse wave
Triangle
Sine
Noise
Feedback Oscillator
Super Saw
Ext in
All of these wave shapes have different characteristics and can be modulated over time
in terms of frequency and pitch. Some other options on this synth are Detune and
PW/Feedback.
Detune: makes fine adjustments in pitch (Finer than that of the pitch knob). It can be
used to create subtle differences in pitch between the two oscillators to make a fuller tone,
similar to a chorus effect.
PW/Feedback: manipulates characteristics of three of the above wavelengths: Pulse
wave, Feedback Osc and Super saw.
Filter
The next section we have is the filter. This is basically where we decide how bright and
substantial our sound is going to be. On the Sh 201 we start by selecting the type of filter
we want.
3. Low pass Filter: This is the most commonly used filter. It allows the lower frequencies
to pass through.
High pass Filter: This cuts the lower frequencies and emphasizes the high end
frequencies.
Band pass FIlter: This only allows sounds within the cutoff range to pass through.
Bypass: Bypasses the filter and leaves the signal untouched.
Next we have the slope. This determines how steep the filter is. Using the -12db slope
will allow some of the frequencies above and below the cutoff frequency to get through,
creating a gentler tone. The -24db slope is much steeper and will only allow frequencies
within the cutoff range to get through. Anything above or below will be cut.
Cutoff changes depending on what filter you have selected.
LPF: Turning to the right brightens the sound and to the left dampens it.
HPF: Turning to the right thins out the sound and turning to the left makes the sound
thicker or heavier.
BPF: Turning to the right allows a higher range of frequencies through, and to the left
enhances lower frequencies.
Resonance: Turning this knob to the right will boost the sound near the cutoff frequency
and to the left will remove that boost and create a less distinctive sound.
Key Follow: This is a very interesting control. If you set this knob all the way to the right
you will find that the cutoff frequency increases as you play up the keyboard.
4. AMP
This determines the output volume of the particular patch you are working with. As
with the oscillator, in synthesis the amplifier is designed to move over time and is
sometimes called a “Voltage controlled Amplifier”. There will be an envelope attached to
the amp to determine how the overall sound will move. On the SH 201 there is also an
overdrive switch which creates a nice distorted sound.
Envelope
There are many types of envelopes on this Synthesizer. Rather than go into
great detail as to what each envelope on this synth does I will just describe the basics of
what they do.
Envelopes shape the character and movement of a sound specifically that of Attack,
Decay, Sustain, and Release.
Attack (Time): This slider controls the time it takes for a sound to reach full value after the
key has been pressed. The higher the attack the longer it takes.
Decay (Time): This controls the time it takes for the sound to decay from the top of
the attack time (the maximum volume) down to the sustain level. The higher the slider the
longer the time.
5. Sustain (Level): This controls the volume of the sound after the attack and decay
time have passed. This will last until the key is released. Raising the slider will increase
the sustain volume and lowering it will decrease it.
Release (Time): This slider controls how long the sound will continue after the key
is released. The higher the slider the longer the sound will continue, if set all the way down
the sound will end as soon as the key is released.
LFO
The low frequency oscillator is a form of modulation. Its name comes from the fact
that it operates at a frequency below human hearing. The LFO manipulates the sound from
the oscillator and adds modulation or movement to the signal. In the Sh 201 there are two
LFOs. Because it is set at such a low frequency you don’t actually hear the LFO, rather
you hear the effect it has on the signal created by the oscillator. It is mainly used to create
vibrato on the signal. On the Sh 201 you can pick a wave form you want your vibrato to
follow, set your rate (how fast you want it to vibrate) and then pick which parameter you
want it to affect. I mostly use pitch. The LFO is almost like a cyclic envelope. It creates a
path for sound to travel on and repeats it as long as the key is pressed. The depth knob
changes the amplitude. These can be used for vibratos or you can make some pretty nice
effects using the LFO.
I hope you enjoyed this final assignment, I think I have a lot of research to do but it
is a lot of fun playing with the synthesizer and hearing all of the crazy patches that can be
made with it.
You can also watch this video
https://www.youtube.com/watch?v=l608unUzvgo
Thanks for your time spent here
Resources: