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The document discusses Chris Brown's branding across his album cover, magazine, and music video for his album F.A.M.E. It notes that his style remains consistent, presenting him as poised, confident, and professional. Direct eye contact is used in the album, magazine, and video to connect with audiences and show his masculinity and confidence as an artist. Mid-shots that include his body language also aim to portray boundless assurance in himself and sexuality, connecting to female fans.
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Cb research
Chris Brown maintains a consistent branding strategy across different media for his album F.A.M.E. His style transitions from quirky to sophisticated but remains neat and confident. He establishes direct eye contact in all media to portray confidence and masculinity while still connecting with fans. His low haircut and well-groomed appearance fits popular ideals of male attractiveness to women, his primary audience.
Influential urban uk artists
The document discusses three influential UK urban artists: N-Dubz, Jodie Connor, and Jessie J. For each artist, it analyzes aspects of their image that represent genres like grime, hip hop, R&B, and their target audiences. For N-Dubz, their outfits incorporating tracksuits and bandanas signal gang culture and attract younger fans. Jodie Connor merges urban and grime styles with tight leather clothing, portraying confidence and intimacy with viewers. Jessie J's body language and low-angle shot convey rebellious attitude while her masculine jacket and revealing bottom represent both urban and R&B appeals.
Further Research
The poster uses a black and white theme to highlight the red 'x' over the artist's picture, representing danger and rebellion. The same picture from the artist's album is used, showing fans the music that will be performed. Bold blue writing stands out to grab attention and interest fans in the event. The poster depicts a nightclub at the bottom, targeting teenagers over 18, appealing to them by signaling upbeat, energetic songs to dance to at the event.
r&b music video analysis, foolish
This analysis summarizes and examines the conventions and themes within the music video for "Foolish" by Fantasia. It discusses how the video portrays stereotypical gender roles and the objectification of women common in R&B videos through shots that emphasize masculinity and reveal or sexualize the female body. However, it also notes how the narrative progresses to challenge traditions by granting the woman character an increasing level of power and status through her clothing, accessories, and positioning in shots. The analysis explores how these techniques can both reinforce and oppose typical stereotypes regarding gender, race, and the portrayal of relationships.
r&b music video analysis; bestfriend
This document analyzes and discusses various shots from the music video for "Bestfriend" by 50 Cent & Olivia Alanna Keenan through the lens of feminist film theory and genre conventions. Several shots are described in detail, with analysis of how they portray women, address the audience, use stereotypical props, and either challenge or reinforce norms around gender, race, and the male gaze. Feminist perspectives are brought in to discuss whether certain shots empower or objectify women. Genre conventions of contemporary R&B music videos are also examined, such as the use of clothing, makeup, cars, and other props to appeal to target demographics.
r&b music video analysis; bestfriend
This document analyzes a music video through a feminist lens and genre conventions. It discusses several shots that portray women in stereotypical ways like being sexualized by their clothing and positioning. However, some shots challenge conventions by showing a woman dominating a man and empowering ethnic identities. The video strengthens its relationship with audiences through direct address and representing the artist's brand identity. Feminists could argue it still relies on stereotypes about women's appearance, while others believe it empowers women and ethnic groups.
Assignment 5 foamv
The document analyzes the music video for Chris Brown's song "With You" and argues it is a great example of how a music video should function. It states the video's purposes are to make the audience remember the song through Brown's unique dancing and changing outfit, provide understanding of the song's message about a past relationship, and entertain viewers by highlighting Brown's dancing talents. Screen grabs from the video are included to support why it accomplishes these goals effectively.
Photo analysis
This document analyzes and summarizes several photographs of famous musicians. The first photograph shows the indie rock band Arctic Monkeys in black and white suits, giving off a slick, cool vibe. The second is of Kanye West in casual clothes against a low-key background, showing his serious yet relatable style. The third features Jake Bugg using rules of thirds to draw attention to the indie singer-songwriter in a sepia tone, relating to his music.
Recommended
Cb research
Chris Brown maintains a consistent branding strategy across different media for his album F.A.M.E. His style transitions from quirky to sophisticated but remains neat and confident. He establishes direct eye contact in all media to portray confidence and masculinity while still connecting with fans. His low haircut and well-groomed appearance fits popular ideals of male attractiveness to women, his primary audience.
Influential urban uk artists
The document discusses three influential UK urban artists: N-Dubz, Jodie Connor, and Jessie J. For each artist, it analyzes aspects of their image that represent genres like grime, hip hop, R&B, and their target audiences. For N-Dubz, their outfits incorporating tracksuits and bandanas signal gang culture and attract younger fans. Jodie Connor merges urban and grime styles with tight leather clothing, portraying confidence and intimacy with viewers. Jessie J's body language and low-angle shot convey rebellious attitude while her masculine jacket and revealing bottom represent both urban and R&B appeals.
Further Research
The poster uses a black and white theme to highlight the red 'x' over the artist's picture, representing danger and rebellion. The same picture from the artist's album is used, showing fans the music that will be performed. Bold blue writing stands out to grab attention and interest fans in the event. The poster depicts a nightclub at the bottom, targeting teenagers over 18, appealing to them by signaling upbeat, energetic songs to dance to at the event.
r&b music video analysis, foolish
This analysis summarizes and examines the conventions and themes within the music video for "Foolish" by Fantasia. It discusses how the video portrays stereotypical gender roles and the objectification of women common in R&B videos through shots that emphasize masculinity and reveal or sexualize the female body. However, it also notes how the narrative progresses to challenge traditions by granting the woman character an increasing level of power and status through her clothing, accessories, and positioning in shots. The analysis explores how these techniques can both reinforce and oppose typical stereotypes regarding gender, race, and the portrayal of relationships.
r&b music video analysis; bestfriend
This document analyzes and discusses various shots from the music video for "Bestfriend" by 50 Cent & Olivia Alanna Keenan through the lens of feminist film theory and genre conventions. Several shots are described in detail, with analysis of how they portray women, address the audience, use stereotypical props, and either challenge or reinforce norms around gender, race, and the male gaze. Feminist perspectives are brought in to discuss whether certain shots empower or objectify women. Genre conventions of contemporary R&B music videos are also examined, such as the use of clothing, makeup, cars, and other props to appeal to target demographics.
r&b music video analysis; bestfriend
This document analyzes a music video through a feminist lens and genre conventions. It discusses several shots that portray women in stereotypical ways like being sexualized by their clothing and positioning. However, some shots challenge conventions by showing a woman dominating a man and empowering ethnic identities. The video strengthens its relationship with audiences through direct address and representing the artist's brand identity. Feminists could argue it still relies on stereotypes about women's appearance, while others believe it empowers women and ethnic groups.
Assignment 5 foamv
The document analyzes the music video for Chris Brown's song "With You" and argues it is a great example of how a music video should function. It states the video's purposes are to make the audience remember the song through Brown's unique dancing and changing outfit, provide understanding of the song's message about a past relationship, and entertain viewers by highlighting Brown's dancing talents. Screen grabs from the video are included to support why it accomplishes these goals effectively.
Photo analysis
This document analyzes and summarizes several photographs of famous musicians. The first photograph shows the indie rock band Arctic Monkeys in black and white suits, giving off a slick, cool vibe. The second is of Kanye West in casual clothes against a low-key background, showing his serious yet relatable style. The third features Jake Bugg using rules of thirds to draw attention to the indie singer-songwriter in a sepia tone, relating to his music.
Posters
The document discusses images used in rock music posters and albums. It provides several examples, such as a poster depicting people gathering around a fire playing music amid destruction, suggesting people will continue playing music even at the end of the world. Another poster shows a skull with an organ for teeth and a telegraph pole with an all-seeing eye, implying media control over perception. One highly controversial album cover featured a self-immolating monk protesting election fraud in Vietnam. Some bands depict gore to grab attention, such as posters showing severed arms or a chest being ripped open. The document ends noting inspiration taken from bold contrasting colors and attention-grabbing central images used in posters.
RnB conventions
RnB music video conventions typically feature minimal clothing and overt sexuality. Male artists commonly appear topless to appeal to young female audiences, while close-ups draw attention to fashion accessories. Women wear revealing outfits and dance provocatively. Tattoos and jewelry signify power, emotion or wealth. Faster songs depict lavish lifestyles through flashy cars and clubs, using bright colors and artificial lighting. Slower songs tell narratives through natural lighting and grayscale, with less sexuality and more emotion around themes like love and heartbreak.
Costume
The costume choices in a music video are an essential part of conveying meaning and developing the identities of the characters. Choosing appealing and relatable dress styles can help audiences identify with the characters. For this video, the female costumes are meant to be feminine, sexy, and subscribe to the male gaze theory. They are also fashionable and darkly toned to match the morose song. The male band costumes are similarly fashionable and conventional for rock bands, consisting of shirts, t-shirts and leather jackets in dark colors to fit the nostalgic mood of the song.
Nme analysis
This document analyzes the front cover of NME magazine. It summarizes that the bright red masthead and cover image of Dizzee Rascal looking directly at the camera are intended to draw the attention of and appeal to the magazine's target male audience aged 15-35. The graffiti background reinforces that Dizzee Rascal is a rapper. Mentioning various rock bands further broadens the potential audience while still appealing more to stereotypical male interests. The overall red and white color scheme is meant to seem aggressive and masculine.
Digipaks
1) The document discusses the identities, genres, and target audiences conveyed by the album covers of various artists including One Direction, The Killers, Katy Perry, and Robbie Williams.
2) Key details that communicate identity on album covers include poses, lighting, locations, and clothing. Genres are suggested through visual cues like filters, fonts, and settings.
3) Target audiences are inferred based on the use of bright colors, images instead of text, degree of sexualization, and appeal to gender stereotypes for things like strength and attractiveness.
Question 2
The student's magazine represents similar social groups to Kerrang! by using casual photos of artists facing the camera naturally, similar to Kerrang!'s style. The facial expression on the magazine's cover depicts a serious, pained look to portray the theme of an artist's tough career decision. Lighting and colors on the cover were chosen to reflect the difficult time the artist is experiencing. Costumes in the photos show diversity to appeal to different social groups, with shirts referencing both Bob Marley and Abercrombie & Fitch brands.
The male gaze
The document discusses the concept of the male gaze and why it is important for media students to understand. It defines the male gaze as how audiences view characters or people from a heterosexual male perspective. It then analyzes Miley Cyrus' "Wrecking Ball" music video and argues it confirms the male gaze by focusing on her body and portraying her as a sexual object. Finally, it provides examples of lyrics that depict the male gaze through objectifying or sexualizing women.
Representation of women in music videos
A Powerpoint Presentation developed to explain Representation of women in Music videos. Explores stereotypes and development.
4 main theories of pop video
The document discusses different types of music videos and aspects of music stardom. It describes illustrative and contradictory music videos and how lyrics can amplify or ignore a video's narrative. It then characterizes three broad types of music videos: performance videos featuring live concerts; narrative videos telling linear stories; and conceptual videos relying on metaphor. It discusses how pop stars have lasting significance and brand awareness while being constructed images, and how they differ from pop performers who establish identity through songs and performance.
Magazine front cover analysis 3
The document summarizes a magazine spread featuring the boy band One Direction. It notes that the masthead uses a simple black design to represent the band and their fans. A long shot photo shows the boys playing football in the street to portray them as down to earth. The magazine colors of black, white and red match the band's symbols and brand the product as official. The casual outfits and pose continue to depict the boys as remaining childish at heart despite their fame.
Andrew Goodwin
The document discusses several theories about relationships between music video elements and the song. It outlines 6 main theories: 1) Relationship between lyrics and visuals, 2) Relationship between sound and visuals, 3) Genre-related styles and icons, 4) Close-ups of artists to promote their image, 5) Voyeurism and sexuality, particularly of women, and 6) References to other media like films. Each theory is explained and an example music video is given to illustrate how it has been applied.
Presentation questtionaire
The document discusses the results of a survey to help determine key elements for a magazine photo shoot and cover featuring a band. Based on the survey results, the photographer decided to feature all band members equally in a long shot on the cover, use artistic makeup but no additional props, place the magazine masthead behind the band, include only a few cover lines and puffs, and feature articles on the band's concerts, new songs, history, and fashion for female readers aged 15-25.
Front cover annotation 1
Brandon Flowers is the subject of the magazine cover. A medium shot is used to show the reader's perspective as being close enough to admire Flowers, while a close up would focus only on his face. The low camera angle makes Flowers appear towering over the audience, suggesting power. Shadows over his eye imply mystery, reinforcing the "Reborn" cover line about a new, unknown side. Flowers' black outfit and body language further enhance this mysterious persona. He looks directly at the reader, implying interaction and address.
Music video analysis on genre of
The document analyzes the music video for "Dip it Low" by Christina Milian. It discusses how the video uses body language and lyrics to portray the genre of the song. The gender portrayal is also important, with the female star being presented in a dominating role through seductive and focus on her appearance. The R&B genre of the video further reinforces stereotypes but aims to meet audience expectations through the star's performance.
Still image
This document contains descriptions of several still shots from a music video by the band Blink-182. The shots show the band running through the streets naked and causing disruptions to appeal to their target punk pop genre audience. A wide shot shows the band running through a basketball game between younger people. A close-up focuses on the lead singer for recognition purposes. Another wide shot uses the "male gaze" by including an attractive female and showing the band interacting with her.
Gender analysis
The video for Robin Thicke's "Blurred Lines" portrays women in a sexualized and stereotypical manner through their revealing clothing, positioning as followers like goats, and portrayal as objects for the male gaze. Throughout the video, the men observe and sing to the women, treating them as animals and taking advantage of them sexually. The location is constantly pink/white, reinforcing stereotypes of femininity, and the lyrics further objectify and insult the women. Overall, the video uses its visuals and sounds to sexually objectify and assert male dominance over women.
Brand identity
The document discusses several aspects of the punk genre as represented by the band The Sex Pistols. It notes that concert posters for The Sex Pistols and other punk bands advertised aggressive "moshing" dancing at concerts. Punk bands aimed to play for audiences as aggressive as themselves. Album covers and music videos related to the punk genre used low-key lighting and imagery that was bold, old-fashioned, and depicted aggression and rejection of consequences.
Costumes
The document discusses costume choices for a music video that aims to rebel against pop music conventions. It describes five costumes: a black leather jacket, black jeans, a white t-shirt, Doc Martens boots, and a black floral dress. The black leather jacket, jeans, boots, and ripped white t-shirt are meant to portray the artist's defiance of the pop genre. The black floral dress for the actress alludes to elegance and femininity commonly associated with older cinema. Most of the costumes were chosen because they are casual, relatable items that younger audience members could identify with while still conveying the song's anti-pop message.
Genre analysis
The document discusses fashion trends in male and female R&B music videos. For males, it notes they typically wear expensive smart/casual clothing like Trey Songz, Ne-Yo, and Chris Brown to portray wealth. Males also get tattoos and wear flashy jewelry like watches to appear sexy and desirable. For females, clothing can be either classy or revealing like Beyoncé, Rihanna, and Nicki Minaj depending on the song's narrative. Females also wear jewelry and do hair and makeup to look more glamorous and appealing to audiences. The purpose of these fashion choices is to intrigue viewers and influence them to emulate the artists' styles.
Corinne picture representation
The boys' serious facial expressions suggest that the target market will see the genre as important. As the good-looking boys take their music seriously, looks are important in the social group interested in dubstep. The dark background allows readers to understand where the music would be played, like clubs. Props like turntables and headphones hint at the technical aspects of making dubstep music.
Prodcution schedule
This document outlines the production schedule for a video shoot, including pre-production, production, and post-production stages. Pre-production includes a location recce from October 9th to 15th, a test shoot on October 16th in the late afternoon and evening, and rehearsals from November 16th to 23rd in the late afternoon and evening. Production will be the main video shoot on November 23rd. Post-production includes an 18 week editing period from November 21st to March 12th. Key crew are available for most stages while availability of key cast is still to be confirmed.
To what extent is the identity of your chosen artist consistent across differ...
Chris Brown maintains a consistent brand image across different media through his appearance, which features a confident demeanor, low haircut, direct eye contact, and costume. His costume choices transition from quirky and stylish to smart, featuring items like leather jackets, suits in black and white, bow ties, and accessories like gold masks and diamond earrings. The costumes suggest traits like relaxation, professionalism, creativity, and success. They establish Chris Brown as poised, self-assured, and innovative through a tailored yet personalized style.
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Posters
The document discusses images used in rock music posters and albums. It provides several examples, such as a poster depicting people gathering around a fire playing music amid destruction, suggesting people will continue playing music even at the end of the world. Another poster shows a skull with an organ for teeth and a telegraph pole with an all-seeing eye, implying media control over perception. One highly controversial album cover featured a self-immolating monk protesting election fraud in Vietnam. Some bands depict gore to grab attention, such as posters showing severed arms or a chest being ripped open. The document ends noting inspiration taken from bold contrasting colors and attention-grabbing central images used in posters.
RnB conventions
RnB music video conventions typically feature minimal clothing and overt sexuality. Male artists commonly appear topless to appeal to young female audiences, while close-ups draw attention to fashion accessories. Women wear revealing outfits and dance provocatively. Tattoos and jewelry signify power, emotion or wealth. Faster songs depict lavish lifestyles through flashy cars and clubs, using bright colors and artificial lighting. Slower songs tell narratives through natural lighting and grayscale, with less sexuality and more emotion around themes like love and heartbreak.
Costume
The costume choices in a music video are an essential part of conveying meaning and developing the identities of the characters. Choosing appealing and relatable dress styles can help audiences identify with the characters. For this video, the female costumes are meant to be feminine, sexy, and subscribe to the male gaze theory. They are also fashionable and darkly toned to match the morose song. The male band costumes are similarly fashionable and conventional for rock bands, consisting of shirts, t-shirts and leather jackets in dark colors to fit the nostalgic mood of the song.
Nme analysis
This document analyzes the front cover of NME magazine. It summarizes that the bright red masthead and cover image of Dizzee Rascal looking directly at the camera are intended to draw the attention of and appeal to the magazine's target male audience aged 15-35. The graffiti background reinforces that Dizzee Rascal is a rapper. Mentioning various rock bands further broadens the potential audience while still appealing more to stereotypical male interests. The overall red and white color scheme is meant to seem aggressive and masculine.
Digipaks
1) The document discusses the identities, genres, and target audiences conveyed by the album covers of various artists including One Direction, The Killers, Katy Perry, and Robbie Williams.
2) Key details that communicate identity on album covers include poses, lighting, locations, and clothing. Genres are suggested through visual cues like filters, fonts, and settings.
3) Target audiences are inferred based on the use of bright colors, images instead of text, degree of sexualization, and appeal to gender stereotypes for things like strength and attractiveness.
Question 2
The student's magazine represents similar social groups to Kerrang! by using casual photos of artists facing the camera naturally, similar to Kerrang!'s style. The facial expression on the magazine's cover depicts a serious, pained look to portray the theme of an artist's tough career decision. Lighting and colors on the cover were chosen to reflect the difficult time the artist is experiencing. Costumes in the photos show diversity to appeal to different social groups, with shirts referencing both Bob Marley and Abercrombie & Fitch brands.
The male gaze
The document discusses the concept of the male gaze and why it is important for media students to understand. It defines the male gaze as how audiences view characters or people from a heterosexual male perspective. It then analyzes Miley Cyrus' "Wrecking Ball" music video and argues it confirms the male gaze by focusing on her body and portraying her as a sexual object. Finally, it provides examples of lyrics that depict the male gaze through objectifying or sexualizing women.
Representation of women in music videos
A Powerpoint Presentation developed to explain Representation of women in Music videos. Explores stereotypes and development.
4 main theories of pop video
The document discusses different types of music videos and aspects of music stardom. It describes illustrative and contradictory music videos and how lyrics can amplify or ignore a video's narrative. It then characterizes three broad types of music videos: performance videos featuring live concerts; narrative videos telling linear stories; and conceptual videos relying on metaphor. It discusses how pop stars have lasting significance and brand awareness while being constructed images, and how they differ from pop performers who establish identity through songs and performance.
Magazine front cover analysis 3
The document summarizes a magazine spread featuring the boy band One Direction. It notes that the masthead uses a simple black design to represent the band and their fans. A long shot photo shows the boys playing football in the street to portray them as down to earth. The magazine colors of black, white and red match the band's symbols and brand the product as official. The casual outfits and pose continue to depict the boys as remaining childish at heart despite their fame.
Andrew Goodwin
The document discusses several theories about relationships between music video elements and the song. It outlines 6 main theories: 1) Relationship between lyrics and visuals, 2) Relationship between sound and visuals, 3) Genre-related styles and icons, 4) Close-ups of artists to promote their image, 5) Voyeurism and sexuality, particularly of women, and 6) References to other media like films. Each theory is explained and an example music video is given to illustrate how it has been applied.
Presentation questtionaire
The document discusses the results of a survey to help determine key elements for a magazine photo shoot and cover featuring a band. Based on the survey results, the photographer decided to feature all band members equally in a long shot on the cover, use artistic makeup but no additional props, place the magazine masthead behind the band, include only a few cover lines and puffs, and feature articles on the band's concerts, new songs, history, and fashion for female readers aged 15-25.
Front cover annotation 1
Brandon Flowers is the subject of the magazine cover. A medium shot is used to show the reader's perspective as being close enough to admire Flowers, while a close up would focus only on his face. The low camera angle makes Flowers appear towering over the audience, suggesting power. Shadows over his eye imply mystery, reinforcing the "Reborn" cover line about a new, unknown side. Flowers' black outfit and body language further enhance this mysterious persona. He looks directly at the reader, implying interaction and address.
Music video analysis on genre of
The document analyzes the music video for "Dip it Low" by Christina Milian. It discusses how the video uses body language and lyrics to portray the genre of the song. The gender portrayal is also important, with the female star being presented in a dominating role through seductive and focus on her appearance. The R&B genre of the video further reinforces stereotypes but aims to meet audience expectations through the star's performance.
Still image
This document contains descriptions of several still shots from a music video by the band Blink-182. The shots show the band running through the streets naked and causing disruptions to appeal to their target punk pop genre audience. A wide shot shows the band running through a basketball game between younger people. A close-up focuses on the lead singer for recognition purposes. Another wide shot uses the "male gaze" by including an attractive female and showing the band interacting with her.
Gender analysis
The video for Robin Thicke's "Blurred Lines" portrays women in a sexualized and stereotypical manner through their revealing clothing, positioning as followers like goats, and portrayal as objects for the male gaze. Throughout the video, the men observe and sing to the women, treating them as animals and taking advantage of them sexually. The location is constantly pink/white, reinforcing stereotypes of femininity, and the lyrics further objectify and insult the women. Overall, the video uses its visuals and sounds to sexually objectify and assert male dominance over women.
Brand identity
The document discusses several aspects of the punk genre as represented by the band The Sex Pistols. It notes that concert posters for The Sex Pistols and other punk bands advertised aggressive "moshing" dancing at concerts. Punk bands aimed to play for audiences as aggressive as themselves. Album covers and music videos related to the punk genre used low-key lighting and imagery that was bold, old-fashioned, and depicted aggression and rejection of consequences.
Costumes
The document discusses costume choices for a music video that aims to rebel against pop music conventions. It describes five costumes: a black leather jacket, black jeans, a white t-shirt, Doc Martens boots, and a black floral dress. The black leather jacket, jeans, boots, and ripped white t-shirt are meant to portray the artist's defiance of the pop genre. The black floral dress for the actress alludes to elegance and femininity commonly associated with older cinema. Most of the costumes were chosen because they are casual, relatable items that younger audience members could identify with while still conveying the song's anti-pop message.
Genre analysis
The document discusses fashion trends in male and female R&B music videos. For males, it notes they typically wear expensive smart/casual clothing like Trey Songz, Ne-Yo, and Chris Brown to portray wealth. Males also get tattoos and wear flashy jewelry like watches to appear sexy and desirable. For females, clothing can be either classy or revealing like Beyoncé, Rihanna, and Nicki Minaj depending on the song's narrative. Females also wear jewelry and do hair and makeup to look more glamorous and appealing to audiences. The purpose of these fashion choices is to intrigue viewers and influence them to emulate the artists' styles.
Corinne picture representation
The boys' serious facial expressions suggest that the target market will see the genre as important. As the good-looking boys take their music seriously, looks are important in the social group interested in dubstep. The dark background allows readers to understand where the music would be played, like clubs. Props like turntables and headphones hint at the technical aspects of making dubstep music.
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Prodcution schedule
This document outlines the production schedule for a video shoot, including pre-production, production, and post-production stages. Pre-production includes a location recce from October 9th to 15th, a test shoot on October 16th in the late afternoon and evening, and rehearsals from November 16th to 23rd in the late afternoon and evening. Production will be the main video shoot on November 23rd. Post-production includes an 18 week editing period from November 21st to March 12th. Key crew are available for most stages while availability of key cast is still to be confirmed.
To what extent is the identity of your chosen artist consistent across differ...
Chris Brown maintains a consistent brand image across different media through his appearance, which features a confident demeanor, low haircut, direct eye contact, and costume. His costume choices transition from quirky and stylish to smart, featuring items like leather jackets, suits in black and white, bow ties, and accessories like gold masks and diamond earrings. The costumes suggest traits like relaxation, professionalism, creativity, and success. They establish Chris Brown as poised, self-assured, and innovative through a tailored yet personalized style.
2 to what extent is the identity of your chosen artist consistent across diff...
This document analyzes the consistency of Chris Brown's brand identity across different media forms including album covers, magazine covers, and music videos. It finds that Brown maintains a confident and masculine image through direct eye contact, well-groomed appearance, and body language displayed at a mid-shot angle. Elements like costumes, haircuts, and facial expressions reinforce this suave yet bold personality across all of Brown's media platforms, allowing his target audience to understand and connect with his clear brand identity.
Sterling records
This document discusses different draft designs for a record label logo called Sterling Records. It analyzes each draft based on criteria of being sophisticated, bold, modern, appealing to their target audience, and having a font that reinforces the name. It rejects several drafts that do not meet the criteria, such as ones that are too bold, do not link to the name "Sterling", or connote the wrong genre of music. It ultimately selects a draft that is silk, sophisticated, projects tradition and wealth, and appeals to their target audience of young professionals. Minor edits are then made to the selected draft to construct the final logo design.
My artist profile
This document profiles an artist named Cordelia Fray, or Delia Fray. It describes her as humble, cool, quirky, and passionate. Similar artists mentioned include Ella Eyre, Emeli Sande, and Janelle Monae. The profile outlines Cordelia's background growing up in East London with a family of musicians and her education at The Brit School. It provides details of her early career participating in Britain's Got Talent and currently working on her debut album while also pursuing modeling.
Music mag ad research
The document discusses the design elements of an album cover and magazine advertisement for an artist. It analyzes the use of the artist's name, album name, hit single, release date, website, and key image. These design elements are intended to clearly communicate important information to consumers and promote awareness, identification and sales of the artist's new album.
Digipak ideas
This document outlines ideas for designing a digipak for a compilation album featuring songs from various artists. It discusses including information about songs and copyright on the CD disk. The front cover design ideas include featuring photos of all the artists or a single photo representing the album's feel. The back cover would include CD and DVD track lists with background images and information at the bottom. The spine would feature the album name to match the color scheme and provide cohesion across the design.
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To what extent is the identity of your chosen artist consistent across differ...
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2 to what extent is the identity of your chosen artist consistent across diff...
2 to what extent is the identity of your chosen artist consistent across diff...
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The front cover of Chris Brown's album F.A.M.E. uses a collage of colorful images and a picture of Chris Brown to represent his vibrant personality. The graffiti-style text and Brown's facial expression show his confidence and interest in graffiti. The back cover features Brown wearing a helmet, suggesting how he feels about his past issues in the media. The CD cover again shows Brown in a dancing pose, reflecting his talent and what he includes in his music videos. Both the back cover and CD cover use a simpler design than the front cover to show another side of Brown.
TASK C ANNOTATED DIGIPAK
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Digi pak analysis blog ready final
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The document analyzes several music posters and identifies common themes in their design. It summarizes that the posters typically use bright colors and trademarks to attract existing fans. They also use clear fonts to clearly show the artist's name. Geometric shapes and patterns like squares and stripes are used to make the posters visually appealing without confusing viewers. Black and white is also used alongside bright colors to keep the posters grounded and advertise the artist names in neutral terms.
Analysing print media texts
The front cover of Chris Brown's album F.A.M.E uses a collage of colorful images and pictures to represent his vibrant personality. Brown's facial expression shows power and confidence, while elements of graffiti hint at his interest in that art form. Though it does not reveal details about the music, the cover places primary focus on Brown as the artist. The back cover features Brown standing in a helmet and simple clothes, conveying a different, softer side. While differing in style from the front, it still effectively represents the artist. The CD cover echoes the back cover in depicting Brown leaning back as if dancing, highlighting his talent in that area and reinforcing his presence as the focus of the album.
Research into cd covers
The document discusses the purpose and design of album covers in the R&B genre. It analyzes covers for albums by Trey Songz, Bashy, Britney Spears, and Kelly Rowland. Some common techniques identified are using mid-shots of the artist that present them in a voyeuristic manner, simple color schemes, different fonts for the artist and album names, and a focus on drawing attention to the artist over the album title. Most R&B covers aim to advertise the artist through their appearance and style.
Research into cd covers
The document discusses the purpose and design of album covers in the R&B genre. It analyzes covers for albums by Trey Songz, Bashy, Britney Spears, and Kelly Rowland. Some common techniques identified are using mid-shots of the artist that present them in a voyeuristic manner, simple color schemes, different fonts for the artist and album names, and a focus on the artist as the central element. Overall, the analysis suggests R&B covers commonly feature portraits of the solo artist shot closely to draw attention to their appearance and style.
Miriam's Media Coursework Powerpoint
This document discusses planning for a media coursework project involving creating a pop/R&B magazine. It provides background on why the genre was chosen and discusses conventions of pop magazines, including common target audiences and longevity in the market. Example magazines in the genre are also listed and described briefly.
Star construction
This document discusses different aspects of Chris Brown's image and branding through his music videos. It describes how Brown tailors his clothing, hairstyle, makeup, and video settings to suit each song's narrative and target audience. Brown generally keeps the same hairstyle throughout his career but occasionally experiments. The settings in his videos usually involve dancing in large, open spaces. Fan sites and social media focus on promoting Brown's new album and keeping up with his personal life and relationships, which generates publicity. YouTube comments on his videos vary between praise for his work and criticism of his past issues.
Question 5
The document discusses how the magazine targeted its audience of jazz and R&B music fans aged 16-23. It used a simple color scheme of purple, black, and grey that would feel familiar. Cover lines featured popular musicians in those genres. Images on the contents page were from concerts to seem relatable. Articles used an interview format for interactivity and featured the cover model for consistency. The overall magazine design kept a consistent yet varied style to avoid boredom while appealing to both male and female readers of black origin.
Chris Brown
The music video for Chris Brown's "Don't Judge Me" fulfills the main purposes of a music video in 3 key ways:
1. It focuses primarily on Chris Brown, selling him as an artist to audiences through his emotional narrative performance.
2. It provides a memorable visual experience for the song through a story that gives insight into the song's meaning about sacrifice for loved ones.
3. It has been highly successful at increasing sales of the song, gaining over 44 million views on YouTube and high viewer engagement, showing it achieved its goal of promoting the song.
Codes and conventions print adverts
This document summarizes conventions of print advertisements for R&B albums. It discusses several examples, noting that they typically feature the artist prominently, with their name in large bold text. Female artists are often sexualized through poses and makeup. Albums are promoted through highlighting popular songs and release dates. Contrasting images and identities are used to portray different aspects of the artist's personality and appeal to audiences. Overall, the ads aim to create intimacy between the artist and consumer and sell the artist's image and music.
Magazine advert deconstruction
This document analyzes and summarizes various magazine advertisements and album covers. It discusses how elements like fonts, images, layout and color are used consistently across advertisements and album covers to create familiarity and synergy for the audience. Consistent branding allows the audience to easily recognize the artist and feel connected to both their music and public image.
Magazine advert analysis
This magazine advertisement features a close-up image of singer Jessie J that attracts fans and shows off her brand. She looks directly at the audience to create a connection and allow viewers to see her emotions, which is important for her pop/R&B music genre. The use of black and gold colors further suggests emotion as a theme. Centralized gold text makes it clear that this advertises Jessie J's new album "Who You Are". The lower text highlights the popular song "Price Tag" to spark interest in readers. Overall, the advert effectively promotes Jessie J's new album through her emotive image and emphasis on her hit song.
Evaluation Question 2
The combination of the main music video and ancillary texts like the album packaging was very effective in creating a strong brand identity for the band. Consistent fonts, colors, images, and iconography across all materials allowed audiences to easily identify the band's style and the themes of loss and grief associated with the album. Black was used to represent the stronger emotions while white symbolized purity. Images of a church and roses referenced the album's lyrics and themes in a sophisticated visual way. Audience feedback confirmed the promotional package successfully established the band's brand and genre.
Digi paks final
The Digipak advert for Jay-Z's album "Blueprint 3" features the album name, artist name, and release date in bold capital letters to draw attention. Instead of an image of Jay-Z, the central image is a pile of instruments representing the musical content and technology required to create the album. Three red lines positioned in the instruments reference the album's name and number "3" while generating intrigue. The color scheme of red, white, and black is used to highlight key elements and convey emotions like passion that compliment the album concept. Reviews/ratings and an image of Jay-Z are conventions absent from the advert.
Digi Adverts
The Digipak advert for Jay-Z's album "Blueprint 3" features the album name, artist name, and release date in bold capital letters to draw attention. An image of instruments and recording equipment represents the musical content and creativity that went into making the album. A red, white, and black color scheme is used, with red lines drawing the eye to the instruments. Key information is highlighted through typography and color while leaving space uncluttered.
Research similar product advertisement
The document analyzes three music magazine advertisements for albums by Jay-Z, Lana Del Rey, and Rihanna. It summarizes the key elements of each ad, including main images featuring the artists, mastheads with the artist names, and inclusion of popular song titles and release dates. The conclusion indicates that conventions like prominent artist names and images, song listings, and purchase information will be applied to a magazine ad ancillary task.
Research: Similar Product (Magazine Advertisement)
The document analyzes three music magazine advertisements for albums by Jay-Z, Lana Del Rey, and Rihanna. It summarizes the key elements of each ad, including main images featuring the artists, mastheads with the artist names, and inclusion of popular song titles and release dates. The conclusion indicates that conventions like prominent artist names and images, song listings, and purchase information will be applied to a magazine ad ancillary task.
Yeah x3
Chris Brown is represented in various ways throughout the music video for "Yeah 3x". In the beginning, he is shown doing a backflip in slow motion to portray him as an athletic performer. Throughout the video, shots of Brown dancing showcase his talents beyond just singing. The music video starts with the song title and Brown's name in bold, colorful writing. It is promoted through the use of kids admiring Brown and a large group following him, showing his broad fan base. The choreographed dancing follows conventions of the R&B/pop genre. The dancing in the video connects to the lyrics that reference moving bodies and feeling happy. The women are not objectified but instead shown dancing alongside Brown wearing similar clothes.
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Research: Similar Product (Magazine Advertisement)
Research: Similar Product (Magazine Advertisement)
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Researching YouTube Headers
The document summarizes conventions used in YouTube headers for music artists. It notes that the artist's name is usually in a bigger, different font to emphasize importance. The album or single title is slightly smaller but can also be highlighted through color or other means. The point of sale icon is the smallest but still significant as it helps generate income. The avatar image generally shows less promotion is needed for bigger artists as their name and brand are already established with audiences.
Record label research
Sam Smith is signed to Capitol Records, which is owned by Universal Music Group. Ed Sheeran's career has been funded by multiple record labels including Capitol Records. Jay Sean is signed to Cash Money Records but his music is distributed by Republic Records, which is owned by Universal Music Group. Rita Ora's career is solely funded by Roc Nation, which is owned by Jay-Z. Many UK artists in the R&B genre sign with subsidiary record labels of large conglomerates because smaller independent labels cannot afford all the financial support that artists require.
Record label
The document discusses record labels for four UK R&B artists: Sam Smith is signed to Capitol Records; Ed Sheeran's career is funded by three labels; Jay Sean is signed to Cash Money Records but distributed by Republic Records which is owned by Universal; and Rita Ora's career is solely funded by Roc Nation which is owned by Jay-Z. It notes that three of the four artists are signed to subsidiaries of large conglomerates, likely because smaller labels cannot afford all the support an artist requires, such as Jay Sean being signed to Cash Money but distributed by Republic under Universal.
Record label
The document discusses record labels for four UK R&B artists: Sam Smith is signed to Capitol Records; Ed Sheeran's career is funded by three labels; Jay Sean is signed to Cash Money Records but distributed by Republic Records which is owned by Universal; and Rita Ora's career is solely funded by Roc Nation which is owned by Jay-Z. It notes that three of the four artists are signed to subsidiaries of large conglomerates, likely because smaller labels cannot afford all the support an artist requires, such as Jay Sean being signed to Cash Money but distributed by Republic under Universal.
Scan
The document discusses a complex issue involving many interrelated factors. It references challenges, tradeoffs, and uncertainties. Overall it seems to analyze a multifaceted problem without clearly advocating any single approach or solution.
Postmodern Music Video Analysis: Lady Gaga & Beyonce - Telephone
1. The video references several Tarantino films like Kill Bill and Pulp Fiction through elements like the Pussy Wagon vehicle and character names.
2. Lady Gaga challenges 1950s gender stereotypes as she poisons customers while dressed as a chef.
3. Scenes in a prison represent themes of fame and sexuality from previous videos, as Lady Gaga explores her identity behind bars.
Album covers
This document analyzes and summarizes the key elements and intended messages conveyed by the album artwork designs. It discusses aspects like the costumes worn by the artist in one design which suggest intelligence and being ahead of time. Another design uses vibrant spray paint colors and an urban street setting to potentially connect with a young or quirky audience. A vintage-style design aims to invoke a sense of revival.
Ads
The document contains album covers, promotional materials, and descriptions for various music artists. There are images of album covers showing provocative poses by models as well as images of artists with makeup and outfits alluding to themes of wealth, prestige, and sexuality. Descriptions provide context on the artists, album names, singles, and styles of music which include references to alternative rock, post-punk, gothic rock, and R&B with parental advisory labels for risque content.
Magazine analysis
Q magazine is a British music publication that debuted in 1986. It was produced by Bauer Media Group and focuses on rock music genres. The magazine has a primarily young, affluent audience. While it originally focused heavily on music, in 2008 it began featuring more non-music content which resulted in some criticism from loyal readers. The magazine publishes stories on new music releases, interviews with artists, album reviews, and concert tour information. For example, a 2009 cover story on the band The Killers discussed their new album and tour. The magazine runs advertisements that relate to the target audience's interests in music, drinking, smoking, and social events.
Question 3
Bauer media group produces entertainment through various outlets like the internet, magazines, and phone applications. They create content they know will sell to wide audiences. The author believes Bauer's experience producing similar music magazines and their established organization make them well-suited to help a unique new music magazine called "X" reach its full potential through their industry connections and experience promoting niche content.
Interview analysis
The interview summarizes an interview between a magazine journalist and up-and-coming pop star Delia Fray. Some key details include:
- Delia Fray was discovered by the journalist in a chance encounter while shopping
- Delia discusses her love of music, fashion, and food while sipping a fruit drink
- She promotes her upcoming album "Rain or Shine" which has a mellow yet escalating sound across 5 tracks
- Delia seems mature for her age of 15 and is dedicated to her craft while still trying to have a normal social life
My audience
The document discusses conducting a questionnaire to help achieve the objective of inspiring self-awareness in magazine consumers. The questionnaire found that most consumers access music online and over half are female. It also found that including a free gift with the magazine would likely increase its success. As online platforms are how most learn of new artists, the free gift should be something accessible online like a download. The target audience of the magazine is teenage girls aged 13-18, and including content they can personally relate to as well as learn from would appeal to their motivations for reading based on uses and gratification theory.
My artist profile
Cordelia Fray is a 16-year-old singer-songwriter from East London who performs under the stage name Delia Fray. She grew up in a musical family and attended the Brit School for performing arts. Fray came in second on Britain's Got Talent in 2011, which led to her being signed by Island Records. She is currently working on her debut album and also pursuing commercial modeling. Fray enjoys many hobbies including social media, music, reading, sports and dance. Her artistic style is described as humble, cool, quirky, knowledgeable, eclectic, eccentric, fashionable and down to earth.
Eliza doolittle
- Eliza Doolittle is a British singer-songwriter signed to Parlophone Records who gained recognition touring independently with her band before entering the charts.
- Her discography includes three albums - Skinny Genes, Eliza Doolittle, and In Your Hands - with her debut album producing two top 40 singles in the UK.
- She presents herself as confident and creative with an eclectic style not bound by commercial fashion, exemplifying the indie pop genre of her music through both her sound and self-assured public persona.
Jay z textual analysis
Jay-Z is one of the most successful hip-hop artists and entrepreneurs with a net worth of nearly $500 million in 2012. He was featured on the cover of Blender magazine to represent his growing success. Jay-Z's name is displayed most prominently on the cover to signify his importance. The color scheme and Jay-Z's costume in the photo embody his roots growing up in Brooklyn and reference his film American Gangster. The magazine mentions various celebrities from different musical genres and reality TV to appeal to a wide audience beyond just music fans.
Dp analysis
This document summarizes key design elements of magazine features and pages. It discusses the purpose and importance of elements like the center of visual interest (CVI), pull quotes, headings, logos, captions, credits and page numbers. These elements are used to attract readers, provide context and information, and establish a connection between artists and fans. Color schemes, font sizes, images and negative space are intentionally designed to guide the reader and emphasize important details. The document also analyzes how specific elements in sample feature pages portray the subjects and reinforce themes.
Front cover research
The document contains visual elements commonly found on magazine covers including:
1) A center of visual interest featuring the main celebrity to attract readers. Descriptions of their appearance conform to gender stereotypes.
2) A small masthead placed behind the celebrity to emphasize their importance over the magazine name.
3) The magazine name and logo conveying the publication's brand.
4) Secondary details like date, barcode, and website to provide additional information to potential customers. Descriptions of celebrities and their clothing are meant to generate reader interest. Font sizes, colors and placements of elements are designed to guide attention and sell the key aspects of the issue.
My audience
The target audience of the magazine is teenage girls aged 13-18. The majority consume music online which will help the magazine inspire self-confidence and potential. Most consumers are likely to be female, furthering the goal of empowerment. Including a free gift with the magazine may also lead to success given that 70% of respondents felt it should.
Eliza doolittle
Eliza Doolittle is a British singer-songwriter born in 1988 in Westminster, London. She gained recognition touring the UK with her band and performing at schools. Her debut album, titled Eliza Doolittle, was released in 2010 and produced two top 40 singles. She produces pop and indie-pop music and has a confident and creative public persona. Her eclectic style in clothing and individuality are also notable attributes.
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一比一原版加拿大多伦多大学毕业证（uoft毕业证书）如何办理
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
一比一原版(QUT毕业证)昆士兰科技大学毕业证成绩单如何办理
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国外毕业证学位证成绩单如何办理：
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6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一上床就呼呼大睡山娃却辗转反侧睡不着山娃一次又一次摸索着爬起来一遍又一遍地用暖乎乎的冷水擦身往水泥地板上一勺一勺的洒水也不知过了多久山娃竟迷迷糊糊地睡着了迷迷糊糊地又闻到了闹钟刺耳的铃声和哐咣的关和
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- 1. • Album cover by Ron English, is a tool which is quite synonymous with Chris Brown’s creative personality!
- 5. Chris Brown’s branding remains consistent throughout the 3 aspects of media shown below, for the album F.A.M.E.. • The costume transitions from quirky and stylish (album cover), to smart (magazine and video). The styling of the clothes consistently stay the same, in the sense that it always looks neat; Chris Brown is presented as poised and confident which definitely prevails through his music. Furthermore, the costume assumes a sense of professionalism, yet artistic qualities through the use of accessories. The accessories as well as the setting also help to brighten up the fairly dull colours used. • Instead of looking away, the artist is employing direct eye-contact, helping to show the confidence in himself as an artist. This device is made use of in both the album and magazine cover, also the video. The eye-contact works successfully in line with the smart attire, as it represents masculinity. Despite the romantic love songs he makes, he is still able possess his masculine qualities. This device is made use of , to enable a connection with the audience (fans). It almost allows the audience to feel empathy towards him, through his music and heavy public attention he receives. • In addition the eye contact given breaks the fourth wall, stepping out of their reality in order to connect with the audience. The shattering of the illusion is to stop the audience from feeling separate, even more so as he’d be considered as looking at the female fans, by which they will feel valued. • Another aspect used to show consistent branding, is the artists’ low haircut. This device invites the audience to believe this male artist is always well groomed. This could be because it fits the ideology of what women find attractive about men, this works in line with the suit which women also find appealing on men. Chris Brown’s songs are often to targeted to females, so this approach will help enhance that audience demographic. • Mid-shots is a technique which appears to be persistent, indicating that there is importance in not only his appearance or facial expression, but also his body language. The positioning of his body exudes boundless assurance in himself and his sexuality. Which refers back to the breaking of the fourth wall, as he is potentially singing this song to female portion of his support base.