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Com 497Week 4
DEVELOPMENT AND PREPRODUCTION
15 STEPS OF PREPRODUCTION
• LOCK SHOOTING SCRIPT
• FINALIZE BUDGET
• START YOUR BUSINESS LLC NOT APPLICABLE HERE
• HIRE KEY PRODUCTION HEAD (WRITER/DIRECTOR, PRODUCER/A.D., CINEMATOGRAPHER, EDITOR, PRODUCTION DESIGNER)
• BREAKDOWN THE SCRIPT
• STORYBOARDS AND FLOOR PLAN (TO BE DONE BY DIRECTOR AND PRODUCTION DESIGNER)
• SCOUT & SECURE LOCATION(S)
• CASTING (DIRECTOR AND PRODUCER)
• REV UP ART DEPARTMENT (PRODUCTION DESIGN, PROPS, COSTUMES, M/U & HAIR
• PERMITS AND INSURANCE
• CREATING A SHOOTING SCHEDULE
• FINISH CREWING UP (DIRECTOR, PRODUCER/A.D., CINEMATOGRAPHER, EDITOR
• CREATE A SHOT LIST
• TECH SCOUT (GO OVER EQUIPEMENT, SHOOT DEMO SHOTS WITH CAMERA)
• SECURE GEAR
1. LOCK
SHOOTING
SCRIPT
• SIGN UPATWRITERDUET.COM (free account allows for
four scripts)
SCREENPLAY
FORMAT
2.BUDGET
SAMPLE BUDGET
3. STARTYOUR LLC.
NOT APPLICABLE HERE
4.. HIRE KEY
PRODUCTION
HEADS
WHO ISTHEWRITER/DIRECTOR?
WHO ISTHE A.D./PRODUCER/DISTRIBUTOR?
WHO ISTHE CINEMATOGRAPHER?
WHOWILL BETHE SCRIPT
SUPERVISOR/EDITOR?
WHOWILL HANDLE PRODUCTION DESIGN
(SET, COSTUME, PROPS)?
BREAKING DOWNTHE SCRIPT
WHAT DOESTHAT EVEN MEAN?
5. SCRIPT
BREAKDOWN
6. STORYBOARD AND
FLOOR PLAN
STORYBOARD
a. shot for shot
b. cam movement
c. action description
d. special cam op instructions
e. special blocking instructions
FLOORPLAN
DESIGN
a. X’s/O’ actors and cam
b. furniture, colors prod des.
c. wall height, doorway width
d. electric outlets, fuse box
7. SCOUT AND SECURE
LOCATIONS
• THE LOOK
• THE ACCESS
• THE LOGISTICS
• THE LOCATION SURVEY
• VISUALIZE
• LIGHT
• SETTTING AND ART DESIGN
• SOUND
8. CASTING
NOTES ON CASTING:
- BE SPECIFICABOUTWHATYOU WANT
- AT AUDITIONS, HAVE ACTORS DO MORETHAN READ LINES
- HAVEA READEROFF CAMERATHAT IS NOTTHE DIRECTOR
- RECORD ALL AUDITIONS
- HAVEACTORSWORKWITH EACH OTHER, IT ISAS MUCH ABOUT CHEMISTRY
- CASTING IS SAIDTO BE 95% OF MAKINGA MOVIETHAT ‘WORKS’
- BE EXTREMELYCLEARWITH REHEARSAL DATES, SHOOT DATES, PAY/NO PAY
9. REV UP ART DEPARTMENT
a. Production Designer
b. Costume Dept.
c. Prop Dept.
PRODUCTION
DESIGNER
(the unsung hero)
GOOGLE: PRODUCTION DESIGN COLORWHEEL
10. PERMITS & INSURANCE
FILMING ON ANY COMMERCIAL SITE REQUIRESTWOTHINGS:
- A SIGNED LOCATION RELEASE, SIGNED BY OWNERAND PRODUCER
- PROOFOF PRODUCTION INSURANCE (MORETO COME NEXTWEEK!)
HAVINGANYBODY’S FACE,VOICE, BODY INYOUR FILM REQUIRES:
- A RELEASE FORM, SIGNED BYTALENT
ON PROFESSIONAL SHOOTS, SOMETHINGCALL E&O INSURANCE NEEDED:
- Protects against accidental product or copy written material showing up in film
THE JOB OFTHE ASSISTANT DIRECTOR,WHILE
COMMUNICATINGWITHTHE DIRECTOR, ISTO
FORMULATETHE ENTIRE SHOOTING SCHEDULE.
11. SCHEDULEYOUR SHOOT
12.CREW UP!
- DOYOU NEED A PRODUCTION SOUNDTEAM (A MIXERANDA BOOM MIC OPERATOR)?
- DOYOU NEED A GAFFER? SOMEONEWHOWORKSWITHTHE D.P.TO LIGHTTHE SETS
- DOYOU NEED G & E? GRIPSAND ELECTRICTO HANDLE HEAVY LIFTINGAND POWER
- DOYOU NEEDTO FEEDYOURCAST AND CREW? YES,YOU DO!!
MAKING SUREYOU HAVE EVERYONEYOU NEED FORYOUR SHOOT!
13. CREATE A SHOT LIST
THE DIRECTOR WORKS ONTHIS:
- WORKS FIRST ONTHEIR OWN
- THEN REFINES WITH D.P.
- DISCUSSES PLAN IN DETAIL WITH A.D.
14.TECH SCOUT
PUT SIMPLY, SPENDAT LEAST 48 HRS PRE-SHOOT SECURING
ANDTESTINGALL EQUIPMENT
- DOCAMERATESTS
- FINAL SCOUT OF LOCATIONANDALL LOGISTICS SECURED
- CHARGEALL BATTERIES FORCAMERA
- CHARGEALL PHONES IF NOT USING RADIOS
15. GEAR UP
• LOGISTICSOFTRANSPORTTO AND FRO
OF GEAR
• SAFETY, BATHROOMSAND NEAREST
HOSPITAL
• CALL SHEETS GO OUTTHE NIGHT
BEFORE
LINKTO PRODUCTION DOCUMENTS:
1. http://howtofilmschool.com/free-call-sheet/
2. https://www.filmsourcing.com/advanced-shot-
list-template-free-download/
3. https://www.studiobinder.com/
NOW LET’S
WATCH
A GREAT
SHORT!
THE CURVE
byTim Egan

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COM 497 week 4

  • 1. Com 497Week 4 DEVELOPMENT AND PREPRODUCTION
  • 2. 15 STEPS OF PREPRODUCTION • LOCK SHOOTING SCRIPT • FINALIZE BUDGET • START YOUR BUSINESS LLC NOT APPLICABLE HERE • HIRE KEY PRODUCTION HEAD (WRITER/DIRECTOR, PRODUCER/A.D., CINEMATOGRAPHER, EDITOR, PRODUCTION DESIGNER) • BREAKDOWN THE SCRIPT • STORYBOARDS AND FLOOR PLAN (TO BE DONE BY DIRECTOR AND PRODUCTION DESIGNER) • SCOUT & SECURE LOCATION(S) • CASTING (DIRECTOR AND PRODUCER) • REV UP ART DEPARTMENT (PRODUCTION DESIGN, PROPS, COSTUMES, M/U & HAIR • PERMITS AND INSURANCE • CREATING A SHOOTING SCHEDULE • FINISH CREWING UP (DIRECTOR, PRODUCER/A.D., CINEMATOGRAPHER, EDITOR • CREATE A SHOT LIST • TECH SCOUT (GO OVER EQUIPEMENT, SHOOT DEMO SHOTS WITH CAMERA) • SECURE GEAR
  • 3. 1. LOCK SHOOTING SCRIPT • SIGN UPATWRITERDUET.COM (free account allows for four scripts)
  • 7. 3. STARTYOUR LLC. NOT APPLICABLE HERE
  • 8. 4.. HIRE KEY PRODUCTION HEADS WHO ISTHEWRITER/DIRECTOR? WHO ISTHE A.D./PRODUCER/DISTRIBUTOR? WHO ISTHE CINEMATOGRAPHER? WHOWILL BETHE SCRIPT SUPERVISOR/EDITOR? WHOWILL HANDLE PRODUCTION DESIGN (SET, COSTUME, PROPS)?
  • 9. BREAKING DOWNTHE SCRIPT WHAT DOESTHAT EVEN MEAN?
  • 12. STORYBOARD a. shot for shot b. cam movement c. action description d. special cam op instructions e. special blocking instructions
  • 13. FLOORPLAN DESIGN a. X’s/O’ actors and cam b. furniture, colors prod des. c. wall height, doorway width d. electric outlets, fuse box
  • 14. 7. SCOUT AND SECURE LOCATIONS • THE LOOK • THE ACCESS • THE LOGISTICS • THE LOCATION SURVEY • VISUALIZE • LIGHT • SETTTING AND ART DESIGN • SOUND
  • 16. NOTES ON CASTING: - BE SPECIFICABOUTWHATYOU WANT - AT AUDITIONS, HAVE ACTORS DO MORETHAN READ LINES - HAVEA READEROFF CAMERATHAT IS NOTTHE DIRECTOR - RECORD ALL AUDITIONS - HAVEACTORSWORKWITH EACH OTHER, IT ISAS MUCH ABOUT CHEMISTRY - CASTING IS SAIDTO BE 95% OF MAKINGA MOVIETHAT ‘WORKS’ - BE EXTREMELYCLEARWITH REHEARSAL DATES, SHOOT DATES, PAY/NO PAY
  • 17. 9. REV UP ART DEPARTMENT a. Production Designer b. Costume Dept. c. Prop Dept.
  • 18. PRODUCTION DESIGNER (the unsung hero) GOOGLE: PRODUCTION DESIGN COLORWHEEL
  • 19. 10. PERMITS & INSURANCE FILMING ON ANY COMMERCIAL SITE REQUIRESTWOTHINGS: - A SIGNED LOCATION RELEASE, SIGNED BY OWNERAND PRODUCER - PROOFOF PRODUCTION INSURANCE (MORETO COME NEXTWEEK!) HAVINGANYBODY’S FACE,VOICE, BODY INYOUR FILM REQUIRES: - A RELEASE FORM, SIGNED BYTALENT ON PROFESSIONAL SHOOTS, SOMETHINGCALL E&O INSURANCE NEEDED: - Protects against accidental product or copy written material showing up in film
  • 20. THE JOB OFTHE ASSISTANT DIRECTOR,WHILE COMMUNICATINGWITHTHE DIRECTOR, ISTO FORMULATETHE ENTIRE SHOOTING SCHEDULE. 11. SCHEDULEYOUR SHOOT
  • 21. 12.CREW UP! - DOYOU NEED A PRODUCTION SOUNDTEAM (A MIXERANDA BOOM MIC OPERATOR)? - DOYOU NEED A GAFFER? SOMEONEWHOWORKSWITHTHE D.P.TO LIGHTTHE SETS - DOYOU NEED G & E? GRIPSAND ELECTRICTO HANDLE HEAVY LIFTINGAND POWER - DOYOU NEEDTO FEEDYOURCAST AND CREW? YES,YOU DO!! MAKING SUREYOU HAVE EVERYONEYOU NEED FORYOUR SHOOT!
  • 22. 13. CREATE A SHOT LIST THE DIRECTOR WORKS ONTHIS: - WORKS FIRST ONTHEIR OWN - THEN REFINES WITH D.P. - DISCUSSES PLAN IN DETAIL WITH A.D.
  • 23. 14.TECH SCOUT PUT SIMPLY, SPENDAT LEAST 48 HRS PRE-SHOOT SECURING ANDTESTINGALL EQUIPMENT - DOCAMERATESTS - FINAL SCOUT OF LOCATIONANDALL LOGISTICS SECURED - CHARGEALL BATTERIES FORCAMERA - CHARGEALL PHONES IF NOT USING RADIOS
  • 24. 15. GEAR UP • LOGISTICSOFTRANSPORTTO AND FRO OF GEAR • SAFETY, BATHROOMSAND NEAREST HOSPITAL • CALL SHEETS GO OUTTHE NIGHT BEFORE
  • 25. LINKTO PRODUCTION DOCUMENTS: 1. http://howtofilmschool.com/free-call-sheet/ 2. https://www.filmsourcing.com/advanced-shot- list-template-free-download/ 3. https://www.studiobinder.com/