CHANCES RMIT presentation
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This document discusses research into how technologies can facilitate creative choices during different stages of media projects through co-creation processes. It aims to (1) study co-creation and optional thinking in creative works, (2) develop a co-creation methodology allowing for efficient design and development, and (3) create a support platform for co-creation workflows between creators and industries. The key areas of innovation discussed are production, user experience, and product design processes.
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Creative choices: co-creation an agency in contemporary media projects
(1) The document discusses a proposed research project on how technologies facilitate creative choice through co-creation processes during different stages of media projects.
(2) The project would develop a co-creation methodology to establish efficient design processes allowing creators and industries to engage users in shaping creative experiences.
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CHANCES: project proposal overview
(1) The document discusses a proposed research project on how technologies facilitate creative choice through co-creation processes during different stages of media projects.
(2) The project would develop a co-creation methodology to establish efficient design processes allowing creators and industries to engage users in shaping creative experiences.
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Creative choices: co-creation an agency in contemporary media projects
(1) The document discusses a proposed research project on how technologies facilitate creative choice through co-creation processes during different stages of media projects.
(2) The project would develop a co-creation methodology to establish efficient design processes allowing creators and industries to engage users in shaping creative experiences.
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Presentació III simposi ficció televisiva (UIC) [catalan version)
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Selfiestories in time
This is a presentation on selfies and personal narratives that we prepared for the last ECREA2016 conference held in Prague. This presentation belongs to the research project "Selfie stories and personal data", funded by the BBVA in Spain, with an interdisciplinary team of researchers from the Mediaccions Research Group at the UOC.
The presentations deals with the different temporalities and what we call 'story entry points' for the research of personal narratives in Instagram, with particular focus on selfies.
Istanbul ecrea 2012 presentation_crowd
This is our presentation for the ECREA Conference held in Istanbul on November 2012. Our research is being addressed at challenging the notions of popular crowd terms like 'crowdfunding' or 'crowdsourcing' and showing its limits regarding participatory media production. This presentation took place as a part of the Digital Culture and Communication workshop.
Remix Cinema Workshop Presentation (Toni Roig)
This document provides an overview of Antoni Roig Telo's theoretical and methodological approach to analyzing participatory film production as media practices. It discusses key concepts from practice theory, including how practices are composed of interconnected elements like bodily activities, mental activities, tools, background knowledge, emotions and motivations. It also outlines some distinctive features of practice theories, such as how practices span different levels of complexity and are organized internally. The document concludes by describing how Roig Telo applies this perspective in his case studies of participatory cinema projects, focusing on analyzing how the practices are organized within and across different participatory spaces and identifying clusters of practices.
Presentacion workshop ecrea 2011
The document discusses crowdsourcing and crowdfunding in audiovisual content production. It begins by introducing emerging creative practices involving individuals and groups in media production. It then discusses two main approaches: crowdsourcing, which involves outsourcing tasks to undefined groups, and crowdfunding, which involves collective cooperation and pooling of money. While crowdsourcing and crowdfunding are often presented as having clear divisions between creative professionals and users, the document argues they actually involve more complex participation and organizational practices, with varying motivations and roles.
Presentacion cervantes toniroig
The document discusses digital culture and current trends in audiovisual content creation. It outlines how consumers are becoming more involved in content production through participatory media projects. Several examples of these projects in Spain are described, including La Wikipeli, El Cosmonauta, Panzer Chocolate, and Arros Movie. These projects engage communities in the development, financing and promotion of creative works. While such participatory models are emerging, uncertainty still exists around business models and copyright within the conservative media industry.
Presentacio seminari mediaccions
This document analyzes a conflict that arose in the Moviestorm virtual filmmaking community when the company changed its business model in a way that restricted modding and limited users' control over third-party content. The change caused controversy as it misunderstood the diverse motivations of community members, many of whom were motivated more by intrinsic rewards like creative expression and helping the community rather than profit. Analysis of forum discussions revealed differing views between the company, which saw itself as a business, and dedicated modding users, who felt emotionally invested and wanted to maintain control over content they created.
Mc luhangalaxy presentation
The document discusses the changing nature of television audiences and engagement. It notes that audiences are now more active, accessing TV content globally on the internet in real time from mobile devices. This has led to fragmentation but audiences are still drawn to stories. It questions how to define and measure engagement in this new context, arguing engagement must be a continuous reciprocal process, not about control. Professional TV producers need to consider the complexities of fostering diverse audience engagement.
Presentacion oei antoni_roig
El documento describe las nuevas prácticas artísticas y culturales facilitadas por los nuevos medios digitales, incluyendo la creación colectiva, contenidos con licencias abiertas, autoproducción, apropiación, universos narrativos inmersivos y convocatorias abiertas. Se analizan ejemplos como Iron Sky, El Cosmonauta, Sita Sings the Blues y Star Wars Uncut que ilustran estas nuevas formas de creación basadas en la participación y colaboración.
Màster CDI (Universitat de Vic): proyectos audiovisuales innovadores
Este documento describe los cambios en la creación de contenidos audiovisuales debido a la cultura digital, incluyendo la apertura de los procesos de producción a la participación del público y nuevas formas emergentes como proyectos de fans, contribuciones de usuarios y crowdfunding. Se analizan varios casos como ejemplos de estas tendencias hacia modelos más abiertos e innovadores.
Where mass media and social production meet
This is the presentation I prepared for the ATACD Conference, which took place in Barcelona last week. This is based on the current stage of my research and represents the evolution of a previous presentation for the ECREA Digital Media Conference held in Berlin last November.
Hacia el cine colaborativo: prácticas culturales y formas de producción parti...
Presentación de mi tesis doctoral, un análisis sobre prácticas culturales emergentes en la producción de cine digital, especialmente en formas alternativas basadas en la colaboración y la participación de comunidades y usuarios.
This is the presentation of my PhD Thesis, a research on emergent cultural practices in cinema production, with particular attention to those alternative forms based on collaboration and participation by communities and users.
Cine, Internet, educación: todo está conectado
Presentación de la ponencia que realicé en el Seminario de Formadores de Cineastas en el Centro de Estudios de la Ciudad de la Luz en Alicante, con el objetivo de mostrar la emergencia de nuevas prácticas en la producción audiovisual en Internet que aportan pistas para identificar nuevas competencias y también nuevas metodologías para la formación de los creadores audiovisuales.
¿Un futuro open source? Una primera aproximación a formas emergentes de produ...
Presentación de mi comunicación sobre ciertas formas emergentes de producción cinematográfica que se se basan en alguno de los principios propios de la cultura libre y el open source. Fue presentada en el marco del V Congreso Internacional Comunicación y Realidad organizado por la Facultad de Comunicación Blanquerna, en Barcelona (mayo de 2009).
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Màster CDI (Universitat de Vic): proyectos audiovisuales innovadores
Màster CDI (Universitat de Vic): proyectos audiovisuales innovadores
Hacia el cine colaborativo: prácticas culturales y formas de producción parti...
Hacia el cine colaborativo: prácticas culturales y formas de producción parti...
¿Un futuro open source? Una primera aproximación a formas emergentes de produ...
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On episode 272 of the Digital and Social Media Sports Podcast, Neil chatted with Brian Fitzsimmons, Director of Licensing and Business Development for Barstool Sports.
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一比一原版新西兰奥塔哥大学毕业证（otago毕业证）如何办理
一模一样【微信：A575476】【新西兰奥塔哥大学毕业证（otago毕业证）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
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二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Authentically Social by Corey Perlman - EO Puerto Rico
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Buy Verified Payoneer Account: Quick and Secure Way to Receive Payments
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CHANCES RMIT presentation
- 1. CHANCES Creativity, choices, co-creation and agency in complex media projects. Digital interventions Symposium RMIT - IN3 – UOC 7th June, 2013
- 2. Main objective: Research on how technologies are facilitating creative choice during the different stages of a media project through co-creation processes.
- 3. Co-creation Choice Different strategies to provide audiences with tools to engage in decision-making processes to actually shape specific outcomes of a creative experience Agreement between a project promoter and a collectivity of engaged users, willing to contribute to significant parts of the project, in a workflow defined in terms of transparency and mutual recognition (Deuze, 2008; Banks and Potts, 2010) Participation of consumers along with producers in the creation of value in the marketplace (Zwass, 2010).
- 4. Key areas of innovation: Production User experience Product design processes, conceptualization of content, formats, interaction, configuration, user capabilities and user interfaces… (NESTA's Hidden Innovation Report, 2008).
- 6. Co-creation strategies that facilitate choice Across different stages (design, development, object experience, further creations) Among different agents: industries, individual creators/ promoters, communities
- 7. (1) research on co-creation and optional thinking in creative projects (2) deployment of a co-creation methodology which will allow for efficient processes of design and development to establish a profitable, solid and trustful co-creation relationship (3) development of a support platform aimed at both creators and industries, where multiple co-creation workflows would take place.
- 8. Academic and professional expertise: - Learning technologies into design and storytelling user experiences. - Creativity and innovation in cultural production. - Participatory projects in the creative industries. - Interactive storytelling. - Crossmedia experience design. - Remix and DIY cultures.