Ceramics Of The North And South Coasts Essay

Ceramics of the North and South Coasts Essay
Ceramics of the North and South Coasts Ancient Peruvian Ceramics of the North Coast March 11, 1997 The first pottery pieces found in Peru were
made somewhere between 1500 and 1000 b.p. The pieces were found in the central Andean region where a religious cult lived. This cult was called
ChavГn, after the best known ceremonial center, ChavГn de HuГЎntar. The religious center was the home to massive temples that were highly
embellished with low relief sculptures of gods, animals, and symbols. The pottery found in the area where vessels that were well made and highly
decorated with a similar motif as the temples. But the evolution of Peruvian pottery becomes somewhat confusing and complex after this first
civilization of potters.
There ... Show more content on Helpwriting.net ...
Three other cultures in north coast valleys contributed their pottery style to the over all Cusisnique style that was evolving into the Mochica style.
These people were the Gallinazo, Recuay, and VicГєs. The Gallinazo constructed double chamber vessels with whistle spouts and a type of decoration
called negative decoration where they painted their simple designs on after the pieces were fired. The Recuay also had double chamber vessels but
these had one functioning spout and one sculpted, usually an animal or figure. They also used negative decoration but theirs were much more elaborate
designs than the Gallinazo vessels. The VicГєs lived in the highlands on the Ecuadorian border. They made very sculptural vessels with a stirrup handle
and central spout. Although a hand full of VicГєs artifacts have been found, not much is known about these people, but one can see a visible
connection between all of these different cultures and the Mochica style that evolved out of them. The Mochica civilization flourished for nearly 1000
years and as time passed slight changes in the style could be seen and are chronologically separated into Mochica I–V. The first two are formative
phases with lots of experimentation. The third concentrated on a distinctive art style, which continued through the forth and gradually declined in the
fifth. They expressed many aspects of their culture and daily life in their ceramics. Things like
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Personal Narrative: My Midwestern Diagramic Career
As a self–taught potter, I have been working with clay for nearly 2 years. I make primarily functional wares fired to cone 10(2345В°f) using
porcelain or stoneware clay. I obtained a degree in political science from Winona State University in 2015. I am highly influenced by my experiences
as a production potter, other midwestern ceramic artists, and my rural/military upbringing. After graduating college, I promptly moved to Minneapolis,
MN and started what was meant to be a temporary position making coasters for Dock 6 Pottery owned by Kerry Brooks. Urged by my potter/co–worker
Johnne Law McMahan, I began to throw pots after work just to get a sense of what a day in the life of my co–workers (production potters) was like. It
turned out I

Terracotta Skyphos
The first work I studied is the Terracotta Skyphos. It is a cup from early imperial time. It belongs to the Roman culture. It was made at Tarsus in Cilia.
It is from Cyprus. The cup is made out of Terracotta, which is a clay–like substance. It is fired clay that can that is durable and strong. It can be molded
into any shape. In Italian terracotta means "baked earth." Making a terracotta sculpture is quick, simple, and cheap. This cup was lead glazed; the
shape of the cup represents the Hellenistic period. It's a fancy work, decorated with plants and flowers. The plants look like it is popping out. It
resembles the repousse technique. The cup has a rough texture and the way the light hits it almost looks dark in some areas. On the display it... Show
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Art encourages me to look at the world differently. The statue makes me think of how people were portrayed in the imperial period. The story
behind the copy of the original statue of Barberini Suppliant is compelling. It is of a young woman who has been taken advantage of. It is a bold
work of art. The original is more detailed and draws more attention then the one I analyzed but both works show and portray different stories. I
believe that they made minor changes to the copy but leaving out the body of the woman made it mysterious and hard to analyze. Greek art had a
major influence on Roman art and I see elements within these two works. These two works of art emphasized the importance of details. Without
details there is a lack of meaning. Without looking at the original work I would not know how to analyze the copy. It looks like a completely
different work of art. These two works of art have less in common than I thought. They come from the same time period but they are used and looked
at in different

The Ware : Practical Vessel
Kenzan Ware: Practical Vessel
A section dedicated to the art of "chanoyu", meaning "hot water for tea" in Japanese, and also known as tea ceremony is located in the "Asia:
Paintings and Decorative Arts" room at the Iris & B. Gerald Cantor Center for Visual Arts. Within a glass case, there are four objects on display,
signifying few of the many vessels used for a tea ceremony. Many of them were created during or near a same time frame: Edo period, Japan, which
spans from 1615 to 1868. One of them is a tea bowl with a unique, almost modern looking design given a descriptive title called, "Tea Bowl with
Spring Grasses" created during the 18th century in Japan. Unlike its companion in the same case, a Satsuma black glazed tea bowl made of ... Show
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Kenzan learned pottery from famous Nonomura Ninsei who established "Kyo–yaki", Kyoto Pottery, in mid 17th century. Kenzan opened his kiln when
he was 37 years old in 1699 in Narutaki, Kyoto where he created many artistic ceramics "Kenzan–yaki". His brother, Korin, often collaborated Kenzan
on decoration of pottery and created innovative artworks together (Wilson).
While the raku (meaning enjoyment, comfort, or ease) ware is commonly used when creating tea bowls, Kenzan avoided this technique due to having
a cousin who adopted into the Raku family (Wilson). So rather than using the hand molded approach that is often used for objects later to be used in a
tea ceremony, he decided to use his own methods and approach that still fitted the aesthetics of the tea ceremony. The bowl, which was treated like a
three–dimensional canvas, is distinctive to Kenzan's background in painting and calligraphy.
He formed the clay into a smooth, consistently shaped vessel. Then after the lid is formed, the two parts would be checked together to see if the size
of the lid is too large or small to cover the bowl. As it remained unfired, he later applied the decoration with a similar approach to a painter. In order to
imitate the effect of brushwork on absorbent paper, he applied colored pigments underneath a transparent glaze (Wilson). Kenzan first started on the
white background, painting a wave like shape reminiscent of mountains in the far distance behind the

Josiah Wedgewood's Life And Work
Josiah Wedgewood (1730–1795) Potter, Craftsman, Entrepreneur His early contribution was a process of making "creamware" which was more
refined and cheaper and local than the preferred luxury alternatives. He was a friend and later business partner with Thomas Bently who connected
him into the luxury ceramics market. After securing work for the Queen of England at the time Wedgewood was able to create the popular
Queensware products of ceramics. This caused him to look at expanding and reimagining his manufacturing process. He created a new process that
saved time and ensured uniformity and high quality in his products. Batch Production was a division of labor that used small standardized shapes of
all his products and used mold over potters wheels to make his ceramics. Adam Smith (1725–1790) Economist... Show more content on Helpwriting.net
...
His views became popular because of his pin factory analogy which described the process. In it, he mentions the division of labor which he praised for
its efficiency. The Americans used Adam Smith's principles to allow for specialization in their machine operations. This benefit of dividing the labor
allowed the fabrication of more complicated products and items with interchangeable parts Frederick Taylor (18–1915) Engineer Frederick Taylor was
an engineer who ran experiments in the 1880's on the common manufacturing process of his time. His goal was to increase the productivity of the
workers. The experiments measured the time to perform different tasks. He created recommendations for the workplace that became business
standards and were enforced in the workplace. Businesses used these as a measure of productivity and rewarded wages and other rewards on a basis
of performance. These changes created a shift in the workplace and a demand for higher compliance became the norm. Taylor helped create the need
for standards in the workplace. Henry Ford (1863–1947)

Conical Hat Definition
The thoughts about ceramic shape's history gave me a ground to be able to create the Conical Hat series works, and the investigation of conical hat
provides the depth of my work. However, it still has lots of space for my personal concepts and understandings in this series of work. According to
those studies on object and shapes, my central idea can be concluded into just one word which is "container". I view the Conical Hat series are
containers. Then, what is the container? Container is a Middle English word. It comes from contain with –er. It is a noun which means anything that
contains or can contain according to The Macquarie Dictionary. In The Shorter Oxford English Dictionary, container appears as a word under the
explanation of the... Show more content on Helpwriting.net ...
Beyond to describe different kinds of containers, the act to be a container can mean something else and worth to think about it. Being a container
can be seen as taking the role of protection, storage or transportation. Different container can have different roles. It gives container a character that
can be classified. Besides, from the other side of this idea, after a container been found, the act afterwards also be assigned. It is like when you
found a jar, what you put in it will give the jar its value. Or like, you give different values to the same jar than other people did to it. According to
the analysis of container, there are two levels of how my Conical Hat series links to the concept of the container. First, conical hat is a kind of
container. Second, conical hat is a container of emotion. Conical hat is the container is the direct connection. From geometric sense, conical hat is a
hollow cone shape, which enables it could contain something in it. The object, which has ability to hold things, can be called container, which is not
related to it should or should not. It is a very straight

Embryo Rescue Lab Report
EMBRYO RESCUE
KALENA OFFICE HORT 447ADVANCED PLANT PROPAGATION
Introduction
This lab is intended to provide information about the process of embryo rescue. In this lab the embryo will be scrapped out from under the seed coat
and endosperm and placed in hormone free MS media. This lab will record the of growth process in vitro.
Material: Wayfaringtree Viburnum seeds, dissecting microscope, scalpel, forceps
Wayfaringtree Viburnum (Viburnum lantana) was used in this lab to conduct the growth of an embryo rescue on hormone free (0/0 WPM). The seeds
that were provided first be treated with a concentration of sulfuric acid (H2SO4) for about twenty–five minutes. This process will both sterilize and
soften to seeds for dissecting into ... Show more content on Helpwriting.net ...
Results
This lab will record the growth process of embryo rescue in a hormone–free media.
The results on the percentages of attempts that resulted in the isolation of an intact embryo was 33%. This is due to the fact that this was the first time
that I performed an embryo rescue, and made a few mistakes along the way. The first mistake that occurred was that I cut too deep into the endosperm,
and cut into the embryo itself (a few times). Another mistake that was made was that I found it hard to cut into the seeds while using the forceps,
without losing the seed.
The percentage of intact embryos that developed into a plant was 33%, meaning the only one out of the three sprouted.
The changes that occurs during the progression from dormant embryo to active growth is that the crown becomes a reddish color, which is that is
appeared on most Wayfaringtree Viburnum. The red crown is due to the flavonoids that are apparent in the molecular structure.
Since Wayfaringtree Viburnum has to go through the cold stratification to break dormancy, the mechanism practice that would have to take place
would have to be a type of refrigeration or freezing process. This process is done for 8–10 weeks of holding temperature of 4В° C. These orthodox
seed will be placed in a refrigerator to break dormancy, and will continue to have continuous

Taking a Look at Shino Glazes
Shino Glazes
Shinos are traditional Japanese glazes that have high feldspar and clay content, and can produce a range of color and texture depending highly on
application and firing. The main colorant in shino glazes are the iron oxide impurities contained in various clays.
Historical Information
Shino originated in the Mino region of Japan during the Momoyama period (1573–1615 A.D.) and was discovered in an attempt to recreate a white
feldspathic glaze brought from China that belonged to the shogun Shino Soshin (1444–1523 A.D). The ceramic aesthetic of the time was largely
created by tea masters for Buddhist tea ceremonies. The first shino attempts were most likely the result of removing iron and iron rich clays from
temmoku, and the resulting glaze named for the Shogun; a celebrated tea master. Contemporary glaze developments of the period also included seto
and oribe. The Momoyama period marked the end of internal wars and final unification of Japan. Japan and Europe came into contact for the first
time, while trade flourished and encouraged social mobility. Mino and neighboring seto are of particular interest because they are the only areas that
produced glazed ceramics in the medieval period, and invented an improved kiln design; a variation of the Korean anagama, the ogama. The most
important features were a side entrance and domed main chamber that created a partial downdraft, producing a more even and efficient firing than
previously possible. Traditional

When visiting the McKissick Museum I was engrossed by the...
When visiting the McKissick Museum I was engrossed by the American Folk Art, ceramic Face Jugs, also known as ugly or grotesque jugs. There
are gaps in the history in regards to how the face jugs were made, what they were used for, and the meaning of the face vessel pottery. However it is
believed that these vessels were original, useful, creative expressions of the African slave culture of the time created as early as the seventeenth
century. Few artists of face jugs have been identified and their inspirations for producing the vessels are not completely known. According to Hirst, it
is believed that this art form originated in Edgefield County South Carolina, from African slaves who worked on the plantations as potters. They
worked on ... Show more content on Helpwriting.net ...
Face Jugs have become more imaginative and peculiar as they became marketable. Today, either you love them or hate them. I personally find these
jugs intriguing. There is a mystery surrounding them which make them extremely interesting to me. Because South Carolina is a big tourists
attraction face jugs have attracted the attention of tourists. Replications of face jugs are made for tourists. They are not used as much for functional
use today, as they are more of a decorative or aesthetic art form. The jugs come in all shapes and sizes with a variety of facial features and expressions.
Many of the faces that I like have a symmetrical balance which, throughout this course, has caught my attention. The glaze used makes the face jugs
shiny and smooth. Ceramic Face Jugs are different, unique, mysterious, and good conversational pieces.
In summation, face jugs are representations of folk art by African–American slaves. There is a lot that we do not know and will never know about the
history of face jugs but they are interesting pieces of art. These jugs are unique and different no matter if they are used for

Caesarea Maritima Essay
The site of Caesarea Maritima contains many unique challenges for archaeological excavations. In spite of this, through pottery analysis,
archaeologists are able to learn about different aspects of the site. Nonetheless, Caesarea Maritima has a variety of specific challenges associated with
it for archaeologists. Not only does it cover a significant section of the coastal region, but the immense harbour, over time, has been completely
submerged in the sea. Along with geographical challenges, there are also historical ones. The site of Caesarea Maritima was inhabited from Hellenistic
time until the Crusaders, a period spanning over 900 years. As it was continuously inhabited, the archaeological layers contain the remnants of many
different cultures.... Show more content on Helpwriting.net ...
At the site of Tell el–Hesi, Petrie noticed specific styles of pottery at different stages of the dig (Petrie 1890). By a comparison of the different pottery
forms with similar pieces dated from previous sites, Petrie was able to date the surrounding material through the pottery. Significantly, by studying the
pottery forms, Petrie created an association between specific dates and forms of pottery (Petrie 1891) thus created a chronology which revolutionised the
archaeology of the Levant. To give an illustration of the impact which Petrie's discovery has had upon archaeology in the Levant, his chronology
has been used on archaeological sites in the region throughout the past century (Cole 1984; Tushingham 1986). In Caesarea Maritima Petrie's
discovery of dating a site through the pottery has assisted with dating both the city and the harbour of Sebastos. In the harbour, the discovery of
pottery was interpreted as evidence that the city was importing goods via sea trade, during the 3rd century AD (Hohlfelder 1988). While excavating
Caesarea Maritima the Department of Antiquities in Israel discovered that an area they were excavating was abandoned during the Arab conquest
(Yeivin 1955, p. 123). Yet, because there was evidence of pottery from the eighth and ninth centuries in addition to some lamps, it was evidence that
after the site had been abandoned it was resettled. Because of the discovery of Mameluke pottery, it became apparent that the site was superceded
during the Crusader period (Yeivin 1955, p. 123). Petrie's discovery of the association between pottery and dating, therefore, has assisted in the
archaeology of Caesarea

Harappan Stone Bead Making And Pottery
Harappan stone bead making and pottery are important aspects in identifying different archaeological time periods. Craft specialization is an indicator
of societies becoming more complex. Stone bead–making and pottery are both different types of craft specialization which indicate that the early of
cities and villages of the Harappan period have become more aware of society and economy. In Kenoyer, Vidale, and Bhan's "Contemporary stone
bead–making in Khambat, India," the stone beadmaking industry is studied and described as "important for supporting the state," (Kenoyer, Vidale,
Bhan 1991). This occupational specialization let to the development of an organized social structure that was closely monitored. Although there are
many references to multiple craft specializations at different sites, this article focuses on craft specialization that appears to be identified with
highly ranked societies. The fact that some scholars associate craft specialization with these highly ranked societies is incorrect because in all
societies technology was important and required individuals to be able to produce items efficiently. "The ability to create specific and efficient
technology requires specialization which is a sign of economic and social adaptions," (Rice 1984). Craft specialization was an adaptive process
because the ability to gather raw materials and produce special objects required a high level of competence and ability to work together. These
individuals had to learn how to

Boscote Coating Analysis
All our products have been designed to flat pack and be easily assembled by anyone with limited skills or tools. Because they are compactly
flatpacked we can send them anywhere in Australia at a reasonable price and can have them delivered to your door or available at a local depot
(works out approx 30% cheaper. Stained Coating We use a 2 part industrial grade coating which consist of "Boscote Prime All UV" and "Boscote
Decks" both of these products are a water based coating and classified as a "non hazardous substance". Boscote is a very well known product in the
commerical building industry and is specified by many architects on Marina's,Army Barracks, Architectual wood cladding, Handrails and weather
exposed art work. These products are very expensive as they are a premium water based coating and the only coating in the market that will withstand
the harsh treatment these tables will be inevitably endure. The majority of Childcare Centres we supply want a heavy duty coating that can handle
full sun exposure as well as food, kids paint, and croyon/pencil marks, the Boscote coating is the answer and we have been back to tables that are 2–3
year old and they show very minimal signs of damage. Painted... Show more content on Helpwriting.net ...
All our timber is sealed & primed using a Taubmans Grey undercoat and then they have 2–3 coats of either Taubmans endure or Dulux Aquamax
Exterior Gloss (depends on the colour), both are a high quality water based Acrylic. We lightly sand between coats to make sure the table has a
smoothly and silky finish suitable for any precious bottom.

China Western Han Culture
This paper focuses on two cultural artifacts and portray the differences between China Western Han dynasty (206 BC–9 AD) and Athen, Greece (ca.
50–540BC) vessels. To this end, this paper will provide insight into skilled vase techniques between two cultural regions. Since the beginning of time,
art historians and archeologists have had the daunting task of endlessly solving a universal puzzle. Naturally, placing every misplaced artifact within a
timeline is crucial in understanding past civilizations. As a reminder of fallen empires and mythical stories told throughout time, these long–lost pieces
discovered provide insight of their fundamental its usage. The intention is to provide proof of its function and the similar objects through regional...
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The Han dynasty used their decorative vessels for an individual riches in the afterlife whereas, the Greeks used theirs for everyday use. During both
Han Dynasty and Roman Empires created vessels for varies reasons, the quality and techniques are shown in age. The Greeks were advanced in kiln
technique whereas the Chinese created unique quality to withstand outdoor or damp conditions. It is unclear on whether or not the universal puzzle
will ever paint a vibrant picture of past civilizations. What we do know is that every day new artifacts emerge creating an even larger

Descriptive Essay On Baptism
The baptism As the sun glistens through the long dark shredded curtains covering a big old dirty window. It creeps across the messiness of
wrinkled sheets,and lands on your smooth,freckled skin. It gives you a warm and bubbly feeling. Your eyes flutter open slowly as you yawn and
stretch your aching long body from the glorious sleep you just had awoken from. You crawl out of bed as slow as a sloth to soon go through the
jungle of cloths you have. Deeper and deeper you go into the jungle to search for that perfect baggy shirt. You put on your skinny jeans one leg at
a time just like any other human being,holes on each knee because you know you aren't the steadiest person. You rush to put on your old and
tattered shoes. They used to have crisp white laces but they have now turned a soft grey from the drive way you walk up and down everyday. The
sides all torn up from pulling in them trying to it your fat in them. You do the daily routine that everyone does going through the list in your head
like brushing your teeth and hair to putting on deodorant and perfume. You grab your bible and your cracked cup as you rush into the cold crisp air
you are greeted with from the outdoors. Packed into a car like sardines with your siblings and off you go on the weekly adventure to the church.your
ride there is silent and seems to last a lifetime but once you finally reach your destination, it's off like a rabbit getting stuff done in a quick,fast and a
hurry. Down the long narrow and

Strategic Planning At Williams Sonoma
Strategic Planning at Williams–Sonoma Strategic Planning at Williams–Sonoma
The Williams–Sonoma is a large company that is headquartered in San Francisco. Since its creation, the corporation has boasted of its creativity and
business acumen of its management team. One of the important characteristics that have enabled this company to maintain its relevance in the market
since its foundation in 1956 is constant innovation and research. The success story began at that time when Chuck Williams, its founder, created the
company out of his passion for service (Alber, 2014). Data capturing, processing, and utilization has been the company's most significant strength. Even
before any industry could discover the essence of retail customer ... Show more content on Helpwriting.net ...
In serving the whole nation, one might get the notion that it is easier to use alternative courier to deliver items to clients. However, the management
saw a business opportunity, and launched its mail–order business. It first franchised a smaller business, a smart move, instead of competing with it,
utilizing its resources, before it was renamed "Hold Everything" catalogue. It then acquired the Pottery Barn's business in Manhattan, just three years
after the IPO and began to revolutionize itself and its subsidiaries. The Pottery Barn's business, which still holds its name, became a successful
home–furnishing company, especially after re–branding and developing its identity with a new "lifestyle" face. Not only did the company pioneer, but
also the use of photography featuring different styles of home settings. This technique was unique in its right and appealed as an advertising feature.
Part of the new face was the redesigning of the company's stores, into more customer–friendly and attractive. Such techniques are effective in customer
retention and acquisition of new customers, especially as it gets people to identify with the beauty of the new stores and bring friends for shopping
(Ryall, 2013). This strategy was beneficial to the company in not only increasing its number of customers, but also sales.
Technology is one stronghold that has put the company over the edge ahead of many other retailers. The company discovered the power of

Camelid Sacrum
Camelid sacrum in the shape of a canine. Tequixquiac, central Mexico. 14,000–7,000 B.C.E. Bone.
This sculpture is carved from the sacrum bone of a now–extinct camelid. The sacrum bone is the large triangular bone at the base of the spine. The
sculpture was handmade. Geologists argue that it was carved with a sharp instrument. The two carved circles which represent the nostrils are perfectly
symmetrical.
This work of art is a sculpture. It was made from the now fossilized remains of the sacrum of a now–extinct camelid, similar to camels, llamas, and
alpacas. The unknown artist(s) cut holes into the end of the bone to serve as nostrils. They also engraved the bone.
Since this sculpture is prehistoric and there are no written records, it is impossible ... Show more content on Helpwriting.net ...
Tassili n'Ajjer, Algeria. 6,000–4,000 B.C.E. Pigment on rock.
The woman has a featureless face, and a white parallel pattern represents the flowing raffia skirt. The woman is running, depicting movement. The
horns are shown in a twisted perspective. The small white dots on the body of the woman represent body paint. The work has earthy colors, like white,
gold, and beige, and is painted onto a medium–brown rock. The work takes up a fairly large space on the rock it was painted on.
This work of art is pigment on rock. It represents a running woman with body paint, a raffia skirt, and horned headgear. There are tiny dots painted
over her body, representing body paint.
This work of art was found on an isolated rock in a remote location. The work depicts a female with two horns on her dead, dots all over her body
most likely representing scarification, and wearing armlets and garters. The woman has body paint and is wearing a raffia skirt. This work was
found on one of the highest massifs in the Tassili, a region of Africa which is believed to have had special importance to the people of this area since it
is high up, leading scholars to believe the woman had an important involvement in ancient rituals, rites, or

Cobb Museum Essay
Kyle Walker
Intro to Anthropology
Dr. Jean Marcus
November 16, 2012
Cobb Museum Paper
The Cobb Institute Museum at Mississippi State University displays items from the Old World and the New World. When I visited the museum I
noticed a wide variety of artifacts. The Old world side contained pieces from many Old World countries, while the New World side featured a lot of
pieces that are from local areas. Since there was such a vast number of artifacts at the Cobb Museum, I have decided to focus on the clay vessels and
etchings in the Old and New World.
In the section of ceramics form Israel's Iron Age II, there were a lot of pots and vessels. A four–room house in the Halif settlement is where the
Archeologists found the ... Show more content on Helpwriting.net ...
I was glad to see that some of the pots were setting upside down. I liked how I was able to see what the bottoms looked like. The Cobb Museum had a
collection of Old World oil lamps. One lamp was cream colored and teardrop shaped. The top was adorned with a thin u–shaped decoration. Small
etched circles added a decorated touch. The top of the lamp had a small looped handle. At the back of the case there was an interesting oil lamp. It
was tan colored with hints of red. The handle looked like the back fin of a whale. Next to the spout was a floral design. Two gazelles with long, thin
horns graced the sides of the lamp (http://www.cobb.msstate.edu/museum/). The lamp that stood out the most was a black lamp with four spouts
from Rome (Cobb). It was the only displayed lamp with multiple spouts. Two of the spouts were missing, but it was obvious where the missing ones
would have been. The two remaining spouts had wide openings. The lamp had protruding triangles between each spout to give the lamp a diamond
shape. All of the oil lamps in Cobb were varied and unique. The replica of the Rosetta Stone was obviously one of the most interesting pieces in the
museum. I am ashamed to admit that prior to taking Anthropology, I did not know what the Rosetta Stone was. This very important artifact was made
in 196 B.C. It is a shiny black stone with three different sections of writings: ancient Greek, a Demotic script, and Egyptian hieroglyphs

Pottery Barn Report
So for my second post I thought I would share my feelings on Pottery Barn. I recently went into Pottery Barn to find a gift for one of our friends
who just bought her first home. I guess the reason why I went into there initially was because, I know it has a classy reputation for home furnishings.
As I walked around there I noticed that there are very few people shopping if any and most of the price tags make you think "seriously, for this
thing"? I quickly found out that I wouldn't be purchasing her gift in there. Of course, Pottery Barn does have another effect on me which would fit in
the "self– esteem/needs" of the hierarchy. With some of the bedroom or table layouts they have set up, you feel that you would love that look in your
own

Art Criticism Of The Gold Lustreware Bowl By Galileo Chini
A Gold Lustreware Maiolica Bowl by Galileo Chini
(fig.1) Maiolica bowl polychrome gold, grey and bronze colour. Circa 1902–1904.Galileo Chini. L'Arte della Ceramica Fontebuoni, Florence. Museo
Galileo Chini, Borgo San lorenzo.
The gold lustreware bowl by Galileo Chini is an object which could seem on first glance devoid of special significance: just a beautiful decorative
object enjoyed at face value. (Fig.1) But in the seeming void I saw a repository of layered meanings which I attempted to interpret by examining the
artistic cross cultural influences in Florence in the late nineteenth century. And to address the question of why the Mediaeval Hispano–Moresque gold
lustreware and the design motifs of the Gothic Revivalist repertoires were found on this bowl. I examine why Chini became inspired to use these
designs and what they may have meant to him.
In this essay I will examine why there was a taste for lustreware in the Florentine workshops and how their clients saw themselves reflected by these
golden objects. ... Show more content on Helpwriting.net ...
The ceramics produced by Galileo Chini show a large repertoire of historical motifs and cross–cultural influences which blended to create a unique
creation and distinctly Stile Liberty. From my own observations of his artistic output I would suggest that Chini did not imitate Renaissance maiolica to
attract a certain erudite clientele, as in the case of the Cantagalli workshop, but developed his own voice adapting design motifs from the past and
projecting them into a new language which is demonstrably modern

Marketing and Pottery Barn Essay
Unit VIII
Mini Case Study
Williams–Sonoma
MBA 5101
John A. Taylor
1. If Williams–Sonoma continues with its' present strategies and objectives, where will it be in 5 years?
Given today's economy, and the bleak economic outlook, I do not believe Williams–Sonoma will continue to exist with its' current strategies and
objectives to serve its' below target market consumers. Bottom line is many consumers cannot afford the products being sold by the company.
Although, the company's target market is in the 10% of wealthiest consumers, and had total earnings of over 3.5 billion. (2010 shareholders meeting).
Other avenues of generating revenue must be explored. I fear that even the 10% will eventually become more cost conscious in the ... Show more
content on Helpwriting.net ...
I would consider lowering price points so I could tap into the more than 10% of consumers without becoming "Wal–Mart". Now the company did do
something to increase its' position that I found useful. That was to decrease its' overall lease space by 2%. (2010 shareholders meeting). This
reduction in retail occupancy costs attributed to the 1 billion dollars the company enjoyed last year. I would also consider expanding the company's
customer base by broadening the product line to similar to Home Goods or Bed Bath and beyond who currently double the revenue of
Williams–Sonoma. (Redistribute assets earmarked for traditional cataloging to online accesses. Not only will this save money, but will also impact
paper usage. I believe advertising in this was has all but outlived its' usefulness.
3. Describe the competitive strategies used by each of Williams–Sonoma's competitors. Which of these are most effective?
Williams–Sonoma has six major competitors plus one more in their market. The company holds only 7.9% market share (FY10) to main competitor
Bed, Bath and Beyond with an astonishing 34.4%. (William–sonoma.com/investors) BBB's strategy is to offer competitive prices for quality products.
Its' target market is middle to upper middle class and this is the reason it fairs better in the current market. The Bombay Company's strategy was to
increase its' footprint by increasing outlet store

Dionysus Greek Pottery
Pottery was a huge part of the ancient Greeks lives. The pots were very highly decorated usually with scenes depicting Greek gods as a way of
worship to them. This paper will explore two examples of Greek pottery and explain their uses and what is seen on them and why. The first vessel
is a red figure bell krater, from around 380 BC, attributed to artist known as the Erbach painter. Typically red figure style deals with scenes of
everyday life rather than myth, this pot differs from this as it does contain myth but rather than depicting the action from a mythological tale, it
portrays a general scene of the Greek god, of wine drama and fertility, Dionysus. In this scene Dionysus is seen as a young man lounging on a blanket
holding a thyros... Show more content on Helpwriting.net ...
440 BC. Like the other, it is a red figure bell krater featuring Dionysus. In this depiction of Dionysus he is again seen holding a thyros but unlike the
previous vessel instead of the presence of vines we see him holding a wine cup (kylix), which is a very common attribute of the god. To the right
we see a satyr playing the flute. The satyr could be one of the Titiyroi classes of satyr as he shares many of the main characteristics of them, such as
the flute and his tail. To the left of Dionysus stands a woman holding a wine jug (oinchoe). It is hard to tell who this woman is, as there are many
possibilities. She could be a maenad for the reason that maenads show up in a lot of artwork with Dionysus. However this would not be a normal
showing of a maenad. Maenads are usually seen holding a thyros, wearing a wreath of ivy, holding a musical instrument or wearing some kind of
animal print. This woman could be Ariadne, the wife of Dionysus. In Greek artwork, Ariadne is often seen with Dionysus. Both pots share a similar
artistic style and depict Dionysus in a very comparable way. The slight differences that you do see between them could be because of the time
difference between each work. Nevertheless both vessels depict Dionysus in the usual way. Both pots lack a mythical story behind it and seem to be
a general scene. While the first pot looks like a worship to Dionysus, the second pot looks like a general depiction of Dionysus and the people/creatures

Pottery Barn Website Review Paper
Pottery Barn (PB) has a user friendly and appealing website. Upon arrival, the customer has a main page with a display of PB's products in real
life settings. Across these scenes are the deals associated with the main product. Today's example is pillows on sale for 25% off. The website
shows the pillows in use on a couch in a living room. This is comparable to walking into PB and seeing the pillows on sale, place on a couch in a
living room scene with sale signs and tags posted. The consumer gets the same visual of the product in use. Across the top of the page, PB lists links
to the different departments in which products may be found. Just like a store map in the front of the store, the website allows the customer to find
products easily. PB's services are also linked on this main page, which acts as a virtual customer service desk. A shopper searching for towels clicks
on the BATH link. PB takes the customer to the bathroom page which showcases thesales on bathroom items. The customer has the option to choose
more specific bathroom items. The customer chooses bath towels to see PB's selection. Each set of towels has a section of the next page which
shows the price, sale price (if applicable), colors, description, and a photo of the towel. In the photo, the towel is actually placed ... Show more content
on Helpwriting.net ...
CB's website does not offer the same amount or quality of visuals on its website. On its main pages, it offers visuals of room settings, however;
pictures of specific products such as towel are just plotted on a white background. This makes the customer experience a difficult time picturing the
product in use in his or her home. Something CB offers which PB does not is product reviews from previous customers. Reviews can hurt or help in
online shopping; however, a company that shares its reviews seems to earn a level of trust with a customer because of its willingness to be

Internet mini case , Sonoma William
Internet Mini Case #6
Williams–Sonoma
Maryanne M. Rouse
Williams–Sonoma (WSM) was a specialty retailer of products for the home. The company's products were sold through two channels: the retail channel
and the direct–to–customer channel. The retail segment comprised four retail concepts: Williams–Sonoma, Pottery Barn, Pottery Barn Kids, and Hold
Everything. The direct–to–customer segment sold though eight retail catalogs: Williams–Sonoma, Pottery Barn, Pottery Barn Kids, Pottery Barn Bed +
Bath, PB Teen, Hold Everything, West Elm, and Williams
–Sonoma Home (which incorporated elements from the previously separate Chambers) as
well as through four e–commerce sites. The catalogs reached customers throughout the United States, and ... Show more content on Helpwriting.net ...
In 2001, the company added a Pottery Barn Kids web site, and a Pottery Barn online gift and bridal registry, and it opened five new retail stores in
Toronto, Ontario.
In line with its related diversification growth strategy, Williams–Sonoma tested a new catalog in summer 2002, under the West Elm brand. This new
brand targeted young, design–conscious customers seeking to furnish first homes/apartments/lofts with quality furniture and accessories at affordable
price points. West Elm product categories included furniture, decorative accessories, and an extensive textiles collection. In 2003, Williams–Sonoma
expanded its catalog mailings for West Elm, added a web site, and opened its first retail store.
Williams–Sonoma launched PB Teen with a catalog and web site in late April 2003. PB Teen was intended to fill the market space between Pottery
Barn and Pottery Barn Kids with hip, exclusively designed furniture, rugs, lighting, bedding, and accessories promoted with its catalog, interactive web
site, special sales campaigns, and contests.
The company's newest concept, Williams–Sonoma Home, was introduced in third quarter 2004 to tap into what company Chairman William H. Lester
noted had been an empty space between the Pottery Barn demographic and designer home furnishings. Lester hoped to position this brand extension as
an upscale furniture concept that would be more classic and less fashion–forward than Pottery

Warka Vase: The Sumerian Goddess Inanna
The fragments of the pot were put back together by German Assyriologists in 1933 and 1934. The artworks title is, Warka Vase. 2. The vase dated
back to C. 3,200–3000 BC. Then it was rebuilt in 1933 due to finding it in fragments. The vase was found in a temple complex to the Sumerian
goddess Inanna in the ancient city of Uruk. 3. Height in Cm: Height 105. Upper diameter: 36 4. The Vase is carved from alabaster stone. From
Bottom to top. Rows of plants, sheep, nude males carrying baskets or jars, and the ruler of the city. There is a cultic scene in which the ruler
delivers provisions to the temple of the goddess Inanna C. Art Elements 1. The only colour I can see when I look at the picture of the vase is grey.
The whole vase is grey. 2. There are lines between each scene and there are lines in the trees. The lines between each scene is being used to add
space between each scene. The lines are used in the trees to make the shape look more like a tree.... Show more content on Helpwriting.net ...
The scene with the men bringing offerings, the offerings they are bringing are in containers that are triangular and circular. They are used to show
the way many men would line up to bring offerings to the ruler and the goddess . The textures I see are all the shapes and scenes kind of pop out so if
you took your hand and rubbed the sides. You would be able to feel each shape. 5. There are both open and closed spaces in the artwork. Most of the
space that takes up the work is all the different type of carving the vase has to give the pop out look it has. 6. The value of colour does not seem
important because the only colour I see is grey. The colour is all over the whole

The Land Of Israel And Palestine
This is a Greek lekythos which is usually used to store ointment, oil, and sometimes adorn graves. This artifact was found in the land of Israel
/Palestine. This paper will examine how this object was produced, what kind of style was used in its production and what it meant to individuals at the
time. On a larger level, trading objects like this one during the Persian Period represent the strength of local tastes and cultures over nationalistic
tensions between Greece and Persia. 2. Introduction The land of Israel/Palestine sits in an important geographic region in the middle–east called "the
bottleneck." Valuable trade routes between major civilizations created a lot of tension in the bottleneck, making this region unstable, yet... Show more
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Production of oil in the land of Israel/Palestine created a need for storing the finished products. Huge pottery operations emerged in order to infiltrate
foreign markets all over the Mediterranean basin with beautiful Greek artistry (Oxford Handbook of Engineering, "Ceramic Production"). The Greeks
saw a cultural vacuum to influence Persian society and they ran with it. 3. A Lekythos in the Ancient World A lekythos (plural: lekythoi) is a
container for oil, ointments, and were sometimes used as offerings for the dead (Folsom, Handbook of Greek Pottery, 175). How did this object
come to be? A potter must start with an idea. The shape of the object was good for the careful pouring required when dealing with oil. In starting to
fashion this idea, the potter first must grab a large ball of clay and lift up the edges to make the body. Next, the potter places the clay on a pottery
wheel and, using various tools, the potter is able to scrape the base and other areas in order to add ridges. The neck is created through a small ball
of clay that's then ripped apart to form a hollow neck and mouth at the top. The potter will flatten the rim and turn the neck to get rid of excess clay.
Next, the potter will attach the neck to an open hole on top of t the body. He will then use a sort of place–holder in order to make sure it is applied
straight–on. Lastly, the handle will be added. The potter will elongate a pear–shaped piece of clay into a handle with a

Essay On My Final Major Project
For my Final major project I wanted to develop and design surface patterns made by using fruit, vegetables, flowers and natural forms to create
repeat patterns and dyes. ed to explore creating different surfaces using textured vegetables. For my final outcome I wanted to create a garment so
the whole way through the project I developed my ideas. My initial ideas started with ceramics as I continued to make test tiles during my research at
the start of the fabric in the sketchbook. I then took these experimental tiles to continue developing my use of oxides. As it was the first time using
oxides I experimented using different colours and glazes which made each tile have a different effect and which tiles showed the detailed of the imprints
... Show more content on Helpwriting.net ...
Throughout the project I visited a lot of different exhibitions. I found inspiration from a lot of different Museums and galleries. Also from Bristol
Museum where I was intrigued by the mass collection of porcelain ceramics, and the delicacy of each table ware item. So I looked into a variety of
different raincoat ideas looking at a lot of different designers who inspired the journey of the raincoats such as Mary Quant who controversially
designed the first PVC raincoat. This inspired me to create a plastic see–through raincoat made from Plastic shower curtain material. In October I then
visited the London Knit and stitch show which developed my thinking I came across an Indian fabric stall which made me then look into Indian
patterns and the bold but detailed patterns. And because I then was looking at different waterproof fabric I picked up some wax cotton which
experimented with to show how the textured fabric works with pleats and different structure as to whether I will get this printed on. Even the
Exhibition at the Royal academy I

Reflection Essay : ' Rent 's Due Art Boy '
Reflection journal Essay
Sculpture, the thing I never knew I was good at. Two semesters ago I met a very strong woman, and she opened up a part of me that I had mostly
given up on. The part of me I had given up on over a decade ago was my artistic side. I simply felt that it was a waste of time to spend hours
perfecting something that would most likely never make me money. Also, I would look at the multitude of staving artists online, and consider how
much better they were than myself, and how even the most talented artist starves from time to time. Have you ever heard the phrase "rent's due art
boy". Well I got tired of hearing it, and went to drafting school. It wasn't until this last semester, in my 19th century art history course, that I learned
that most of my favorite artists started out as draftsmen, but we will talk about that later. Until recently, I had forgotten that i actually enjoyed the
peacefulness of the artistic process. I had forgotten that during this process I tended to become very focussed and all of my life's daily problems
seemed to fade away. I met my art teacher Alicja Mannix in mysculpture class, and wasn't sure how well I would do. She was from Poland, and still
had her European accent intact. Her accent reminded me of my Grandmother Tesse, on my step mother's side. She was also from poland. Anyways, the
closest thing I had done to sculpture in my life was a few pottery items at my local Boys Club in Portland, Oregon. I had made a

My Experience At High School
High school is one of those times in life where most people have the best times of their lives, but for me I just wanted to get through it. Coming in
freshman year I was done with the cattiness of the girls, the social pressures, and the monotony of school. Then I discovered the joy of ceramics!
Ceramics was unlike any class I had taken in my entire life and had far reaching effects on my life. Ceramics kept me in high school by sparking my
creativity and all of life's possibilities. In high school I found joy in ceramics, found out what it was to no longer practice, and what it was like to start
doing it again after thirteen years.
Freshman year of high school I decided I was done with the large group of friends I spent my grade school days with due to the various lacking
values I saw in my "friends". With the determination I wanted to radically change life as I had known it, I decided to surround myself with those with
similar interests. While I continued through my high school education I continued taking ceramics classes, learning how to hand build, throw, and
various other techniques. Being able to take a lump of clay and throwing it on a wheel to evolve into a beautiful work of art satisfied my desire to
morph myself into something more than what I was. Over four years my skills built up to amassing a collection of pieces I was very proud of. The
only looming issue with my new found passion was that graduating would mean I would no longer have the resources to

Richard Fairbanks' and Takeshi Yasuda's Ceramics Essay
Richard Fairbanks' and Takeshi Yasuda's Ceramics Richard Fairbanks, although many times overlooked, was an important American ceramist. He was
known as a "loner" and because of this he was never really appreciated for his talent. Fairbanks was greatly influence by his professors. Professor Paul
Bonifas, who taught at the University of Washington, was one who left a huge impact on Fairbanks work. Fairbanks created a system of sketching
pottery profiles, which stemmed from Bonifas' teachings, as a mean of "thinking on paper." This approach to pottery through sketching was a crucial
element that separated Fairbanks from many other Asian–inspired American peers. Although, Fairbanks was a wheel thrown expert, he continued to
"think on ... Show more content on Helpwriting.net ...
Instead of purist forms, Fairbanks explored the less traveled road of rough and crusty clay bodies, which emerge, from the surface of the glaze.
This in turn removed his pieces from any realm of perfection. In the end Fairbanks demonstrated, trough his pieces, the p [positive and negative
approaches that he was exposed to during his years. Fairbanks wrote, "My eyes are lazy and don't see well. With my hands I se, and that is good. I
can hold the whole world in my hands when I am seeing with them a good pot. Then there is the earth: dense and heard, yet at one time it grew,
expanded and breathed; there like seed to stalk to flower to fruit, it patiently endured the potters tactile search. The clay speaks softly but firmly to
the potter, it is not afraid because it will always have the last word, even if it must atomize itself to return again and seeks its destiny anew in
another's hands. My hands see the clay and the clay murmurs to them take it easy, you're in good hands. The dialogue continues long after the brief
communication when the hands and the clay see each other, they know. They know." This statement was said to take great poignancy because of the
last two years of his life. Fairbanks was diagnosed with malignant brain tumor, which created little to no studio activity. As his disease progressed,
Fairbanks lost more and more eyesight. This passage softly

Bowl With Arabic Inscription
Bowl with Arabic Inscription, "Blessing, prosperity, well–being, happiness" was crafted by an anonymous ceramicist in the late 10th – 11th century in
Nishapur, Iran (present–day Uzbekistan, during the Samanid dynasty). The bowl is on display in Gallery 453 – Iran and Central Asia (9th – 13 th
centuries) in the Metropolitan Museum of Art. It is 14 inches in diameter and stands 4 1/4 inches high. It is earthenware, a ceramic vessel fired from
900–1200В° centigrade. It has been treated with a white and polychrome slip, a surface treatment that suspends the vessel in water while the clay is in
the leather–hard stage. Most likely the slip was used to change the color of the brown or red earthenware clay to white, and also to seal the earthenware's
... Show more content on Helpwriting.net ...
Around the interior rim there is a vegetative design contained with in two rims, concentric to each other as well as to both the shape of the bowl and
the rim around the illustration in the center of the bowl. The emphasis of the drawing is on the two figures's clothing and the vegetation on the rim.
Both of these details have the most variation in value and line, while the background of the illustration is drawn mostly with contours. The clouds are
reduced to thick, expressive lines that refer to the thickness and energy of the calligraphy on the outer sides of the bowl. A sun or moon is drawn
above the boy and woman's heads in a linear style as well. The calligraphy seems as though it was painted, rather than written, though refers more
directly to the actual Chinese characters than the Arabic inscription does to Arabic characters on the Islamic bowl. The brush strokes are visible,
expressive, and dynamic. In many ways the writing has much more character and intensity than the carefully drawn illustration at the interior center of
the

Hsi Jamestown Silver Metal Box Case Study
HSI Jamestown a.) When I first see it, I can tell that this is a silver metal box or something. b.) This looks like a box with six sides, no opening or
anything. c.) I think it is made up of steel. d.) The only design I see is a little downshift on one side of the box. e.) I think this box is used to store
old artifacts that these people left in there. f.) I think the Native Americans made it so that they could store important things in there without these
Europeans knowing. g.) This box is most likely made near these islands that are now called the Caribbeans. h.) This box told us that the people who
made that box must be a very careful one because he/she made it so no one can realize. I think it is useful. i.) In what ways does

Traditional Pottery : Methods Of Overcoming The Challenges...
IMPORTED TRADITIONAL POTTERY: METHODS OF OVERCOMING THE CHALLENGES FOR TRADITIONAL CERAMICS INDUSTRIES
IN OMAN
DR. BADAR MOHAMMED ALMAMARI
Department of Art Education,
Sultan Qaboos University, Oman
Introduction
In the new global economy, the development of traditional ceramics industries has become a central issue for individual ceramicists and craft
enterprises alike. In Oman, over the past decade the Public Authority for Crafts Industries (PACI) has played a strong role in supporting the traditional
ceramics industry. However, recently, competition from importedpottery and the negative impacts on local markets has become a pressing issue. The
purpose of this paper is to address the ways in which individual Omani ceramicists and traditional pottery enterprises can successfully compete against
imported ceramics.
Imported Ceramics
Nearly two–thirds of ceramic tableware in Oman now comes from abroad (PACI, 2016). Although extensive studies have been conducted into crafts
consumption and marketing, very limited research has sufficiently explored competition from imported ceramics and its negative impact on local
markets. Exploring the threat of imported pottery for local traditional craftspeople would seem to link clearly to the subject of protecting local
ceramicists. Therefore, it is impossible to study this issue and contribute to this area of research without examining the challenges that the Omani craft
industry is facing in general.
Today, modern factories

Play Doh Essay
Clay is a certain type of ground, created by weathered and deposited rocks. When sent to sell, minerals and other problematic things are removed. On
the other hand, sand may be added perfect it. Clay used to create art is called modeling clay. Modeling clay may be used for pottery or just plain
sculpting. To continue, there are actually many types of clay than just "regular." Types of clay include polymer, air dry, oil based, water based, and
ceramic clays. In my experiment I will be using Play–Doh and air–dry clay. Many characteristics contribute to the creation and structure of Play–Doh.
These main ingredients include water and salt. The salt dissolves most of the water in clay, so it doesn't make the clay too spongy. This modeling
dough is composed of water, starch–based binder, salt, lubricant, surfactant, preservative, hardener, humectant, fragrance, food coloring, and wheat.
Water, starch–based binder, and salt create the clay itself. The rest of the ingredients help the mixture, adding specific characteristics. Lubricant,
preservative, and humectant helps make the dough stay fresh. Hardener obviously allows the clay to stay solid without getting slushy again. Fragrance
and food coloring adds to the clay itself, making it ... Show more content on Helpwriting.net ...
In fact, as clay begins to dry the piece will shrink because of the water evaporating. The particles inside will compact together as it hardens. If the
drying is considered "uneven", for example one part dries faster than the other, the clay might crack. If one clay's particle sizes are smaller than
another's, it will shrink more. This is because all the small particles are now far apart so they have to cover more space in order to make up for all
the missing spots. However, large particles can cover spaces easily since they have less open areas to cover. To conclude, both clays may be similar
yet can take different amounts of time to harden due to their

Satsuma Ware Tea Bowl
1.Satsuma Ware Tea Bowl The Satsuma Ware Tea Bowl is from Hankizan, Japan from the Meiji Period. It is earthenware with low
–fire enamel
decoration. The fall aesthetic is extremely evident on this piece of pottery. The coloring of the pottery is mostly oranges, browns, and dark greens.
There are also a few bright colors like blue and pink, but those are subdued by the other colors. The interior design use of chrysanthemums is pivotal in
the fall aesthetic. Chrysanthemums are a flower associated with fall not only in Asia but also in the United States. As fresh chrysanthemums were
essential in the homecoming mum tradition throughout the southern United States. The fall aesthetic is mostly evident within the interior design use
of chrysanthemums.... Show more content on Helpwriting.net ...
It is by Tony Da, from the year 1972. The piece was created through a complex system of firing processes. Through this process, the two tones of
the ceramic piece, are gained. The inlay of this piece is mostly traditional heishi beads, and turquoise cabochon. The ceramic piece is considered
more as a decoration piece. Unlike Lucy Martin Lewis' pieces which were considered traditional and more practical. Da's pieces would most likely not
be used for everyday use like Lewis'. One reason being that the inlay of the piece is too nice. The sterling silver lid adds an elegance effect to the entire

Geiger's Currents: Color And Content Analysis
Contemporary art is the art of today. Contemporary art reflects on society and issues found around the world. At the University of Florida, the art
teachers and students host Currents. Currents is an annual exhibition which address contemporary themes in ceramic art. This year's Currents is at the
Gary R. Libby Gallery. The exhibition entitled "Currents 2017– Perception: Color and Content", focuses on the idea of how perception of color can
change the way an individual perceives a works content. The exhibition, curated by UF students, features well–known artists like, Jon P. Geiger, Jason
Lee Starin, and G. V. Kelley. Jon P Geiger is a well
–known ceramic artist. His work focuses on the mysticism of the American West. Geiger often
challenges the origins of the West and the spiritual and imaginary components found within. At the "Currents 2017– Perception: Color and Content"
exhibition, his work "Issue 1" is currently being showed. "Issue 1" is an underglaze ceramic piece. ... Show more content on Helpwriting.net ...
Starin's work seeks individuals to accept aspects of the unknown, the incomprehensible as well as the absurd. Starin is fascinated with mythological, the
alchemical and the occult. He has also shown interest in fantasy and science fiction narratives. His work "Goblin– Face #2" ,2012, is situated in the
middle of the back wall. This piece is a low fire glaze, underglaze stoneware. The goblin face is very decipherable, features, like the eyes, nose and
mouth, looks deeply dug in and pronounced. The colors on the goblins face is thickly splattered or dripped on. The colors present is a chaotic
combination of greens, reds, oranges, blues, yellows, blacks, purples, pinks, and browns. The surface appears to be dry and cracked, but glossy at the
same time. This piece is eye–catching, bright, and slightly uncomfortable. Starin's "Goblin– Face #2", is a piece of fantasy in a room full of

The Neolithic Era, Or New Stone Age
AR6_SA_U1_L11_LC
Introduction and Objective
The Neolithic Era, or New Stone Age, was a period in the development of human technology. Traditionally considered the last part of the Stone Age, the
Neolithic commenced with the beginning of farming. Metal tools became widespread, along with the use of wild and domestic crops and of
domesticated animals.
When people think of pottery, they might think of bowls and cups, of eating and drinking. But pottery can, in fact, be art as well. During the Neolithic
Era, most of this pottery was hand built. These red, gray, and black wares often revealed a craftsmanship and beauty exceptional for their age.
http://mrg.bz/Tt8E3p
Of course, clay isn't exactly glamorous. Once the crafting of bronze, lacquer, and precious metals were mastered, the ritual status afforded ceramics
declined. Soon after, ceramic shapes began to imitate those of metal almost as soon as the latter appeared.
There are four main types of Neolithic pottery:
Neolithic soft ware
Djeitun ware
Ismailabad ware
Burnished gray ware
Let's explore these forms of Neolithic ceramics and how they defined the art of the time period.
Today's lesson objective is: The student will learn about Neolithic ceramics.

Take a moment to think about this objective. What learning skills will you use to achieve this goal? Why do you think pottery was so important to
the Neolithic artists? Do you think pottery is more of a useful tool or an art form? How do you think the Cave

Radiometric Dating Essay
Issues with dating techniques Most experts cannot agree as to when exactly Sahul was colonized. Most of this debate stems from how accurate the
various dating methods are, when aging archaeological evidence. One method that proves beneficial to items such as pottery is known as
thermoluminescence. This is a type of procedure is used when determining the age of sedimentary crystals (Webb, 1998:749). Another technique for
dating is known as radiometric dating, or 14C. Unfortunately, this technique is considered unreliable when dating objects greater than 40,000 years
(Allen, 2001:952; O' Connell and Allen, 2004:837). There has been a new calibration curve in order to compensate for radiometric uncertainty by
CalPal and NotCal04. In this... Show more content on Helpwriting.net ...
Even bark canoes may have been used in these early travels. Replication of such vessels helps to support these theories, regardless of which route
was travelled (Bednarik, 2014:213). Modest maritime voyages allowed humans to explore and conquer new regions. The crossings from Sunda to
Sahul prove that sea levels were not a hindrance for modern humans (Allen, 2001:953; Allen and O'Connell, 2008:38; Balme, 2013:72; Balter,
2007:388–9; Bellwood, 1997:21; Bednarik, 1997:361–361; Bowdler, 1996:39; Bulbeck, 2007:318). Even though they may not have been able to
crisscross this region, as seen with the lack of Denisovan genetic material on the west side of the Wallace line, they still were able to reach Sahul
(Allen and O'Connell, 2008:38; Bednarik, 1997:361; Cooper and Stringer,

Jean Michel Picart Still Life Examples
On the opposite side of the table is a small bronze vase. Upon first glance I deemed this to be a red clay vessel, but after further familiarizing myself
with the artist's work it became clear that this was bronze, based on comparable material use in other still life examples. Because of the Netherlands
regional location within Europe, bronze was plentiful and valuable. In multiple examples of Jean–Michel Picart's still lifes the bronze vase is used to
display a full bouquet of flowers. Often, these vessels were detailed with unique patterns engraved on the exterior portion of the vase. In this example,
the vase is decorated with natural motifs of vines and leaves which are mimicked in the floral arrangement it holds. At the time of production,

Eric Serratella Sassy Pottery
Pottery is an ancient form of art created by people as early as 29,000 BC. The Gravettian "Venus" figurines (appendix A) are the earliest discovered
ceramic works, dating from 29,000 BC to 25,000 BC (Carr, 2015). Since then ceramics have significantly evolved, and the pots created today can be
described as interesting and unique masterpieces. An example of one of these masterpieces is "Sassy Birch" (appendix B), which is a teapot created
by Eric Serratella (appendix C). Eric Serritella received primary applied art training from two artist residencies studying with Ah Leon and clay
masters in Taiwan, and after 16 years of other work, Serritella transitioned into clay. He specialises inceramic trompe l'eole and has displayed his work
many museums, ... Show more content on Helpwriting.net ...
The spout has been placed high on the teapot, and creates the illusion of an implied line to the top of the handle. The spout also appears to form
the resemblance to a 'hand' at the end, as there are multiple small branches growing from it. It is also bent at an angle to give the impression of an
elbow. The handle forms the other arm. It had also been cleverly created to look like a branch growing from the body of the pot with organic curves
and angles. The lid of the teapot is slightly raised by a thick neck of the teapot, and has a branch growing from it to form a convenient handle. The
base is muck thicker than the body to give it a very sturdy and well–built appearance. It also seems to be slightly hollowed out, forming a small cave,
which is very convenient as you could, for example, place a heater under it to keep your tea

Ceramics Of The North And South Coasts Essay

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Ceramics Of The North And South Coasts Essay