This is basic material that we'll assume is the base of our knowledge before beginning the Commedia dell'Arte for the Modern Actor workshops, and is helpful for all other workshops.
No, there will not be a test.
Others: Please contact me before use, particularly in an educational setting.
Introduction to Greek Theatre, Images of Greek Theatre, Parts of the Greek Theatre, Greek Tragedy, most representative three great Greek tragedians, Chorus in Greek dramas
First lesson in the third of our practitioners, part of the Devising Theatre series of lessons for GCSE Drama students. This presentation on Steven Berkoff contains an introduction and some basic exercises plus a home learning activity.
This is basic material that we'll assume is the base of our knowledge before beginning the Commedia dell'Arte for the Modern Actor workshops, and is helpful for all other workshops.
No, there will not be a test.
Others: Please contact me before use, particularly in an educational setting.
Introduction to Greek Theatre, Images of Greek Theatre, Parts of the Greek Theatre, Greek Tragedy, most representative three great Greek tragedians, Chorus in Greek dramas
First lesson in the third of our practitioners, part of the Devising Theatre series of lessons for GCSE Drama students. This presentation on Steven Berkoff contains an introduction and some basic exercises plus a home learning activity.
Clowns and fools_in_william_shakespeares_drama_Nidhi Jethava
This presentation is about 'Clowns and Fools' in William Shakespeare's work. This will very helpful to all of us. Roll of clowns are very important in his works.
Clowns and fools_in_william_shakespeares_drama_Nidhi Jethava
This presentation is about 'Clowns and Fools' in William Shakespeare's work. This will very helpful to all of us. Roll of clowns are very important in his works.
This presentation describes how to use serious educational games to promote the interest of young people in classical theater. We have developed a methodology to produce low cost adventure games out of the classical theater play. This has been applied to Lope de Vega "The foolish lady" play and prove effective in a large experiment (700+ students) in schools in Madrid Region.
A great overview of theatre styles citing origins, pictures, key characteristics and aims of style. Lot of work but worth it. Don't claim it as your own or you're dead meat!!
It is still difficult to believe such competent and successful female printer exist in the early 17th Century (the Baroque era). In the last month I have read a lot about her until such that I feel I know the person and I can say something about her.
She was rape by her teacher at the age of 18. Because of that much had been written about her from the feminist point of view, which I think is a mistake. It really does her a dis-service and took away her artistic achievements. We should stick to facts and evidences rather than the speculations of how the her mental state. It is stupid to psychoanalyse someone who live centuries ago without basis.
There are several points that stood out about Artemisia
She was very successful, her patronage include the royalties of England, France and the Medici. She worked in many cities. She would be successful even by today’s standard.
Her paintings lack the ‘female’ touch. It is indeed difficult to tell from looking at the painting alone that they were painted by a woman.
Her attention to details and gestures shows that she was a thinking artist. This can be demonstrated by the two versions of Judith Slaying Hologernes.
She likes strong colours particularly golden yellow and beautiful dresses.
Her family relationship with her father and children were good.
She liked the company of men and had many lovers.
I think, her paintings were the equivalent of a fast action movie of today, full of movements and a bit of sex and violence on the side.
Generally there are four basic theatrical forms: Tragedy, Comedy, Melodrama and Drama. It started with Tragedy that led to Comedy and together these two theatrical genres became the foundation upon where the modern theater genres are formed.
It is still difficult to believe such competent and successful female printer exist in the early 17th Century (the Baroque era) She was rape by her teacher at the age of 18. Because of that much had been written about her from the feminist point of view, which I think is a mistake. It really does her a dis-service and took away her artistic achievements. We should stick to facts and evidences rather than the speculations of how the her mental state. It is stupid to psychoanalyse someone who live centuries ago without basis.
There are several points that stood out about Artemisia
She was very successful, her patronage include the royalties of England, France and the Medici. She worked in many cities. She would be successful even by today’s standard.
Her paintings lack the ‘female’ touch. It is indeed difficult to tell from looking at the painting alone that they were painted by a woman.
Her attention to details and gestures shows that she was a thinking artist. This can be demonstrated by the two versions of Judith Slaying Hologernes.
She likes strong colours particularly golden yellow and beautiful dresses.
Her family relationship with her father and children were good.
She liked the company of men and had many lovers.
I think, her paintings were the equivalent of a fast action movie of today, full of movements and a bit of sex and violence on the side.
Rise of Acting Techniques - Acting Lessons by Child Actor LAChild Actor LA
A popular Italian comedy, "Troupes of the commedia dell'arte" was very popular throughout Europe in the early 1600s. They would work on makeshift stages and without scripts.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Model Attribute Check Company Auto PropertyCeline George
In Odoo, the multi-company feature allows you to manage multiple companies within a single Odoo database instance. Each company can have its own configurations while still sharing common resources such as products, customers, and suppliers.
2. Commedia Dell’arte: WHAT IS IT? Commedia Dell’arte means “Comedy of Art”. It was later translated into “Italian Comedy”. This form of theatre was popular and performed in a comedic style. Situations and characters were chosen but no scripts were written: IMPROVISATION. Scenes kept audiences on edge and unexpected twists were introduced. Dialogue within these acts were sometimes vulgar and actors used physical elements during performances. There was a set of major characters or masks within Commedia Dell’arte.
3. This style of theatre was usually performed in groups of at least ten actors. Commedia Dell’arte was performed in troupes that traveled all over Europe. The popularity declined when the economy within Italy became poorer. The origins of this type of theatre is debated by scholars. Many believe that Commedia Dell’arte came from the Renaissance era. Though, Greek comedy, Roman comedy and even Medieval theatre could have been factors within this type of theatre.
4. Location And Time Period? Commedia Dell’arte flourished during the 14th -18th century. It reached the height of its popularity in the 16th and 17th century. This form of theatre was popular until 1780.
5. Starting in Italy, troupes traveled throughout Europe. This influenced theatre in Spain, Holland, Germany, Austria, England and especially, France. During the 16th century, plays were classic, stylish and rigorous. Commedia Dell’arte went for the exact opposite: colourful, loud and excitement. This representation of “new theatre” blossomed everywhere in Italy. The rules of theatre were subverted.
6. Was There a Stage?!? Commedia Dell’arte was a humorous theatrical presentation. Performances took place on temporary stages, usually city streets. Occasionally troupes would perform on court venues. Actors that were more famous performed in palaces and traveled abroad. There were no elaborate sets in Commedia Dell’arte
7. Staging was minimal,’ it was rarely anything more than a market or street scene. Stages were just temporary outdoor structures, made from barrels or large pieces of wood. Props were used greatly, including animals, food, furniture, watering devices and weapons.
8. COSTUMES Costumes represented the characters excellently. Loose fitting garments were altered with tight fitting garments to create elaboration. Colours were contrasting and masks were used for more of the major characters to represent themselves. The characters of fun or satire, wore coloured leather masks. Though sometimes actors just wore what they owned to relate to the audience better.
9. Patchwork costumes and masks were usually only worn by major characters. Certain colours did reflect emotional states and audience could identify which social class the characters belonged to. Regardless of where they toured, the characters in Commedia Dell’arte were recognized by their costumes. Masks: were worn by all fixed characters.
10. Was there a Religious Connection? Commedia Dell’arte was not known for any religious connections. The subjects performed did not retrace to any religious theme. The subjects performed usually involved: jealousy, love and lust. Vulgarity and masks were used in this type of theatre. Those that were religious probably did not like this type of theatre.
11. Troupes, Actors and Playwrights? During these acts, there were at least ten actors on stage. There were no published playwrights for this particular type of theatre because it is supposed to be improvisation. It took great skill to follow along in the performance because of the improvisation element. Even though there were no noted published playwrights, actors within Commedia Dell’arte did write scenarios and scenes for comedies and tragedies. There were specific characters within Commedia Dell’arte, there was also a character called “lazzi”. This character had no relevance other than comic relief.
12. Most notable Troupes: I Gelosi: was a troupe that performed Commedia Dell’arte from 1569-1604. The name “Gelosi” meant “Zealous or Jealous”. Their motto was Virtu, fama ed honornefergelosi. This meant “We are jealous of attaining virtue, fame and honour.” They formed in Milan, Italy by FlaminioScala. Their first notable performer was VittoriaPissimi. They were the first troupe to be patronized by nobility. In 1574 and 1577, they performed for the King of France. After this they toured all over Europe and spread Commedia Dell’arte from Italy to France, Poland, Spain, Germany and England. In the 1570s, Francesco Andreini, an Italian actor, joined Gelosi and he married Isabella Canali, an actress within the troupe. The Andreinis became the troupes most famous performers and eventually Francesco Andreini took over as its head. 1604, Isabella died in childbirth in France. It was because of this that led into Francesco’s retirement. He was so depressed by his wife’s death that he disbanded the troupe and retired from the stage. The stock character Isabella was named in Commedia Dell’arte in Isabella Andreinis’ honour.
13. Confidenti: another troupe during the Commedia Dell’arte period. They were instrumental in extending the reputation of Commedia Dell’arte. They were the first company to perform in France and Spain as well as in Italy. They were formed about in 1574. The leader of the troupe was VittoriaPissimi and her husband Giovanni Pellesini. This troupe took over when I Gelosi disbanded. Fedeli: This troupe was created by the son of Franceso and Isabella: GiovambattistaAndreini. Many of the actors within the I Gelosi company joined this troupe. They were formed in 1605 and in 1613, they performed in Paris. They played off and on in Paris until 1623.
14. Events of Importance 1558 A.D Queen Elizabeth ascends to the throne. 1564A.D Shakespeare, Marlowe were born. 1599 A.D The Globe theatre opened. 1604 A.D. Isabella Andreini dies at Lyons. Francesco Andreini gives up the commedia and disbands Gelosi Company 1624 A.D. Death of Francesco Andreini. 1666 A.D. The great fire of London. 1670 A.D. Treaty of Dover between Charles II and Louis XIV. 1780 A.D The theatre of the Italian comedy assumes the name “Theatre des Italiens”, there were no more Italian actors in the cast.
15. Inspiration Commedia Dell’arte has influenced the style of improvisation. Music and costumes within this theatre style influenced painters like Antoine Watteau and Picasso. This style of theatre is still performed today. There are still companies that perform like the Dell’Arte Company. The expressive theatre influenced Moliere’s comedy and ballets. It inspired new and fresh ranges of expression and choreographic means.
