The Cone of Experience
The Cone is a visual analogy, and like all analogies, it
does not bear an exact and detailed relationship to the complex
elements it represents
-Edgar Dale
The Cone of Experience
Visual symbols
Verbal symbols
Still pictures, Recordings, Radio
Motion pictures
Educational television
Exhibits
Study trips
Demonstration
Dramatized experiences
Contrived experiences
Direct Purposeful experiences
Direct purposeful experiences
• These are first hand experience which serve as the
foundation of our learning. We build up our reservoir of
meaningful information and ideas through seeing,
hearing, touching, tasting and smelling. In the content of
the teaching-learning process, it is learning by doing.
Contrived experiences
• In here, we make use of a representative models or
mock ups of reality for practical reasons and so that we
can make the real-life accessible to the students
perceptions and understanding.
Dramatized experiences
• By dramatization, we can participate in a reconstructed
experience, even though the original event is far
removed from us in time. We relive the outbreak of the
philuppine revolution by acting out the role of characters
in a drama.
Demonstrations
• It is visualized explanation of an important fact, idea or
process by the use of photographs, drawings, films,
displays, or guided motions. It is showing how things are
done. A teacher in Physical Education shows the class
how to dance tangoe.
Study trips
These are excursions, educational trips, and visits
conducted to observe an event that is unavailable within
the classroom.
Exhibits
• These are displays to be seen by spectators. They may
consist of working models arranged meaningfully or
photographs with models, charts, posters. Sometimes
exhibits are "for your eyes only". There are some
exhibits, however, that include sensory experiences
where spectators are allowed to touch or manipulate
models displayed.
Television and motion pictures
• Television and motion picture can reconstruct the reality
of the past so effectively that we are made to feel we are
there. The unique value of the messages communicated
by film and television lies in their feeling of realism, their
emphasis on persons and personality, their organized
presentation, and their ability to select, dramatize,
highlight, and clarify
Still pictures, Recordings, Radio
• These are visual and auditory devices which may be
used by an individual or a group. Still pictures lack the
sound and motion of a sound film. The radio broadcast
of an actual event may often be likened to a televised
broadcast minus its visual dimension.
Visual symbols
• These are no longer realistic reproduction
of physical things for these are highly
abstract representations.
Verbal symbols
• They are not like the objects or ideas for which they
stand. They usually do not contain visual clues to their
meaning. Written words fall under this category. It may
be a word for a concreate object (book), an idea
(freedom of speech), a scientific principle (the principle
of balance), a formula (e=mc2)

Ed-tech

  • 1.
    The Cone ofExperience The Cone is a visual analogy, and like all analogies, it does not bear an exact and detailed relationship to the complex elements it represents -Edgar Dale
  • 2.
    The Cone ofExperience Visual symbols Verbal symbols Still pictures, Recordings, Radio Motion pictures Educational television Exhibits Study trips Demonstration Dramatized experiences Contrived experiences Direct Purposeful experiences
  • 3.
    Direct purposeful experiences •These are first hand experience which serve as the foundation of our learning. We build up our reservoir of meaningful information and ideas through seeing, hearing, touching, tasting and smelling. In the content of the teaching-learning process, it is learning by doing.
  • 4.
    Contrived experiences • Inhere, we make use of a representative models or mock ups of reality for practical reasons and so that we can make the real-life accessible to the students perceptions and understanding.
  • 5.
    Dramatized experiences • Bydramatization, we can participate in a reconstructed experience, even though the original event is far removed from us in time. We relive the outbreak of the philuppine revolution by acting out the role of characters in a drama.
  • 6.
    Demonstrations • It isvisualized explanation of an important fact, idea or process by the use of photographs, drawings, films, displays, or guided motions. It is showing how things are done. A teacher in Physical Education shows the class how to dance tangoe.
  • 7.
    Study trips These areexcursions, educational trips, and visits conducted to observe an event that is unavailable within the classroom.
  • 8.
    Exhibits • These aredisplays to be seen by spectators. They may consist of working models arranged meaningfully or photographs with models, charts, posters. Sometimes exhibits are "for your eyes only". There are some exhibits, however, that include sensory experiences where spectators are allowed to touch or manipulate models displayed.
  • 9.
    Television and motionpictures • Television and motion picture can reconstruct the reality of the past so effectively that we are made to feel we are there. The unique value of the messages communicated by film and television lies in their feeling of realism, their emphasis on persons and personality, their organized presentation, and their ability to select, dramatize, highlight, and clarify
  • 10.
    Still pictures, Recordings,Radio • These are visual and auditory devices which may be used by an individual or a group. Still pictures lack the sound and motion of a sound film. The radio broadcast of an actual event may often be likened to a televised broadcast minus its visual dimension.
  • 11.
    Visual symbols • Theseare no longer realistic reproduction of physical things for these are highly abstract representations.
  • 12.
    Verbal symbols • Theyare not like the objects or ideas for which they stand. They usually do not contain visual clues to their meaning. Written words fall under this category. It may be a word for a concreate object (book), an idea (freedom of speech), a scientific principle (the principle of balance), a formula (e=mc2)