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Fvs 261 week 6
SCREENINGS OF FILMS – DISCUSSION – VIEW: EDIT STYLES PART 1
IN DISCUSSION: PLAN VS. EXECUTION
• REVIEW PRE-PRO PACKET OF EACH PRODUCTION
• COMPARE PLAN TO EXECUTION OF PLAN
• TROUBLESHOOTING QUESTIONS
• SURPRISES?
• WHAT WERE YOUR STRENGTHS AS A GROUP – AREAS OF IMPROVEMENT
NEEDED?
THE SPIELBERG ONER or THE MOVING MASTER SHOT
• FIVE ELEMENTS THAT MAKE UP SPIELBERG’S “MOVING MASTER”:
• ESTABLISHES ENVIRONMENT OF SCENE
• COMPRISED USUALLY OF 3-5 “CONNECTED” SIZED SHOTS (ie: WIDE, OTS, 2-SHOT)
• CAMERA EITHER ON JIB ARM/DOLLY OR STEADICAM/HANDHELD
• CAMERA MOVES TO FOLLOW CHARACTER MOVEMENT
• ESTABLISHES A POINT OF THOUGHT AS MUCH AS POINT OF VIEW
SPIELBERG’S POINT OF THOUGHT:
SPIELBERG’S MOVING MASTER:
BUSTER KEATON: STAGING ACTION
• https://www.youtube.com/watch?v=UWEjxkkB8Xs
EDGAR WRIGHT COMIC FILMMAKING
EDGAR WRIGHT 8 COMIC PIC/SOUND GAG
1. THINGS ENTER FRAME IN FUNNY WAYS
2. PEOPLE LEAVING FRAME IN FUNNY WAYS
3. “THERE AND BACK AGAIN”
4. MATCHING SCENE TRANSITIONS
5. PERFECTLY TIMED SOUND EFFECT
6. ACTION SYNCHRONIZED (OR MICKEY MOUSED) TO MUSIC
7. SUPER OVER DRAMATIC LIGHTING CUES
8. PHYSICAL COMEDY
A VERY VERY SHORT FILM BY LEV KULESHOV
KULESHOV
EFFECT –
MONTAGE EDIT
• A mental
phenomenon by
which viewers derive
more meaning from
the interaction of two
sequential shots than
from a single shot in
isolation.
NEXT WEEK:
MONDAY WE MEET @STEWART CENTER LOBBY
• EDITING WORKSHOP #1
• FILM #2 ASSIGNMENT AND DELIVERABLES EXPLAINED

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Fvs 261 week 6

  • 1. Fvs 261 week 6 SCREENINGS OF FILMS – DISCUSSION – VIEW: EDIT STYLES PART 1
  • 2. IN DISCUSSION: PLAN VS. EXECUTION • REVIEW PRE-PRO PACKET OF EACH PRODUCTION • COMPARE PLAN TO EXECUTION OF PLAN • TROUBLESHOOTING QUESTIONS • SURPRISES? • WHAT WERE YOUR STRENGTHS AS A GROUP – AREAS OF IMPROVEMENT NEEDED?
  • 3. THE SPIELBERG ONER or THE MOVING MASTER SHOT • FIVE ELEMENTS THAT MAKE UP SPIELBERG’S “MOVING MASTER”: • ESTABLISHES ENVIRONMENT OF SCENE • COMPRISED USUALLY OF 3-5 “CONNECTED” SIZED SHOTS (ie: WIDE, OTS, 2-SHOT) • CAMERA EITHER ON JIB ARM/DOLLY OR STEADICAM/HANDHELD • CAMERA MOVES TO FOLLOW CHARACTER MOVEMENT • ESTABLISHES A POINT OF THOUGHT AS MUCH AS POINT OF VIEW
  • 6. BUSTER KEATON: STAGING ACTION • https://www.youtube.com/watch?v=UWEjxkkB8Xs
  • 7. EDGAR WRIGHT COMIC FILMMAKING
  • 8. EDGAR WRIGHT 8 COMIC PIC/SOUND GAG 1. THINGS ENTER FRAME IN FUNNY WAYS 2. PEOPLE LEAVING FRAME IN FUNNY WAYS 3. “THERE AND BACK AGAIN” 4. MATCHING SCENE TRANSITIONS 5. PERFECTLY TIMED SOUND EFFECT 6. ACTION SYNCHRONIZED (OR MICKEY MOUSED) TO MUSIC 7. SUPER OVER DRAMATIC LIGHTING CUES 8. PHYSICAL COMEDY
  • 9. A VERY VERY SHORT FILM BY LEV KULESHOV
  • 10. KULESHOV EFFECT – MONTAGE EDIT • A mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
  • 11. NEXT WEEK: MONDAY WE MEET @STEWART CENTER LOBBY • EDITING WORKSHOP #1 • FILM #2 ASSIGNMENT AND DELIVERABLES EXPLAINED