Character profile
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The document profiles the main characters of a film including their name, height, age, appearance and brief descriptions of their personalities. It introduces the characters of Lydia Collins, Jack Humphrey, Connie Patterson, Phoebe Parsons, Kelly Simpson, Jadyn Burns and Nick Jordan who are students looking for love and friendship. Their heights range from 5ft 2 to 6ft 3 and ages are between 17-18 years old.
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The document profiles the main characters in a film trailer called "We Can't Go Back Now". It describes the appearances and personalities of 9 characters: Lydia Collins (17), the female lead, who will be played by Clarizh Nalzaro; Jack Humphrey (17), the male lead, who may be played by either Mathew Thorogood or Charlie Harrison (18); Connie Patterson (18), Lydia's best friend/bridesmaid, who will be played by Egle Paliontye; Phoebe Parsons (17) and Kelly Simpson (18), friends of Lydia's, who will be played by Amelia Sindle and Fran Deneri respectively; Jadyn
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Evlauation question two
The document discusses several themes represented in a film, including:
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- Working Class: The social group is working class, shown by drinking and smoking for fun and socializing in parks instead of cinemas. They wear casual clothes like jeans and hoodies.
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The document discusses several themes represented in a film, including:
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- Working Class: The social group is working class, shown by drinking and smoking for fun and socializing in parks instead of cinemas. They wear casual clothes like jeans and hoodies.
- Race: The surviving character is black, emphasizing strength associated with black people who are stereotypically seen as leaders.
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The document provides casting details for the roles of Arabella, Freddie, and Harriet in an upcoming production. It includes the names, ages, addresses, phone numbers, and brief descriptions of why each actor was chosen for their role. Lois Jones was chosen to play Arabella because she is the same age and has similar attributes. Jack Whowell, though older at 19, was chosen to play Freddie because of his lively character. Poppy Williams was chosen as Harriet since she has a completely different look than Lois, illustrating that the characters are opposites.
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The document discusses various stereotypical representations of gender, ethnicity, sexuality, class/status, disability, and regional identity in cartoons. It provides examples like Marge Simpson representing typical female gender stereotypes of cleaning and cooking. Apu represents stereotypes of Asian men working in shops with accents. Gay men are stereotyped as flamboyant. English characters are portrayed as posh. Disabled characters are non-verbal and use wheelchairs. Hyacinth Bucket represents southern English regional stereotypes of proper speech and lifestyle.
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Cast2
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This document provides character profiles for a story:
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2) Olly, Jade's twin brother, is one of the secondary characters who suspects something is different about Jade. He plays a vital role in revealing to Jade that she was adopted.
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The document provides a critique of the film 50 Shades of Grey, arguing that while it portrays some positive aspects of female sexuality, it ultimately idealizes and excuses an abusive relationship. Specifically:
1) The relationship between Christian Grey and Anastasia Steele is emotionally and physically abusive, with Grey stalking, controlling, and violating Steele's boundaries repeatedly without her consent.
2) While the BDSM sex scenes are respectfully portrayed, this does not excuse the overall storyline that allows Grey to completely abuse and manipulate Steele outside of their sexual activities.
3) By portraying Grey's abusive behavior as acceptable because he is dominant, the film sends the dangerous message that it is okay for men to control
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This document summarizes the representation of three social groups in a film:
1) Adult racers are portrayed as fun-loving thrill-seekers who enjoy racing for the excitement of it, shown by their laughter and excitement over victories.
2) One racer is dangerously portrayed as a criminal who shoots and kills a protagonist in an act of revenge, giving a negative portrayal.
3) The general population is shown to have a rebellious nature, as some choose not to abide by new laws, wanting to have fun over safety, but they are still seen as relatable by audiences.
TV Drama Sexuality
This document discusses the representation of sexuality in television dramas. It notes that LGBTQ characters are often portrayed through negative stereotypes or only defined by their sexuality. While acceptance has increased, television remains conservative due to fears of offending viewers. Heterosexual characters are seen as the norm, and homosexual characters are portrayed as different or separate from mainstream society. The document provides questions to consider when analyzing how a television program constructs representations of sexuality through its use of techniques like camera work, editing, sound, and mise-en-scene. It then provides a detailed example analyzing how a scene from a television drama uses these techniques to portray a character who is coming to terms with his sexuality and experiences a homophobic attack.
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The document discusses various stereotypical representations of gender, ethnicity, sexuality, class/status, disability, and regional identity in cartoons. It provides examples like Marge Simpson representing typical female gender stereotypes of cleaning and cooking. Apu represents stereotypes of Asian men working in shops with accents. Gay men are stereotyped as flamboyant. English characters are portrayed as posh. Disabled characters are non-verbal and use wheelchairs. Hyacinth Bucket represents southern English regional stereotypes of proper speech and lifestyle.
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The document discusses various stereotypical representations of gender, ethnicity, sexuality, class/status, disability, and regional identity in cartoons. It provides examples like Marge Simpson representing typical female gender stereotypes of cleaning and cooking. Apu represents stereotypes of Asian men working in shops with accents. Gay men are stereotyped as flamboyant. English characters are portrayed as posh. Disabled characters are non-verbal and use wheelchairs. Hyacinth Bucket represents southern English regional stereotypes of proper speech and lifestyle.
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The document discusses how different social groups are portrayed in the media product. Adult racers are portrayed as fun-loving thrill-seekers, despite breaking the law. Teenage protagonists are shown as relaxed and staying out late doing illegal things. A second portrayal of racers as dangerous criminals is shown through a character who kills one of the protagonists, seemingly for revenge. The general population is portrayed as having a rebellious nature for not following new laws, but they are still seen positively rather than as criminals.
Cast2
Lois Jones is cast as Arabella, the 15-year-old female protagonist who lives close by which will prevent filming delays. Jack Whowell is cast as Freddie, the 19-year-old male protagonist, despite his age because of his lively character. Poppy Williams is cast as Harriet, Arabella's 15-year-old best friend, to illustrate their contrasting looks and personalities, with Arabella as a tomboy and Harriet as girly. George Croxall will also make a brief appearance as a window cleaner.
Character profile
This document provides character profiles for three 17-year-old female characters: Macy, Lily, and Harper. Macy enjoys watching true crime documentaries and conspiracy theories, and is considered the leader of her friend group. Lily enjoys socializing and dancing, and is random but can make awkward situations funny. Harper has a strange personality, keeps to herself, and enjoys collecting insects and watching horror movies. All three characters are described as having a "girly girl" stereotype personality with their friends but more independent alone. They will be going camping together with the props of cameras, flashlights, and backpacks to film a documentary.
Casting
a document that includes a casting call for my short film 'how to grieve' as well as information regarding the casting process in the film industry
Cast
This document provides casting details for the roles of Arabella, Jack, and Harriet in an upcoming production. It introduces Lois Jones to play Arabella due to her similar age and attributes. Jack Whowell is described as suitable to play Jack despite being older, because of his lively character. Poppy Williams is chosen to play Harriet as she has a completely different look than Lois, to illustrate their contrasting personalities as best friends. George Croxall will also have a brief role as a window cleaner.
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The document provides a synopsis and planning details for a thriller film called "Thief". The synopsis describes a teenage skateboarder, Will Block, who stalks and attacks a young woman to steal her belongings. He then begins stalking another target, Scarlet Fraser, but she is prepared to fight back. The planning details include character descriptions of Eve White, Will Block, and Scarlet Fraser; location choices of an underpass, ATM, and Will's bedroom; costume ideas; and props like a skateboard and handbags.
Pitch for hunted
This document provides a summary for a proposed post-apocalyptic film project called "Hunted". It describes the plot, which follows a spoiled teenager named Ryan who seeks revenge after his parents are assassinated. Five years after a global catastrophe, Ryan joins a gang but a deal goes wrong and he is forced to flee. The summary also lists potential actors, a director, target audience, estimated budget and potential income, and a proposed release date of autumn 2013.
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The document discusses the 2010 film Four Lions, which portrays a group of incompetent British jihadist terrorists planning an attack. It challenges stereotypes of terrorists as evil masterminds by showing them as foolish and making mistakes in their plans. The film aims to show that terrorists are also human beings with families and relationships. It highlights the complex divisions and debates within Islam that are often ignored in Western media portrayals of Muslims. The comedy comes from insider Islamic jokes and poking fun at extremism, while also conveying that terrorists have motivations for their beliefs, even if misguided.
Conventions of Teen Drama’s
This document discusses common elements found in teen drama films and television shows. It outlines various cliques that are typically portrayed, including loners, goths, jocks, cheerleaders, artists, and nerds. Common storylines involve a nerdy girl falling for a popular boy or an outsider trying to break stereotypes. Issues addressed may include feeling unhappy with one's life, losing one's identity, and falling outs between friends. Typical settings are high school locations like classrooms and cafeterias. Character stereotypes like nerds, jocks, and "new girls" are also outlined. The style is often colorful and the narrative is frequently from the first-person perspective of the protagonist.
Character profiles updated
This document provides character profiles for a story:
1) Jade, the 17-year-old protagonist, is hiding from her family that she is a lesbian. She lives with her mother and brother Olly.
2) Olly, Jade's twin brother, is one of the secondary characters who suspects something is different about Jade. He plays a vital role in revealing to Jade that she was adopted.
3) Carol, Jade's single mother, has a big secret that will affect how Jade reacts to her. She is one of the main people influencing Jade.
Evaluation Question 2- Olivia Gracey
This document summarizes how a media product represents social groups through its characters. The protagonist, Iby, is a 23-year-old reformed ex-convict from an urban area trying to escape gangs and poverty for his family. The antagonist, Jordan, is a wealthy white male gangster who uses guns and flashy cars. Iby's wife is portrayed as vulnerable due to her involvement with Iby and danger from gang crime; she is sexualized through close-ups and short skirts. Overall, the characters represent the social groups of troubled urban youth trying to reform and gang members who commit crime to maintain their lavish lifestyle.
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Risk Assessment
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Shot list
This document outlines 20 shots for a film depicting the relationship between characters Lydia and Jack. The shots include scenes of Lydia and her friends getting ready for a night out, Jack and his friends doing the same. Further shots show Lydia and Jack interacting at a club and later on a date. Additional shots depict their engagement and wedding preparations, including Lydia's hen party and Jack's stag party. The final shots show Lydia telling her friend Connie she is pregnant but expresses doubts, with them sharing a worried look.
Summary of findings on research into similar media
The document summarizes research into conventions used across different media types including film trailers, magazine covers, and film posters. For film trailers, common conventions identified include showing the production company logo, title of the film, and age rating. Romantic comedy film trailers often show a "girl meets boy" scenario and are set in urban environments. Magazine covers generally feature the masthead, selling line, a main image without a background, and coverlines. Romantic comedy magazine covers commonly showcase the main cast without a background and use similar color schemes to the films. Film posters usually have a single main image, production company logo, film title, director/actor names, and release date. Romantic comedy posters tend to use
Promotional package analysis
The document analyzes the promotional package for the film "Bridesmaids" by comparing the film poster and trailer. Both the poster and trailer feature the same main actresses, use a similar color scheme of pink and white, and reference the film's release date to link the two promotional elements together. While they both promote other films by the same production company, the trailer only mentions two other films whereas the poster mentions three.
Script
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Questionnaire results
The document summarizes the results of a questionnaire about a film trailer project. Key points:
- Respondents generally liked the plot ideas and characters but felt the technical elements, especially sound, could be improved.
- They enjoyed the action, drama, and realism in the plot but thought it contained too many twists and needed more jump scenes.
- Characters received positive feedback though some thought they lacked uniqueness.
- Settings were well-received while conventions received mixed reviews.
- Most felt the trailer ideas had potential but could be more varied, detailed, and focus on technical quality like editing and sound design.
Questionnaire on audience research for horror
The document summarizes the responses to a 10 question audience research questionnaire for a horror film trailer. Key findings include:
- The target audience was evenly split male and female aged 17-18 who enjoy psychological and body horror genres.
- They prefer the trailer to be set at night in houses with some blood and gore, and plotlines involving kidnapping or possession.
- The most important technical elements are sound design and mise-en-scene to build tension and make the world feel realistic.
Questionnaire summary results
From a questionnaire survey of their target audience, the document summarizes key findings about demographics, psychographics, favorite horror film genres and likes/dislikes. It was found that the audience prefers psychological horror films and are young, quirky and creative. Their interests in music and streaming platforms like Netflix indicate they enjoy trends. This information will help guide the planning and production of a film trailer that appeals to this audience's preferences to increase the chances of its success.
Risk assessment
This risk assessment document identifies potential hazards for a student film shoot across multiple locations in March. Hazards include trip hazards from uneven surfaces in town centers and bedrooms, spilling hot drinks in a cafe, excessive noise levels in a music venue, and an unstable park bench. Control measures are outlined such as inspecting surfaces, using stable cups and tables, providing hearing protection, and ensuring exits are clearly marked. With these controls, all risks are assessed as trivial and requiring no further action.
Ancillary production schedule
This production schedule outlines locations, dates, times, costumes and props needed for ancillary production. Scenes will be filmed at a home, dark walkway, overgrown alleyway and shed from October 20-22. Costumes range from bare hands to dark and casual to shredded and blooded outfits. Props include chairs, ropes, weapons, masks and a torch.
Audience research summary
This document summarizes audience research for a romantic comedy film. It identifies the film's target demographics as both male and female audiences, with a focus on teenagers due to including young actors. Research found that the target audience enjoys films with similarly aged actors, listening to music, and socializing. Qualitative research found that male audiences liked the comedy aspects, while some disliked misleading posters that did not convey the comedy. The document concludes that this research will inform the production of the film trailer, poster, and magazine cover to better appeal to the target audience.
Film trailer analysis
This document analyzes the trailer for the film "How to be Single" to identify key conventions of romantic comedy film trailers. It finds that such trailers are targeted towards younger female audiences, feature heterosexual couples falling in love, and include comedic elements. Technically, the analyzed trailer uses a production logo, runs around 2.5 minutes, includes a content rating guideline. It employs various camera shots, a soundtrack to engage viewers, frequent title cards, fast-paced editing, and both high-key and low-key lighting in different scenes. Analyzing this trailer provided insights into how to effectively craft a film trailer that follows conventions and leaves a lasting impression without revealing too much of the film's plot.
Focus group questions
Harry Wright conducted a focus group to get opinions on romantic comedy films and marketing. The questions gauged how often people watch romantic comedies, their thoughts on a sample film poster's effectiveness in promoting the genre, what makes for a good or bad poster, suitable color schemes for related products, memorable successful films, the impact of trailers, and what people want to see on romantic comedy posters and in a magazine article.
Audience feedback
Harry Wright created a survey using Survey Monkey to get feedback on his film trailer and ancillary products. Respondents felt the use of consistent characters and colors across the three promotional pieces effectively linked them together in promoting the film. All respondents agreed the pieces were conventional for the rom-com genre. Some suggested improvements to further strengthen the connection between the pieces in advertising the same film, such as adding more blue to the fonts.
Designs for Poster
The document provides inspiration and design considerations for a horror movie poster. It includes sketches of potential poster layouts featuring a large central image, title, tagline, and billing block arranged according to compositional rules. Font style and color options aimed at conveying violence, fear, and a worn-out aesthetic are presented. References to blood, weapons, and conventional horror themes are discussed in relation to drawing attention and portraying the intended tone of the poster and film.
Product research summary
The document summarizes conventions for album covers, digipaks, and music videos across different genres. It finds that regardless of genre, they generally follow standard layouts with the artist and album title prominently displayed and the main art in the center. Music video themes are often related to the genre and song content. Design elements like colors, fonts, and intensity vary by genre with darker tones used for metal and lighter for EDM. While metal album covers commonly feature dark imagery like skeletal creatures or psychotic settings, they still allow the artwork to be the focal point by placing the band and title above or elsewhere on the cover.
Magazine drafts
The document provides details on the design of a horror magazine cover. It describes design elements like the masthead, cover lines, images, fonts, and layout. The masthead is bold to draw attention, uses a horror font, and may include the issue number. Cover lines are placed around the main image to showcase information and use different colors. Images focus on eyes, ghosts, and weapons to suit the horror genre. Fonts are chosen for boldness and modern feel to engage readers in the horror content. The layout spreads elements out to avoid clutter.
Location
The document provides details for several filming locations to be used for a movie, including the dates, times, and reasons for each location. Location details include alleyways, parks, fields, nature reserves, and overgrown areas to portray isolation and create a creepy atmosphere where characters have nowhere to run or hide. A house and shed are also listed on the 7th of October to show an isolated area and serve as the location where a character is taken, transitioning from an earlier scene of happiness.
Step outline
This document outlines the scene order for a film trailer. It lists 12 scenes in chronological order: introducing the main characters Jack and Lydia separately with their friend groups, then together at a club; Jack's friend commenting they don't spend time together as much; Jack and Lydia on a date; photos of their dates; Jack proposing; Jack's stag party; Jack telling his friend he will propose; Lydia's hen party; and Lydia telling her bridesmaid she is pregnant but feels Jack won't be dedicated to her and the child.
Audience interview planning
The document outlines an interview plan to obtain feedback from two target audience members, a 17-year-old female and 18-year-old male, on an existing horror film trailer. The interviewer will ask questions about what they like and dislike about horror genre trailers, including expectations for text, narrative, camerawork, editing, sound, mise-en-scene, and appealing elements. This feedback will help the interviewer benchmark strengths and weaknesses to create a successful horror film trailer for the target audience.
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Character profile
- 2. Clarizh Nalzaro (Lydia Collins) Lydia is one of the main characters and will be played by Clarizh. Height: 5ft 2 Age: 17 Attitude: Calm Appearance: Well dressed, look smart. Lydia is looking to find love and is influenced by her friends, if her friends don't like someone neither will she.
- 3. Charlie Harrison (Jack Humphrey) Height: 5ft 10 Age: 18 Appearance: Casual clothing, fashionable and stylish. It is possible that Charlie will be starring as Jack in my trailer. Jack is looking to find love and also find someone with the same interests as himself.
- 4. Mathew Thorogood (Jack Humphrey) Height: 5ft 8 Age: 17 Appearance: Jack will have a typical appearance for a young gentleman. Jack is looking to find love and also find someone with the same interests as himself.
- 5. Egle Paliontye (Connie Patterson) Height: 5ft 2 Age: 18 Appearance: short and well dressed Connie will be Lydia's best friend. Connie is a quite individual who is the closest of Lydia’s friends and aids her into finding love.
- 6. Amelia Sindle (Phoebe Parsons) Height: 5ft 4 Age: 17 Appearance: Stylish, wears party outfits. Phoebe loves parties and is always the first o ne up, and enjoying the night.
- 7. Fran Deneri (Kelly Simpson) Height: 5ft 6 Age: 18 Appearance: A friendly appearance will be given off in my trailer. Kelly is the more calm and quite of Lydia’s friends.
- 8. Alex Oldfield (Jadyn Burns) Height: 5ft 9 Age: 18 Appearance: a smart appearance will be given to Jadyn . Jaydn is the character who will influence Jack into good and smart decisions.
- 9. Thomas Smith (Nick Jordan) Height: 6ft 3 Age: 17 Appearance: Nick will wear casual clothes and will be seen to be the ‘Joker’ of the group. Tom will give the three boys the comical edge which is needed in our chosen genre.