Composer 4 weelkes
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Thomas Weelkes was an English composer active in the late Elizabethan and early Jacobean eras. He was born in 1576 in Sussex, England and held positions as an organist at Winchester College and Chichester Cathedral. Weelkes published several volumes of madrigals and wrote many Anglican church services and anthems. However, he struggled with alcoholism and unruly behavior, which led to his dismissal from Chichester Cathedral at one point. Weelkes is best known for his innovative vocal music, especially his chromatic madrigals, and he made contributions to English church music through his anthems and services.
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John Donne was a 17th century English poet, satirist, lawyer and clergyman. He was born in 1572 to a wealthy Catholic family but later converted to Anglicanism. He was well educated but unable to graduate due to his Catholic faith. He had a varied early career including traveling, working as a secretary, and being imprisoned for secretly marrying his wife against her family's wishes. After converting to Anglicanism and publishing anti-Catholic works, he embarked on a religious career and became a dean. Donne wrote extensively in various genres and was renowned for his metaphysical style and use of conceits. His works had little impact until the 20th century when modernists rediscovered his original style.
A red, red rose by Robert Burns
The poem "A Red, Red Rose" by Robert Burns expresses the poet's deep love for his beloved in exaggerated terms. He compares his love to a newly bloomed rose in June and sweet melodies. He vows to love her still until all the seas dry up and the rocks melt in the sun. In the last stanza, the poet bids his love farewell for a while but promises to return even if it means traveling ten thousand miles. Burns uses vivid imagery and hyperbole to convey the infinite and enduring nature of his love in this celebrated love poem.
Music Appreciation Topic II: Music of the Middle Ages and the Renaissance
During the Middle Ages from around 450-1400 AD, the Roman Catholic Church was the dominant cultural and political institution in Europe. Gregorian chant, consisting of sacred Latin texts sung without instruments, was the official music of the church. Monks and nuns spent hours each day singing Gregorian chants. Notable composers included Hildegard of Bingen, a German nun, visionary, and the first known female composer. Secular music was performed by traveling minstrels and at royal courts, where troubadours wrote songs about courtly love ideals. A variety of instruments were used in both sacred and secular medieval music.
taneson
Alfred, Lord Tennyson was a prominent English poet who served as Poet Laureate of the United Kingdom from 1850 until his death in 1892. He was born in 1809 in Lincolnshire, England and studied at Trinity College, Cambridge. Tennyson published several volumes of poetry throughout his life, including Poems, Chiefly Lyrical in 1830 and In Memoriam A.H.H. in 1850, which detailed his grief over the death of his friend Arthur Hallam. Tennyson was appointed Poet Laureate in 1850 following the death of William Wordsworth. He held this position longer than any other poet, writing numerous official poems. Tennyson was granted a peerage in 1884 and became the first person elevated to
Old Way of Singing: Its Origins and Development
The Old Way of Singing originated in the Church of England as a style of congregational singing without musical direction. It was characterized by a slow tempo, weakened rhythm, added or inserted pitches, and unexplained dissonances. The Protestant Reformation contributed to its development by using familiar folk tunes and discouraging professional music in worship. Over time, the Old Way diverged from its original folk origins and took on characteristics like "lining out" tunes line by line and adding ornamental notes. It eventually became unacceptable to many and was replaced by more artistically composed music, though some traditions still use forms of the Old Way today.
Thomas tompkins
Thomas Tomkins was an English composer and organist from 1572 to 1656. He was born in Pembrokeshire and was a prominent member of the English Madrigal School and last member of the Virginalist School. Tomkins studied under William Byrd and worked with Orlando Gibbons and Thomas Morley. He wrote keyboard music, madrigals, anthems and liturgical works and was known for his verse anthems and conservative style during a time of rising Baroque styles.
orca_share_media1668070376605_6996394252878470298.pptx
To help my co-students to have a resources or references that can support them especially those person who struggles in studying.
Thomas tompkins
Thomas Tomkins was an English composer during the late 16th and early 17th centuries. He was a prominent member of the English Madrigal School and last member of the Virginalist School. Tomkins wrote keyboard music, consort music, madrigals, anthems, and liturgical music. He had a conservative compositional style and was prolific in writing verse anthems. Tomkins worked with William Byrd and Orlando Gibbons at the Chapel Royal and his career was impacted by the English Civil War.
Short biography of john donne
John Donne was born in 1572 in London to a wealthy Catholic family. He was privately educated and attended both Oxford and Lincoln's Inn, but did not graduate due to his Catholic faith. He established a successful diplomatic career by age 25 but married in secret against his father-in-law's wishes and was briefly imprisoned. His wife and three children later died, leaving him in deep despair. Donne went on to have a successful career as a poet and clergyman in the Church of England until his death in 1631. He is renowned for his metaphysical poetry and for pioneering a unique poetic style marked by subtle thought, paradoxes, and conceits.
Famous Poet- Alfred Lord Tennyson
Powerpoint presentation prepared by the students of Sachdeva Public School, Pitampura on Famous Poet- Alfred Lord Tennyson
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Edmund Spenser was born in London in 1552 or 1553 to a journeyman cloth maker. He attended Merchant Taylors' School and Pembroke College, Cambridge, supporting himself through a benefactor. His early works included translations and experiments in verse. In 1579 he published The Shepheardes Calendar which was praised for its style. He went on to write The Faerie Queene and other works while holding various posts in Ireland, where he owned property. Spenser died in 1599 after his house in Ireland was burned in a rebellion.
Chapter 15 Singing in Friendship: The Renaissance Madrigal
This document discusses secular music of the Middle Ages and Renaissance, including forms of entertainment music. It provides context on musical performances in medieval castles for royalty and aristocracy. Examples of medieval dances like the estampie are presented along with instruments of the time like recorders, shawms, and harps. The development of the madrigal is covered, contrasting it with motets. Specific madrigal composers like John Farmer and Thomas Weelkes are discussed. Musical examples from the period are referenced, including Weelkes' "As Vesta Was From Latmos Hill Descending." The document concludes with an overview of instruments common in Renaissance secular music.
Scottish musical history 2013 Strathclyde University lecture 2
This document provides an overview of Celtic music, specifically focusing on Scottish music. It discusses the collecting of folk music in the 18th and 19th centuries. It also examines writings about Scottishness and perceptions of national identity. The document outlines important figures who wrote sacred and secular music and discusses the main instruments of Celtic music like the harp, violin, flute, bagpipes. It provides context on political events that shaped Scottish music and surveys developments in the 19th-20th centuries like the folk revival movement. Resources for further research are also suggested.
Donne ppt
John Donne (1572-1631) was an English poet and clergyman. He was born into a Roman Catholic family but later converted to Anglicanism. Donne wrote love poems in his youth, then poems exploring Platonic and spiritual love after marrying. He later became Dean of St. Paul's Cathedral and wrote mainly religious sermons and poems. Donne's works spanned the transition between the Tudor and Stuart dynasties and the Protestant Reformation in England. He is renowned for his metaphysical style of poetry which was influential.
William wordsworth, daffodils
William Wordsworth was a major English Romantic poet who helped launch the Romantic Age in literature with the 1798 publication of Lyrical Ballads alongside Samuel Taylor Coleridge. Wordsworth's magnum opus is considered The Prelude, an autobiographical poem about his early years that was published posthumously. He had a seminal influence over poetry with his concept of poetry emerging from emotions recollected in tranquility. Wordsworth served as Britain's Poet Laureate from 1843 until his death in 1850.
Medieval-Renaissance period
During the Middle Ages, music was monophonic with a single melodic line like Gregorian chants. Later, polyphonic texture with multiple melodic lines was introduced. In the Renaissance, harmony became more developed. The church modes provided scales for medieval music composition but were replaced later. Troubadours, trouvères, and minstrels composed and sang love songs and stories during this period. Madrigals were short lyric poems set to music for multiple voices. Chansons were French songs that evolved from troubadour songs and reached their height in the 16th century.
Alfred, Lord Tennyson
A presentation on poet Alfred Lord Tennyson. Has facts about his life and work. Perfect revision for English Literature.
Alfred Lord Tennyson as a poet , writing themes, Legacy.
Alfred Tennyson, 1st Baron Tennyson was a British poet. He was the Poet winner of Great Britain and Ireland during much of Queen Victoria's reign and remains one of the most popular British poets.
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Chapter 15 Singing in Friendship: The Renaissance Madrigal
Chapter 15 Singing in Friendship: The Renaissance Madrigal
Music Appreciation Topic II: Music of the Middle Ages and the Renaissance
Music Appreciation Topic II: Music of the Middle Ages and the Renaissance
orca_share_media1668070376605_6996394252878470298.pptx
orca_share_media1668070376605_6996394252878470298.pptx
Chapter 15 Singing in Friendship: The Renaissance Madrigal
Chapter 15 Singing in Friendship: The Renaissance Madrigal
Scottish musical history 2013 Strathclyde University lecture 2
Scottish musical history 2013 Strathclyde University lecture 2
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Alfred Lord Tennyson as a poet , writing themes, Legacy.
More from Devlon Goodman
Composer 5 von bingen
Hildegard of Bingen was a German Benedictine abbess, writer, composer, philosopher, and visionary who lived from 1098-1179. She experienced visions from a young age and was encouraged to record them. At age 8 she was enclosed as a nun where she learned to read, write, and play music. Her extensive works included visions, letters, natural sciences, an invented language, and over 70 musical compositions of liturgical chants and a morality play. Her musical style featured soaring melodies outside the range of typical chant with recurring melodic units that closely matched the text.
Composer 2 palestrina
Giovanni Palestrina was an influential Italian Renaissance composer known for his masses and motets written for the Catholic Church. He was born in 1525 near Rome and spent much of his career composing sacred music and working as a choirmaster in Rome, including for the Cappella Giulia. His most famous work is the Missa Papae Marcelli, a multi-movement mass using imitative polyphony across six vocal parts without accompaniment. Palestrina had a significant impact on liturgical music and is considered one of the greatest composers of Renaissance choral music.
Composer 1 dufay
Guillaume Dufay was an influential 15th century composer born between 1397-1400 in what is now Belgium. He spent his life serving the Catholic Church, holding positions across Italy and France as a choirmaster and priest, composing sacred music for church choirs. Considered the most important composer of his era, Dufay helped establish the Burgundian style of polyphonic music and influenced generations of composers with his masses, motets and chansons. His setting of the "Kyrie" from the Missa L'homme armé is an example of his famous cyclic mass that unified sections of the mass through a cantus firmus melody.
Powerpoint 3 d
The Renaissance saw the development of sacred and secular vocal music. Sacred music was mostly a cappella and included settings of the Mass, which had five movements. Secular music included the madrigal, a polyphonic work for multiple voices that used word painting to illustrate the text. Instrumental music such as dances became more prominent and genres like the lute fantasia were developed. A variety of instruments emerged and were often used to accompany vocal works.
Powerpoint 3 c
The Renaissance was a period of rediscovery and rebirth of classical art, knowledge, and values that began in the 14th century. This led to an explosion of creativity, learning, and reform across Europe as advancements like the printing press spread new ideas. Music shifted from being centered around the Catholic Church to also being performed for royal courts and private patrons. Composers gained more prestige and independence during this time as prominent musical centers emerged in Italy, Germany, England, and Spain.
Powerpoint 3 b
Gregorian chant was the official music of the Catholic Church during the Middle Ages. It featured a single, unaccompanied melodic line sung in Latin. Organum was an early form of polyphony where a second voice was added above the Gregorian chant. Motets were composed pieces featuring Gregorian chant with additional independent rhythmic parts. Troubadours were poet-musicians who composed love songs and traveled throughout Europe performing for audiences. Estampies were instrumental dance pieces from the Middle Ages characterized by short, repeating phrases in a lively compound meter.
Powerpoint 3 a
The Middle Ages spanned from 476 to 1400 AD. During this time, society was conservative and oriented towards the Roman Catholic Church, which was the primary patron of art, education, and culture. Music was cultivated primarily by the church, with composers being churchmen and musicians receiving their training as choirboys. Music was not notated but learned by ear, and was intended to create spiritual moods. Exceptions included troubadours, wandering musician entertainers. The church preserved culture during the Medieval Period's harsh conditions and threats. Musical notation began in this era, with Gregorian chant invented around 500 AD and polyphony developing by the end of the Middle Ages.
Powerpoint 2 k
The document discusses different musical forms including strophic, binary, ternary, variation, and rondo forms. It explains that musical form relates to the organization and structure of a composition over time. Form is perceived through repetition, contrast, or variation of musical elements and is often diagrammed with letters to show how sections relate. Composers use standardized forms to provide structure and guidelines to help with the creative process.
Powerpoint 2 j
This document defines and describes three types of musical texture (monophonic, polyphonic, homophonic) and harmony. It explains that texture refers to how musical lines blend and interact, and defines the three textures as having one main melody (monophonic), two or more equal melodies (polyphonic), or one main melody with accompaniment (homophonic). Polyphony is further divided into imitative and non-imitative. Harmony is defined as the simultaneous sounding of pitches, often in chords, and the document discusses consonance, dissonance, and chord progressions.
Powerpoint 2 i
Percussion instruments are the oldest family of instruments and were originally used to accompany dance and emphasize rhythm. Percussionists produce music by striking objects. The timpani, or kettledrum, is played by striking the animal skin or plastic head with mallets, which causes the air inside the kettle to vibrate and produce a low, deep sound. The bass drum produces a very loud sound and is struck with mallets on both sides. The snare drum gets its unique buzzing sound from snares or wires stretched across the bottom of the drum. The xylophone is a series of tuned wooden bars played with mallets. Cymbals are metal plates that are struck together or with mallets to
Powerpoint 2 h
This document provides an overview of several brass instruments - trumpet, French horn, trombone, and tuba. It describes the basic characteristics of each instrument such as their shape, how sound is produced by blowing air through the mouthpiece, and some historical facts. Links to audio examples of each instrument are also included.
Powerpoint 2 g
The document discusses the different woodwind instruments used in orchestras. It describes the flute, oboe, clarinet, saxophone, and bassoon. Some key details include: the flute is made of wood or metal and produces sound by blowing across the mouthpiece; the oboe is a double reed instrument producing an expressive nasal tone; the clarinet is a single reed instrument made of hard wood with a rich tone quality; the saxophone was invented to fill the gap between woodwinds and brass; and the bassoon is the largest woodwind, over 8 feet long, with a deep dark tone as the lowest instrument.
Powerpoint 2 f
This document discusses the string instrument family, including violins, violas, cellos, and double basses. It describes the physical characteristics and musical roles of each instrument from highest to lowest register. Violin is the smallest and highest-pitched instrument, played with a bow. Cello is larger and lower-pitched, producing a lush tone. Double bass is the largest string instrument, rarely playing melodies and instead providing harmonic foundation.
Powerpoint 2 e
Singing is a unique form of music that combines musical tones with words to communicate. While everyone can sing, it takes natural talent and years of practice to sing well, as singers must use their vocal chords to accurately produce notes, unlike instrumentalists. Men and women's voices differ in thickness and range, and singing styles vary across cultures and genres of music.
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Composer 4 weelkes
- 1. Music in History: Medieval/Renaissance Composers Thomas Weelkes 1576 – 1623
- 2. Thomas Weelkes • Weelkes was baptised in the little village church of Elsted in Sussex, England. • It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. • In 1597 his first volume of madrigals was published, the preface noting that he was a very young man when they were written; this helps to fix the date of his birth to somewhere in the middle of the 1570s. • Early in his life he was in service at the house of the courtier Edward Darcye. • At the end of 1598, at the probable age of 22, Weelkes was appointed organist at Winchester College, where he remained for two or three years.
- 3. Thomas Weelkes • During his Winchester period, Weelkes composed a further two volumes of madrigals (1598, 1600). • He obtained his Bachelor Music Degree from New College, Oxford in 1602, and moved to Chichester to take up the position of organist and informator choristarum (instructor of the Choirs) at the Cathedral at some time between October 1601 and October 1602. • He was also given a lay clerkship at the Cathedral, being paid £15 annually alongside his board, lodging and other amenities.
- 4. Thomas Weelkes • The following year he married Elizabeth Sandham, from a wealthy local family. • Weelkes' fourth and final volume of madrigals, published in 1608, carries a title page where he refers to himself as a Gentleman of the Chapel Royal; however, records at the Chapel Royal itself do not mention him, so at most he could only have been a Gentleman Extraordinary - one of those who were asked to stand in until a permanent replacement was found. • Weelkes was later to find himself in trouble with the Chichester Cathedral authorities for his heavy drinking and immoderate behavior. • In 1616 he was reported to the Bishop for being ‘noted and famed for a common drunkard and notorious swearer.’ • The Dean and Chapter dismissed him for being drunk at the organ and using bad language during divine service.
- 5. Thomas Weelkes • He was however reinstated and remained in the post until his death, although his behavior did not improve; in 1619 Weelkes was again reported to the Bishop. • In 1622 Elizabeth Weelkes died. • He died in London in 1623, in the house of a friend, and was buried on December 1, 1623 at St. Bride’s Fleet Street. • Weelkes' will, made the day before he died at the house of his friend Henry Drinkwater of St Bride's parish, left his estate to be shared between his three children. • Weelkes has a memorial stone in Chichester Cathedral.
- 6. Music of Weelkes • Thomas Weelkes is best known for his vocal music, especially his madrigals and church music. • Weelkes wrote more Anglican services than any other major composer of the time, mostly for evensong. • Many of his anthems are verse anthems, which would have suited the small forces he was writing for at Chichester Cathedral.
- 7. Music of Weelkes • Weelkes was friends with the madrigalist Thomas Morley who died in 1602, when Weelkes was in his mid-twenties (Weelkes commemorated his death in a madrigal-form anthem titled A Remembrance of my Friend Thomas Morley, also known as "Death hath Deprived Me"). • His own madrigals are very chromatic and use varied organic counterpoint and unconventional rhythm in their construction. • Only a small amount of instrumental music was written by Weelkes, and it is not much performed.