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Although they are surrounded by people they are the only people our eyes are drawn on. The 
editing includes cross cutting – which lets the audience compare the two characters and the slow 
motion effect allows us to feel like we are there with them. Non diegetic music is used with the 
song ‘I Can’t Take My Eyes Of You’ playing in the back, which foreshadows the whole scene, and 
makes it that much more intimate.
We are shown a closer shot of the two characters, which I just love. Their eyes are constantly on 
one another, apart from when Jude Law smiles to himself, as the audience we desperately want 
them to meet – however Mike Nichols cleverly extends the walk between one another to make it 
that much more exciting. Without the use of speech we can already identify them as characters. 
Natalie Portman shares a bright red bob cut which contrasts against her radiant youthful 
appearance. Possibly telling us that she is adventurous, but her subtle smile gives her this slight 
innocence. Jude Law, displays a suit and tie and glasses, stereotypically seen as someone with 
intelligence and ambition. Despite their opposite qualities, they are both completely infatuated 
with one another .
The non diegetic soundtrack suddenly cuts to a diegetic sound of the tyres screeching, and we 
see Jude Laws face drop. The connection between the two is immediately lost and the story 
turns from a love story to a tragedy within seconds. The director has done this deliberately to 
possibly represent the harshness of reality. Challenging conventions of this happy ‘fairytale’ we 
are brought back down to the brutality, of life.
My favourite shot of the whole sequence, setting is established in this frame, with a black cab and 
yellow parking lines we know it is set in London.
Finally speech is shown between the two characters. ‘Hello Stranger’, which is used as a funny 
idea that he hasn’t spent much time with her recently. From an audiences perspective we are 
immediately relieved and we fall back into this hopeful idea that we want them to fall in love. I 
also really like the POV shot – so we see it from his eyes and this therefore heightens our 
emotion towards the characters. We are left wondering what is going to happen between them? 
Is she is safe and ok? Making us want to watch on to find out.

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Closer

  • 1. Although they are surrounded by people they are the only people our eyes are drawn on. The editing includes cross cutting – which lets the audience compare the two characters and the slow motion effect allows us to feel like we are there with them. Non diegetic music is used with the song ‘I Can’t Take My Eyes Of You’ playing in the back, which foreshadows the whole scene, and makes it that much more intimate.
  • 2. We are shown a closer shot of the two characters, which I just love. Their eyes are constantly on one another, apart from when Jude Law smiles to himself, as the audience we desperately want them to meet – however Mike Nichols cleverly extends the walk between one another to make it that much more exciting. Without the use of speech we can already identify them as characters. Natalie Portman shares a bright red bob cut which contrasts against her radiant youthful appearance. Possibly telling us that she is adventurous, but her subtle smile gives her this slight innocence. Jude Law, displays a suit and tie and glasses, stereotypically seen as someone with intelligence and ambition. Despite their opposite qualities, they are both completely infatuated with one another .
  • 3. The non diegetic soundtrack suddenly cuts to a diegetic sound of the tyres screeching, and we see Jude Laws face drop. The connection between the two is immediately lost and the story turns from a love story to a tragedy within seconds. The director has done this deliberately to possibly represent the harshness of reality. Challenging conventions of this happy ‘fairytale’ we are brought back down to the brutality, of life.
  • 4. My favourite shot of the whole sequence, setting is established in this frame, with a black cab and yellow parking lines we know it is set in London.
  • 5. Finally speech is shown between the two characters. ‘Hello Stranger’, which is used as a funny idea that he hasn’t spent much time with her recently. From an audiences perspective we are immediately relieved and we fall back into this hopeful idea that we want them to fall in love. I also really like the POV shot – so we see it from his eyes and this therefore heightens our emotion towards the characters. We are left wondering what is going to happen between them? Is she is safe and ok? Making us want to watch on to find out.