2. Definitions by David Reisman in 1950
Mainstream: audiences who āpassively accept
commercially provided styles and meaningsā
Subcultures: audiences who āactively sought a
minority style (hot jazz at the time) and
interpreted it in accordance with subversive
values. Thus the audience...manipulates the
product to symbolise their values.
3. Key Thinkers and Ideas
ā¢ Stuart Hall
ā¢ Wrote āResistance through Ritualā
ā¢ Main idea: young people who feel
alienated from society or cut off
from opportunities (because of
class, age or ethnicity) will
attempt to āresistā the mainstream
through āritualsā: crime, dress,
music, art etc.
4. Phil Cohen
ā¢ Applied Marxism to subcultural theory
ā¢ Studied young men in 1970s East End
ā¢ Said that subcultures form in reaction to social divisions and
loss of community
ā¢ Skinheads: exaggeration of working class values and styleā¦
5. Dick Hebdige āThe Meaning of Styleā
ā¢ Responded to criticism that Cohen and Hall had only looked at
white men.
ā¢ Hebdige developed Cohen and Hallās ideas about subcultures
being based around alienated youth.
ā¢ But concentrated on how subcultures rebel not through
crime, but through STYLE
6. āSubculture ā the meaning of styleā
ā¢ Style as ācultural crimeā ā something to disturb the status quo,
upset the norm.
ā¢ The āsilent majorityā conform to the dominant values/styles,
and assume everyone else in society does, too.
ā¢ Subcultures upset the mainstream because they confront it
with difference.
7. Punks and Dreads
Hebdige focused on the origins of punk ā and oddly located the roots in
Rastafarian culture!
His theory:
ā¢white working class youth, feeling the loss of community (through rising
unemployment)
ā¢the āinvasionā of Asian and Caribbean immigrants (and their culture)
ā¢White youth feels need for separate identity.
8. Punks and Dreads
āWhen Black Jamaicans displayed their distinctive
music, clothing, gestures, etc on the street and
thereby took possession of a social space, white
working-class youth were implicitly challenged to
forge an equally "dense" style of their own.ā
- Dick Hebdige Subculture: the meaning of style
9. What does this mean?
ā¢ Despite huge differences in values
and style, āDreadsā set a template
for cultural identity;
ā¢ Disempowered whites were to
use the same template: forge a
new identity using dress-codes,
music, slang, gestures,
behaviours.
10. Soā¦
ā¢ Subcultures arenāt that different from their
āparentā culture. Mostly they react against or
continue some of the values or styles of the
parent culture ā even if that āparentā is actually a
foreign culture (e.g. American beatnikās love of
French cultureā¦)
11. Commidification = the death
of a subculture?
ā¢ Hebdige is especially relevant today as he was the first to look
at how subcultures are absorbed into the mainstream
ā¢ A typical Marxist, he blamed this āselling outā on capitalism
and consumerism.
12. He said that subcultures emerge by replacing a previous culture
that has been assimilated into the mainstream.
Because subcultures express their āresistanceā through style ā
material things ā capitalism can manufacture these āthingsā
and make a profit from them.
Rituals of resistance end up making money for the very people
they were originally rebelling against!
13. Or, as Hebdige puts it:
āthe conversion of subcultural signs (dress, music
etc.) into mass-produced objects (i.e. the
commodity form)ā
As one subculture gets assimilated ā punk dress
style used by Vivienne Westwood to make
expensive designer clothes ā another rises to
āresistā the mainstream in a similar way and
fulfilling the same need.
The need to resist the mainstream.